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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E88A7 it is the complementary color #D17758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E88A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E88A7 shade: #3388A2, #449AB5, #55ACC8, #66BEDB and #77D0EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E88A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E88A7 shade: #2E88A7, #1D7694, #0C6481, #00526E and #00405B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E88A7 shade: #2E88A8, #2E67A8, #2E47A8, #362EA8 and #562EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E88A7 shade: #2E88A8, #2E67A8, #2E47A8 and #2E2EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E88A7 shade matches the following richer shades: #2E88A8, #1C91B9 and #0B99CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E88A7 shade: #2E88A8, #3F8096, #507785, #626F74 and #736762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E88A7 shade: #2EA885, #2EA8A6, #2E89A8, #2E69A8 and #2E48A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E88A7 shade: #1C5467, #256E87, #2E88A8, #37A3C8 and #57B2D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E88A7 shade: #2E88A7, #642EA8 and #A8952E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E88A7 shade: #2E88A7, #A82E89 and #89A82E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E88A7 shade: #2E88A7, #642EA8, #A84C2E and #71A82E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E88A7 shade: #2E88A7, #892EA8, #A84C2E and #4CA82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

Complementary color

CMYK 0 / 43 / 58 / 18

HEX #D17758

RGB 209 119 88

HSL 15.37, 0.57%, 0.58%

LAB 59.39, 32.23, 32.25

 

CMYK 69 / 16 / 0 / 36

HEX #3388A2

RGB 51 136 162

HSL 194.05, 0.52%, 0.42%

LAB 52.86, -16.83, -21.26

 

CMYK 62 / 15 / 0 / 29

HEX #449AB5

RGB 68 154 181

HSL 194.34, 0.45%, 0.49%

LAB 59.6, -17.55, -21.76

 

CMYK 58 / 14 / 0 / 22

HEX #55ACC8

RGB 85 172 200

HSL 194.61, 0.51%, 0.56%

LAB 66.22, -18.08, -22.21

 

CMYK 53 / 13 / 0 / 14

HEX #66BEDB

RGB 102 190 219

HSL 194.87, 0.62%, 0.63%

LAB 72.74, -18.47, -22.63

 

CMYK 50 / 13 / 0 / 7

HEX #77D0EE

RGB 119 208 238

HSL 195.13, 0.78%, 0.7%

LAB 79.16, -18.76, -23.03

 

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

CMYK 80 / 20 / 0 / 42

HEX #1D7694

RGB 29 118 148

HSL 195.13, 0.67%, 0.35%

LAB 46.12, -14.64, -23.52

 

CMYK 91 / 22 / 0 / 49

HEX #0C6481

RGB 12 100 129

HSL 194.87, 0.83%, 0.28%

LAB 39.2, -12.86, -22.87

 

CMYK 100 / 25 / 0 / 57

HEX #00526E

RGB 0 82 110

HSL 195.27, 1%, 0.22%

LAB 32.17, -10.42, -22.11

 

CMYK 100 / 30 / 0 / 64

HEX #00405B

RGB 0 64 91

HSL 197.8, 1%, 0.18%

LAB 25.02, -7.03, -21.15

 

CMYK 73 / 19 / 0 / 34

HEX #2E88A8

RGB 46 136 168

HSL 195.74, 0.57%, 0.42%

LAB 52.97, -15.57, -24.58

 

CMYK 73 / 39 / 0 / 34

HEX #2E67A8

RGB 46 103 168

HSL 211.97, 0.57%, 0.42%

LAB 42.93, 3.92, -40.3

 

CMYK 73 / 58 / 0 / 34

HEX #2E47A8

RGB 46 71 168

HSL 227.7, 0.57%, 0.42%

LAB 33.8, 24.84, -54.97

 

CMYK 68 / 73 / 0 / 34

HEX #362EA8

RGB 54 46 168

HSL 243.93, 0.57%, 0.42%

LAB 28.29, 41.68, -63.98

 

CMYK 49 / 73 / 0 / 34

HEX #562EA8

RGB 86 46 168

HSL 259.67, 0.57%, 0.42%

LAB 31.25, 46.33, -59

 

CMYK 73 / 19 / 0 / 34

HEX #2E88A8

RGB 46 136 168

HSL 195.74, 0.57%, 0.42%

LAB 52.97, -15.57, -24.58

 

CMYK 73 / 39 / 0 / 34

HEX #2E67A8

RGB 46 103 168

HSL 211.97, 0.57%, 0.42%

LAB 42.93, 3.92, -40.3

 

CMYK 73 / 58 / 0 / 34

HEX #2E47A8

RGB 46 71 168

HSL 227.7, 0.57%, 0.42%

LAB 33.8, 24.84, -54.97

 

CMYK 73 / 73 / 0 / 34

HEX #2E2EA8

RGB 46 46 168

HSL 240, 0.57%, 0.42%

LAB 27.74, 40.79, -64.89

 

CMYK 73 / 19 / 0 / 34

HEX #2E88A8

RGB 46 136 168

HSL 195.74, 0.57%, 0.42%

LAB 52.97, -15.57, -24.58

 

