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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DEB8F it is the complementary color #D21470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DEB8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DEB8F shade: #32EB8A, #43FD9D, #54FFB0, #65FFC3 and #76FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DEB8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DEB8F shade: #2DEB8F, #1CD97C, #0BC769, #00B556 and #00A343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DEB8F shade: #2DEB8F, #2DEB5B, #31EB2D, #64EB2D and #98EB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DEB8F shade: #2DEB8F, #2DEBC2, #2DE0EB, #2DADEB and #2D7AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DEB8F shade matches the following richer shades: #2DEB8F and #1AFE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DEB8F shade: #2DEB8F, #3FD88E, #52C68E, #64B38D and #77A18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DEB8F shade: #33EB2D, #2DEB59, #2DEB8C, #2DEBBF and #2DE5EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DEB8F shade: #10B565, #14DA7A, #2DEB8F, #52EEA3 and #78F2B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DEB8F shade: #2DEB8F, #2D66EB and #EB402D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DEB8F shade: #2DEB8F, #8C2DEB and #EB8C2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DEB8F shade: #2DEB8F, #2D66EB, #EB2D8C and #EBB22D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DEB8F shade: #2DEB8F, #2D2DEB, #EB2D8C and #EBEB2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

Complementary color

CMYK 0 / 90 / 47 / 18

HEX #D21470

RGB 210 20 112

HSL 330.95, 0.83%, 0.45%

LAB 46.14, 71.65, 0.02

 

CMYK 79 / 0 / 41 / 8

HEX #32EB8A

RGB 50 235 138

HSL 148.54, 0.82%, 0.56%

LAB 82.88, -65.73, 34.63

 

CMYK 74 / 0 / 38 / 1

HEX #43FD9D

RGB 67 253 157

HSL 149.03, 0.98%, 0.63%

LAB 88.86, -66.61, 33.09

 

CMYK 67 / 0 / 31 / 0

HEX #54FFB0

RGB 84 255 176

HSL 152.28, 1%, 0.66%

LAB 90.11, -61.27, 25.27

 

CMYK 60 / 0 / 24 / 0

HEX #65FFC3

RGB 101 255 195

HSL 156.62, 1%, 0.7%

LAB 90.88, -54.46, 16.71

 

CMYK 54 / 0 / 16 / 0

HEX #76FFD6

RGB 118 255 214

HSL 162.04, 1%, 0.73%

LAB 91.79, -47.01, 8.28

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 87 / 0 / 43 / 15

HEX #1CD97C

RGB 28 217 124

HSL 150.48, 0.77%, 0.48%

LAB 76.88, -64, 33.79

 

CMYK 94 / 0 / 47 / 22

HEX #0BC769

RGB 11 199 105

HSL 150, 0.9%, 0.41%

LAB 70.83, -62.18, 35.56

 

CMYK 100 / 0 / 52 / 29

HEX #00B556

RGB 0 181 86

HSL 148.51, 1%, 0.35%

LAB 64.74, -59.8, 37.42

 

CMYK 100 / 0 / 59 / 36

HEX #00A343

RGB 0 163 67

HSL 144.66, 1%, 0.32%

LAB 58.6, -56.81, 39.3

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 81 / 0 / 61 / 8

HEX #2DEB5B

RGB 45 235 91

HSL 134.53, 0.83%, 0.55%

LAB 82.23, -73.14, 55.87

 

CMYK 79 / 0 / 81 / 8

HEX #31EB2D

RGB 49 235 45

HSL 118.74, 0.83%, 0.55%

LAB 81.98, -76.5, 71.84

 

CMYK 57 / 0 / 81 / 8

HEX #64EB2D

RGB 100 235 45

HSL 102.63, 0.83%, 0.55%

LAB 83.08, -67.2, 73.26

 

CMYK 35 / 0 / 81 / 8

HEX #98EB2D

RGB 152 235 45

HSL 86.21, 0.83%, 0.55%

LAB 85.14, -51.72, 75.89

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 81 / 0 / 17 / 8

HEX #2DEBC2

RGB 45 235 194

HSL 167.05, 0.83%, 0.55%

LAB 83.9, -54.26, 7.16

 

CMYK 81 / 5 / 0 / 8

HEX #2DE0EB

RGB 45 224 235

HSL 183.47, 0.83%, 0.55%

LAB 81.77, -38.36, -17.66

 

CMYK 81 / 26 / 0 / 8

HEX #2DADEB

RGB 45 173 235

HSL 199.58, 0.83%, 0.55%

LAB 66.86, -12.89, -40.57

 

