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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD37B it is the complementary color #D22C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD37B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD37B shade: #32D376, #43E589, #54F79C, #65FFAF and #76FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD37B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD37B shade: #2DD37B, #1CC168, #0BAF55, #009D42 and #008B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD37B shade: #2CD27A, #2CD24D, #38D22C, #64D22C and #91D22C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD37B shade: #2CD27A, #2CD2A7, #2CD0D2, #2CA4D2 and #2C77D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD37B shade matches the following richer shades: #2CD27A, #17E779 and #03FB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD37B shade: #2CD27A, #41BD7B, #55A97C, #6A947E and #7F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD37B shade: #37D22C, #2CD24D, #2CD279, #2CD2A6 and #2CD2D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD37B shade: #1E8E52, #25B066, #2CD27A, #4ED98F and #70E0A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD37B shade: #2DD37B, #2C63D2 and #D2372C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD37B shade: #2DD37B, #792CD2 and #D2792C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD37B shade: #2DD37B, #2C63D2, #D22C85 and #D29B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD37B shade: #2DD37B, #2C32D2, #D22C85 and #D2CC2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

Complementary color

CMYK 0 / 79 / 37 / 18

HEX #D22C84

RGB 210 44 132

HSL 328.19, 0.65%, 0.5%

LAB 48.47, 68.64, -8.77

 

CMYK 76 / 0 / 44 / 17

HEX #32D376

RGB 50 211 118

HSL 145.34, 0.65%, 0.51%

LAB 75.19, -60.83, 34.67

 

CMYK 71 / 0 / 40 / 10

HEX #43E589

RGB 67 229 137

HSL 145.93, 0.76%, 0.58%

LAB 81.31, -61.58, 33.13

 

CMYK 66 / 0 / 37 / 3

HEX #54F79C

RGB 84 247 156

HSL 146.5, 0.91%, 0.65%

LAB 87.39, -62.06, 31.69

 

CMYK 60 / 0 / 31 / 0

HEX #65FFAF

RGB 101 255 175

HSL 148.83, 1%, 0.7%

LAB 90.5, -58.49, 26.37

 

CMYK 54 / 0 / 24 / 0

HEX #76FFC2

RGB 118 255 194

HSL 153.28, 1%, 0.73%

LAB 91.35, -51.27, 17.96

 

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

CMYK 85 / 0 / 46 / 24

HEX #1CC168

RGB 28 193 104

HSL 147.64, 0.75%, 0.43%

LAB 69.03, -59.29, 33.8

 

CMYK 94 / 0 / 51 / 31

HEX #0BAF55

RGB 11 175 85

HSL 147.07, 0.88%, 0.36%

LAB 62.83, -57.49, 35.58

 

CMYK 100 / 0 / 58 / 38

HEX #009D42

RGB 0 157 66

HSL 145.22, 1%, 0.31%

LAB 56.59, -55.02, 37.41

 

CMYK 100 / 0 / 66 / 45

HEX #008B2F

RGB 0 139 47

HSL 140.29, 1%, 0.27%

LAB 50.3, -51.75, 39.15

 

CMYK 79 / 0 / 42 / 18

HEX #2CD27A

RGB 44 210 122

HSL 148.19, 0.65%, 0.5%

LAB 74.85, -60.49, 32.19

 

CMYK 79 / 0 / 63 / 18

HEX #2CD24D

RGB 44 210 77

HSL 131.93, 0.65%, 0.5%

LAB 74.29, -67.04, 52.88

 

CMYK 73 / 0 / 79 / 18

HEX #38D22C

RGB 56 210 44

HSL 115.66, 0.65%, 0.5%

LAB 74.26, -68.15, 64.94

 

CMYK 52 / 0 / 79 / 18

HEX #64D22C

RGB 100 210 44

HSL 99.76, 0.65%, 0.5%

LAB 75.44, -58.48, 66.46

 

CMYK 31 / 0 / 79 / 18

HEX #91D22C

RGB 145 210 44

HSL 83.49, 0.65%, 0.5%

LAB 77.46, -43.84, 69.06

 

CMYK 79 / 0 / 42 / 18

HEX #2CD27A

RGB 44 210 122

HSL 148.19, 0.65%, 0.5%

LAB 74.85, -60.49, 32.19

 

CMYK 79 / 0 / 20 / 18

HEX #2CD2A7

RGB 44 210 167

HSL 164.46, 0.65%, 0.5%

LAB 75.71, -50.91, 9.74

 

CMYK 79 / 1 / 0 / 18

HEX #2CD0D2

RGB 44 208 210

HSL 180.72, 0.65%, 0.5%

LAB 76.25, -38.49, -12.59

 

CMYK 79 / 22 / 0 / 18

HEX #2CA4D2

RGB 44 164 210

HSL 196.63, 0.65%, 0.5%

LAB 63.13, -16.71, -32.61

 

CMYK 79 / 43 / 0 / 18

HEX #2C77D2

RGB 44 119 210

HSL 212.89, 0.65%, 0.5%

LAB 49.96, 9.43, -53.38

 

CMYK 79 / 0 / 42 / 18

HEX #2CD27A

RGB 44 210 122

HSL 148.19, 0.65%, 0.5%

LAB 74.85, -60.49, 32.19

 

