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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E0C81 it is the complementary color #D1F37E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E0C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E0C81 shade: #330C7C, #441E8F, #5530A2, #6642B5 and #7754C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E0C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E0C81 shade: #2E0C81, #1D006E, #0C005B, #000048 and #000035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E0C81 shade: #2E0C82, #4E0C82, #6E0C82, #820C76 and #820C56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E0C81 shade: #2E0C82, #0E0C82 and #0C0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E0C81 shade matches the following richer shades: #2E0C82 and #29008E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E0C81 shade: #2E0C82, #331777, #38236B, #3D2E60 and #413A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E0C81 shade: #0C2982, #0E0C82, #2D0C82, #4D0C82 and #6C0C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E0C81 shade: #130537, #21085C, #2E0C82, #3C0FA8 and #4913CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E0C81 shade: #2E0C81, #820C49 and #19820C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E0C81 shade: #2E0C81, #822D0C and #0C822D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E0C81 shade: #2E0C81, #820C49, #61820C and #0C8245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E0C81 shade: #2E0C81, #820C25, #61820C and #0C8268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 91 / 0 / 49

HEX #2E0C81

RGB 46 12 129

HSL 257.44, 0.83%, 0.28%

LAB 17.59, 45.26, -57.57

 

Complementary color

CMYK 14 / 0 / 48 / 5

HEX #D1F37E

RGB 209 243 126

HSL 77.44, 0.83%, 0.72%

LAB 91.31, -28.64, 52.4

 

CMYK 59 / 90 / 0 / 51

HEX #330C7C

RGB 51 12 124

HSL 260.89, 0.82%, 0.27%

LAB 17.56, 44.35, -54.41

 

CMYK 52 / 79 / 0 / 44

HEX #441E8F

RGB 68 30 143

HSL 260.18, 0.65%, 0.34%

LAB 24.13, 44.36, -55.48

 

CMYK 48 / 70 / 0 / 36

HEX #5530A2

RGB 85 48 162

HSL 259.47, 0.54%, 0.41%

LAB 31.01, 43.43, -55.79

 

CMYK 44 / 64 / 0 / 29

HEX #6642B5

RGB 102 66 181

HSL 258.78, 0.47%, 0.48%

LAB 37.95, 42.21, -55.77

 

CMYK 41 / 58 / 0 / 22

HEX #7754C8

RGB 119 84 200

HSL 258.1, 0.51%, 0.56%

LAB 44.85, 40.97, -55.63

 

CMYK 64 / 91 / 0 / 49

HEX #2E0C81

RGB 46 12 129

HSL 257.44, 0.83%, 0.28%

LAB 17.59, 45.26, -57.57

 

CMYK 74 / 100 / 0 / 57

HEX #1D006E

RGB 29 0 110

HSL 255.82, 1%, 0.22%

LAB 11.87, 43.33, -54.88

 

CMYK 87 / 100 / 0 / 64

HEX #0C005B

RGB 12 0 91

HSL 247.91, 1%, 0.18%

LAB 7.53, 37.53, -49.52

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 65 / 91 / 0 / 49

HEX #2E0C82

RGB 46 12 130

HSL 257.29, 0.83%, 0.28%

LAB 17.72, 45.54, -58

 

CMYK 40 / 91 / 0 / 49

HEX #4E0C82

RGB 78 12 130

HSL 273.56, 0.83%, 0.28%

LAB 21.92, 49.1, -50.91

 

CMYK 15 / 91 / 0 / 49

HEX #6E0C82

RGB 110 12 130

HSL 289.83, 0.83%, 0.28%

LAB 27.27, 54.1, -41.98

 

CMYK 0 / 91 / 9 / 49

HEX #820C76

RGB 130 12 118

HSL 306.1, 0.83%, 0.28%

LAB 30.2, 55.87, -29.49

 

CMYK 0 / 91 / 34 / 49

HEX #820C56

RGB 130 12 86

HSL 322.37, 0.83%, 0.28%

LAB 28.59, 51.58, -11.26

 

CMYK 65 / 91 / 0 / 49

HEX #2E0C82

RGB 46 12 130

HSL 257.29, 0.83%, 0.28%

LAB 17.72, 45.54, -58

 

CMYK 89 / 91 / 0 / 49

HEX #0E0C82

RGB 14 12 130

HSL 241.02, 0.83%, 0.28%

LAB 15.32, 43.74, -62.05

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 65 / 91 / 0 / 49

HEX #2E0C82

RGB 46 12 130

HSL 257.29, 0.83%, 0.28%

LAB 17.72, 45.54, -58

 

CMYK 71 / 100 / 0 / 44

HEX #29008E

RGB 41 0 142

HSL 257.32, 1%, 0.28%

LAB 17.57, 52.1, -65.8

 

CMYK 65 / 91 / 0 / 49

HEX #2E0C82

RGB 46 12 130

HSL 257.29, 0.83%, 0.28%

LAB 17.72, 45.54, -58

 

CMYK 57 / 81 / 0 / 53

HEX #331777

RGB 51 23 119

HSL 257.5, 0.68%, 0.28%

LAB 18.58, 38.32, -49.54

 

CMYK 48 / 67 / 0 / 58

HEX #38236B

RGB 56 35 107

HSL 257.5, 0.51%, 0.28%

LAB 20.46, 28.77, -38.69

 

