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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E7688 it is the complementary color #D18977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E7688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E7688 shade: #337683, #448896, #559AA9, #66ACBC and #77BECF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E7688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E7688 shade: #2E7688, #1D6475, #0C5262, #00404F and #002E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E7688 shade: #2E7688, #2E5E88, #2E4688, #2F2E88 and #472E88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E7688 shade: #2E7688, #2E5E88, #2E4688 and #2E2E88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E7688 shade matches the following richer shades: #2E7688, #1F7F97, #1188A6 and #0291B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E7688 shade: #2E7688, #3D6D79, #4C646B, #5B5C5C and #6A534D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E7688 shade: #2E886A, #2E8882, #2E7688, #2E5E88 and #2E4688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E7688 shade: #19414B, #245C6A, #2E7688, #3991A7 and #49A8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E7688 shade: #2E7688, #522E88 and #88762E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E7688 shade: #2E7688, #882E76 and #76882E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E7688 shade: #2E7688, #522E88, #88402E and #64882E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E7688 shade: #2E7688, #6D2E88, #88402E and #49882E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

Complementary color

CMYK 0 / 34 / 43 / 18

HEX #D18977

RGB 209 137 119

HSL 12, 0.49%, 0.64%

LAB 63.98, 25.43, 20.99

 

CMYK 61 / 10 / 0 / 49

HEX #337683

RGB 51 118 131

HSL 189.75, 0.44%, 0.36%

LAB 46.04, -17, -13.5

 

CMYK 55 / 9 / 0 / 41

HEX #448896

RGB 68 136 150

HSL 190.24, 0.38%, 0.43%

LAB 52.99, -17.37, -14.07

 

CMYK 50 / 9 / 0 / 34

HEX #559AA9

RGB 85 154 169

HSL 190.71, 0.33%, 0.5%

LAB 59.8, -17.61, -14.59

 

CMYK 46 / 9 / 0 / 26

HEX #66ACBC

RGB 102 172 188

HSL 191.16, 0.39%, 0.57%

LAB 66.49, -17.76, -15.08

 

CMYK 43 / 8 / 0 / 19

HEX #77BECF

RGB 119 190 207

HSL 191.59, 0.48%, 0.64%

LAB 73.06, -17.86, -15.54

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 75 / 15 / 0 / 54

HEX #1D6475

RGB 29 100 117

HSL 191.59, 0.6%, 0.29%

LAB 39, -15.47, -15.84

 

CMYK 88 / 16 / 0 / 62

HEX #0C5262

RGB 12 82 98

HSL 191.16, 0.78%, 0.22%

LAB 31.79, -14.11, -15.11

 

CMYK 100 / 19 / 0 / 69

HEX #00404F

RGB 0 64 79

HSL 191.39, 1%, 0.15%

LAB 24.42, -12.03, -14.22

 

CMYK 100 / 23 / 0 / 76

HEX #002E3C

RGB 0 46 60

HSL 194, 1%, 0.12%

LAB 16.89, -8.69, -13.05

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 66 / 31 / 0 / 47

HEX #2E5E88

RGB 46 94 136

HSL 208, 0.49%, 0.36%

LAB 38.49, -2.22, -28.18

 

CMYK 66 / 49 / 0 / 47

HEX #2E4688

RGB 46 70 136

HSL 224, 0.49%, 0.36%

LAB 31.2, 13.45, -39.73

 

CMYK 65 / 66 / 0 / 47

HEX #2F2E88

RGB 47 46 136

HSL 240.67, 0.49%, 0.36%

LAB 24.75, 29.79, -50.18

 

CMYK 48 / 66 / 0 / 47

HEX #472E88

RGB 71 46 136

HSL 256.67, 0.49%, 0.36%

LAB 26.94, 34.23, -46.53

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 66 / 31 / 0 / 47

HEX #2E5E88

RGB 46 94 136

HSL 208, 0.49%, 0.36%

LAB 38.49, -2.22, -28.18

 

CMYK 66 / 49 / 0 / 47

HEX #2E4688

RGB 46 70 136

HSL 224, 0.49%, 0.36%

LAB 31.2, 13.45, -39.73

 

