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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DE190 it is the complementary color #D21E6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DE190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DE190 shade: #32E18B, #43F39E, #54FFB1, #65FFC4 and #76FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DE190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DE190 shade: #2DE190, #1CCF7D, #0BBD6A, #00AB57 and #009944

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DE190 shade: #2DE190, #2DE15F, #2DE12F, #5BE12D and #8CE12D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DE190 shade: #2DE190, #2DE1C0, #2DD0E1, #2DA0E1 and #2D70E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DE190 shade matches the following richer shades: #2DE190 and #19F492

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DE190 shade: #2DE190, #40CD8E, #54BA8C, #67A68A and #7A9388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DE190 shade: #2DE130, #2DE160, #2DE190, #2DE1C0 and #2DD2E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DE190 shade: #17A464, #1CC87B, #2DE190, #51E6A3 and #75EBB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DE190 shade: #2DE190, #2D5AE1 and #E1482D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DE190 shade: #2DE190, #902DE1 and #E1902D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DE190 shade: #2DE190, #2D5AE1, #E12D7E and #E1B42D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DE190 shade: #2DE190, #362DE1, #E12D7E and #D8E12D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

Complementary color

CMYK 0 / 86 / 47 / 18

HEX #D21E6F

RGB 210 30 111

HSL 333, 0.75%, 0.47%

LAB 46.68, 69.92, 1.43

 

CMYK 78 / 0 / 38 / 12

HEX #32E18B

RGB 50 225 139

HSL 150.51, 0.74%, 0.54%

LAB 79.84, -62.02, 30.11

 

CMYK 72 / 0 / 35 / 5

HEX #43F39E

RGB 67 243 158

HSL 151.02, 0.88%, 0.61%

LAB 85.89, -62.81, 28.6

 

CMYK 67 / 0 / 31 / 0

HEX #54FFB1

RGB 84 255 177

HSL 152.63, 1%, 0.66%

LAB 90.13, -61.07, 24.79

 

CMYK 60 / 0 / 23 / 0

HEX #65FFC4

RGB 101 255 196

HSL 157.01, 1%, 0.7%

LAB 90.9, -54.25, 16.23

 

CMYK 54 / 0 / 16 / 0

HEX #76FFD7

RGB 118 255 215

HSL 162.48, 1%, 0.73%

LAB 91.81, -46.79, 7.8

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 86 / 0 / 40 / 19

HEX #1CCF7D

RGB 28 207 125

HSL 152.51, 0.76%, 0.46%

LAB 73.77, -60.34, 29.21

 

CMYK 94 / 0 / 44 / 26

HEX #0BBD6A

RGB 11 189 106

HSL 152.02, 0.89%, 0.39%

LAB 67.66, -58.62, 30.98

 

CMYK 100 / 0 / 49 / 33

HEX #00AB57

RGB 0 171 87

HSL 150.53, 1%, 0.34%

LAB 61.49, -56.33, 32.87

 

CMYK 100 / 0 / 56 / 40

HEX #009944

RGB 0 153 68

HSL 146.67, 1%, 0.3%

LAB 55.28, -53.41, 34.84

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 80 / 0 / 58 / 12

HEX #2DE15F

RGB 45 225 95

HSL 136.67, 0.75%, 0.53%

LAB 79.18, -69.53, 50.59

 

CMYK 80 / 0 / 79 / 12

HEX #2DE12F

RGB 45 225 47

HSL 120.67, 0.75%, 0.53%

LAB 78.82, -73.96, 68.32

 

CMYK 60 / 0 / 80 / 12

HEX #5BE12D

RGB 91 225 45

HSL 104.67, 0.75%, 0.53%

LAB 79.76, -65.98, 70.1

 

CMYK 38 / 0 / 80 / 12

HEX #8CE12D

RGB 140 225 45

HSL 88.33, 0.75%, 0.53%

LAB 81.63, -51.78, 72.5

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 80 / 0 / 15 / 12

HEX #2DE1C0

RGB 45 225 192

HSL 169, 0.75%, 0.53%

LAB 80.86, -50.7, 3.83

 

CMYK 80 / 8 / 0 / 12

HEX #2DD0E1

RGB 45 208 225

HSL 185.67, 0.75%, 0.53%

LAB 76.74, -33.92, -19.92

 

CMYK 80 / 29 / 0 / 12

HEX #2DA0E1

RGB 45 160 225

HSL 201.67, 0.75%, 0.53%

LAB 62.62, -9.22, -41.71

 

