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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E4C23 it is the complementary color #D1B3DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E4C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E4C23 shade: #334C1E, #445E31, #557044, #668257 and #77946A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E4C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E4C23 shade: #2E4C23, #1D3A10, #0C2800, #001600 and #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E4C23 shade: #2E4C23, #394C23, #444C23, #4C4923 and #4C3E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E4C23 shade: #2E4C23, #234C23, #234C2E, #234C39 and #234C44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E4C23 shade matches the following richer shades: #2E4C23, #2A551A, #265F11 and #216808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E4C23 shade: #2E4C23, #32432C, #363A35, #3B313E and #3F2847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E4C23 shade: #454C23, #3A4C23, #2F4C23, #244C23 and #234C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E4C23 shade: #0C1409, #1D3016, #2E4C23, #3F6930 and #50853D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E4C23 shade: #2E4C23, #234C49 and #4C233F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E4C23 shade: #2E4C23, #232F4C and #4C232F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E4C23 shade: #2E4C23, #234C49, #41234C and #4C2326

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E4C23 shade: #2E4C23, #23434C, #41234C and #4C2C23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

Complementary color

CMYK 5 / 19 / 0 / 14

HEX #D1B3DC

RGB 209 179 220

HSL 283.9, 0.37%, 0.78%

LAB 76.66, 18.11, -16.59

 

CMYK 33 / 0 / 61 / 70

HEX #334C1E

RGB 51 76 30

HSL 92.61, 0.43%, 0.21%

LAB 29.33, -18.83, 24.01

 

CMYK 28 / 0 / 48 / 63

HEX #445E31

RGB 68 94 49

HSL 94.67, 0.31%, 0.28%

LAB 36.85, -18.8, 22.67

 

CMYK 24 / 0 / 39 / 56

HEX #557044

RGB 85 112 68

HSL 96.82, 0.24%, 0.35%

LAB 44.14, -18.68, 21.34

 

CMYK 22 / 0 / 33 / 49

HEX #668257

RGB 102 130 87

HSL 99.07, 0.2%, 0.43%

LAB 51.24, -18.54, 20.11

 

CMYK 20 / 0 / 28 / 42

HEX #77946A

RGB 119 148 106

HSL 101.43, 0.17%, 0.5%

LAB 58.17, -18.4, 18.97

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 50 / 0 / 72 / 77

HEX #1D3A10

RGB 29 58 16

HSL 101.43, 0.57%, 0.15%

LAB 21.3, -20.18, 22.14

 

CMYK 70 / 0 / 100 / 84

HEX #0C2800

RGB 12 40 0

HSL 102, 1%, 0.08%

LAB 13.2, -19.69, 19.05

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 25 / 0 / 54 / 70

HEX #394C23

RGB 57 76 35

HSL 87.8, 0.37%, 0.22%

LAB 29.81, -15.59, 21.86

 

CMYK 11 / 0 / 54 / 70

HEX #444C23

RGB 68 76 35

HSL 71.71, 0.37%, 0.22%

LAB 30.69, -10.55, 23.12

 

CMYK 0 / 4 / 54 / 70

HEX #4C4923

RGB 76 73 35

HSL 55.61, 0.37%, 0.22%

LAB 30.46, -4.91, 23.02

 

CMYK 0 / 18 / 54 / 70

HEX #4C3E23

RGB 76 62 35

HSL 39.51, 0.37%, 0.22%

LAB 27.03, 1.97, 18.81

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 54 / 0 / 54 / 70

HEX #234C23

RGB 35 76 35

HSL 120, 0.37%, 0.22%

LAB 28.51, -24.21, 19.95

 

CMYK 54 / 0 / 39 / 70

HEX #234C2E

RGB 35 76 46

HSL 136.1, 0.37%, 0.22%

LAB 28.7, -22.16, 13.54

 

CMYK 54 / 0 / 25 / 70

HEX #234C39

RGB 35 76 57

HSL 152.2, 0.37%, 0.22%

LAB 28.96, -19.63, 6.95

 

CMYK 54 / 0 / 11 / 70

HEX #234C44

RGB 35 76 68

HSL 168.29, 0.37%, 0.22%

LAB 29.27, -16.68, 0.34

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 51 / 0 / 69 / 67

HEX #2A551A

RGB 42 85 26

HSL 103.73, 0.53%, 0.22%

LAB 31.95, -27.3, 28.96

 

CMYK 60 / 0 / 82 / 63

HEX #265F11

RGB 38 95 17

HSL 103.85, 0.7%, 0.22%

LAB 35.28, -33.76, 36.22

 

CMYK 68 / 0 / 92 / 59

HEX #216808

RGB 33 104 8

HSL 104.38, 0.86%, 0.22%

LAB 38.27, -39.13, 41.6

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 25 / 0 / 34 / 74

HEX #32432C

RGB 50 67 44

HSL 104.35, 0.21%, 0.22%

LAB 26.37, -12.02, 11.83

 

