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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC244 it is the complementary color #D23DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC244 shade: #32C23F, #43D452, #54E665, #65F878 and #76FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC244 shade: #2DC244, #1CB031, #0B9E1E, #008C0B and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC244 shade: #2DC244, #3EC22D, #66C22D, #8EC22D and #B6C22D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC244 shade: #2DC244, #2DC26C, #2DC294, #2DC2BC and #2D9FC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC244 shade matches the following richer shades: #2DC244, #1AD537 and #06E829

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC244 shade: #2DC244, #40AE51, #549B5F, #67876C and #7B747A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC244 shade: #66C22D, #3EC22D, #2DC243, #2DC26B and #2DC293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC244 shade: #1D7F2C, #25A038, #2DC244, #45D35B and #66DB78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC244 shade: #2DC244, #2D8EC2 and #C22D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC244 shade: #2DC244, #432DC2 and #C2432D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC244 shade: #2DC244, #2D8EC2, #C22DAB and #C2612D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC244 shade: #2DC244, #2D61C2, #C22DAB and #C28E2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

Complementary color

CMYK 0 / 71 / 11 / 18

HEX #D23DBB

RGB 210 61 187

HSL 309.26, 0.62%, 0.53%

LAB 52.54, 70.37, -35.13

 

CMYK 74 / 0 / 68 / 24

HEX #32C23F

RGB 50 194 63

HSL 125.42, 0.59%, 0.48%

LAB 69.2, -62.56, 53.14

 

CMYK 68 / 0 / 61 / 17

HEX #43D452

RGB 67 212 82

HSL 126.21, 0.63%, 0.55%

LAB 75.38, -63.67, 52.07

 

CMYK 63 / 0 / 56 / 10

HEX #54E665

RGB 84 230 101

HSL 126.99, 0.74%, 0.62%

LAB 81.52, -64.36, 50.83

 

CMYK 59 / 0 / 52 / 3

HEX #65F878

RGB 101 248 120

HSL 127.76, 0.91%, 0.68%

LAB 87.61, -64.78, 49.53

 

CMYK 54 / 0 / 45 / 0

HEX #76FF8B

RGB 118 255 139

HSL 129.2, 1%, 0.73%

LAB 90.43, -60.88, 44.17

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 84 / 0 / 72 / 31

HEX #1CB031

RGB 28 176 49

HSL 128.51, 0.73%, 0.4%

LAB 62.94, -61.02, 51.94

 

CMYK 93 / 0 / 81 / 38

HEX #0B9E1E

RGB 11 158 30

HSL 127.76, 0.87%, 0.33%

LAB 56.7, -58.43, 52.25

 

CMYK 100 / 0 / 92 / 45

HEX #008C0B

RGB 0 140 11

HSL 124.71, 1%, 0.27%

LAB 50.43, -54.79, 51.28

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 68 / 0 / 77 / 24

HEX #3EC22D

RGB 62 194 45

HSL 113.15, 0.62%, 0.47%

LAB 69.32, -61.94, 59.93

 

CMYK 47 / 0 / 77 / 24

HEX #66C22D

RGB 102 194 45

HSL 97.05, 0.62%, 0.47%

LAB 70.59, -51.84, 61.6

 

CMYK 27 / 0 / 77 / 24

HEX #8EC22D

RGB 142 194 45

HSL 80.94, 0.62%, 0.47%

LAB 72.58, -37.92, 64.18

 

CMYK 6 / 0 / 77 / 24

HEX #B6C22D

RGB 182 194 45

HSL 64.83, 0.62%, 0.47%

LAB 75.28, -21.7, 67.66

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 77 / 0 / 44 / 24

HEX #2DC26C

RGB 45 194 108

HSL 145.37, 0.62%, 0.47%

LAB 69.63, -57.15, 32.57

 

CMYK 77 / 0 / 24 / 24

HEX #2DC294

RGB 45 194 148

HSL 161.48, 0.62%, 0.47%

LAB 70.37, -48.89, 12.4

 

CMYK 77 / 0 / 3 / 24

HEX #2DC2BC

RGB 45 194 188

HSL 177.58, 0.62%, 0.47%

LAB 71.4, -38.38, -7.89

 

CMYK 77 / 18 / 0 / 24

HEX #2D9FC2

RGB 45 159 194

HSL 194.09, 0.62%, 0.47%

LAB 61, -19.34, -26.96

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 88 / 0 / 74 / 16

HEX #1AD537

RGB 26 213 55

HSL 129.3, 0.78%, 0.47%

LAB 74.88, -71.74, 61.92

 