CMYK 66 / 66 / 0 / 47

HEX #2E2E88

RGB 46 46 136

HSL 240, 0.49%, 0.36%

LAB 24.68, 29.63, -50.31

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 79 / 16 / 0 / 41

HEX #1F7F97

RGB 31 127 151

HSL 192, 0.66%, 0.36%

LAB 49.14, -18.34, -20.63

 

CMYK 90 / 18 / 0 / 35

HEX #1188A6

RGB 17 136 166

HSL 192.08, 0.81%, 0.36%

LAB 52.38, -19.12, -24.38

 

CMYK 99 / 20 / 0 / 29

HEX #0291B5

RGB 2 145 181

HSL 192.07, 0.98%, 0.36%

LAB 55.68, -19.27, -27.87

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 50 / 10 / 0 / 53

HEX #3D6D79

RGB 61 109 121

HSL 192, 0.33%, 0.36%

LAB 43.23, -12.78, -11.74

 

CMYK 29 / 7 / 0 / 58

HEX #4C646B

RGB 76 100 107

HSL 193.55, 0.17%, 0.36%

LAB 40.76, -7.09, -6.87

 

CMYK 1 / 0 / 0 / 64

HEX #5B5C5C

RGB 91 92 92

HSL 180, 0.01%, 0.36%

LAB 38.99, -0.39, -0.14

 

CMYK 0 / 22 / 27 / 58

HEX #6A534D

RGB 106 83 77

HSL 12.41, 0.16%, 0.36%

LAB 37.46, 8.55, 7.15

 

CMYK 66 / 0 / 22 / 47

HEX #2E886A

RGB 46 136 106

HSL 160, 0.49%, 0.36%

LAB 50.95, -34.11, 8.41

 

CMYK 66 / 0 / 4 / 47

HEX #2E8882

RGB 46 136 130

HSL 176, 0.49%, 0.36%

LAB 51.61, -27.62, -4.59

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 66 / 31 / 0 / 47

HEX #2E5E88

RGB 46 94 136

HSL 208, 0.49%, 0.36%

LAB 38.49, -2.22, -28.18

 

CMYK 66 / 49 / 0 / 47

HEX #2E4688

RGB 46 70 136

HSL 224, 0.49%, 0.36%

LAB 31.2, 13.45, -39.73

 

CMYK 67 / 13 / 0 / 71

HEX #19414B

RGB 25 65 75

HSL 192, 0.5%, 0.2%

LAB 25.25, -10.47, -10.27

 

CMYK 66 / 13 / 0 / 58

HEX #245C6A

RGB 36 92 106

HSL 192, 0.49%, 0.28%

LAB 36.12, -13.52, -13.45

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 66 / 13 / 0 / 35

HEX #3991A7

RGB 57 145 167

HSL 192, 0.49%, 0.44%

LAB 56, -19.08, -19.32

 

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 0 / 13 / 66 / 47

HEX #88762E

RGB 136 118 46

HSL 48, 0.49%, 0.36%

LAB 49.96, -1.93, 41.02

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 0 / 66 / 13 / 47

HEX #882E76

RGB 136 46 118

HSL 312, 0.49%, 0.36%

LAB 35, 46.74, -21.88

 

CMYK 13 / 0 / 66 / 47

HEX #76882E

RGB 118 136 46

HSL 72, 0.49%, 0.36%

LAB 53.66, -19.84, 44.5

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 0 / 53 / 66 / 47

HEX #88402E

RGB 136 64 46

HSL 12, 0.49%, 0.36%

LAB 36.17, 29.25, 25.27

 

CMYK 26 / 0 / 66 / 47

HEX #64882E

RGB 100 136 46

HSL 84, 0.49%, 0.36%

LAB 52.41, -27.4, 42.8

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 20 / 66 / 0 / 47

HEX #6D2E88

RGB 109 46 136

HSL 282, 0.49%, 0.36%

LAB 31.77, 43.03, -38.49

 

CMYK 0 / 53 / 66 / 47

HEX #88402E

RGB 136 64 46

HSL 12, 0.49%, 0.36%

LAB 36.17, 29.25, 25.27

 

CMYK 46 / 0 / 66 / 47

HEX #49882E

RGB 73 136 46

HSL 102, 0.49%, 0.36%

LAB 50.95, -37.41, 40.78

 

Description

Color code: HEX #2E7688 | qconv.com Color code: HEX #2E7688 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 118 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 118 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 13 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 13% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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