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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD776 it is the complementary color #D22889. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD776. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD776 shade: #32D771, #43E984, #54FB97, #65FFAA and #76FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD776. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD776 shade: #2DD776, #1CC563, #0BB350, #00A13D and #008F2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD776 shade: #2DD776, #2DD748, #3FD72D, #6DD72D and #9BD72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD776 shade: #2DD776, #2DD7A3, #2DD7D1, #2DAED7 and #2D80D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD776 shade matches the following richer shades: #2DD776 and #18EB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD776 shade: #2DD776, #41C278, #55AE7B, #699A7E and #7D8681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD776 shade: #40D72D, #2DD746, #2DD773, #2DD7A1 and #2DD7CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD776 shade: #1C9550, #23B762, #2DD776, #4FDD8C and #72E4A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD776 shade: #2DD776, #2D6ED7 and #D72F2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD776 shade: #2DD776, #732DD7 and #D7732D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD776 shade: #2DD776, #2D6ED7, #D72D90 and #D7952D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD776 shade: #2DD776, #2D3BD7, #D72D90 and #D7C82D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

Complementary color

CMYK 0 / 81 / 35 / 18

HEX #D22889

RGB 210 40 137

HSL 325.76, 0.68%, 0.49%

LAB 48.29, 70.18, -12.07

 

CMYK 77 / 0 / 47 / 16

HEX #32D771

RGB 50 215 113

HSL 142.91, 0.67%, 0.52%

LAB 76.36, -63.05, 38.66

 

CMYK 71 / 0 / 43 / 9

HEX #43E984

RGB 67 233 132

HSL 143.49, 0.79%, 0.59%

LAB 82.45, -63.88, 37.12

 

CMYK 67 / 0 / 40 / 2

HEX #54FB97

RGB 84 251 151

HSL 144.07, 0.95%, 0.66%

LAB 88.5, -64.41, 35.65

 

CMYK 60 / 0 / 33 / 0

HEX #65FFAA

RGB 101 255 170

HSL 146.88, 1%, 0.7%

LAB 90.41, -59.43, 28.77

 

CMYK 54 / 0 / 26 / 0

HEX #76FFBD

RGB 118 255 189

HSL 151.09, 1%, 0.73%

LAB 91.25, -52.28, 20.37

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 86 / 0 / 50 / 23

HEX #1CC563

RGB 28 197 99

HSL 145.21, 0.75%, 0.44%

LAB 70.23, -61.49, 37.83

 

CMYK 94 / 0 / 55 / 30

HEX #0BB350

RGB 11 179 80

HSL 144.64, 0.88%, 0.37%

LAB 64.07, -59.58, 39.56

 

CMYK 100 / 0 / 62 / 37

HEX #00A13D

RGB 0 161 61

HSL 142.73, 1%, 0.32%

LAB 57.87, -56.98, 41.28

 

CMYK 100 / 0 / 71 / 44

HEX #008F2A

RGB 0 143 42

HSL 137.62, 1%, 0.28%

LAB 51.62, -53.56, 42.77

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 79 / 0 / 67 / 16

HEX #2DD748

RGB 45 215 72

HSL 129.53, 0.68%, 0.51%

LAB 75.84, -69, 56.66

 

CMYK 71 / 0 / 79 / 16

HEX #3FD72D

RGB 63 215 45

HSL 113.65, 0.68%, 0.51%

LAB 75.98, -68.48, 66.31

 

CMYK 49 / 0 / 79 / 16

HEX #6DD72D

RGB 109 215 45

HSL 97.41, 0.68%, 0.51%

LAB 77.31, -57.71, 68.04

 

CMYK 28 / 0 / 79 / 16

HEX #9BD72D

RGB 155 215 45

HSL 81.18, 0.68%, 0.51%

LAB 79.48, -42.25, 70.83

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 79 / 0 / 24 / 16

HEX #2DD7A3

RGB 45 215 163

HSL 161.65, 0.68%, 0.51%

LAB 77.16, -53.75, 13.93

 

CMYK 79 / 0 / 3 / 16

HEX #2DD7D1

RGB 45 215 209

HSL 177.88, 0.68%, 0.51%

LAB 78.32, -41.84, -8.96

 

CMYK 79 / 19 / 0 / 16

HEX #2DAED7

RGB 45 174 215

HSL 194.47, 0.68%, 0.51%

LAB 66.32, -20.22, -30.43

 

CMYK 79 / 40 / 0 / 16

HEX #2D80D7

RGB 45 128 215

HSL 210.71, 0.68%, 0.51%

LAB 52.84, 5.86, -51.6

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 90 / 0 / 51 / 8

HEX #18EB73

RGB 24 235 115

HSL 145.88, 0.84%, 0.51%

LAB 82.3, -71.64, 45.06

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 66 / 0 / 38 / 24

HEX #41C278

RGB 65 194 120

HSL 145.58, 0.51%, 0.51%

LAB 70.22, -51.87, 27.2

 

