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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E532B it is the complementary color #D1ACD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E532B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E532B shade: #335326, #446539, #55774C, #66895F and #779B72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E532B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E532B shade: #2E532B, #1D4118, #0C2F05, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E532B shade: #2E542B, #39542B, #44542B, #4F542B and #544D2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E532B shade: #2E542B, #2B5433, #2B543E, #2B5449 and #2B5454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E532B shade matches the following richer shades: #2E542B, #255E21, #1C6816, #14730C and #0B7D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E532B shade: #2E542B, #374935, #3F3F3F, #48354A and #512A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E532B shade: #44542B, #39542B, #2E542B, #2B5432 and #2B543D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E532B shade: #101D0F, #1F381D, #2E542B, #3D6F39 and #4C8A47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E532B shade: #2E532B, #2B4F54 and #542B3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E532B shade: #2E532B, #2B2E54 and #542B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E532B shade: #2E532B, #2B4F54, #502B54 and #54302B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E532B shade: #2E532B, #2B4354, #502B54 and #543C2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

Complementary color

CMYK 1 / 19 / 0 / 17

HEX #D1ACD4

RGB 209 172 212

HSL 295.5, 0.32%, 0.75%

LAB 74.71, 20.38, -15.17

 

CMYK 39 / 0 / 54 / 67

HEX #335326

RGB 51 83 38

HSL 102.67, 0.37%, 0.24%

LAB 31.88, -21.44, 22.56

 

CMYK 33 / 0 / 44 / 60

HEX #446539

RGB 68 101 57

HSL 105, 0.28%, 0.31%

LAB 39.3, -21.28, 21.17

 

CMYK 29 / 0 / 36 / 53

HEX #55774C

RGB 85 119 76

HSL 107.44, 0.22%, 0.38%

LAB 46.51, -21.08, 19.87

 

CMYK 26 / 0 / 31 / 46

HEX #66895F

RGB 102 137 95

HSL 110, 0.18%, 0.45%

LAB 53.54, -20.86, 18.67

 

CMYK 23 / 0 / 26 / 39

HEX #779B72

RGB 119 155 114

HSL 112.68, 0.17%, 0.53%

LAB 60.41, -20.66, 17.56

 

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

CMYK 55 / 0 / 63 / 75

HEX #1D4118

RGB 29 65 24

HSL 112.68, 0.46%, 0.17%

LAB 24.02, -22.61, 20.83

 

CMYK 74 / 0 / 89 / 82

HEX #0C2F05

RGB 12 47 5

HSL 110, 0.81%, 0.1%

LAB 16.12, -22.15, 20.77

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 45 / 0 / 49 / 67

HEX #2E542B

RGB 46 84 43

HSL 115.61, 0.32%, 0.25%

LAB 32.02, -23.05, 19.79

 

CMYK 32 / 0 / 49 / 67

HEX #39542B

RGB 57 84 43

HSL 99.51, 0.32%, 0.25%

LAB 32.67, -18.83, 20.73

 

CMYK 19 / 0 / 49 / 67

HEX #44542B

RGB 68 84 43

HSL 83.41, 0.32%, 0.25%

LAB 33.44, -14.14, 21.87

 

CMYK 6 / 0 / 49 / 67

HEX #4F542B

RGB 79 84 43

HSL 67.32, 0.32%, 0.25%

LAB 34.35, -9.14, 23.19

 

CMYK 0 / 8 / 49 / 67

HEX #544D2B

RGB 84 77 43

HSL 49.76, 0.32%, 0.25%

LAB 32.63, -2.59, 21.16

 

CMYK 45 / 0 / 49 / 67

HEX #2E542B

RGB 46 84 43

HSL 115.61, 0.32%, 0.25%

LAB 32.02, -23.05, 19.79

 

CMYK 49 / 0 / 39 / 67

HEX #2B5433

RGB 43 84 51

HSL 131.71, 0.32%, 0.25%

LAB 32.02, -22.62, 14.95

 

CMYK 49 / 0 / 26 / 67

HEX #2B543E

RGB 43 84 62

HSL 147.8, 0.32%, 0.25%

LAB 32.26, -20.23, 8.47

 

CMYK 49 / 0 / 13 / 67

HEX #2B5449

RGB 43 84 73

HSL 163.9, 0.32%, 0.25%

LAB 32.56, -17.45, 1.97

 

CMYK 49 / 0 / 0 / 67

HEX #2B5454

RGB 43 84 84

HSL 180, 0.32%, 0.25%

LAB 32.91, -14.33, -4.48

 

CMYK 45 / 0 / 49 / 67

HEX #2E542B

RGB 46 84 43

HSL 115.61, 0.32%, 0.25%

LAB 32.02, -23.05, 19.79

 

CMYK 61 / 0 / 65 / 63

HEX #255E21

RGB 37 94 33

HSL 116.07, 0.48%, 0.25%

LAB 35.02, -32.07, 28.82

 

CMYK 73 / 0 / 79 / 59

HEX #1C6816

RGB 28 104 22

HSL 115.61, 0.65%, 0.25%

LAB 38.21, -39.4, 37.11

 

CMYK 83 / 0 / 90 / 55

HEX #14730C

RGB 20 115 12

HSL 115.34, 0.81%, 0.25%

LAB 41.9, -45.26, 43.7

 

