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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DCBD1 it is the complementary color #D2342E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DCBD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DCBD1 shade: #32CBCC, #43DDDF, #54EFF2, #65FFFF and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DCBD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DCBD1 shade: #2DCBD1, #1CB9BE, #0BA7AB, #009598 and #008385

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DCBD1 shade: #2CCCD2, #2C9FD2, #2C72D2, #2C46D2 and #3F2CD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DCBD1 shade: #2CCCD2, #2C9FD2, #2C72D2, #2C46D2 and #2C2CD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DCBD1 shade matches the following richer shades: #2CCCD2, #17DFE7 and #03F2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DCBD1 shade: #2CCCD2, #41B9BD, #55A6A9, #6A9294 and #7F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DCBD1 shade: #2CD27F, #2CD2AB, #2CCCD2, #2CA0D2 and #2C74D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DCBD1 shade: #1E8A8E, #25ABB0, #2CCCD2, #4ED4D9 and #70DCE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DCBD1 shade: #2DCBD1, #532CD2 and #D2952C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DCBD1 shade: #2DCBD1, #D22CCC and #CCD22C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DCBD1 shade: #2DCBD1, #532CD2, #D2322C and #ABD22C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DCBD1 shade: #2DCBD1, #852CD2, #D2322C and #79D22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 3 / 0 / 18

HEX #2DCBD1

RGB 45 203 209

HSL 182.2, 0.65%, 0.5%

LAB 74.74, -36.39, -14.31

 

Complementary color

CMYK 0 / 75 / 78 / 18

HEX #D2342E

RGB 210 52 46

HSL 2.2, 0.65%, 0.5%

LAB 47.44, 60.44, 41.53

 

CMYK 75 / 0 / 0 / 20

HEX #32CBCC

RGB 50 203 204

HSL 180.39, 0.61%, 0.5%

LAB 74.67, -37.37, -11.71

 

CMYK 70 / 1 / 0 / 13

HEX #43DDDF

RGB 67 221 223

HSL 180.77, 0.71%, 0.57%

LAB 80.87, -38.25, -12.6

 

CMYK 65 / 1 / 0 / 5

HEX #54EFF2

RGB 84 239 242

HSL 181.14, 0.86%, 0.64%

LAB 87.01, -38.91, -13.41

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 78 / 3 / 0 / 18

HEX #2DCBD1

RGB 45 203 209

HSL 182.2, 0.65%, 0.5%

LAB 74.74, -36.39, -14.31

 

CMYK 85 / 3 / 0 / 25

HEX #1CB9BE

RGB 28 185 190

HSL 181.85, 0.74%, 0.43%

LAB 68.51, -35.07, -13.34

 

CMYK 94 / 2 / 0 / 33

HEX #0BA7AB

RGB 11 167 171

HSL 181.5, 0.88%, 0.36%

LAB 62.21, -33.37, -12.25

 

CMYK 100 / 2 / 0 / 40

HEX #009598

RGB 0 149 152

HSL 181.18, 1%, 0.3%

LAB 55.85, -31.25, -11.04

 

CMYK 100 / 2 / 0 / 48

HEX #008385

RGB 0 131 133

HSL 180.9, 1%, 0.26%

LAB 49.41, -28.68, -9.7

 

CMYK 79 / 3 / 0 / 18

HEX #2CCCD2

RGB 44 204 210

HSL 182.17, 0.65%, 0.5%

LAB 75.06, -36.65, -14.37

 

CMYK 79 / 24 / 0 / 18

HEX #2C9FD2

RGB 44 159 210

HSL 198.43, 0.65%, 0.5%

LAB 61.64, -14, -34.92

 

CMYK 79 / 46 / 0 / 18

HEX #2C72D2

RGB 44 114 210

HSL 214.7, 0.65%, 0.5%

LAB 48.54, 12.56, -55.66

 

CMYK 79 / 67 / 0 / 18

HEX #2C46D2

RGB 44 70 210

HSL 230.6, 0.65%, 0.5%

LAB 37.06, 40.67, -74.32

 

CMYK 70 / 79 / 0 / 18

HEX #3F2CD2

RGB 63 44 210

HSL 246.87, 0.65%, 0.5%

LAB 32.94, 56.71, -81.08

 

CMYK 79 / 3 / 0 / 18

HEX #2CCCD2

RGB 44 204 210

HSL 182.17, 0.65%, 0.5%

LAB 75.06, -36.65, -14.37

 

CMYK 79 / 24 / 0 / 18

HEX #2C9FD2

RGB 44 159 210

HSL 198.43, 0.65%, 0.5%

LAB 61.64, -14, -34.92

 

CMYK 79 / 46 / 0 / 18

HEX #2C72D2

RGB 44 114 210

HSL 214.7, 0.65%, 0.5%

LAB 48.54, 12.56, -55.66

 

CMYK 79 / 67 / 0 / 18

HEX #2C46D2

RGB 44 70 210

HSL 230.6, 0.65%, 0.5%

LAB 37.06, 40.67, -74.32

 

CMYK 79 / 79 / 0 / 18

HEX #2C2CD2

RGB 44 44 210

HSL 240, 0.65%, 0.5%

LAB 31.78, 55.38, -83.03

 

CMYK 79 / 3 / 0 / 18

HEX #2CCCD2

RGB 44 204 210

HSL 182.17, 0.65%, 0.5%

LAB 75.06, -36.65, -14.37

 

CMYK 90 / 3 / 0 / 9

HEX #17DFE7

RGB 23 223 231

HSL 182.31, 0.82%, 0.5%

LAB 81.14, -40.42, -16.5

 

CMYK 99 / 4 / 0 / 2

HEX #03F2FB

RGB 3 242 251

HSL 182.18, 0.98%, 0.5%

LAB 87.24, -43.51, -17.88

 

