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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E2540 it is the complementary color #D1DABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E2540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E2540 shade: #33253B, #44374E, #554961, #665B74 and #776D87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E2540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E2540 shade: #2E2540, #1D132D, #0C011A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E2540 shade: #2E2540, #352540, #3D2540, #40253C and #402535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E2540 shade: #2E2540, #262540 and #252540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E2540 shade matches the following richer shades: #2E2540, #2B1C49, #281451, #260C59 and #230461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E2540 shade: #2E2540, #312D38, #333530, #363D28 and #39461F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E2540 shade: #252A40, #272540, #2E2540, #352540 and #3D2540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E2540 shade: #08070C, #1B1626, #2E2540, #41345A and #534375

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E2540 shade: #2E2540, #402532 and #274025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E2540 shade: #2E2540, #402E25 and #25402E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E2540 shade: #2E2540, #402532, #374025 and #254033

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E2540 shade: #2E2540, #402529, #374025 and #25403C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

Complementary color

CMYK 4 / 0 / 12 / 15

HEX #D1DABF

RGB 209 218 191

HSL 80, 0.27%, 0.8%

LAB 85.74, -7.77, 12.25

 

CMYK 14 / 37 / 0 / 77

HEX #33253B

RGB 51 37 59

HSL 278.18, 0.23%, 0.19%

LAB 17.19, 11.65, -11.62

 

CMYK 13 / 29 / 0 / 69

HEX #44374E

RGB 68 55 78

HSL 273.91, 0.17%, 0.26%

LAB 25.29, 10.9, -11.9

 

CMYK 12 / 25 / 0 / 62

HEX #554961

RGB 85 73 97

HSL 270, 0.14%, 0.33%

LAB 33.05, 10.29, -12.2

 

CMYK 12 / 22 / 0 / 55

HEX #665B74

RGB 102 91 116

HSL 266.4, 0.12%, 0.41%

LAB 40.52, 9.78, -12.53

 

CMYK 12 / 19 / 0 / 47

HEX #776D87

RGB 119 109 135

HSL 263.08, 0.11%, 0.48%

LAB 47.76, 9.33, -12.87

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 36 / 58 / 0 / 82

HEX #1D132D

RGB 29 19 45

HSL 263.08, 0.41%, 0.13%

LAB 8.27, 12.22, -15.71

 

CMYK 54 / 96 / 0 / 90

HEX #0C011A

RGB 12 1 26

HSL 266.4, 0.93%, 0.05%

LAB 1.58, 7.5, -11.48

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 17 / 42 / 0 / 75

HEX #352540

RGB 53 37 64

HSL 275.56, 0.27%, 0.2%

LAB 17.69, 13.75, -14.3

 

CMYK 5 / 42 / 0 / 75

HEX #3D2540

RGB 61 37 64

HSL 293.33, 0.27%, 0.2%

LAB 18.74, 16.8, -12.59

 

CMYK 0 / 42 / 6 / 75

HEX #40253C

RGB 64 37 60

HSL 308.89, 0.27%, 0.2%

LAB 18.97, 17.06, -9.44

 

CMYK 0 / 42 / 17 / 75

HEX #402535

RGB 64 37 53

HSL 324.44, 0.27%, 0.2%

LAB 18.67, 15.6, -5.02

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 41 / 42 / 0 / 75

HEX #262540

RGB 38 37 64

HSL 242.22, 0.27%, 0.2%

LAB 16.03, 8.34, -17.01

 

CMYK 42 / 42 / 0 / 75

HEX #252540

RGB 37 37 64

HSL 240, 0.27%, 0.2%

LAB 15.94, 8.01, -17.17

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 41 / 62 / 0 / 71

HEX #2B1C49

RGB 43 28 73

HSL 260, 0.45%, 0.2%

LAB 14.54, 19.28, -25.58

 

CMYK 51 / 75 / 0 / 68

HEX #281451

RGB 40 20 81

HSL 259.67, 0.6%, 0.2%

LAB 12.89, 26.31, -33.76

 

CMYK 57 / 87 / 0 / 65

HEX #260C59

RGB 38 12 89

HSL 260.26, 0.76%, 0.2%

LAB 11.93, 32.8, -40.78

 

CMYK 64 / 96 / 0 / 62

HEX #230461

RGB 35 4 97

HSL 260, 0.92%, 0.2%

LAB 11.33, 38.35, -47.18

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 13 / 20 / 0 / 78

HEX #312D38

RGB 49 45 56

HSL 261.82, 0.11%, 0.2%

LAB 19.29, 4.47, -6.36

 

