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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DCACB it is the complementary color #D23534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DCACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DCACB shade: #32CAC6, #43DCD9, #54EEEC, #65FFFF and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DCACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DCACB shade: #2DCACB, #1CB8B8, #0BA6A5, #009492 and #00827F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DCACB shade: #2CCBCC, #2CA0CC, #2C75CC, #2C4ACC and #3A2CCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DCACB shade: #2CCBCC, #2CA0CC, #2C75CC, #2C4ACC and #2C2CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DCACB shade matches the following richer shades: #2CCBCC, #18DFE1 and #04F3F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DCACB shade: #2CCBCC, #41B7B8, #55A3A4, #699090 and #7D7C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DCACB shade: #2CCC77, #2CCCA2, #2CCCCC, #2CA2CC and #2C77CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DCACB shade: #1E8889, #25AAAB, #2CCBCC, #4BD6D7 and #6DDEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DCACB shade: #2DCACB, #4C2CCC and #CC8C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DCACB shade: #2DCACB, #CC2CCC and #CCCC2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DCACB shade: #2DCACB, #4C2CCC, #CC2C2C and #ACCC2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DCACB shade: #2DCACB, #7C2CCC, #CC2C2C and #7CCC2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 0 / 20

HEX #2DCACB

RGB 45 202 203

HSL 180.38, 0.64%, 0.49%

LAB 74.26, -37.7, -11.79

 

Complementary color

CMYK 0 / 75 / 75 / 18

HEX #D23534

RGB 210 53 52

HSL 0.38, 0.64%, 0.51%

LAB 47.62, 60.33, 38.39

 

CMYK 75 / 0 / 2 / 21

HEX #32CAC6

RGB 50 202 198

HSL 178.42, 0.6%, 0.49%

LAB 74.19, -38.64, -9.18

 

CMYK 70 / 0 / 1 / 14

HEX #43DCD9

RGB 67 220 217

HSL 178.82, 0.69%, 0.56%

LAB 80.4, -39.47, -10.11

 

CMYK 65 / 0 / 1 / 7

HEX #54EEEC

RGB 84 238 236

HSL 179.22, 0.82%, 0.63%

LAB 86.55, -40.09, -10.95

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 78 / 0 / 0 / 20

HEX #2DCACB

RGB 45 202 203

HSL 180.38, 0.64%, 0.49%

LAB 74.26, -37.7, -11.79

 

CMYK 85 / 0 / 0 / 28

HEX #1CB8B8

RGB 28 184 184

HSL 180, 0.74%, 0.42%

LAB 68.01, -36.42, -10.77

 

CMYK 93 / 0 / 1 / 35

HEX #0BA6A5

RGB 11 166 165

HSL 179.61, 0.88%, 0.35%

LAB 61.71, -34.77, -9.64

 

CMYK 100 / 0 / 1 / 42

HEX #009492

RGB 0 148 146

HSL 179.19, 1%, 0.29%

LAB 55.33, -32.68, -8.37

 

CMYK 100 / 0 / 2 / 49

HEX #00827F

RGB 0 130 127

HSL 178.62, 1%, 0.25%

LAB 48.88, -30.13, -6.96

 

CMYK 78 / 0 / 0 / 20

HEX #2CCBCC

RGB 44 203 204

HSL 180.38, 0.65%, 0.49%

LAB 74.58, -37.95, -11.86

 

CMYK 78 / 22 / 0 / 20

HEX #2CA0CC

RGB 44 160 204

HSL 196.5, 0.65%, 0.49%

LAB 61.69, -16.61, -31.5

 

CMYK 78 / 43 / 0 / 20

HEX #2C75CC

RGB 44 117 204

HSL 212.63, 0.65%, 0.49%

LAB 49.03, 8.42, -51.45

 

CMYK 78 / 64 / 0 / 20

HEX #2C4ACC

RGB 44 74 204

HSL 228.75, 0.65%, 0.49%

LAB 37.47, 36, -70.18

 

CMYK 72 / 78 / 0 / 20

HEX #3A2CCC

RGB 58 44 204

HSL 245.25, 0.65%, 0.49%

LAB 31.94, 54.51, -79.25

 

CMYK 78 / 0 / 0 / 20

HEX #2CCBCC

RGB 44 203 204

HSL 180.38, 0.65%, 0.49%

LAB 74.58, -37.95, -11.86

 

CMYK 78 / 22 / 0 / 20

HEX #2CA0CC

RGB 44 160 204

HSL 196.5, 0.65%, 0.49%

LAB 61.69, -16.61, -31.5

 

CMYK 78 / 43 / 0 / 20

HEX #2C75CC

RGB 44 117 204

HSL 212.63, 0.65%, 0.49%

LAB 49.03, 8.42, -51.45

 

CMYK 78 / 64 / 0 / 20

HEX #2C4ACC

RGB 44 74 204

HSL 228.75, 0.65%, 0.49%

LAB 37.47, 36, -70.18

 

CMYK 78 / 78 / 0 / 20

HEX #2C2CCC

RGB 44 44 204

HSL 240, 0.65%, 0.49%

LAB 31.11, 53.5, -80.67

 

CMYK 78 / 0 / 0 / 20

HEX #2CCBCC

RGB 44 203 204

HSL 180.38, 0.65%, 0.49%

LAB 74.58, -37.95, -11.86

 

CMYK 89 / 1 / 0 / 12

HEX #18DFE1

RGB 24 223 225

HSL 180.6, 0.81%, 0.49%

LAB 80.96, -42.15, -13.58

 

CMYK 98 / 1 / 0 / 4

HEX #04F3F5

RGB 4 243 245

HSL 180.5, 0.97%, 0.49%

LAB 87.35, -45.69, -14.57

 