CMYK 80 / 50 / 0 / 12

HEX #2D70E1

RGB 45 112 225

HSL 217.67, 0.75%, 0.53%

LAB 48.99, 19.58, -63.44

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 90 / 0 / 40 / 4

HEX #19F492

RGB 25 244 146

HSL 153.15, 0.91%, 0.53%

LAB 85.5, -69.33, 34.03

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 69 / 0 / 31 / 20

HEX #40CD8E

RGB 64 205 142

HSL 153.19, 0.59%, 0.53%

LAB 74, -51.99, 20.71

 

CMYK 55 / 0 / 25 / 27

HEX #54BA8C

RGB 84 186 140

HSL 152.94, 0.43%, 0.53%

LAB 68.68, -40.62, 14.49

 

CMYK 38 / 0 / 17 / 35

HEX #67A68A

RGB 103 166 138

HSL 153.33, 0.26%, 0.53%

LAB 63.34, -26.74, 8.16

 

CMYK 17 / 0 / 7 / 42

HEX #7A9388

RGB 122 147 136

HSL 153.6, 0.1%, 0.53%

LAB 58.77, -11.15, 2.87

 

CMYK 80 / 0 / 79 / 12

HEX #2DE130

RGB 45 225 48

HSL 121, 0.75%, 0.53%

LAB 78.82, -73.9, 68.04

 

CMYK 80 / 0 / 57 / 12

HEX #2DE160

RGB 45 225 96

HSL 137, 0.75%, 0.53%

LAB 79.19, -69.41, 50.15

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 80 / 0 / 15 / 12

HEX #2DE1C0

RGB 45 225 192

HSL 169, 0.75%, 0.53%

LAB 80.86, -50.7, 3.83

 

CMYK 80 / 7 / 0 / 12

HEX #2DD2E1

RGB 45 210 225

HSL 185, 0.75%, 0.53%

LAB 77.33, -34.86, -19.02

 

CMYK 86 / 0 / 39 / 36

HEX #17A464

RGB 23 164 100

HSL 152.77, 0.75%, 0.37%

LAB 59.57, -50.08, 23.55

 

CMYK 86 / 0 / 39 / 22

HEX #1CC87B

RGB 28 200 123

HSL 153.14, 0.75%, 0.45%

LAB 71.55, -58.24, 27.29

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 65 / 0 / 29 / 10

HEX #51E6A3

RGB 81 230 163

HSL 153.02, 0.75%, 0.61%

LAB 82.37, -54.7, 21.29

 

CMYK 50 / 0 / 23 / 8

HEX #75EBB6

RGB 117 235 182

HSL 153.05, 0.75%, 0.69%

LAB 85.29, -45.49, 15.64

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 80 / 60 / 0 / 12

HEX #2D5AE1

RGB 45 90 225

HSL 225, 0.75%, 0.53%

LAB 43.22, 33.61, -72.81

 

CMYK 0 / 68 / 80 / 12

HEX #E1482D

RGB 225 72 45

HSL 9, 0.75%, 0.53%

LAB 52.76, 57.99, 48.3

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 36 / 80 / 0 / 12

HEX #902DE1

RGB 144 45 225

HSL 273, 0.75%, 0.53%

LAB 43.13, 69.85, -72.64

 

CMYK 0 / 36 / 80 / 12

HEX #E1902D

RGB 225 144 45

HSL 33, 0.75%, 0.53%

LAB 66.63, 23.15, 61.32

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 80 / 60 / 0 / 12

HEX #2D5AE1

RGB 45 90 225

HSL 225, 0.75%, 0.53%

LAB 43.22, 33.61, -72.81

 

CMYK 0 / 80 / 44 / 12

HEX #E12D7E

RGB 225 45 126

HSL 333, 0.75%, 0.53%

LAB 51.14, 71.54, -0.88

 

CMYK 0 / 20 / 80 / 12

HEX #E1B42D

RGB 225 180 45

HSL 45, 0.75%, 0.53%

LAB 75.35, 3.99, 69.15

 

CMYK 80 / 0 / 36 / 12

HEX #2DE190

RGB 45 225 144

HSL 153, 0.75%, 0.53%

LAB 79.85, -61.59, 27.57

 

CMYK 76 / 80 / 0 / 12

HEX #362DE1

RGB 54 45 225

HSL 243, 0.75%, 0.53%

LAB 34.18, 60.05, -87.68

 

CMYK 0 / 80 / 44 / 12

HEX #E12D7E

RGB 225 45 126

HSL 333, 0.75%, 0.53%

LAB 51.14, 71.54, -0.88

 

CMYK 4 / 0 / 80 / 12

HEX #D8E12D

RGB 216 225 45

HSL 63, 0.75%, 0.53%

LAB 86.32, -22.59, 78.46

 

Description

Color code: HEX #2DE190 | qconv.com Color code: HEX #2DE190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 225 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 225 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 36 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 36% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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