CMYK 51 / 0 / 29 / 32

HEX #55AE7B

RGB 85 174 123

HSL 145.62, 0.35%, 0.51%

LAB 64.67, -38.61, 18.2

 

CMYK 32 / 0 / 18 / 40

HEX #699A7E

RGB 105 154 126

HSL 145.71, 0.2%, 0.51%

LAB 59.54, -22.65, 9.51

 

CMYK 7 / 0 / 4 / 47

HEX #7D8681

RGB 125 134 129

HSL 146.67, 0.04%, 0.51%

LAB 55.07, -4.32, 1.54

 

CMYK 70 / 0 / 79 / 16

HEX #40D72D

RGB 64 215 45

HSL 113.29, 0.68%, 0.51%

LAB 76, -68.3, 66.34

 

CMYK 79 / 0 / 67 / 16

HEX #2DD746

RGB 45 215 70

HSL 128.82, 0.68%, 0.51%

LAB 75.82, -69.2, 57.44

 

CMYK 79 / 0 / 47 / 16

HEX #2DD773

RGB 45 215 115

HSL 144.71, 0.68%, 0.51%

LAB 76.31, -63.32, 37.6

 

CMYK 79 / 0 / 25 / 16

HEX #2DD7A1

RGB 45 215 161

HSL 160.94, 0.68%, 0.51%

LAB 77.12, -54.21, 14.93

 

CMYK 79 / 0 / 4 / 16

HEX #2DD7CE

RGB 45 215 206

HSL 176.82, 0.68%, 0.51%

LAB 78.24, -42.69, -7.48

 

CMYK 81 / 0 / 46 / 42

HEX #1C9550

RGB 28 149 80

HSL 145.79, 0.68%, 0.35%

LAB 54.37, -47.86, 27.53

 

CMYK 81 / 0 / 46 / 28

HEX #23B762

RGB 35 183 98

HSL 145.54, 0.68%, 0.43%

LAB 65.83, -56.16, 32.79

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 64 / 0 / 37 / 13

HEX #4FDD8C

RGB 79 221 140

HSL 145.77, 0.68%, 0.59%

LAB 79.2, -56.04, 28.85

 

CMYK 50 / 0 / 29 / 11

HEX #72E4A3

RGB 114 228 163

HSL 145.79, 0.68%, 0.67%

LAB 82.76, -46.99, 21.98

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 79 / 49 / 0 / 16

HEX #2D6ED7

RGB 45 110 215

HSL 217.06, 0.68%, 0.51%

LAB 47.77, 17.08, -59.73

 

CMYK 0 / 78 / 79 / 16

HEX #D72F2D

RGB 215 47 45

HSL 0.71, 0.68%, 0.51%

LAB 47.84, 63.41, 42.79

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 47 / 79 / 0 / 16

HEX #732DD7

RGB 115 45 215

HSL 264.71, 0.68%, 0.51%

LAB 38.6, 63.41, -74.47

 

CMYK 0 / 47 / 79 / 16

HEX #D7732D

RGB 215 115 45

HSL 24.71, 0.68%, 0.51%

LAB 58.88, 34.35, 53.64

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 79 / 49 / 0 / 16

HEX #2D6ED7

RGB 45 110 215

HSL 217.06, 0.68%, 0.51%

LAB 47.77, 17.08, -59.73

 

CMYK 0 / 79 / 33 / 16

HEX #D72D90

RGB 215 45 144

HSL 325.06, 0.68%, 0.51%

LAB 49.9, 70.86, -13.76

 

CMYK 0 / 31 / 79 / 16

HEX #D7952D

RGB 215 149 45

HSL 36.71, 0.68%, 0.51%

LAB 66.62, 16.2, 60.87

 

CMYK 79 / 0 / 45 / 16

HEX #2DD776

RGB 45 215 118

HSL 145.76, 0.68%, 0.51%

LAB 76.35, -62.82, 36.16

 

CMYK 79 / 73 / 0 / 16

HEX #2D3BD7

RGB 45 59 215

HSL 235.06, 0.68%, 0.51%

LAB 35.19, 49.04, -80.29

 

CMYK 0 / 79 / 33 / 16

HEX #D72D90

RGB 215 45 144

HSL 325.06, 0.68%, 0.51%

LAB 49.9, 70.86, -13.76

 

CMYK 0 / 7 / 79 / 16

HEX #D7C82D

RGB 215 200 45

HSL 54.71, 0.68%, 0.51%

LAB 79.58, -10.66, 72.53

 

Description

Color code: HEX #2DD776 | qconv.com Color code: HEX #2DD776 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 215 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 215 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 45 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 45% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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