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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD7B0 it is the complementary color #D2284F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD7B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD7B0 shade: #32D7AB, #43E9BE, #54FBD1, #65FFE4 and #76FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD7B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD7B0 shade: #2DD7B0, #1CC59D, #0BB38A, #00A177 and #008F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD7B0 shade: #2DD7B0, #2DD782, #2DD754, #33D72D and #61D72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD7B0 shade: #2DD7B0, #2DD0D7, #2DA2D7, #2D74D7 and #2D46D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD7B0 shade matches the following richer shades: #2DD7B0 and #18EBBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD7B0 shade: #2DD7B0, #41C2A5, #55AE9A, #699A8F and #7D8684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD7B0 shade: #2DD754, #2DD782, #2DD7AF, #2DD1D7 and #2DA4D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD7B0 shade: #1C9579, #23B795, #2DD7B0, #4FDDBD and #72E4CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD7B0 shade: #2DD7B0, #2D32D7 and #D76B2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD7B0 shade: #2DD7B0, #AF2DD7 and #D7AF2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD7B0 shade: #2DD7B0, #2D32D7, #D72D54 and #D7D12D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD7B0 shade: #2DD7B0, #5A2DD7, #D72D54 and #A9D72D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

Complementary color

CMYK 0 / 81 / 62 / 18

HEX #D2284F

RGB 210 40 79

HSL 346.24, 0.68%, 0.49%

LAB 46.69, 65.42, 21.2

 

CMYK 77 / 0 / 20 / 16

HEX #32D7AB

RGB 50 215 171

HSL 164, 0.67%, 0.52%

LAB 77.41, -51.33, 10.04

 

CMYK 71 / 0 / 18 / 9

HEX #43E9BE

RGB 67 233 190

HSL 164.46, 0.79%, 0.59%

LAB 83.54, -52.04, 8.79

 

CMYK 67 / 0 / 17 / 2

HEX #54FBD1

RGB 84 251 209

HSL 164.91, 0.95%, 0.66%

LAB 89.62, -52.54, 7.64

 

CMYK 60 / 0 / 11 / 0

HEX #65FFE4

RGB 101 255 228

HSL 169.48, 1%, 0.7%

LAB 91.63, -46.96, 0.77

 

CMYK 54 / 0 / 3 / 0

HEX #76FFF7

RGB 118 255 247

HSL 176.5, 1%, 0.73%

LAB 92.61, -39.2, -7.58

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 86 / 0 / 20 / 23

HEX #1CC59D

RGB 28 197 157

HSL 165.8, 0.75%, 0.44%

LAB 71.29, -49.49, 8.8

 

CMYK 94 / 0 / 23 / 30

HEX #0BB38A

RGB 11 179 138

HSL 165.36, 0.88%, 0.37%

LAB 65.08, -47.95, 10.32

 

CMYK 100 / 0 / 26 / 37

HEX #00A177

RGB 0 161 119

HSL 164.35, 1%, 0.32%

LAB 58.81, -45.95, 12.01

 

CMYK 100 / 0 / 30 / 44

HEX #008F64

RGB 0 143 100

HSL 161.96, 1%, 0.28%

LAB 52.47, -43.44, 13.88

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 79 / 0 / 40 / 16

HEX #2DD782

RGB 45 215 130

HSL 150, 0.68%, 0.51%

LAB 76.54, -60.69, 30.33

 

CMYK 79 / 0 / 61 / 16

HEX #2DD754

RGB 45 215 84

HSL 133.76, 0.68%, 0.51%

LAB 75.95, -67.7, 51.73

 

CMYK 76 / 0 / 79 / 16

HEX #33D72D

RGB 51 215 45

HSL 117.88, 0.68%, 0.51%

LAB 75.76, -70.35, 66.03

 

CMYK 55 / 0 / 79 / 16

HEX #61D72D

RGB 97 215 45

HSL 101.65, 0.68%, 0.51%

LAB 76.88, -61.03, 67.49

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 79 / 3 / 0 / 16

HEX #2DD0D7

RGB 45 208 215

HSL 182.47, 0.68%, 0.51%

LAB 76.42, -36.93, -15.02

 

CMYK 79 / 25 / 0 / 16

HEX #2DA2D7

RGB 45 162 215

HSL 198.71, 0.68%, 0.51%

LAB 62.76, -13.81, -35.94

 

CMYK 79 / 46 / 0 / 16

HEX #2D74D7

RGB 45 116 215

HSL 214.94, 0.68%, 0.51%

LAB 49.44, 13.29, -57.05

 

CMYK 79 / 67 / 0 / 16

HEX #2D46D7

RGB 45 70 215

HSL 231.18, 0.68%, 0.51%

LAB 37.56, 42.52, -76.37

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 90 / 0 / 21 / 8

HEX #18EBBA

RGB 24 235 186

HSL 166.07, 0.84%, 0.51%

LAB 83.52, -57.6, 10.79

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 66 / 0 / 15 / 24

HEX #41C2A5

RGB 65 194 165

HSL 166.51, 0.51%, 0.51%

LAB 71.16, -41.97, 4.35

 

