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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E5889 it is the complementary color #D1A776. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E5889. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E5889 shade: #335884, #446A97, #557CAA, #668EBD and #77A0D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E5889. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E5889 shade: #2E5889, #1D4676, #0C3463, #002250 and #00103D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E5889 shade: #2D5889, #2D3F89, #352D89, #4D2D89 and #662D89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E5889 shade: #2D5889, #2D3F89 and #2D2D89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E5889 shade matches the following richer shades: #2D5889, #1F5798, #1055A7 and #0154B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E5889 shade: #2D5889, #3C597A, #4B5A6B, #5A5B5D and #695C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E5889 shade: #2D8989, #2D7189, #2D5889, #2D4089 and #342D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E5889 shade: #19304B, #23446A, #2D5889, #386CA8 and #4880C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E5889 shade: #2E5889, #712D89 and #7D892D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E5889 shade: #2E5889, #892D58 and #58892D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E5889 shade: #2E5889, #712D89, #895E2D and #46892D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E5889 shade: #2E5889, #892D86, #895E2D and #2D8930

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 36 / 0 / 46

HEX #2E5889

RGB 46 88 137

HSL 212.31, 0.5%, 0.36%

LAB 36.68, 1.93, -31.63

 

Complementary color

CMYK 0 / 20 / 44 / 18

HEX #D1A776

RGB 209 167 118

HSL 32.31, 0.5%, 0.64%

LAB 71.21, 9.05, 31.16

 

CMYK 61 / 33 / 0 / 48

HEX #335884

RGB 51 88 132

HSL 212.59, 0.44%, 0.36%

LAB 36.65, 1.13, -28.61

 

CMYK 55 / 30 / 0 / 41

HEX #446A97

RGB 68 106 151

HSL 212.53, 0.38%, 0.43%

LAB 43.9, 0.23, -28.64

 

CMYK 50 / 27 / 0 / 33

HEX #557CAA

RGB 85 124 170

HSL 212.47, 0.33%, 0.5%

LAB 50.98, -0.45, -28.69

 

CMYK 46 / 25 / 0 / 26

HEX #668EBD

RGB 102 142 189

HSL 212.41, 0.4%, 0.57%

LAB 57.89, -0.98, -28.78

 

CMYK 43 / 23 / 0 / 18

HEX #77A0D0

RGB 119 160 208

HSL 212.36, 0.49%, 0.64%

LAB 64.66, -1.42, -28.9

 

CMYK 66 / 36 / 0 / 46

HEX #2E5889

RGB 46 88 137

HSL 212.31, 0.5%, 0.36%

LAB 36.68, 1.93, -31.63

 

CMYK 75 / 41 / 0 / 54

HEX #1D4676

RGB 29 70 118

HSL 212.36, 0.61%, 0.29%

LAB 29.28, 3.53, -31.63

 

CMYK 88 / 47 / 0 / 61

HEX #0C3463

RGB 12 52 99

HSL 212.41, 0.78%, 0.22%

LAB 21.71, 5.87, -31.61

 

CMYK 100 / 58 / 0 / 69

HEX #002250

RGB 0 34 80

HSL 214.5, 1%, 0.16%

LAB 13.96, 9.35, -31.46

 

CMYK 100 / 74 / 0 / 76

HEX #00103D

RGB 0 16 61

HSL 224.26, 1%, 0.12%

LAB 6.39, 14.05, -30.53

 

CMYK 67 / 36 / 0 / 46

HEX #2D5889

RGB 45 88 137

HSL 211.96, 0.51%, 0.36%

LAB 36.64, 1.75, -31.7

 

CMYK 67 / 54 / 0 / 46

HEX #2D3F89

RGB 45 63 137

HSL 228.26, 0.51%, 0.36%

LAB 29.21, 18.4, -43.57

 

CMYK 61 / 67 / 0 / 46

HEX #352D89

RGB 53 45 137

HSL 245.22, 0.51%, 0.36%

LAB 25.08, 31.75, -50.26

 

CMYK 44 / 67 / 0 / 46

HEX #4D2D89

RGB 77 45 137

HSL 260.87, 0.51%, 0.36%

LAB 27.46, 36.37, -46.26

 

CMYK 26 / 67 / 0 / 46

HEX #662D89

RGB 102 45 137

HSL 277.17, 0.51%, 0.36%

LAB 30.66, 42.05, -40.95

 

CMYK 67 / 36 / 0 / 46

HEX #2D5889

RGB 45 88 137

HSL 211.96, 0.51%, 0.36%

LAB 36.64, 1.75, -31.7

 

CMYK 67 / 54 / 0 / 46

HEX #2D3F89

RGB 45 63 137

HSL 228.26, 0.51%, 0.36%

LAB 29.21, 18.4, -43.57

 

CMYK 67 / 67 / 0 / 46

HEX #2D2D89

RGB 45 45 137

HSL 240, 0.51%, 0.36%

LAB 24.45, 30.48, -51.3

 

CMYK 67 / 36 / 0 / 46

HEX #2D5889

RGB 45 88 137

HSL 211.96, 0.51%, 0.36%

LAB 36.64, 1.75, -31.7

 

CMYK 80 / 43 / 0 / 40

HEX #1F5798

RGB 31 87 152

HSL 212.23, 0.66%, 0.36%

LAB 36.7, 6.04, -40.73

 

CMYK 90 / 49 / 0 / 35

HEX #1055A7

RGB 16 85 167

HSL 212.58, 0.83%, 0.36%

LAB 36.74, 12.11, -49.66

 

CMYK 99 / 54 / 0 / 29

HEX #0154B6

RGB 1 84 182

HSL 212.49, 0.99%, 0.36%

LAB 37.34, 18.27, -57.58

 

