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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E6473 it is the complementary color #D19B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E6473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E6473 shade: #33646E, #447681, #558894, #669AA7 and #77ACBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E6473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E6473 shade: #2E6473, #1D5260, #0C404D, #002E3A and #001C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E6473 shade: #2E6574, #2E5274, #2E3F74, #302E74 and #432E74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E6473 shade: #2E6574, #2E5274, #2E3F74 and #2E2E74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E6473 shade matches the following richer shades: #2E6574, #216C81, #14748F and #067B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E6473 shade: #2E6574, #3B5D67, #48565A, #564F4D and #63473F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E6473 shade: #2E745E, #2E7471, #2E6574, #2E5274 and #2E4074

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E6473 shade: #163239, #224B57, #2E6574, #3A7F92 and #4698AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E6473 shade: #2E6473, #4B2E74 and #74672E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E6473 shade: #2E6473, #742E65 and #65742E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E6473 shade: #2E6473, #4B2E74, #743D2E and #57742E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E6473 shade: #2E6473, #602E74, #743D2E and #42742E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 13 / 0 / 55

HEX #2E6473

RGB 46 100 115

HSL 193.04, 0.43%, 0.32%

LAB 39.47, -13.07, -13.86

 

Complementary color

CMYK 0 / 26 / 33 / 18

HEX #D19B8C

RGB 209 155 140

HSL 13.04, 0.43%, 0.68%

LAB 68.67, 18.12, 15.75

 

CMYK 54 / 9 / 0 / 57

HEX #33646E

RGB 51 100 110

HSL 190.17, 0.37%, 0.32%

LAB 39.49, -13.51, -10.75

 

CMYK 47 / 9 / 0 / 49

HEX #447681

RGB 68 118 129

HSL 190.82, 0.31%, 0.39%

LAB 46.67, -13.69, -11.29

 

CMYK 43 / 8 / 0 / 42

HEX #558894

RGB 85 136 148

HSL 191.43, 0.27%, 0.46%

LAB 53.68, -13.78, -11.79

 

CMYK 39 / 8 / 0 / 35

HEX #669AA7

RGB 102 154 167

HSL 192, 0.27%, 0.53%

LAB 60.54, -13.84, -12.27

 

CMYK 36 / 8 / 0 / 27

HEX #77ACBA

RGB 119 172 186

HSL 192.54, 0.33%, 0.6%

LAB 67.26, -13.86, -12.73

 

CMYK 60 / 13 / 0 / 55

HEX #2E6473

RGB 46 100 115

HSL 193.04, 0.43%, 0.32%

LAB 39.47, -13.07, -13.86

 

CMYK 70 / 15 / 0 / 62

HEX #1D5260

RGB 29 82 96

HSL 192.54, 0.54%, 0.25%

LAB 32.12, -12.46, -13.31

 

CMYK 84 / 17 / 0 / 70

HEX #0C404D

RGB 12 64 77

HSL 192, 0.73%, 0.17%

LAB 24.58, -11.39, -12.64

 

CMYK 100 / 21 / 0 / 77

HEX #002E3A

RGB 0 46 58

HSL 192.41, 1%, 0.11%

LAB 16.79, -9.56, -11.82

 

CMYK 100 / 28 / 0 / 85

HEX #001C27

RGB 0 28 39

HSL 196.92, 1%, 0.08%

LAB 8.8, -5.91, -10.6

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 60 / 29 / 0 / 55

HEX #2E5274

RGB 46 82 116

HSL 209.14, 0.43%, 0.32%

LAB 33.72, -1.83, -23.34

 

CMYK 60 / 46 / 0 / 55

HEX #2E3F74

RGB 46 63 116

HSL 225.43, 0.43%, 0.32%

LAB 27.84, 10.76, -32.63

 

CMYK 59 / 60 / 0 / 55

HEX #302E74

RGB 48 46 116

HSL 241.71, 0.43%, 0.32%

LAB 23.15, 22.87, -40.16

 

CMYK 42 / 60 / 0 / 55

HEX #432E74

RGB 67 46 116

HSL 258, 0.43%, 0.32%

LAB 24.98, 27.25, -37.12

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 60 / 29 / 0 / 55

HEX #2E5274

RGB 46 82 116

HSL 209.14, 0.43%, 0.32%

LAB 33.72, -1.83, -23.34

 

CMYK 60 / 46 / 0 / 55

HEX #2E3F74

RGB 46 63 116

HSL 225.43, 0.43%, 0.32%

LAB 27.84, 10.76, -32.63

 

CMYK 60 / 60 / 0 / 55

HEX #2E2E74

RGB 46 46 116

HSL 240, 0.43%, 0.32%

LAB 22.98, 22.46, -40.43

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 74 / 16 / 0 / 49

HEX #216C81

RGB 33 108 129

HSL 193.13, 0.59%, 0.32%

LAB 42.21, -15.22, -18.21

 

CMYK 86 / 19 / 0 / 44

HEX #14748F

RGB 20 116 143

HSL 193.17, 0.75%, 0.32%

LAB 45.11, -16.18, -22.12

 

CMYK 96 / 21 / 0 / 39

HEX #067B9C

RGB 6 123 156

HSL 193.2, 0.93%, 0.32%

LAB 47.76, -16.16, -25.71

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 43 / 10 / 0 / 60

HEX #3B5D67

RGB 59 93 103

HSL 193.64, 0.27%, 0.32%

LAB 37.37, -9.4, -9.6

 

