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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC1C7 it is the complementary color #D23E38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC1C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC1C7 shade: #32C1C2, #43D3D5, #54E5E8, #65F7FB and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC1C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC1C7 shade: #2DC1C7, #1CAFB4, #0B9DA1, #008B8E and #00797B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC1C7 shade: #2DC1C7, #2D97C7, #2D6EC7, #2D44C7 and #3F2DC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC1C7 shade: #2DC1C7, #2D97C7, #2D6EC7, #2D44C7 and #2D2DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC1C7 shade matches the following richer shades: #2DC1C7, #19D3DB and #05E6EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC1C7 shade: #2DC1C7, #41AFB3, #549C9F, #688A8C and #7C7878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC1C7 shade: #2DC77A, #2DC7A3, #2DC2C7, #2D99C7 and #2D70C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC1C7 shade: #1E8084, #25A0A5, #2DC1C7, #48D0D5 and #6AD8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC1C7 shade: #2DC1C7, #512DC7 and #C78E2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC1C7 shade: #2DC1C7, #C72DC2 and #C2C72D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC1C7 shade: #2DC1C7, #512DC7, #C7322D and #A3C72D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC1C7 shade: #2DC1C7, #7F2DC7, #C7322D and #75C72D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

Complementary color

CMYK 0 / 70 / 73 / 18

HEX #D23E38

RGB 210 62 56

HSL 2.34, 0.63%, 0.52%

LAB 48.8, 57.35, 37.45

 

CMYK 74 / 1 / 0 / 24

HEX #32C1C2

RGB 50 193 194

HSL 180.42, 0.59%, 0.48%

LAB 71.36, -35.65, -11.22

 

CMYK 69 / 1 / 0 / 16

HEX #43D3D5

RGB 67 211 213

HSL 180.82, 0.63%, 0.55%

LAB 77.63, -36.47, -12.1

 

CMYK 64 / 1 / 0 / 9

HEX #54E5E8

RGB 84 229 232

HSL 181.22, 0.76%, 0.62%

LAB 83.84, -37.08, -12.9

 

CMYK 60 / 2 / 0 / 2

HEX #65F7FB

RGB 101 247 251

HSL 181.6, 0.95%, 0.69%

LAB 89.98, -37.53, -13.63

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 84 / 3 / 0 / 29

HEX #1CAFB4

RGB 28 175 180

HSL 181.97, 0.73%, 0.41%

LAB 65.12, -33.43, -12.89

 

CMYK 93 / 2 / 0 / 37

HEX #0B9DA1

RGB 11 157 161

HSL 181.6, 0.87%, 0.34%

LAB 58.75, -31.76, -11.81

 

CMYK 100 / 2 / 0 / 44

HEX #008B8E

RGB 0 139 142

HSL 181.27, 1%, 0.28%

LAB 52.31, -29.65, -10.6

 

CMYK 100 / 2 / 0 / 52

HEX #00797B

RGB 0 121 123

HSL 180.98, 1%, 0.24%

LAB 45.78, -27.04, -9.23

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 77 / 24 / 0 / 22

HEX #2D97C7

RGB 45 151 199

HSL 198.7, 0.63%, 0.48%

LAB 58.8, -13.31, -33.18

 

CMYK 77 / 45 / 0 / 22

HEX #2D6EC7

RGB 45 110 199

HSL 214.68, 0.63%, 0.48%

LAB 46.75, 11.03, -52.23

 

CMYK 77 / 66 / 0 / 22

HEX #2D44C7

RGB 45 68 199

HSL 231.04, 0.63%, 0.48%

LAB 35.63, 38.08, -70.29

 

CMYK 68 / 77 / 0 / 22

HEX #3F2DC7

RGB 63 45 199

HSL 247.01, 0.63%, 0.48%

LAB 31.94, 52.94, -76.34

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 77 / 24 / 0 / 22

HEX #2D97C7

RGB 45 151 199

HSL 198.7, 0.63%, 0.48%

LAB 58.8, -13.31, -33.18

 

CMYK 77 / 45 / 0 / 22

HEX #2D6EC7

RGB 45 110 199

HSL 214.68, 0.63%, 0.48%

LAB 46.75, 11.03, -52.23

 

CMYK 77 / 66 / 0 / 22

HEX #2D44C7

RGB 45 68 199

HSL 231.04, 0.63%, 0.48%

LAB 35.63, 38.08, -70.29

 

CMYK 77 / 77 / 0 / 22

HEX #2D2DC7

RGB 45 45 199

HSL 240, 0.63%, 0.48%

LAB 30.78, 51.47, -78.29

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 89 / 4 / 0 / 14

HEX #19D3DB

RGB 25 211 219

HSL 182.47, 0.8%, 0.48%

LAB 77.23, -38.47, -15.98

 