CMYK 36 / 52 / 0 / 62

HEX #3D2E60

RGB 61 46 96

HSL 258, 0.35%, 0.28%

LAB 22.97, 19.55, -27.45

 

CMYK 23 / 31 / 0 / 67

HEX #413A54

RGB 65 58 84

HSL 256.15, 0.18%, 0.28%

LAB 26.13, 9.35, -14.59

 

CMYK 91 / 68 / 0 / 49

HEX #0C2982

RGB 12 41 130

HSL 225.25, 0.83%, 0.28%

LAB 21.12, 27.04, -52.45

 

CMYK 89 / 91 / 0 / 49

HEX #0E0C82

RGB 14 12 130

HSL 241.02, 0.83%, 0.28%

LAB 15.32, 43.74, -62.05

 

CMYK 65 / 91 / 0 / 49

HEX #2D0C82

RGB 45 12 130

HSL 256.78, 0.83%, 0.28%

LAB 17.61, 45.46, -58.17

 

CMYK 41 / 91 / 0 / 49

HEX #4D0C82

RGB 77 12 130

HSL 273.05, 0.83%, 0.28%

LAB 21.77, 48.96, -51.17

 

CMYK 17 / 91 / 0 / 49

HEX #6C0C82

RGB 108 12 130

HSL 288.81, 0.83%, 0.28%

LAB 26.91, 53.76, -42.57

 

CMYK 65 / 91 / 0 / 78

HEX #130537

RGB 19 5 55

HSL 256.8, 0.83%, 0.12%

LAB 4.72, 20.69, -28.83

 

CMYK 64 / 91 / 0 / 64

HEX #21085C

RGB 33 8 92

HSL 257.86, 0.84%, 0.2%

LAB 11.06, 34.89, -44.27

 

CMYK 65 / 91 / 0 / 49

HEX #2E0C82

RGB 46 12 130

HSL 257.29, 0.83%, 0.28%

LAB 17.72, 45.54, -58

 

CMYK 64 / 91 / 0 / 34

HEX #3C0FA8

RGB 60 15 168

HSL 257.65, 0.84%, 0.36%

LAB 24.09, 55.93, -70.89

 

CMYK 65 / 91 / 0 / 19

HEX #4913CE

RGB 73 19 206

HSL 257.33, 0.83%, 0.44%

LAB 30.25, 65.46, -83.19

 

CMYK 64 / 91 / 0 / 49

HEX #2E0C81

RGB 46 12 129

HSL 257.44, 0.83%, 0.28%

LAB 17.59, 45.26, -57.57

 

CMYK 0 / 91 / 44 / 49

HEX #820C49

RGB 130 12 73

HSL 328.98, 0.83%, 0.28%

LAB 28.09, 50.19, -3.37

 

CMYK 81 / 0 / 91 / 49

HEX #19820C

RGB 25 130 12

HSL 113.39, 0.83%, 0.28%

LAB 47.23, -49.4, 48.42

 

CMYK 64 / 91 / 0 / 49

HEX #2E0C81

RGB 46 12 129

HSL 257.44, 0.83%, 0.28%

LAB 17.59, 45.26, -57.57

 

CMYK 0 / 65 / 91 / 49

HEX #822D0C

RGB 130 45 12

HSL 16.78, 0.83%, 0.28%

LAB 30.99, 35.13, 37.88

 

CMYK 91 / 0 / 65 / 49

HEX #0C822D

RGB 12 130 45

HSL 136.78, 0.83%, 0.28%

LAB 47.28, -48.21, 36.71

 

CMYK 64 / 91 / 0 / 49

HEX #2E0C81

RGB 46 12 129

HSL 257.44, 0.83%, 0.28%

LAB 17.59, 45.26, -57.57

 

CMYK 0 / 91 / 44 / 49

HEX #820C49

RGB 130 12 73

HSL 328.98, 0.83%, 0.28%

LAB 28.09, 50.19, -3.37

 

CMYK 25 / 0 / 91 / 49

HEX #61820C

RGB 97 130 12

HSL 76.78, 0.83%, 0.28%

LAB 50.14, -27.6, 52.05

 

CMYK 91 / 0 / 47 / 49

HEX #0C8245

RGB 12 130 69

HSL 148.98, 0.83%, 0.28%

LAB 47.59, -44.45, 24.75

 

CMYK 64 / 91 / 0 / 49

HEX #2E0C81

RGB 46 12 129

HSL 257.44, 0.83%, 0.28%

LAB 17.59, 45.26, -57.57

 

CMYK 0 / 91 / 72 / 49

HEX #820C25

RGB 130 12 37

HSL 347.29, 0.83%, 0.28%

LAB 27.14, 47.49, 19.63

 

CMYK 25 / 0 / 91 / 49

HEX #61820C

RGB 97 130 12

HSL 76.78, 0.83%, 0.28%

LAB 50.14, -27.6, 52.05

 

CMYK 91 / 0 / 20 / 49

HEX #0C8268

RGB 12 130 104

HSL 166.78, 0.83%, 0.28%

LAB 48.31, -36.29, 5.73

 

Description

Color code: HEX #2E0C81 | qconv.com Color code: HEX #2E0C81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 12 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 12 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 91 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 91% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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