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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD7D6 it is the complementary color #D22829. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD7D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD7D6 shade: #32D7D1, #43E9E4, #54FBF7, #65FFFF and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD7D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD7D6 shade: #2DD7D6, #1CC5C3, #0BB3B0, #00A19D and #008F8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD7D6 shade: #2DD7D6, #2DD7A8, #2DD77A, #2DD74C and #3BD72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD7D6 shade: #2DD7D6, #2DAAD7, #2D7CD7, #2D4ED7 and #2D2DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD7D6 shade matches the following richer shades: #2DD7D6 and #18EBEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD7D6 shade: #2DD7D6, #41C2C2, #55AEAE, #699A9A and #7D8686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD7D6 shade: #2DD779, #2DD7A6, #2DD7D4, #2DACD7 and #2D7FD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD7D6 shade: #1C9594, #23B7B6, #2DD7D6, #4FDDDC and #72E4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD7D6 shade: #2DD7D6, #4C2DD7 and #D7902D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD7D6 shade: #2DD7D6, #D42DD7 and #D7D42D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD7D6 shade: #2DD7D6, #4C2DD7, #D72D2F and #B7D72D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD7D6 shade: #2DD7D6, #7F2DD7, #D72D2F and #84D72D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

Complementary color

CMYK 0 / 81 / 80 / 18

HEX #D22829

RGB 210 40 41

HSL 359.65, 0.68%, 0.49%

LAB 46.15, 63.76, 42.94

 

CMYK 77 / 0 / 3 / 16

HEX #32D7D1

RGB 50 215 209

HSL 177.82, 0.67%, 0.52%

LAB 78.39, -41.38, -8.85

 

CMYK 71 / 0 / 2 / 9

HEX #43E9E4

RGB 67 233 228

HSL 178.19, 0.79%, 0.59%

LAB 84.52, -42.27, -9.8

 

CMYK 67 / 0 / 2 / 2

HEX #54FBF7

RGB 84 251 247

HSL 178.56, 0.95%, 0.66%

LAB 90.59, -42.95, -10.67

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 86 / 0 / 1 / 23

HEX #1CC5C3

RGB 28 197 195

HSL 179.29, 0.75%, 0.44%

LAB 72.31, -39.09, -10.38

 

CMYK 94 / 0 / 2 / 30

HEX #0BB3B0

RGB 11 179 176

HSL 178.93, 0.88%, 0.37%

LAB 66.09, -37.41, -9.23

 

CMYK 100 / 0 / 2 / 37

HEX #00A19D

RGB 0 161 157

HSL 178.51, 1%, 0.32%

LAB 59.82, -35.33, -7.95

 

CMYK 100 / 0 / 3 / 44

HEX #008F8A

RGB 0 143 138

HSL 177.9, 1%, 0.28%

LAB 53.47, -32.83, -6.54

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 79 / 0 / 22 / 16

HEX #2DD7A8

RGB 45 215 168

HSL 163.41, 0.68%, 0.51%

LAB 77.27, -52.58, 11.43

 

CMYK 79 / 0 / 43 / 16

HEX #2DD77A

RGB 45 215 122

HSL 147.18, 0.68%, 0.51%

LAB 76.41, -62.13, 34.23

 

CMYK 79 / 0 / 65 / 16

HEX #2DD74C

RGB 45 215 76

HSL 130.94, 0.68%, 0.51%

LAB 75.87, -68.59, 55.06

 

CMYK 73 / 0 / 79 / 16

HEX #3BD72D

RGB 59 215 45

HSL 115.06, 0.68%, 0.51%

LAB 75.9, -69.15, 66.21

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 79 / 21 / 0 / 16

HEX #2DAAD7

RGB 45 170 215

HSL 195.88, 0.68%, 0.51%

LAB 65.13, -18.12, -32.26

 

CMYK 79 / 42 / 0 / 16

HEX #2D7CD7

RGB 45 124 215

HSL 212.12, 0.68%, 0.51%

LAB 51.7, 8.31, -53.42

 

CMYK 79 / 64 / 0 / 16

HEX #2D4ED7

RGB 45 78 215

HSL 228.35, 0.68%, 0.51%

LAB 39.43, 37.56, -73.3

 

CMYK 79 / 79 / 0 / 16

HEX #2D2DD7

RGB 45 45 215

HSL 240, 0.68%, 0.51%

LAB 32.57, 56.49, -84.62

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 90 / 0 / 0 / 8

HEX #18EBEA

RGB 24 235 234

HSL 179.72, 0.84%, 0.51%

LAB 84.77, -44.83, -12.65

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 66 / 0 / 0 / 24

HEX #41C2C2

RGB 65 194 194

HSL 180, 0.51%, 0.51%

LAB 71.96, -34.2, -10.29

 

