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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E7DF4 it is the complementary color #D1820B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E7DF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E7DF4 shade: #337DEF, #448FFF, #55A1FF, #66B3FF and #77C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E7DF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E7DF4 shade: #2E7DF4, #1D6BE1, #0C59CE, #0047BB and #0035A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E7DF4 shade: #2E7DF4, #2E48F4, #4A2EF4, #7F2EF4 and #B42EF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E7DF4 shade: #2E7DF4, #2E48F4 and #2E2EF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E7DF4 shade matches the following richer shades: #2E7DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E7DF4 shade: #2E7DF4, #4080E2, #5284D0, #6388BE and #758BAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E7DF4 shade: #2EE6F4, #2EB2F4, #2E7DF4, #2E48F4 and #482EF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E7DF4 shade: #0A55C5, #0C66EC, #2E7DF4, #5595F6 and #7DAEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E7DF4 shade: #2E7DF4, #CC2EF4 and #CCF42E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E7DF4 shade: #2E7DF4, #F42E7D and #7DF42E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E7DF4 shade: #2E7DF4, #CC2EF4, #F4A52E and #56F42E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E7DF4 shade: #2E7DF4, #F42EE0, #F4A52E and #2EF442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

Complementary color

CMYK 0 / 38 / 95 / 18

HEX #D1820B

RGB 209 130 11

HSL 36.06, 0.9%, 0.43%

LAB 61.26, 23.09, 65.58

 

CMYK 79 / 48 / 0 / 6

HEX #337DEF

RGB 51 125 239

HSL 216.38, 0.85%, 0.57%

LAB 53.6, 17.23, -63.82

 

CMYK 73 / 44 / 0 / 0

HEX #448FFF

RGB 68 143 255

HSL 215.94, 1%, 0.63%

LAB 59.97, 13.93, -62.4

 

CMYK 67 / 37 / 0 / 0

HEX #55A1FF

RGB 85 161 255

HSL 213.18, 1%, 0.67%

LAB 65.47, 5.65, -53.6

 

CMYK 60 / 30 / 0 / 0

HEX #66B3FF

RGB 102 179 255

HSL 209.8, 1%, 0.7%

LAB 71.07, -1.69, -44.73

 

CMYK 53 / 23 / 0 / 0

HEX #77C5FF

RGB 119 197 255

HSL 205.59, 1%, 0.73%

LAB 76.72, -8.18, -35.86

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 87 / 52 / 0 / 12

HEX #1D6BE1

RGB 29 107 225

HSL 216.12, 0.77%, 0.5%

LAB 47.25, 21.52, -66.26

 

CMYK 94 / 57 / 0 / 19

HEX #0C59CE

RGB 12 89 206

HSL 216.19, 0.89%, 0.43%

LAB 40.7, 24.98, -66.08

 

CMYK 100 / 62 / 0 / 27

HEX #0047BB

RGB 0 71 187

HSL 217.22, 1%, 0.37%

LAB 34.18, 29.01, -65.68

HEX #0047BB

CMYK 100 / 68 / 0 / 34

HEX #0035A8

RGB 0 53 168

HSL 221.07, 1%, 0.33%

LAB 27.77, 33.52, -64.9

HEX #0035A8

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 81 / 70 / 0 / 4

HEX #2E48F4

RGB 46 72 244

HSL 232.12, 0.9%, 0.57%

LAB 40.81, 51.39, -87.5

 

CMYK 70 / 81 / 0 / 4

HEX #4A2EF4

RGB 74 46 244

HSL 248.48, 0.9%, 0.57%

LAB 37.74, 66.41, -92.54

 

CMYK 48 / 81 / 0 / 4

HEX #7F2EF4

RGB 127 46 244

HSL 264.55, 0.9%, 0.57%

LAB 42.76, 71.54, -84.08

 

CMYK 26 / 81 / 0 / 4

HEX #B42EF4

RGB 180 46 244

HSL 280.61, 0.9%, 0.57%

LAB 49.72, 78.9, -72.41

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 81 / 70 / 0 / 4

HEX #2E48F4

RGB 46 72 244

HSL 232.12, 0.9%, 0.57%

LAB 40.81, 51.39, -87.5

 

CMYK 81 / 81 / 0 / 4

HEX #2E2EF4

RGB 46 46 244

HSL 240, 0.9%, 0.57%

LAB 36.11, 64.79, -95.29

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 72 / 43 / 0 / 11

HEX #4080E2

RGB 64 128 226

HSL 216.3, 0.74%, 0.57%

LAB 54.05, 12.16, -55.83

 