CMYK 20 / 4 / 0 / 65

HEX #48565A

RGB 72 86 90

HSL 193.33, 0.11%, 0.32%

LAB 35.54, -4.45, -4.15

 

CMYK 0 / 8 / 10 / 66

HEX #564F4D

RGB 86 79 77

HSL 13.33, 0.06%, 0.32%

LAB 34.2, 2.49, 2.22

 

CMYK 0 / 28 / 36 / 61

HEX #63473F

RGB 99 71 63

HSL 13.33, 0.22%, 0.32%

LAB 32.96, 10.77, 9.52

 

CMYK 60 / 0 / 19 / 55

HEX #2E745E

RGB 46 116 94

HSL 161.14, 0.43%, 0.32%

LAB 44.06, -27.72, 5.64

 

CMYK 60 / 0 / 3 / 55

HEX #2E7471

RGB 46 116 113

HSL 177.43, 0.43%, 0.32%

LAB 44.61, -22.46, -4.92

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 60 / 29 / 0 / 55

HEX #2E5274

RGB 46 82 116

HSL 209.14, 0.43%, 0.32%

LAB 33.72, -1.83, -23.34

 

CMYK 60 / 45 / 0 / 55

HEX #2E4074

RGB 46 64 116

HSL 224.57, 0.43%, 0.32%

LAB 28.14, 10.08, -32.15

 

CMYK 61 / 12 / 0 / 78

HEX #163239

RGB 22 50 57

HSL 192, 0.44%, 0.15%

LAB 19, -8.16, -7.68

 

CMYK 61 / 14 / 0 / 66

HEX #224B57

RGB 34 75 87

HSL 193.58, 0.44%, 0.24%

LAB 29.56, -10.36, -11.46

 

CMYK 60 / 13 / 0 / 55

HEX #2E6574

RGB 46 101 116

HSL 192.86, 0.43%, 0.32%

LAB 39.83, -13.32, -13.92

 

CMYK 60 / 13 / 0 / 43

HEX #3A7F92

RGB 58 127 146

HSL 192.95, 0.43%, 0.4%

LAB 49.68, -15.81, -16.8

 

CMYK 60 / 13 / 0 / 31

HEX #4698AF

RGB 70 152 175

HSL 193.14, 0.43%, 0.48%

LAB 58.84, -17.97, -19.51

 

CMYK 60 / 13 / 0 / 55

HEX #2E6473

RGB 46 100 115

HSL 193.04, 0.43%, 0.32%

LAB 39.47, -13.07, -13.86

 

CMYK 35 / 60 / 0 / 55

HEX #4B2E74

RGB 75 46 116

HSL 264.86, 0.43%, 0.32%

LAB 25.89, 29.31, -35.59

 

CMYK 0 / 11 / 60 / 55

HEX #74672E

RGB 116 103 46

HSL 48.86, 0.43%, 0.32%

LAB 43.67, -2.62, 33.47

 

CMYK 60 / 13 / 0 / 55

HEX #2E6473

RGB 46 100 115

HSL 193.04, 0.43%, 0.32%

LAB 39.47, -13.07, -13.86

 

CMYK 0 / 60 / 13 / 55

HEX #742E65

RGB 116 46 101

HSL 312.86, 0.43%, 0.32%

LAB 30.89, 38, -17.71

 

CMYK 13 / 0 / 60 / 55

HEX #65742E

RGB 101 116 46

HSL 72.86, 0.43%, 0.32%

LAB 46.25, -16.76, 36.05

 

CMYK 60 / 13 / 0 / 55

HEX #2E6473

RGB 46 100 115

HSL 193.04, 0.43%, 0.32%

LAB 39.47, -13.07, -13.86

 

CMYK 35 / 60 / 0 / 55

HEX #4B2E74

RGB 75 46 116

HSL 264.86, 0.43%, 0.32%

LAB 25.89, 29.31, -35.59

 

CMYK 0 / 47 / 60 / 55

HEX #743D2E

RGB 116 61 46

HSL 12.86, 0.43%, 0.32%

LAB 32.36, 22.46, 19.85

 

CMYK 25 / 0 / 60 / 55

HEX #57742E

RGB 87 116 46

HSL 84.86, 0.43%, 0.32%

LAB 45.24, -22.77, 34.63

 

CMYK 60 / 13 / 0 / 55

HEX #2E6473

RGB 46 100 115

HSL 193.04, 0.43%, 0.32%

LAB 39.47, -13.07, -13.86

 

CMYK 17 / 60 / 0 / 55

HEX #602E74

RGB 96 46 116

HSL 282.86, 0.43%, 0.32%

LAB 28.65, 35.06, -31.04

 

CMYK 0 / 47 / 60 / 55

HEX #743D2E

RGB 116 61 46

HSL 12.86, 0.43%, 0.32%

LAB 32.36, 22.46, 19.85

 

CMYK 43 / 0 / 60 / 55

HEX #42742E

RGB 66 116 46

HSL 102.86, 0.43%, 0.32%

LAB 44.01, -30.9, 32.9

 

Description

Color code: HEX #2E6473 | qconv.com Color code: HEX #2E6473 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 100 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 100 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 13 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 13% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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