CMYK 51 / 0 / 11 / 32

HEX #55AE9A

RGB 85 174 154

HSL 166.52, 0.35%, 0.51%

LAB 65.39, -31.66, 2.11

 

CMYK 32 / 0 / 7 / 40

HEX #699A8F

RGB 105 154 143

HSL 166.53, 0.2%, 0.51%

LAB 59.98, -18.92, 0.52

 

CMYK 7 / 0 / 1 / 47

HEX #7D8684

RGB 125 134 132

HSL 166.67, 0.04%, 0.51%

LAB 55.15, -3.71, -0.07

 

CMYK 79 / 0 / 61 / 16

HEX #2DD754

RGB 45 215 84

HSL 133.76, 0.68%, 0.51%

LAB 75.95, -67.7, 51.73

 

CMYK 79 / 0 / 40 / 16

HEX #2DD782

RGB 45 215 130

HSL 150, 0.68%, 0.51%

LAB 76.54, -60.69, 30.33

 

CMYK 79 / 0 / 19 / 16

HEX #2DD7AF

RGB 45 215 175

HSL 165.88, 0.68%, 0.51%

LAB 77.43, -50.88, 7.93

 

CMYK 79 / 3 / 0 / 16

HEX #2DD1D7

RGB 45 209 215

HSL 182.12, 0.68%, 0.51%

LAB 76.72, -37.39, -14.58

 

CMYK 79 / 24 / 0 / 16

HEX #2DA4D7

RGB 45 164 215

HSL 198, 0.68%, 0.51%

LAB 63.36, -14.9, -35.02

 

CMYK 81 / 0 / 19 / 42

HEX #1C9579

RGB 28 149 121

HSL 166.12, 0.68%, 0.35%

LAB 55.2, -38.64, 5.79

 

CMYK 81 / 0 / 19 / 28

HEX #23B795

RGB 35 183 149

HSL 166.22, 0.68%, 0.43%

LAB 66.82, -45.17, 6.78

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 64 / 0 / 14 / 13

HEX #4FDDBD

RGB 79 221 189

HSL 166.48, 0.68%, 0.59%

LAB 80.21, -45.49, 4.56

 

CMYK 50 / 0 / 11 / 11

HEX #72E4CA

RGB 114 228 202

HSL 166.32, 0.68%, 0.67%

LAB 83.61, -38.69, 2.74

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 79 / 77 / 0 / 16

HEX #2D32D7

RGB 45 50 215

HSL 238.24, 0.68%, 0.51%

LAB 33.45, 53.96, -83.17

 

CMYK 0 / 50 / 79 / 16

HEX #D76B2D

RGB 215 107 45

HSL 21.88, 0.68%, 0.51%

LAB 57.22, 38.47, 52.05

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 19 / 79 / 0 / 16

HEX #AF2DD7

RGB 175 45 215

HSL 285.88, 0.68%, 0.51%

LAB 46.84, 72.88, -60.69

 

CMYK 0 / 19 / 79 / 16

HEX #D7AF2D

RGB 215 175 45

HSL 45.88, 0.68%, 0.51%

LAB 73.09, 2.29, 66.75

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 79 / 77 / 0 / 16

HEX #2D32D7

RGB 45 50 215

HSL 238.24, 0.68%, 0.51%

LAB 33.45, 53.96, -83.17

 

CMYK 0 / 79 / 61 / 16

HEX #D72D54

RGB 215 45 84

HSL 346.24, 0.68%, 0.51%

LAB 48.21, 65.76, 20.33

 

CMYK 0 / 3 / 79 / 16

HEX #D7D12D

RGB 215 209 45

HSL 57.88, 0.68%, 0.51%

LAB 81.97, -15.18, 74.63

 

CMYK 79 / 0 / 18 / 16

HEX #2DD7B0

RGB 45 215 176

HSL 166.24, 0.68%, 0.51%

LAB 77.46, -50.63, 7.43

 

CMYK 58 / 79 / 0 / 16

HEX #5A2DD7

RGB 90 45 215

HSL 255.88, 0.68%, 0.51%

LAB 35.9, 60.31, -79

 

CMYK 0 / 79 / 61 / 16

HEX #D72D54

RGB 215 45 84

HSL 346.24, 0.68%, 0.51%

LAB 48.21, 65.76, 20.33

 

CMYK 21 / 0 / 79 / 16

HEX #A9D72D

RGB 169 215 45

HSL 76.24, 0.68%, 0.51%

LAB 80.31, -36.9, 71.89

 

Description

Color code: HEX #2DD7B0 | qconv.com Color code: HEX #2DD7B0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 215 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 215 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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