CMYK 79 / 3 / 0 / 18

HEX #2CCCD2

RGB 44 204 210

HSL 182.17, 0.65%, 0.5%

LAB 75.06, -36.65, -14.37

 

CMYK 66 / 2 / 0 / 26

HEX #41B9BD

RGB 65 185 189

HSL 181.94, 0.49%, 0.5%

LAB 69.11, -31.35, -11.82

 

CMYK 50 / 2 / 0 / 34

HEX #55A6A9

RGB 85 166 169

HSL 182.14, 0.33%, 0.5%

LAB 63.4, -23.84, -9.19

 

CMYK 28 / 1 / 0 / 42

HEX #6A9294

RGB 106 146 148

HSL 182.86, 0.17%, 0.5%

LAB 57.81, -13.17, -5.51

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 79 / 0 / 40 / 18

HEX #2CD27F

RGB 44 210 127

HSL 150, 0.65%, 0.5%

LAB 74.93, -59.56, 29.73

 

CMYK 79 / 0 / 19 / 18

HEX #2CD2AB

RGB 44 210 171

HSL 165.9, 0.65%, 0.5%

LAB 75.8, -49.93, 7.74

 

CMYK 79 / 3 / 0 / 18

HEX #2CCCD2

RGB 44 204 210

HSL 182.17, 0.65%, 0.5%

LAB 75.06, -36.65, -14.37

 

CMYK 79 / 24 / 0 / 18

HEX #2CA0D2

RGB 44 160 210

HSL 198.07, 0.65%, 0.5%

LAB 61.94, -14.55, -34.45

 

CMYK 79 / 45 / 0 / 18

HEX #2C74D2

RGB 44 116 210

HSL 213.98, 0.65%, 0.5%

LAB 49.1, 11.3, -54.75

 

CMYK 79 / 3 / 0 / 44

HEX #1E8A8E

RGB 30 138 142

HSL 182.14, 0.65%, 0.34%

LAB 52.29, -27.16, -10.58

 

CMYK 79 / 3 / 0 / 31

HEX #25ABB0

RGB 37 171 176

HSL 182.16, 0.65%, 0.42%

LAB 63.88, -32, -12.52

 

CMYK 79 / 3 / 0 / 18

HEX #2CCCD2

RGB 44 204 210

HSL 182.17, 0.65%, 0.5%

LAB 75.06, -36.65, -14.37

 

CMYK 64 / 2 / 0 / 15

HEX #4ED4D9

RGB 78 212 217

HSL 182.16, 0.65%, 0.58%

LAB 78.3, -34.24, -13.22

 

CMYK 50 / 2 / 0 / 12

HEX #70DCE0

RGB 112 220 224

HSL 182.14, 0.64%, 0.66%

LAB 81.85, -29.95, -11.54

 

CMYK 78 / 3 / 0 / 18

HEX #2DCBD1

RGB 45 203 209

HSL 182.2, 0.65%, 0.5%

LAB 74.74, -36.39, -14.31

 

CMYK 60 / 79 / 0 / 18

HEX #532CD2

RGB 83 44 210

HSL 254.1, 0.65%, 0.5%

LAB 34.59, 58.61, -78.31

 

CMYK 0 / 29 / 79 / 18

HEX #D2952C

RGB 210 149 44

HSL 37.95, 0.65%, 0.5%

LAB 66.04, 14, 60.5

 

CMYK 78 / 3 / 0 / 18

HEX #2DCBD1

RGB 45 203 209

HSL 182.2, 0.65%, 0.5%

LAB 74.74, -36.39, -14.31

 

CMYK 0 / 79 / 3 / 18

HEX #D22CCC

RGB 210 44 204

HSL 302.17, 0.65%, 0.5%

LAB 51.68, 77.83, -46.3

 

CMYK 3 / 0 / 79 / 18

HEX #CCD22C

RGB 204 210 44

HSL 62.17, 0.65%, 0.5%

LAB 81.35, -20.34, 74.03

 

CMYK 78 / 3 / 0 / 18

HEX #2DCBD1

RGB 45 203 209

HSL 182.2, 0.65%, 0.5%

LAB 74.74, -36.39, -14.31

 

CMYK 60 / 79 / 0 / 18

HEX #532CD2

RGB 83 44 210

HSL 254.1, 0.65%, 0.5%

LAB 34.59, 58.61, -78.31

 

CMYK 0 / 76 / 79 / 18

HEX #D2322C

RGB 210 50 44

HSL 2.17, 0.65%, 0.5%

LAB 47.19, 61.01, 42.36

 

CMYK 19 / 0 / 79 / 18

HEX #ABD22C

RGB 171 210 44

HSL 74.1, 0.65%, 0.5%

LAB 79, -33.88, 71.04

 

CMYK 78 / 3 / 0 / 18

HEX #2DCBD1

RGB 45 203 209

HSL 182.2, 0.65%, 0.5%

LAB 74.74, -36.39, -14.31

 

CMYK 37 / 79 / 0 / 18

HEX #852CD2

RGB 133 44 210

HSL 272.17, 0.65%, 0.5%

LAB 40.31, 65.22, -68.69

 

CMYK 0 / 76 / 79 / 18

HEX #D2322C

RGB 210 50 44

HSL 2.17, 0.65%, 0.5%

LAB 47.19, 61.01, 42.36

 

CMYK 42 / 0 / 79 / 18

HEX #79D22C

RGB 121 210 44

HSL 92.17, 0.65%, 0.5%

LAB 76.28, -52.15, 67.54

 

Description

Color code: HEX #2DCBD1 | qconv.com Color code: HEX #2DCBD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 203 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 203 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 3 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 3% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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