CMYK 90 / 0 / 48 / 9

HEX #17E779

RGB 23 231 121

HSL 148.27, 0.82%, 0.5%

LAB 81.13, -69.47, 40.72

 

CMYK 99 / 0 / 52 / 2

HEX #03FB78

RGB 3 251 120

HSL 148.31, 0.98%, 0.5%

LAB 87.18, -76.63, 48.69

 

CMYK 79 / 0 / 42 / 18

HEX #2CD27A

RGB 44 210 122

HSL 148.19, 0.65%, 0.5%

LAB 74.85, -60.49, 32.19

 

CMYK 66 / 0 / 35 / 26

HEX #41BD7B

RGB 65 189 123

HSL 148.06, 0.49%, 0.5%

LAB 68.71, -49.33, 23.6

 

CMYK 50 / 0 / 27 / 34

HEX #55A97C

RGB 85 169 124

HSL 147.86, 0.33%, 0.5%

LAB 63.15, -36.15, 15.54

 

CMYK 28 / 0 / 15 / 42

HEX #6A947E

RGB 106 148 126

HSL 148.57, 0.17%, 0.5%

LAB 57.8, -19.23, 7.04

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 74 / 0 / 79 / 18

HEX #37D22C

RGB 55 210 44

HSL 116.02, 0.65%, 0.5%

LAB 74.25, -68.3, 64.91

 

CMYK 79 / 0 / 63 / 18

HEX #2CD24D

RGB 44 210 77

HSL 131.93, 0.65%, 0.5%

LAB 74.29, -67.04, 52.88

 

CMYK 79 / 0 / 42 / 18

HEX #2CD279

RGB 44 210 121

HSL 147.83, 0.65%, 0.5%

LAB 74.83, -60.66, 32.68

 

CMYK 79 / 0 / 21 / 18

HEX #2CD2A6

RGB 44 210 166

HSL 164.1, 0.65%, 0.5%

LAB 75.69, -51.15, 10.25

 

CMYK 79 / 0 / 0 / 18

HEX #2CD2D2

RGB 44 210 210

HSL 180, 0.65%, 0.5%

LAB 76.85, -39.4, -11.69

 

CMYK 79 / 0 / 42 / 44

HEX #1E8E52

RGB 30 142 82

HSL 147.86, 0.65%, 0.34%

LAB 52.1, -44.58, 23.51

 

CMYK 79 / 0 / 42 / 31

HEX #25B066

RGB 37 176 102

HSL 148.06, 0.65%, 0.42%

LAB 63.67, -52.69, 27.93

 

CMYK 79 / 0 / 42 / 18

HEX #2CD27A

RGB 44 210 122

HSL 148.19, 0.65%, 0.5%

LAB 74.85, -60.49, 32.19

 

CMYK 64 / 0 / 34 / 15

HEX #4ED98F

RGB 78 217 143

HSL 148.06, 0.65%, 0.58%

LAB 78.01, -54.1, 25.7

 

CMYK 50 / 0 / 26 / 12

HEX #70E0A5

RGB 112 224 165

HSL 148.39, 0.64%, 0.66%

LAB 81.55, -45.38, 19.26

 

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

CMYK 79 / 53 / 0 / 18

HEX #2C63D2

RGB 44 99 210

HSL 220.12, 0.65%, 0.5%

LAB 44.39, 22.13, -62.35

 

CMYK 0 / 74 / 79 / 18

HEX #D2372C

RGB 210 55 44

HSL 3.98, 0.65%, 0.5%

LAB 47.77, 59.39, 42.95

 

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

CMYK 42 / 79 / 0 / 18

HEX #792CD2

RGB 121 44 210

HSL 267.83, 0.65%, 0.5%

LAB 38.76, 63.43, -71.29

 

CMYK 0 / 42 / 79 / 18

HEX #D2792C

RGB 210 121 44

HSL 27.83, 0.65%, 0.5%

LAB 59.49, 29.11, 54.4

 

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

CMYK 79 / 53 / 0 / 18

HEX #2C63D2

RGB 44 99 210

HSL 220.12, 0.65%, 0.5%

LAB 44.39, 22.13, -62.35

 

CMYK 0 / 79 / 37 / 18

HEX #D22C85

RGB 210 44 133

HSL 327.83, 0.65%, 0.5%

LAB 48.51, 68.75, -9.32

 

CMYK 0 / 26 / 79 / 18

HEX #D29B2C

RGB 210 155 44

HSL 40.12, 0.65%, 0.5%

LAB 67.52, 10.76, 61.85

 

CMYK 79 / 0 / 42 / 17

HEX #2DD37B

RGB 45 211 123

HSL 148.19, 0.65%, 0.5%

LAB 75.19, -60.55, 32.13

 

CMYK 79 / 76 / 0 / 18

HEX #2C32D2

RGB 44 50 210

HSL 237.83, 0.65%, 0.5%

LAB 32.85, 52.3, -81.26

 

CMYK 0 / 79 / 37 / 18

HEX #D22C85

RGB 210 44 133

HSL 327.83, 0.65%, 0.5%

LAB 48.51, 68.75, -9.32

 

CMYK 0 / 3 / 79 / 18

HEX #D2CC2C

RGB 210 204 44

HSL 57.83, 0.65%, 0.5%

LAB 80.22, -14.84, 73.21

 

Description

Color code: HEX #2DD37B | qconv.com Color code: HEX #2DD37B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 211 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 211 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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