CMYK 4 / 0 / 9 / 79

HEX #333530

RGB 51 53 48

HSL 84, 0.05%, 0.2%

LAB 21.81, -2.01, 2.85

 

CMYK 11 / 0 / 34 / 76

HEX #363D28

RGB 54 61 40

HSL 80, 0.21%, 0.2%

LAB 24.56, -7.33, 12.01

 

CMYK 19 / 0 / 56 / 73

HEX #39461F

RGB 57 70 31

HSL 80, 0.39%, 0.2%

LAB 27.71, -12.68, 21.62

 

CMYK 42 / 34 / 0 / 75

HEX #252A40

RGB 37 42 64

HSL 228.89, 0.27%, 0.2%

LAB 17.55, 4.41, -14.65

 

CMYK 39 / 42 / 0 / 75

HEX #272540

RGB 39 37 64

HSL 244.44, 0.27%, 0.2%

LAB 16.13, 8.69, -16.86

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 17 / 42 / 0 / 75

HEX #352540

RGB 53 37 64

HSL 275.56, 0.27%, 0.2%

LAB 17.69, 13.75, -14.3

 

CMYK 5 / 42 / 0 / 75

HEX #3D2540

RGB 61 37 64

HSL 293.33, 0.27%, 0.2%

LAB 18.74, 16.8, -12.59

 

CMYK 33 / 42 / 0 / 95

HEX #08070C

RGB 8 7 12

HSL 252, 0.26%, 0.04%

LAB 2.08, 0.97, -1.84

 

CMYK 29 / 42 / 0 / 85

HEX #1B1626

RGB 27 22 38

HSL 258.75, 0.27%, 0.12%

LAB 8.54, 6.94, -10.1

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 28 / 42 / 0 / 65

HEX #41345A

RGB 65 52 90

HSL 260.53, 0.27%, 0.28%

LAB 24.7, 15.05, -20.75

 

CMYK 29 / 43 / 0 / 54

HEX #534375

RGB 83 67 117

HSL 259.2, 0.27%, 0.36%

LAB 32.12, 18.66, -26.28

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 0 / 42 / 22 / 75

HEX #402532

RGB 64 37 50

HSL 331.11, 0.27%, 0.2%

LAB 18.56, 15.02, -3.1

 

CMYK 39 / 0 / 42 / 75

HEX #274025

RGB 39 64 37

HSL 115.56, 0.27%, 0.2%

LAB 24.42, -16.15, 13.55

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 0 / 28 / 42 / 75

HEX #402E25

RGB 64 46 37

HSL 20, 0.27%, 0.2%

LAB 20.74, 6.79, 9.01

 

CMYK 42 / 0 / 28 / 75

HEX #25402E

RGB 37 64 46

HSL 140, 0.27%, 0.2%

LAB 24.5, -15.02, 7.84

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 0 / 42 / 22 / 75

HEX #402532

RGB 64 37 50

HSL 331.11, 0.27%, 0.2%

LAB 18.56, 15.02, -3.1

 

CMYK 14 / 0 / 42 / 75

HEX #374025

RGB 55 64 37

HSL 80, 0.27%, 0.2%

LAB 25.6, -9.21, 15.31

 

CMYK 42 / 0 / 20 / 75

HEX #254033

RGB 37 64 51

HSL 151.11, 0.27%, 0.2%

LAB 24.64, -13.81, 4.74

 

CMYK 28 / 42 / 0 / 75

HEX #2E2540

RGB 46 37 64

HSL 260, 0.27%, 0.2%

LAB 16.86, 11.16, -15.65

 

CMYK 0 / 42 / 36 / 75

HEX #402529

RGB 64 37 41

HSL 351.11, 0.27%, 0.2%

LAB 18.25, 13.43, 2.76

 

CMYK 14 / 0 / 42 / 75

HEX #374025

RGB 55 64 37

HSL 80, 0.27%, 0.2%

LAB 25.6, -9.21, 15.31

 

CMYK 42 / 0 / 6 / 75

HEX #25403C

RGB 37 64 60

HSL 171.11, 0.27%, 0.2%

LAB 24.91, -11.4, -0.81

 

Description

Color code: HEX #2E2540 | qconv.com Color code: HEX #2E2540 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 37 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 37 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 42 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 42% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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