CMYK 97 / 0 / 82 / 9

HEX #06E829

RGB 6 232 41

HSL 129.29, 0.95%, 0.47%

LAB 80.69, -78.88, 71.54

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 63 / 0 / 53 / 32

HEX #40AE51

RGB 64 174 81

HSL 129.27, 0.46%, 0.47%

LAB 63.31, -50.85, 38.34

 

CMYK 46 / 0 / 39 / 39

HEX #549B5F

RGB 84 155 95

HSL 129.3, 0.3%, 0.47%

LAB 58.18, -35.61, 24.71

 

CMYK 24 / 0 / 20 / 47

HEX #67876C

RGB 103 135 108

HSL 129.38, 0.13%, 0.47%

LAB 53.27, -17.06, 10.89

 

CMYK 0 / 6 / 1 / 52

HEX #7B747A

RGB 123 116 122

HSL 308.57, 0.03%, 0.47%

LAB 49.63, 3.87, -2.34

 

CMYK 47 / 0 / 77 / 24

HEX #66C22D

RGB 102 194 45

HSL 97.05, 0.62%, 0.47%

LAB 70.59, -51.84, 61.6

 

CMYK 68 / 0 / 77 / 24

HEX #3EC22D

RGB 62 194 45

HSL 113.15, 0.62%, 0.47%

LAB 69.32, -61.94, 59.93

 

CMYK 77 / 0 / 65 / 24

HEX #2DC243

RGB 45 194 67

HSL 128.86, 0.62%, 0.47%

LAB 69.15, -62.89, 51.41

 

CMYK 77 / 0 / 45 / 24

HEX #2DC26B

RGB 45 194 107

HSL 144.97, 0.62%, 0.47%

LAB 69.61, -57.32, 33.06

 

CMYK 77 / 0 / 24 / 24

HEX #2DC293

RGB 45 194 147

HSL 161.07, 0.62%, 0.47%

LAB 70.35, -49.12, 12.91

 

CMYK 77 / 0 / 65 / 50

HEX #1D7F2C

RGB 29 127 44

HSL 129.18, 0.63%, 0.31%

LAB 46.47, -45.25, 36.35

 

CMYK 77 / 0 / 65 / 37

HEX #25A038

RGB 37 160 56

HSL 129.27, 0.62%, 0.39%

LAB 57.87, -54.03, 43.64

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 67 / 0 / 57 / 17

HEX #45D35B

RGB 69 211 91

HSL 129.3, 0.62%, 0.55%

LAB 75.21, -61.89, 47.85

 

CMYK 53 / 0 / 45 / 14

HEX #66DB78

RGB 102 219 120

HSL 129.23, 0.62%, 0.63%

LAB 78.95, -53.64, 38.76

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 77 / 27 / 0 / 24

HEX #2D8EC2

RGB 45 142 194

HSL 200.94, 0.62%, 0.47%

LAB 55.89, -10.04, -34.91

 

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 65 / 77 / 0 / 24

HEX #432DC2

RGB 67 45 194

HSL 248.86, 0.62%, 0.47%

LAB 31.73, 51.83, -73.74

 

CMYK 0 / 65 / 77 / 24

HEX #C2432D

RGB 194 67 45

HSL 8.86, 0.62%, 0.47%

LAB 46.54, 49.62, 40.23

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 77 / 27 / 0 / 24

HEX #2D8EC2

RGB 45 142 194

HSL 200.94, 0.62%, 0.47%

LAB 55.89, -10.04, -34.91

 

CMYK 0 / 77 / 12 / 24

HEX #C22DAB

RGB 194 45 171

HSL 309.26, 0.62%, 0.47%

LAB 47.35, 69.4, -34.09

 

CMYK 0 / 50 / 77 / 24

HEX #C2612D

RGB 194 97 45

HSL 20.94, 0.62%, 0.47%

LAB 52.07, 35.26, 45.94

 

CMYK 77 / 0 / 65 / 24

HEX #2DC244

RGB 45 194 68

HSL 129.26, 0.62%, 0.47%

LAB 69.15, -62.78, 50.99

 

CMYK 77 / 50 / 0 / 24

HEX #2D61C2

RGB 45 97 194

HSL 219.06, 0.62%, 0.47%

LAB 42.77, 17.46, -55.76

 

CMYK 0 / 77 / 12 / 24

HEX #C22DAB

RGB 194 45 171

HSL 309.26, 0.62%, 0.47%

LAB 47.35, 69.4, -34.09

 

CMYK 0 / 27 / 77 / 24

HEX #C28E2D

RGB 194 142 45

HSL 39.06, 0.62%, 0.47%

LAB 62.51, 10.85, 56.17

 

Description

Color code: HEX #2DC244 | qconv.com Color code: HEX #2DC244 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 194 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 194 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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