CMYK 7 / 0 / 9 / 77

HEX #363A35

RGB 54 58 53

HSL 108, 0.05%, 0.22%

LAB 23.89, -2.85, 2.52

 

CMYK 5 / 21 / 0 / 76

HEX #3B313E

RGB 59 49 62

HSL 286.15, 0.12%, 0.22%

LAB 21.85, 7.39, -6.5

 

CMYK 11 / 44 / 0 / 72

HEX #3F2847

RGB 63 40 71

HSL 284.52, 0.28%, 0.22%

LAB 20.16, 17.27, -15.16

 

CMYK 9 / 0 / 54 / 70

HEX #454C23

RGB 69 76 35

HSL 70.24, 0.37%, 0.22%

LAB 30.77, -10.08, 23.24

 

CMYK 24 / 0 / 54 / 70

HEX #3A4C23

RGB 58 76 35

HSL 86.34, 0.37%, 0.22%

LAB 29.89, -15.14, 21.96

 

CMYK 38 / 0 / 54 / 70

HEX #2F4C23

RGB 47 76 35

HSL 102.44, 0.37%, 0.22%

LAB 29.14, -19.81, 20.89

 

CMYK 53 / 0 / 54 / 70

HEX #244C23

RGB 36 76 35

HSL 118.54, 0.37%, 0.22%

LAB 28.55, -23.88, 20.02

 

CMYK 54 / 0 / 41 / 70

HEX #234C2D

RGB 35 76 45

HSL 134.63, 0.37%, 0.22%

LAB 28.68, -22.37, 14.13

 

CMYK 40 / 0 / 55 / 92

HEX #0C1409

RGB 12 20 9

HSL 103.64, 0.38%, 0.06%

LAB 5.4, -4.81, 4.31

 

CMYK 40 / 0 / 54 / 81

HEX #1D3016

RGB 29 48 22

HSL 103.85, 0.37%, 0.14%

LAB 17.61, -13.91, 14.22

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 40 / 0 / 54 / 59

HEX #3F6930

RGB 63 105 48

HSL 104.21, 0.37%, 0.3%

LAB 40.2, -26.51, 27.3

 

CMYK 40 / 0 / 54 / 48

HEX #50853D

RGB 80 133 61

HSL 104.17, 0.37%, 0.38%

LAB 50.47, -31.99, 33.04

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 54 / 0 / 4 / 70

HEX #234C49

RGB 35 76 73

HSL 175.61, 0.37%, 0.22%

LAB 29.43, -15.21, -2.65

 

CMYK 0 / 54 / 17 / 70

HEX #4C233F

RGB 76 35 63

HSL 319.02, 0.37%, 0.22%

LAB 20.43, 23.57, -9.12

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 54 / 38 / 0 / 70

HEX #232F4C

RGB 35 47 76

HSL 222.44, 0.37%, 0.22%

LAB 19.69, 4.43, -19.5

 

CMYK 0 / 54 / 38 / 70

HEX #4C232F

RGB 76 35 47

HSL 342.44, 0.37%, 0.22%

LAB 19.82, 20.89, 1.07

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 54 / 0 / 4 / 70

HEX #234C49

RGB 35 76 73

HSL 175.61, 0.37%, 0.22%

LAB 29.43, -15.21, -2.65

 

CMYK 14 / 54 / 0 / 70

HEX #41234C

RGB 65 35 76

HSL 283.9, 0.37%, 0.22%

LAB 19.42, 22.46, -19.7

 

CMYK 0 / 54 / 50 / 70

HEX #4C2326

RGB 76 35 38

HSL 355.61, 0.37%, 0.22%

LAB 19.55, 19.68, 6.97

 

CMYK 39 / 0 / 54 / 70

HEX #2E4C23

RGB 46 76 35

HSL 103.9, 0.37%, 0.22%

LAB 29.08, -20.2, 20.8

 

CMYK 54 / 12 / 0 / 70

HEX #23434C

RGB 35 67 76

HSL 193.17, 0.37%, 0.22%

LAB 26.43, -8.9, -9.09

 

CMYK 14 / 54 / 0 / 70

HEX #41234C

RGB 65 35 76

HSL 283.9, 0.37%, 0.22%

LAB 19.42, 22.46, -19.7

 

CMYK 0 / 42 / 54 / 70

HEX #4C2C23

RGB 76 44 35

HSL 13.17, 0.37%, 0.22%

LAB 21.8, 13.64, 12.07

 

Description

Color code: HEX #2E4C23 | qconv.com Color code: HEX #2E4C23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 76 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 76 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 54 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 54% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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