CMYK 91 / 0 / 98 / 51

HEX #0B7D02

RGB 11 125 2

HSL 115.61, 0.97%, 0.25%

LAB 45.28, -49.84, 48.74

 

CMYK 45 / 0 / 49 / 67

HEX #2E542B

RGB 46 84 43

HSL 115.61, 0.32%, 0.25%

LAB 32.02, -23.05, 19.79

 

CMYK 25 / 0 / 27 / 71

HEX #374935

RGB 55 73 53

HSL 114, 0.16%, 0.25%

LAB 28.99, -11.7, 9.72

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 3 / 28 / 0 / 71

HEX #48354A

RGB 72 53 74

HSL 294.29, 0.17%, 0.25%

LAB 25.01, 12.83, -9.64

 

CMYK 4 / 50 / 0 / 67

HEX #512A54

RGB 81 42 84

HSL 295.71, 0.33%, 0.25%

LAB 23.82, 25.45, -18.02

 

CMYK 19 / 0 / 49 / 67

HEX #44542B

RGB 68 84 43

HSL 83.41, 0.32%, 0.25%

LAB 33.44, -14.14, 21.87

 

CMYK 32 / 0 / 49 / 67

HEX #39542B

RGB 57 84 43

HSL 99.51, 0.32%, 0.25%

LAB 32.67, -18.83, 20.73

 

CMYK 45 / 0 / 49 / 67

HEX #2E542B

RGB 46 84 43

HSL 115.61, 0.32%, 0.25%

LAB 32.02, -23.05, 19.79

 

CMYK 49 / 0 / 40 / 67

HEX #2B5432

RGB 43 84 50

HSL 130.24, 0.32%, 0.25%

LAB 32, -22.82, 15.53

 

CMYK 49 / 0 / 27 / 67

HEX #2B543D

RGB 43 84 61

HSL 146.34, 0.32%, 0.25%

LAB 32.24, -20.47, 9.06

 

CMYK 45 / 0 / 48 / 89

HEX #101D0F

RGB 16 29 15

HSL 115.71, 0.32%, 0.09%

LAB 9.18, -9.31, 7.1

 

CMYK 45 / 0 / 48 / 78

HEX #1F381D

RGB 31 56 29

HSL 115.56, 0.32%, 0.17%

LAB 20.86, -16.36, 13.9

 

CMYK 45 / 0 / 49 / 67

HEX #2E542B

RGB 46 84 43

HSL 115.61, 0.32%, 0.25%

LAB 32.02, -23.05, 19.79

 

CMYK 45 / 0 / 49 / 56

HEX #3D6F39

RGB 61 111 57

HSL 115.56, 0.32%, 0.33%

LAB 42.24, -28.79, 24.84

 

CMYK 45 / 0 / 49 / 46

HEX #4C8A47

RGB 76 138 71

HSL 115.52, 0.32%, 0.41%

LAB 52.03, -34.25, 29.66

 

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

CMYK 49 / 6 / 0 / 67

HEX #2B4F54

RGB 43 79 84

HSL 187.32, 0.32%, 0.25%

LAB 31.22, -11.41, -6.99

 

CMYK 0 / 49 / 25 / 67

HEX #542B3F

RGB 84 43 63

HSL 330.73, 0.32%, 0.25%

LAB 23.58, 21.83, -4.25

 

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

CMYK 49 / 45 / 0 / 67

HEX #2B2E54

RGB 43 46 84

HSL 235.61, 0.32%, 0.25%

LAB 20.47, 10.3, -23.59

 

CMYK 0 / 49 / 45 / 67

HEX #542B2E

RGB 84 43 46

HSL 355.61, 0.32%, 0.25%

LAB 23.03, 19.27, 6.52

 

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

CMYK 49 / 6 / 0 / 67

HEX #2B4F54

RGB 43 79 84

HSL 187.32, 0.32%, 0.25%

LAB 31.22, -11.41, -6.99

 

CMYK 5 / 49 / 0 / 67

HEX #502B54

RGB 80 43 84

HSL 294.15, 0.32%, 0.25%

LAB 23.91, 24.5, -17.88

 

CMYK 0 / 43 / 49 / 67

HEX #54302B

RGB 84 48 43

HSL 7.32, 0.32%, 0.25%

LAB 24.24, 15.76, 10.2

 

CMYK 45 / 0 / 48 / 67

HEX #2E532B

RGB 46 83 43

HSL 115.5, 0.32%, 0.25%

LAB 31.67, -22.54, 19.34

 

CMYK 49 / 20 / 0 / 67

HEX #2B4354

RGB 43 67 84

HSL 204.88, 0.32%, 0.25%

LAB 27.21, -3.98, -13.08

 

CMYK 5 / 49 / 0 / 67

HEX #502B54

RGB 80 43 84

HSL 294.15, 0.32%, 0.25%

LAB 23.91, 24.5, -17.88

 

CMYK 0 / 29 / 49 / 67

HEX #543C2B

RGB 84 60 43

HSL 24.88, 0.32%, 0.25%

LAB 27.55, 8.1, 14.64

 

Description

Color code: HEX #2E532B | qconv.com Color code: HEX #2E532B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 83 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 83 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 48 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 48% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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