CMYK 98 / 4 / 0 / 6

HEX #05E6EF

RGB 5 230 239

HSL 182.31, 0.96%, 0.48%

LAB 83.37, -41.7, -17.4

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 64 / 2 / 0 / 30

HEX #41AFB3

RGB 65 175 179

HSL 182.11, 0.47%, 0.48%

LAB 65.78, -29.4, -11.28

 

CMYK 47 / 2 / 0 / 38

HEX #549C9F

RGB 84 156 159

HSL 182.4, 0.31%, 0.48%

LAB 60.04, -21.67, -8.58

 

CMYK 26 / 1 / 0 / 45

HEX #688A8C

RGB 104 138 140

HSL 183.33, 0.15%, 0.48%

LAB 55.09, -11.35, -4.96

 

CMYK 0 / 3 / 3 / 51

HEX #7C7878

RGB 124 120 120

HSL 0, 0.02%, 0.48%

LAB 50.77, 1.52, 0.54

 

CMYK 77 / 0 / 39 / 22

HEX #2DC77A

RGB 45 199 122

HSL 150, 0.63%, 0.48%

LAB 71.43, -56.4, 27.69

 

CMYK 77 / 0 / 18 / 22

HEX #2DC7A3

RGB 45 199 163

HSL 165.97, 0.63%, 0.48%

LAB 72.26, -47.28, 6.97

 

CMYK 77 / 3 / 0 / 22

HEX #2DC2C7

RGB 45 194 199

HSL 181.95, 0.63%, 0.48%

LAB 71.73, -35.17, -13.4

 

CMYK 77 / 23 / 0 / 22

HEX #2D99C7

RGB 45 153 199

HSL 197.92, 0.63%, 0.48%

LAB 59.4, -14.41, -32.25

 

CMYK 77 / 44 / 0 / 22

HEX #2D70C7

RGB 45 112 199

HSL 213.9, 0.63%, 0.48%

LAB 47.33, 9.77, -51.31

 

CMYK 77 / 3 / 0 / 48

HEX #1E8084

RGB 30 128 132

HSL 182.35, 0.63%, 0.32%

LAB 48.74, -25.31, -10.08

 

CMYK 78 / 3 / 0 / 35

HEX #25A0A5

RGB 37 160 165

HSL 182.34, 0.63%, 0.4%

LAB 60.12, -30.07, -11.99

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 66 / 2 / 0 / 16

HEX #48D0D5

RGB 72 208 213

HSL 182.13, 0.63%, 0.56%

LAB 76.86, -34.38, -13.24

 

CMYK 52 / 2 / 0 / 13

HEX #6AD8DD

RGB 106 216 221

HSL 182.61, 0.63%, 0.64%

LAB 80.4, -30.06, -12.12

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 59 / 77 / 0 / 22

HEX #512DC7

RGB 81 45 199

HSL 254.03, 0.63%, 0.48%

LAB 33.46, 54.85, -73.78

 

CMYK 0 / 29 / 77 / 22

HEX #C78E2D

RGB 199 142 45

HSL 37.79, 0.63%, 0.48%

LAB 63.08, 13.05, 56.91

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 0 / 77 / 3 / 22

HEX #C72DC2

RGB 199 45 194

HSL 301.95, 0.63%, 0.48%

LAB 49.39, 73.87, -44.28

 

CMYK 3 / 0 / 77 / 22

HEX #C2C72D

RGB 194 199 45

HSL 61.95, 0.63%, 0.48%

LAB 77.58, -19.1, 70.09

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 59 / 77 / 0 / 22

HEX #512DC7

RGB 81 45 199

HSL 254.03, 0.63%, 0.48%

LAB 33.46, 54.85, -73.78

 

CMYK 0 / 75 / 77 / 22

HEX #C7322D

RGB 199 50 45

HSL 1.95, 0.63%, 0.48%

LAB 45.1, 57.71, 38.99

 

CMYK 18 / 0 / 77 / 22

HEX #A3C72D

RGB 163 199 45

HSL 74.03, 0.63%, 0.48%

LAB 75.34, -31.94, 67.22

 

CMYK 77 / 3 / 0 / 22

HEX #2DC1C7

RGB 45 193 199

HSL 182.34, 0.63%, 0.48%

LAB 71.43, -34.7, -13.85

 

CMYK 36 / 77 / 0 / 22

HEX #7F2DC7

RGB 127 45 199

HSL 271.95, 0.63%, 0.48%

LAB 38.75, 61.42, -64.9

 

CMYK 0 / 75 / 77 / 22

HEX #C7322D

RGB 199 50 45

HSL 1.95, 0.63%, 0.48%

LAB 45.1, 57.71, 38.99

 

CMYK 41 / 0 / 77 / 22

HEX #75C72D

RGB 117 199 45

HSL 91.95, 0.63%, 0.48%

LAB 72.77, -49.02, 63.9

 

Description

Color code: HEX #2DC1C7 | qconv.com Color code: HEX #2DC1C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 193 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 193 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 3 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 3% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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