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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E84DF it is the complementary color #D17B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E84DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E84DF shade: #3384DA, #4496ED, #55A8FF, #66BAFF and #77CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E84DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E84DF shade: #2E84DF, #1D72CC, #0C60B9, #004EA6 and #003C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E84DF shade: #2F84DE, #2F55DE, #392FDE, #682FDE and #972FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E84DF shade: #2F84DE, #2F55DE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E84DF shade matches the following richer shades: #2F84DE and #1C84F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E84DF shade: #2F84DE, #4385CB, #5685B7, #6986A4 and #7D8691

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E84DF shade: #2FDED8, #2FB5DE, #2F87DE, #2F58DE and #352FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E84DF shade: #195BA2, #1E70C6, #2F84DE, #5399E4 and #77AEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E84DF shade: #2E84DF, #AA2FDE and #CDDE2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E84DF shade: #2E84DF, #DE2F87 and #87DE2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E84DF shade: #2E84DF, #AA2FDE, #DE872F and #64DE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E84DF shade: #2E84DF, #DE2FDE, #DE872F and #2FDE2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 41 / 0 / 13

HEX #2E84DF

RGB 46 132 223

HSL 210.85, 0.73%, 0.53%

LAB 54.46, 6.5, -53.52

 

Complementary color

CMYK 0 / 41 / 85 / 18

HEX #D17B20

RGB 209 123 32

HSL 30.85, 0.73%, 0.47%

LAB 59.73, 27.25, 59.12

 

CMYK 77 / 39 / 0 / 15

HEX #3384DA

RGB 51 132 218

HSL 210.9, 0.69%, 0.53%

LAB 54.31, 5.19, -50.94

 

CMYK 71 / 37 / 0 / 7

HEX #4496ED

RGB 68 150 237

HSL 210.89, 0.82%, 0.6%

LAB 60.92, 3.41, -50.99

 

CMYK 67 / 34 / 0 / 0

HEX #55A8FF

RGB 85 168 255

HSL 210.71, 1%, 0.67%

LAB 67.39, 1.63, -50.55

 

CMYK 60 / 27 / 0 / 0

HEX #66BAFF

RGB 102 186 255

HSL 207.06, 1%, 0.7%

LAB 73, -5.55, -41.71

 

CMYK 53 / 20 / 0 / 0

HEX #77CCFF

RGB 119 204 255

HSL 202.5, 1%, 0.73%

LAB 78.65, -11.9, -32.89

 

CMYK 79 / 41 / 0 / 13

HEX #2E84DF

RGB 46 132 223

HSL 210.85, 0.73%, 0.53%

LAB 54.46, 6.5, -53.52

 

CMYK 86 / 44 / 0 / 20

HEX #1D72CC

RGB 29 114 204

HSL 210.86, 0.75%, 0.46%

LAB 47.82, 8.93, -53.4

 

CMYK 94 / 48 / 0 / 27

HEX #0C60B9

RGB 12 96 185

HSL 210.87, 0.88%, 0.39%

LAB 41.13, 11.96, -53.2

 

CMYK 100 / 53 / 0 / 35

HEX #004EA6

RGB 0 78 166

HSL 211.81, 1%, 0.33%

LAB 34.4, 15.67, -52.86

 

CMYK 100 / 59 / 0 / 42

HEX #003C93

RGB 0 60 147

HSL 215.51, 1%, 0.29%

LAB 27.68, 20.14, -52.29

 

CMYK 79 / 41 / 0 / 13

HEX #2F84DE

RGB 47 132 222

HSL 210.86, 0.73%, 0.53%

LAB 54.43, 6.23, -53

 

CMYK 79 / 62 / 0 / 13

HEX #2F55DE

RGB 47 85 222

HSL 226.97, 0.73%, 0.53%

LAB 41.81, 35.85, -73.41

 

CMYK 74 / 79 / 0 / 13

HEX #392FDE

RGB 57 47 222

HSL 243.43, 0.73%, 0.53%

LAB 34.35, 58.42, -85.68

 

CMYK 53 / 79 / 0 / 13

HEX #682FDE

RGB 104 47 222

HSL 259.54, 0.73%, 0.53%

LAB 38.29, 62.95, -79.04

 

CMYK 32 / 79 / 0 / 13

HEX #972FDE

RGB 151 47 222

HSL 275.66, 0.73%, 0.53%

LAB 44.07, 69.62, -69.35

 

CMYK 79 / 41 / 0 / 13

HEX #2F84DE

RGB 47 132 222

HSL 210.86, 0.73%, 0.53%

LAB 54.43, 6.23, -53

 

CMYK 79 / 62 / 0 / 13

HEX #2F55DE

RGB 47 85 222

HSL 226.97, 0.73%, 0.53%

LAB 41.81, 35.85, -73.41

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 79 / 41 / 0 / 13

HEX #2F84DE

RGB 47 132 222

HSL 210.86, 0.73%, 0.53%

LAB 54.43, 6.23, -53

 

CMYK 88 / 45 / 0 / 5

HEX #1C84F2

RGB 28 132 242

HSL 210.84, 0.89%, 0.53%

LAB 55.24, 12.26, -62.89

 

CMYK 79 / 41 / 0 / 13

HEX #2F84DE

RGB 47 132 222

HSL 210.86, 0.73%, 0.53%

LAB 54.43, 6.23, -53

 

CMYK 67 / 34 / 0 / 20

HEX #4385CB

RGB 67 133 203

HSL 210.88, 0.57%, 0.53%

LAB 54.32, 1.45, -42.42

 