CMYK 61 / 37 / 0 / 18

HEX #5284D0

RGB 82 132 208

HSL 216.19, 0.57%, 0.57%

LAB 54.92, 6.42, -44.27

 

CMYK 48 / 28 / 0 / 25

HEX #6388BE

RGB 99 136 190

HSL 215.6, 0.41%, 0.57%

LAB 56.07, 2.04, -32.2

 

CMYK 32 / 20 / 0 / 32

HEX #758BAD

RGB 117 139 173

HSL 216.43, 0.25%, 0.57%

LAB 57.33, 0.43, -20.46

 

CMYK 81 / 6 / 0 / 4

HEX #2EE6F4

RGB 46 230 244

HSL 184.24, 0.9%, 0.57%

LAB 83.81, -38.37, -19.34

 

CMYK 81 / 27 / 0 / 4

HEX #2EB2F4

RGB 46 178 244

HSL 200, 0.9%, 0.57%

LAB 68.72, -12.41, -42.56

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 81 / 70 / 0 / 4

HEX #2E48F4

RGB 46 72 244

HSL 232.12, 0.9%, 0.57%

LAB 40.81, 51.39, -87.5

 

CMYK 70 / 81 / 0 / 4

HEX #482EF4

RGB 72 46 244

HSL 247.88, 0.9%, 0.57%

LAB 37.6, 66.27, -92.78

 

CMYK 95 / 57 / 0 / 23

HEX #0A55C5

RGB 10 85 197

HSL 215.94, 0.9%, 0.41%

LAB 38.89, 23.99, -63.83

 

CMYK 95 / 57 / 0 / 7

HEX #0C66EC

RGB 12 102 236

HSL 215.89, 0.9%, 0.49%

LAB 46.49, 28.24, -73.71

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 65 / 39 / 0 / 4

HEX #5595F6

RGB 85 149 246

HSL 216.15, 0.9%, 0.65%

LAB 61.72, 9.63, -54.63

 

CMYK 50 / 30 / 0 / 3

HEX #7DAEF8

RGB 125 174 248

HSL 216.1, 0.9%, 0.73%

LAB 70.46, 3.68, -41.81

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 16 / 81 / 0 / 4

HEX #CC2EF4

RGB 204 46 244

HSL 287.88, 0.9%, 0.57%

LAB 53.3, 82.75, -66.44

 

CMYK 16 / 0 / 81 / 4

HEX #CCF42E

RGB 204 244 46

HSL 72.12, 0.9%, 0.57%

LAB 90.66, -36.26, 81.65

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 0 / 81 / 49 / 4

HEX #F42E7D

RGB 244 46 125

HSL 336.06, 0.9%, 0.57%

LAB 54.73, 75.93, 5.37

 

CMYK 49 / 0 / 81 / 4

HEX #7DF42E

RGB 125 244 46

HSL 96.06, 0.9%, 0.57%

LAB 86.63, -63.66, 76.55

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 16 / 81 / 0 / 4

HEX #CC2EF4

RGB 204 46 244

HSL 287.88, 0.9%, 0.57%

LAB 53.3, 82.75, -66.44

 

CMYK 0 / 32 / 81 / 4

HEX #F4A52E

RGB 244 165 46

HSL 36.06, 0.9%, 0.57%

LAB 73.77, 20.06, 68.21

 

CMYK 65 / 0 / 81 / 4

HEX #56F42E

RGB 86 244 46

HSL 107.88, 0.9%, 0.57%

LAB 85.44, -73.22, 75.02

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 0 / 81 / 8 / 4

HEX #F42EE0

RGB 244 46 224

HSL 306.06, 0.9%, 0.57%

LAB 58.57, 86.82, -46.41

 

CMYK 0 / 32 / 81 / 4

HEX #F4A52E

RGB 244 165 46

HSL 36.06, 0.9%, 0.57%

LAB 73.77, 20.06, 68.21

 

CMYK 81 / 0 / 73 / 4

HEX #2EF442

RGB 46 244 66

HSL 126.06, 0.9%, 0.57%

LAB 84.83, -78.08, 68.27

 

Description

Color code: HEX #2E7DF4 | qconv.com Color code: HEX #2E7DF4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 125 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 125 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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