CMYK 51 / 0 / 0 / 32

HEX #55AEAE

RGB 85 174 174

HSL 180, 0.35%, 0.51%

LAB 65.95, -26.5, -8.18

 

CMYK 32 / 0 / 0 / 40

HEX #699A9A

RGB 105 154 154

HSL 180, 0.2%, 0.51%

LAB 60.29, -16.3, -5.26

 

CMYK 7 / 0 / 0 / 47

HEX #7D8686

RGB 125 134 134

HSL 180, 0.04%, 0.51%

LAB 55.21, -3.29, -1.14

 

CMYK 79 / 0 / 44 / 16

HEX #2DD779

RGB 45 215 121

HSL 146.82, 0.68%, 0.51%

LAB 76.4, -62.31, 34.71

 

CMYK 79 / 0 / 23 / 16

HEX #2DD7A6

RGB 45 215 166

HSL 162.71, 0.68%, 0.51%

LAB 77.23, -53.05, 12.43

 

CMYK 79 / 0 / 1 / 16

HEX #2DD7D4

RGB 45 215 212

HSL 178.94, 0.68%, 0.51%

LAB 78.41, -40.99, -10.43

 

CMYK 79 / 20 / 0 / 16

HEX #2DACD7

RGB 45 172 215

HSL 195.18, 0.68%, 0.51%

LAB 65.72, -19.17, -31.35

 

CMYK 79 / 41 / 0 / 16

HEX #2D7FD7

RGB 45 127 215

HSL 211.06, 0.68%, 0.51%

LAB 52.56, 6.47, -52.06

 

CMYK 81 / 0 / 1 / 42

HEX #1C9594

RGB 28 149 148

HSL 179.5, 0.68%, 0.35%

LAB 55.97, -30.88, -8.55

 

CMYK 81 / 0 / 1 / 28

HEX #23B7B6

RGB 35 183 182

HSL 179.59, 0.68%, 0.43%

LAB 67.73, -36.02, -10.09

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 64 / 0 / 0 / 13

HEX #4FDDDC

RGB 79 221 220

HSL 179.58, 0.68%, 0.59%

LAB 81.04, -37.44, -10.72

 

CMYK 50 / 0 / 0 / 11

HEX #72E4E3

RGB 114 228 227

HSL 179.47, 0.68%, 0.67%

LAB 84.28, -32.57, -9.49

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 65 / 79 / 0 / 16

HEX #4C2DD7

RGB 76 45 215

HSL 250.94, 0.68%, 0.51%

LAB 34.64, 58.86, -81.13

 

CMYK 0 / 33 / 79 / 16

HEX #D7902D

RGB 215 144 45

HSL 34.94, 0.68%, 0.51%

LAB 65.42, 18.9, 59.77

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 1 / 79 / 0 / 16

HEX #D42DD7

RGB 212 45 215

HSL 298.94, 0.68%, 0.51%

LAB 52.71, 79.65, -50.95

 

CMYK 0 / 1 / 79 / 16

HEX #D7D42D

RGB 215 212 45

HSL 58.94, 0.68%, 0.51%

LAB 82.77, -16.67, 75.33

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 65 / 79 / 0 / 16

HEX #4C2DD7

RGB 76 45 215

HSL 250.94, 0.68%, 0.51%

LAB 34.64, 58.86, -81.13

 

CMYK 0 / 79 / 78 / 16

HEX #D72D2F

RGB 215 45 47

HSL 359.29, 0.68%, 0.51%

LAB 47.66, 64.04, 41.51

 

CMYK 15 / 0 / 79 / 16

HEX #B7D72D

RGB 183 215 45

HSL 71.29, 0.68%, 0.51%

LAB 81.21, -31.35, 73.05

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 41 / 79 / 0 / 16

HEX #7F2DD7

RGB 127 45 215

HSL 268.94, 0.68%, 0.51%

LAB 40.07, 65.1, -71.99

 

CMYK 0 / 79 / 78 / 16

HEX #D72D2F

RGB 215 45 47

HSL 359.29, 0.68%, 0.51%

LAB 47.66, 64.04, 41.51

 

CMYK 39 / 0 / 79 / 16

HEX #84D72D

RGB 132 215 45

HSL 89.29, 0.68%, 0.51%

LAB 78.28, -50.46, 69.3

 

Description

Color code: HEX #2DD7D6 | qconv.com Color code: HEX #2DD7D6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 215 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 215 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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