CMYK 53 / 27 / 0 / 28

HEX #5685B7

RGB 86 133 183

HSL 210.93, 0.4%, 0.53%

LAB 54.21, -1.45, -31.15

 

CMYK 36 / 18 / 0 / 36

HEX #6986A4

RGB 105 134 164

HSL 210.51, 0.24%, 0.53%

LAB 54.8, -2.64, -19.24

 

CMYK 14 / 8 / 0 / 43

HEX #7D8691

RGB 125 134 145

HSL 213, 0.08%, 0.53%

LAB 55.54, -0.92, -7.02

 

CMYK 79 / 0 / 3 / 13

HEX #2FDED8

RGB 47 222 216

HSL 177.94, 0.73%, 0.53%

LAB 80.63, -42.79, -9.26

 

CMYK 79 / 18 / 0 / 13

HEX #2FB5DE

RGB 47 181 222

HSL 194.06, 0.73%, 0.53%

LAB 68.7, -21.34, -30.59

 

CMYK 79 / 39 / 0 / 13

HEX #2F87DE

RGB 47 135 222

HSL 209.83, 0.73%, 0.53%

LAB 55.28, 4.41, -51.64

 

CMYK 79 / 60 / 0 / 13

HEX #2F58DE

RGB 47 88 222

HSL 225.94, 0.73%, 0.53%

LAB 42.55, 33.95, -72.2

 

CMYK 76 / 79 / 0 / 13

HEX #352FDE

RGB 53 47 222

HSL 242.06, 0.73%, 0.53%

LAB 34.12, 58.15, -86.07

 

CMYK 85 / 44 / 0 / 36

HEX #195BA2

RGB 25 91 162

HSL 211.09, 0.73%, 0.37%

LAB 38.37, 6.79, -44.05

 

CMYK 85 / 43 / 0 / 22

HEX #1E70C6

RGB 30 112 198

HSL 210.71, 0.74%, 0.45%

LAB 46.9, 7.94, -51.44

 

CMYK 79 / 41 / 0 / 13

HEX #2F84DE

RGB 47 132 222

HSL 210.86, 0.73%, 0.53%

LAB 54.43, 6.23, -53

 

CMYK 64 / 33 / 0 / 11

HEX #5399E4

RGB 83 153 228

HSL 211.03, 0.73%, 0.61%

LAB 61.85, 0.92, -44.51

 

CMYK 49 / 25 / 0 / 9

HEX #77AEE9

RGB 119 174 233

HSL 211.05, 0.72%, 0.69%

LAB 69.52, -2.08, -35.13

 

CMYK 79 / 41 / 0 / 13

HEX #2E84DF

RGB 46 132 223

HSL 210.85, 0.73%, 0.53%

LAB 54.46, 6.5, -53.52

 

CMYK 23 / 79 / 0 / 13

HEX #AA2FDE

RGB 170 47 222

HSL 282.17, 0.73%, 0.53%

LAB 46.78, 72.75, -64.82

 

CMYK 8 / 0 / 79 / 13

HEX #CDDE2F

RGB 205 222 47

HSL 65.83, 0.73%, 0.53%

LAB 84.7, -25.62, 76.2

 

CMYK 79 / 41 / 0 / 13

HEX #2E84DF

RGB 46 132 223

HSL 210.85, 0.73%, 0.53%

LAB 54.46, 6.5, -53.52

 

CMYK 0 / 79 / 39 / 13

HEX #DE2F87

RGB 222 47 135

HSL 329.83, 0.73%, 0.53%

LAB 51.05, 71.12, -6.5

 

CMYK 39 / 0 / 79 / 13

HEX #87DE2F

RGB 135 222 47

HSL 89.83, 0.73%, 0.53%

LAB 80.52, -52.17, 70.85

 

CMYK 79 / 41 / 0 / 13

HEX #2E84DF

RGB 46 132 223

HSL 210.85, 0.73%, 0.53%

LAB 54.46, 6.5, -53.52

 

CMYK 23 / 79 / 0 / 13

HEX #AA2FDE

RGB 170 47 222

HSL 282.17, 0.73%, 0.53%

LAB 46.78, 72.75, -64.82

 

CMYK 0 / 39 / 79 / 13

HEX #DE872F

RGB 222 135 47

HSL 30.17, 0.73%, 0.53%

LAB 64.21, 26.76, 58.18

 

CMYK 55 / 0 / 79 / 13

HEX #64DE2F

RGB 100 222 47

HSL 101.83, 0.73%, 0.53%

LAB 79.13, -62.61, 69.06

 

CMYK 79 / 41 / 0 / 13

HEX #2E84DF

RGB 46 132 223

HSL 210.85, 0.73%, 0.53%

LAB 54.46, 6.5, -53.52

 

CMYK 0 / 79 / 0 / 13

HEX #DE2FDE

RGB 222 47 222

HSL 300, 0.73%, 0.53%

LAB 54.9, 82.12, -51.33

 

CMYK 0 / 39 / 79 / 13

HEX #DE872F

RGB 222 135 47

HSL 30.17, 0.73%, 0.53%

LAB 64.21, 26.76, 58.18

 

CMYK 79 / 0 / 79 / 13

HEX #2FDE2F

RGB 47 222 47

HSL 120, 0.73%, 0.53%

LAB 77.91, -72.84, 67.47

 

Description

Color code: HEX #2E84DF | qconv.com Color code: HEX #2E84DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 132 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 132 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 41 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 41% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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