CMYK 78 / 0 / 0 / 20

HEX #2CCBCC

RGB 44 203 204

HSL 180.38, 0.65%, 0.49%

LAB 74.58, -37.95, -11.86

 

CMYK 65 / 1 / 0 / 28

HEX #41B7B8

RGB 65 183 184

HSL 180.5, 0.48%, 0.49%

LAB 68.35, -31.83, -10.2

 

CMYK 48 / 1 / 0 / 36

HEX #55A3A4

RGB 85 163 164

HSL 180.76, 0.32%, 0.49%

LAB 62.34, -23.67, -7.96

 

CMYK 27 / 0 / 0 / 44

HEX #699090

RGB 105 144 144

HSL 180, 0.16%, 0.49%

LAB 57.04, -13.36, -4.36

 

CMYK 0 / 1 / 1 / 51

HEX #7D7C7C

RGB 125 124 124

HSL 0, 0%, 0.49%

LAB 52.1, 0.38, 0.13

 

CMYK 78 / 0 / 42 / 20

HEX #2CCC77

RGB 44 204 119

HSL 148.13, 0.65%, 0.49%

LAB 72.93, -58.89, 31.21

 

CMYK 78 / 0 / 21 / 20

HEX #2CCCA2

RGB 44 204 162

HSL 164.25, 0.65%, 0.49%

LAB 73.76, -49.69, 9.65

 

CMYK 78 / 0 / 0 / 20

HEX #2CCCCC

RGB 44 204 204

HSL 180, 0.65%, 0.49%

LAB 74.88, -38.41, -11.41

 

CMYK 78 / 21 / 0 / 20

HEX #2CA2CC

RGB 44 162 204

HSL 195.75, 0.65%, 0.49%

LAB 62.28, -17.68, -30.57

 

CMYK 78 / 42 / 0 / 20

HEX #2C77CC

RGB 44 119 204

HSL 211.88, 0.65%, 0.49%

LAB 49.6, 7.17, -50.53

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 78 / 1 / 0 / 33

HEX #25AAAB

RGB 37 170 171

HSL 180.45, 0.64%, 0.41%

LAB 63.41, -33.04, -10.42

 

CMYK 78 / 0 / 0 / 20

HEX #2CCBCC

RGB 44 203 204

HSL 180.38, 0.65%, 0.49%

LAB 74.58, -37.95, -11.86

 

CMYK 65 / 0 / 0 / 16

HEX #4BD6D7

RGB 75 214 215

HSL 180.43, 0.64%, 0.57%

LAB 78.75, -36.18, -11.48

 

CMYK 51 / 0 / 0 / 13

HEX #6DDEDF

RGB 109 222 223

HSL 180.53, 0.64%, 0.65%

LAB 82.28, -31.79, -10.37

 

CMYK 78 / 0 / 0 / 20

HEX #2DCACB

RGB 45 202 203

HSL 180.38, 0.64%, 0.49%

LAB 74.26, -37.7, -11.79

 

CMYK 63 / 78 / 0 / 20

HEX #4C2CCC

RGB 76 44 204

HSL 252, 0.65%, 0.49%

LAB 33.34, 56.18, -76.89

 

CMYK 0 / 31 / 78 / 20

HEX #CC8C2C

RGB 204 140 44

HSL 36, 0.65%, 0.49%

LAB 63.16, 16.28, 57.58

 

CMYK 78 / 0 / 0 / 20

HEX #2DCACB

RGB 45 202 203

HSL 180.38, 0.64%, 0.49%

LAB 74.26, -37.7, -11.79

 

CMYK 0 / 78 / 0 / 20

HEX #CC2CCC

RGB 204 44 204

HSL 300, 0.65%, 0.49%

LAB 50.69, 76.66, -47.95

 

CMYK 0 / 0 / 78 / 20

HEX #CCCC2C

RGB 204 204 44

HSL 60, 0.65%, 0.49%

LAB 79.73, -17.39, 72.6

 

CMYK 78 / 0 / 0 / 20

HEX #2DCACB

RGB 45 202 203

HSL 180.38, 0.64%, 0.49%

LAB 74.26, -37.7, -11.79

 

CMYK 63 / 78 / 0 / 20

HEX #4C2CCC

RGB 76 44 204

HSL 252, 0.65%, 0.49%

LAB 33.34, 56.18, -76.89

 

CMYK 0 / 78 / 78 / 20

HEX #CC2C2C

RGB 204 44 44

HSL 0, 0.65%, 0.49%

LAB 45.39, 61.04, 40.14

 

CMYK 16 / 0 / 78 / 20

HEX #ACCC2C

RGB 172 204 44

HSL 72, 0.65%, 0.49%

LAB 77.36, -30.69, 69.58

 

CMYK 78 / 0 / 0 / 20

HEX #2DCACB

RGB 45 202 203

HSL 180.38, 0.64%, 0.49%

LAB 74.26, -37.7, -11.79

 

CMYK 39 / 78 / 0 / 20

HEX #7C2CCC

RGB 124 44 204

HSL 270, 0.65%, 0.49%

LAB 38.63, 62.47, -68.01

 

CMYK 0 / 78 / 78 / 20

HEX #CC2C2C

RGB 204 44 44

HSL 0, 0.65%, 0.49%

LAB 45.39, 61.04, 40.14

 

CMYK 39 / 0 / 78 / 20

HEX #7CCC2C

RGB 124 204 44

HSL 90, 0.65%, 0.49%

LAB 74.61, -48.75, 66.04

 

Description

Color code: HEX #2DCACB | qconv.com Color code: HEX #2DCACB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 202 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 202 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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