CMYK 81 / 48 / 0 / 8

HEX #2D7AEB

RGB 45 122 235

HSL 215.68, 0.83%, 0.55%

LAB 52.37, 17.05, -63.59

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 90 / 0 / 44 / 0

HEX #1AFE8F

RGB 26 254 143

HSL 150.79, 0.99%, 0.55%

LAB 88.49, -73.13, 39.41

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 71 / 0 / 34 / 15

HEX #3FD88E

RGB 63 216 142

HSL 150.98, 0.66%, 0.55%

LAB 77.35, -56.41, 25.28

 

CMYK 59 / 0 / 28 / 22

HEX #52C68E

RGB 82 198 142

HSL 151.03, 0.5%, 0.55%

LAB 72.32, -45.8, 18.47

 

CMYK 44 / 0 / 21 / 30

HEX #64B38D

RGB 100 179 141

HSL 151.14, 0.34%, 0.55%

LAB 67.18, -33.2, 11.93

 

CMYK 26 / 0 / 13 / 37

HEX #77A18C

RGB 119 161 140

HSL 150, 0.18%, 0.55%

LAB 62.76, -18.77, 6.34

 

CMYK 78 / 0 / 81 / 8

HEX #33EB2D

RGB 51 235 45

HSL 118.11, 0.83%, 0.55%

LAB 82.01, -76.25, 71.87

 

CMYK 81 / 0 / 62 / 8

HEX #2DEB59

RGB 45 235 89

HSL 133.89, 0.83%, 0.55%

LAB 82.21, -73.37, 56.7

 

CMYK 81 / 0 / 40 / 8

HEX #2DEB8C

RGB 45 235 140

HSL 150, 0.83%, 0.55%

LAB 82.84, -65.89, 33.57

 

CMYK 81 / 0 / 19 / 8

HEX #2DEBBF

RGB 45 235 191

HSL 166.11, 0.83%, 0.55%

LAB 83.83, -54.99, 8.63

 

CMYK 81 / 3 / 0 / 8

HEX #2DE5EB

RGB 45 229 235

HSL 181.89, 0.83%, 0.55%

LAB 83.23, -40.64, -15.46

 

CMYK 91 / 0 / 44 / 29

HEX #10B565

RGB 16 181 101

HSL 150.91, 0.84%, 0.39%

LAB 65.04, -56.51, 30.19

 

CMYK 91 / 0 / 44 / 15

HEX #14DA7A

RGB 20 218 122

HSL 150.91, 0.83%, 0.47%

LAB 77.1, -65.18, 35.07

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 66 / 0 / 32 / 7

HEX #52EEA3

RGB 82 238 163

HSL 151.15, 0.82%, 0.63%

LAB 84.79, -57.66, 24.61

 

CMYK 50 / 0 / 24 / 5

HEX #78F2B7

RGB 120 242 183

HSL 150.98, 0.82%, 0.71%

LAB 87.44, -47.58, 18.15

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 0 / 73 / 81 / 8

HEX #EB402D

RGB 235 64 45

HSL 6, 0.83%, 0.55%

LAB 53.51, 64.03, 49.65

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 40 / 81 / 0 / 8

HEX #8C2DEB

RGB 140 45 235

HSL 270, 0.83%, 0.55%

LAB 43.43, 71.48, -77.84

 

CMYK 0 / 40 / 81 / 8

HEX #EB8C2D

RGB 235 140 45

HSL 30, 0.83%, 0.55%

LAB 66.98, 29.44, 62.11

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 81 / 57 / 0 / 8

HEX #2D66EB

RGB 45 102 235

HSL 222, 0.83%, 0.55%

LAB 47.05, 29.67, -72.21

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8C

RGB 235 45 140

HSL 330, 0.83%, 0.55%

LAB 53.42, 75.26, -5.72

 

CMYK 0 / 24 / 81 / 8

HEX #EBB22D

RGB 235 178 45

HSL 42, 0.83%, 0.55%

LAB 75.88, 9.35, 70.01

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8C

RGB 235 45 140

HSL 330, 0.83%, 0.55%

LAB 53.42, 75.26, -5.72

 

CMYK 0 / 0 / 81 / 8

HEX #EBEB2D

RGB 235 235 45

HSL 60, 0.83%, 0.55%

LAB 90.44, -19.56, 82.58

 

Description

Color code: HEX #2DEB8F | qconv.com Color code: HEX #2DEB8F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 235 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 235 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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