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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E2196 it is the complementary color #D1DE69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E2196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E2196 shade: #332191, #4433A4, #5545B7, #6657CA and #7769DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E2196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E2196 shade: #2E2196, #1D0F83, #0C0070, #00005D and #00004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E2196 shade: #2E2196, #4D2196, #6D2196, #8D2196 and #962180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E2196 shade: #2E2196 and #212196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E2196 shade matches the following richer shades: #2E2196, #2212A5 and #1703B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E2196 shade: #2E2196, #392F87, #453E78, #504D69 and #5C5C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E2196 shade: #215396, #213496, #2C2196, #4C2196 and #6B2196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E2196 shade: #191252, #231974, #2E2196, #3828B8 and #4837D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E2196 shade: #2E2196, #962173 and #449621

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E2196 shade: #2E2196, #962C21 and #21962C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E2196 shade: #2E2196, #962173, #8A9621 and #219644

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E2196 shade: #2E2196, #962150, #8A9621 and #219667

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

Complementary color

CMYK 6 / 0 / 53 / 13

HEX #D1DE69

RGB 209 222 105

HSL 66.67, 0.64%, 0.64%

LAB 85.41, -20.55, 55.11

 

CMYK 65 / 77 / 0 / 43

HEX #332191

RGB 51 33 145

HSL 249.64, 0.63%, 0.35%

LAB 23.12, 41.16, -58.45

 

CMYK 59 / 69 / 0 / 36

HEX #4433A4

RGB 68 51 164

HSL 249.03, 0.53%, 0.42%

LAB 30.1, 39.43, -58.55

 

CMYK 54 / 62 / 0 / 28

HEX #5545B7

RGB 85 69 183

HSL 248.42, 0.45%, 0.49%

LAB 37.13, 37.69, -58.36

 

CMYK 50 / 57 / 0 / 21

HEX #6657CA

RGB 102 87 202

HSL 247.83, 0.52%, 0.57%

LAB 44.1, 36.1, -58.07

 

CMYK 46 / 52 / 0 / 13

HEX #7769DD

RGB 119 105 221

HSL 247.24, 0.63%, 0.64%

LAB 50.97, 34.69, -57.77

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 78 / 89 / 0 / 49

HEX #1D0F83

RGB 29 15 131

HSL 247.24, 0.79%, 0.29%

LAB 16.71, 43.51, -60.35

 

CMYK 89 / 100 / 0 / 56

HEX #0C0070

RGB 12 0 112

HSL 246.43, 1%, 0.22%

LAB 10.91, 43.36, -57.83

 

CMYK 100 / 100 / 0 / 64

HEX #00005D

RGB 0 0 93

HSL 240, 1%, 0.18%

LAB 7.14, 37.74, -51.54

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 49 / 78 / 0 / 41

HEX #4D2196

RGB 77 33 150

HSL 262.56, 0.64%, 0.36%

LAB 26.35, 46.26, -56.12

 

CMYK 27 / 78 / 0 / 41

HEX #6D2196

RGB 109 33 150

HSL 278.97, 0.64%, 0.36%

LAB 30.74, 51.83, -48.78

 

CMYK 6 / 78 / 0 / 41

HEX #8D2196

RGB 141 33 150

HSL 295.38, 0.64%, 0.36%

LAB 35.89, 58.22, -40.21

 

CMYK 0 / 78 / 15 / 41

HEX #962180

RGB 150 33 128

HSL 311.28, 0.64%, 0.36%

LAB 36.23, 56.67, -26.02

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 78 / 78 / 0 / 41

HEX #212196

RGB 33 33 150

HSL 240, 0.64%, 0.36%

LAB 22.35, 41, -62.86

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 79 / 89 / 0 / 35

HEX #2212A5

RGB 34 18 165

HSL 246.53, 0.8%, 0.36%

LAB 21.91, 52.66, -72.77

 

CMYK 87 / 98 / 0 / 29

HEX #1703B4

RGB 23 3 180

HSL 246.78, 0.97%, 0.36%

LAB 22.1, 60.47, -81.51

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 58 / 65 / 0 / 47

HEX #392F87

RGB 57 47 135

HSL 246.82, 0.48%, 0.36%

LAB 25.72, 30.52, -47.95

 

CMYK 43 / 48 / 0 / 53

HEX #453E78

RGB 69 62 120

HSL 247.24, 0.32%, 0.36%

LAB 29.58, 18.63, -32.27

 