CMYK 67 / 36 / 0 / 46

HEX #2D5889

RGB 45 88 137

HSL 211.96, 0.51%, 0.36%

LAB 36.64, 1.75, -31.7

 

CMYK 51 / 27 / 0 / 52

HEX #3C597A

RGB 60 89 122

HSL 211.94, 0.34%, 0.36%

LAB 36.95, -0.77, -21.97

 

CMYK 30 / 16 / 0 / 58

HEX #4B5A6B

RGB 75 90 107

HSL 211.88, 0.18%, 0.36%

LAB 37.61, -1.4, -11.62

 

CMYK 3 / 2 / 0 / 64

HEX #5A5B5D

RGB 90 91 93

HSL 220, 0.02%, 0.36%

LAB 38.63, 0.04, -1.29

 

CMYK 0 / 12 / 26 / 59

HEX #695C4E

RGB 105 92 78

HSL 31.11, 0.15%, 0.36%

LAB 39.93, 2.8, 9.99

 

CMYK 67 / 0 / 0 / 46

HEX #2D8989

RGB 45 137 137

HSL 180, 0.51%, 0.36%

LAB 52.12, -26.21, -7.9

 

CMYK 67 / 18 / 0 / 46

HEX #2D7189

RGB 45 113 137

HSL 195.65, 0.51%, 0.36%

LAB 44.48, -13.38, -19.48

 

CMYK 67 / 36 / 0 / 46

HEX #2D5889

RGB 45 88 137

HSL 211.96, 0.51%, 0.36%

LAB 36.64, 1.75, -31.7

 

CMYK 67 / 53 / 0 / 46

HEX #2D4089

RGB 45 64 137

HSL 227.61, 0.51%, 0.36%

LAB 29.49, 17.72, -43.11

 

CMYK 62 / 67 / 0 / 46

HEX #342D89

RGB 52 45 137

HSL 244.57, 0.51%, 0.36%

LAB 24.99, 31.59, -50.4

 

CMYK 67 / 36 / 0 / 71

HEX #19304B

RGB 25 48 75

HSL 212.4, 0.5%, 0.2%

LAB 19.34, 0.74, -19.41

 

CMYK 67 / 36 / 0 / 58

HEX #23446A

RGB 35 68 106

HSL 212.11, 0.5%, 0.28%

LAB 28.2, 1.24, -25.74

 

CMYK 67 / 36 / 0 / 46

HEX #2D5889

RGB 45 88 137

HSL 211.96, 0.51%, 0.36%

LAB 36.64, 1.75, -31.7

 

CMYK 67 / 36 / 0 / 34

HEX #386CA8

RGB 56 108 168

HSL 212.14, 0.5%, 0.44%

LAB 44.79, 2.41, -37.32

 

CMYK 63 / 34 / 0 / 24

HEX #4880C2

RGB 72 128 194

HSL 212.46, 0.5%, 0.52%

LAB 52.63, 2.21, -39.96

 

CMYK 66 / 36 / 0 / 46

HEX #2E5889

RGB 46 88 137

HSL 212.31, 0.5%, 0.36%

LAB 36.68, 1.93, -31.63

 

CMYK 18 / 67 / 0 / 46

HEX #712D89

RGB 113 45 137

HSL 284.35, 0.51%, 0.36%

LAB 32.24, 44.71, -38.32

 

CMYK 9 / 0 / 67 / 46

HEX #7D892D

RGB 125 137 45

HSL 67.83, 0.51%, 0.36%

LAB 54.49, -17.37, 45.98

 

CMYK 66 / 36 / 0 / 46

HEX #2E5889

RGB 46 88 137

HSL 212.31, 0.5%, 0.36%

LAB 36.68, 1.93, -31.63

 

CMYK 0 / 67 / 36 / 46

HEX #892D58

RGB 137 45 88

HSL 331.96, 0.51%, 0.36%

LAB 33.77, 43.18, -4.63

 

CMYK 36 / 0 / 67 / 46

HEX #58892D

RGB 88 137 45

HSL 91.96, 0.51%, 0.36%

LAB 52.01, -32.64, 42.6

 

CMYK 66 / 36 / 0 / 46

HEX #2E5889

RGB 46 88 137

HSL 212.31, 0.5%, 0.36%

LAB 36.68, 1.93, -31.63

 

CMYK 18 / 67 / 0 / 46

HEX #712D89

RGB 113 45 137

HSL 284.35, 0.51%, 0.36%

LAB 32.24, 44.71, -38.32

 

CMYK 0 / 31 / 67 / 46

HEX #895E2D

RGB 137 94 45

HSL 31.96, 0.51%, 0.36%

LAB 43.53, 12.37, 34.46

 

CMYK 49 / 0 / 67 / 46

HEX #46892D

RGB 70 137 45

HSL 103.7, 0.51%, 0.36%

LAB 51.13, -38.91, 41.39

 

CMYK 66 / 36 / 0 / 46

HEX #2E5889

RGB 46 88 137

HSL 212.31, 0.5%, 0.36%

LAB 36.68, 1.93, -31.63

 

CMYK 0 / 67 / 2 / 46

HEX #892D86

RGB 137 45 134

HSL 301.96, 0.51%, 0.36%

LAB 35.82, 50.14, -30.54

 

CMYK 0 / 31 / 67 / 46

HEX #895E2D

RGB 137 94 45

HSL 31.96, 0.51%, 0.36%

LAB 43.53, 12.37, 34.46

 

CMYK 67 / 0 / 65 / 46

HEX #2D8930

RGB 45 137 48

HSL 121.96, 0.51%, 0.36%

LAB 50.29, -45.35, 38.86

 

Description

Color code: HEX #2E5889 | qconv.com Color code: HEX #2E5889 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 88 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 88 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 36 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 36% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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