CMYK 24 / 27 / 0 / 59

HEX #504D69

RGB 80 77 105

HSL 246.43, 0.15%, 0.36%

LAB 34.05, 7.96, -15.76

 

CMYK 0 / 0 / 1 / 64

HEX #5C5C5B

RGB 92 92 91

HSL 60, 0.01%, 0.36%

LAB 39.04, -0.21, 0.57

 

CMYK 78 / 45 / 0 / 41

HEX #215396

RGB 33 83 150

HSL 214.36, 0.64%, 0.36%

LAB 35.42, 8.13, -41.55

 

CMYK 78 / 65 / 0 / 41

HEX #213496

RGB 33 52 150

HSL 230.26, 0.64%, 0.36%

LAB 26.68, 29.15, -55.72

 

CMYK 71 / 78 / 0 / 41

HEX #2C2196

RGB 44 33 150

HSL 245.64, 0.64%, 0.36%

LAB 23.08, 41.98, -61.61

 

CMYK 49 / 78 / 0 / 41

HEX #4C2196

RGB 76 33 150

HSL 262.05, 0.64%, 0.36%

LAB 26.23, 46.1, -56.32

 

CMYK 29 / 78 / 0 / 41

HEX #6B2196

RGB 107 33 150

HSL 277.95, 0.64%, 0.36%

LAB 30.44, 51.45, -49.28

 

CMYK 70 / 78 / 0 / 68

HEX #191252

RGB 25 18 82

HSL 246.56, 0.64%, 0.2%

LAB 10.91, 25.2, -37.76

 

CMYK 70 / 78 / 0 / 55

HEX #231974

RGB 35 25 116

HSL 246.59, 0.65%, 0.28%

LAB 17.05, 34.2, -50.17

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 70 / 78 / 0 / 28

HEX #3828B8

RGB 56 40 184

HSL 246.67, 0.64%, 0.44%

LAB 28.95, 50.21, -72.45

 

CMYK 66 / 74 / 0 / 17

HEX #4837D3

RGB 72 55 211

HSL 246.54, 0.64%, 0.52%

LAB 35.62, 52.39, -77.21

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 0 / 78 / 23 / 41

HEX #962173

RGB 150 33 115

HSL 317.95, 0.64%, 0.36%

LAB 35.61, 54.84, -18.84

 

CMYK 55 / 0 / 78 / 41

HEX #449621

RGB 68 150 33

HSL 102.05, 0.64%, 0.36%

LAB 55.23, -45.72, 50.28

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 0 / 71 / 78 / 41

HEX #962C21

RGB 150 44 33

HSL 5.64, 0.64%, 0.36%

LAB 34.79, 43.56, 32.01

 

CMYK 78 / 0 / 71 / 41

HEX #21962C

RGB 33 150 44

HSL 125.64, 0.64%, 0.36%

LAB 54.36, -52.54, 44.96

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 0 / 78 / 23 / 41

HEX #962173

RGB 150 33 115

HSL 317.95, 0.64%, 0.36%

LAB 35.61, 54.84, -18.84

 

CMYK 8 / 0 / 78 / 41

HEX #8A9621

RGB 138 150 33

HSL 66.15, 0.64%, 0.36%

LAB 59.27, -19.04, 55.53

 

CMYK 78 / 0 / 55 / 41

HEX #219644

RGB 33 150 68

HSL 137.95, 0.64%, 0.36%

LAB 54.61, -49.56, 34.11

 

CMYK 69 / 78 / 0 / 41

HEX #2E2196

RGB 46 33 150

HSL 246.67, 0.64%, 0.36%

LAB 23.24, 42.19, -61.36

 

CMYK 0 / 78 / 47 / 41

HEX #962150

RGB 150 33 80

HSL 335.9, 0.64%, 0.36%

LAB 34.3, 50.8, 1.59

 

CMYK 8 / 0 / 78 / 41

HEX #8A9621

RGB 138 150 33

HSL 66.15, 0.64%, 0.36%

LAB 59.27, -19.04, 55.53

 

CMYK 78 / 0 / 31 / 41

HEX #219667

RGB 33 150 103

HSL 155.9, 0.64%, 0.36%

LAB 55.19, -42.91, 15.99

 

Description

Color code: HEX #2E2196 | qconv.com Color code: HEX #2E2196 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 33 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 33 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 78 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 78% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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