CMYK 85 / 22 / 0 / 27

HEX #1C91B9

RGB 28 145 185

HSL 195.29, 0.74%, 0.42%

LAB 56.09, -16.53, -29.51

 

CMYK 95 / 24 / 0 / 21

HEX #0B99CA

RGB 11 153 202

HSL 195.39, 0.9%, 0.42%

LAB 59.08, -15.76, -34.46

 

CMYK 73 / 19 / 0 / 34

HEX #2E88A8

RGB 46 136 168

HSL 195.74, 0.57%, 0.42%

LAB 52.97, -15.57, -24.58

 

CMYK 58 / 15 / 0 / 41

HEX #3F8096

RGB 63 128 150

HSL 195.17, 0.41%, 0.42%

LAB 50.33, -14.07, -18.13

 

CMYK 40 / 11 / 0 / 48

HEX #507785

RGB 80 119 133

HSL 195.85, 0.25%, 0.42%

LAB 47.74, -9.82, -11.99

 

CMYK 16 / 4 / 0 / 55

HEX #626F74

RGB 98 111 116

HSL 196.67, 0.08%, 0.42%

LAB 45.94, -3.73, -4.43

 

CMYK 0 / 10 / 15 / 55

HEX #736762

RGB 115 103 98

HSL 17.65, 0.08%, 0.42%

LAB 44.56, 3.82, 4.54

 

CMYK 73 / 0 / 21 / 34

HEX #2EA885

RGB 46 168 133

HSL 162.79, 0.57%, 0.42%

LAB 61.89, -41.55, 8.63

 

CMYK 73 / 0 / 1 / 34

HEX #2EA8A6

RGB 46 168 166

HSL 179.02, 0.57%, 0.42%

LAB 62.79, -32.57, -8.53

 

CMYK 73 / 18 / 0 / 34

HEX #2E89A8

RGB 46 137 168

HSL 195.25, 0.57%, 0.42%

LAB 53.28, -16.12, -24.1

 

CMYK 73 / 38 / 0 / 34

HEX #2E69A8

RGB 46 105 168

HSL 210.98, 0.57%, 0.42%

LAB 43.52, 2.66, -39.36

 

CMYK 73 / 57 / 0 / 34

HEX #2E48A8

RGB 46 72 168

HSL 227.21, 0.57%, 0.42%

LAB 34.07, 24.18, -54.54

 

CMYK 73 / 18 / 0 / 60

HEX #1C5467

RGB 28 84 103

HSL 195.2, 0.57%, 0.26%

LAB 33.06, -11.32, -16.28

 

CMYK 73 / 19 / 0 / 47

HEX #256E87

RGB 37 110 135

HSL 195.31, 0.57%, 0.34%

LAB 43.2, -13.67, -20.27

 

CMYK 73 / 19 / 0 / 34

HEX #2E88A8

RGB 46 136 168

HSL 195.74, 0.57%, 0.42%

LAB 52.97, -15.57, -24.58

 

CMYK 73 / 19 / 0 / 22

HEX #37A3C8

RGB 55 163 200

HSL 195.31, 0.57%, 0.5%

LAB 62.66, -18.26, -27.75

 

CMYK 58 / 15 / 0 / 18

HEX #57B2D1

RGB 87 178 209

HSL 195.25, 0.57%, 0.58%

LAB 68.37, -18.15, -23.88

 

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

CMYK 40 / 73 / 0 / 34

HEX #642EA8

RGB 100 46 168

HSL 266.56, 0.57%, 0.42%

LAB 32.9, 48.82, -56.24

 

CMYK 0 / 11 / 73 / 34

HEX #A8952E

RGB 168 149 46

HSL 50.66, 0.57%, 0.42%

LAB 61.67, -4.52, 54.04

 

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

CMYK 0 / 73 / 18 / 34

HEX #A82E89

RGB 168 46 137

HSL 315.25, 0.57%, 0.42%

LAB 41.35, 58.11, -23.36

 

CMYK 18 / 0 / 73 / 34

HEX #89A82E

RGB 137 168 46

HSL 75.25, 0.57%, 0.42%

LAB 64.58, -27.77, 56.06

 

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

CMYK 40 / 73 / 0 / 34

HEX #642EA8

RGB 100 46 168

HSL 266.56, 0.57%, 0.42%

LAB 32.9, 48.82, -56.24

 

CMYK 0 / 55 / 73 / 34

HEX #A84C2E

RGB 168 76 46

HSL 14.75, 0.57%, 0.42%

LAB 43.79, 35.81, 35.43

 

CMYK 33 / 0 / 73 / 34

HEX #71A82E

RGB 113 168 46

HSL 87.05, 0.57%, 0.42%

LAB 63.11, -37.24, 54.1

 

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

CMYK 18 / 73 / 0 / 34

HEX #892EA8

RGB 137 46 168

HSL 284.75, 0.57%, 0.42%

LAB 38.02, 56.19, -47.71

 

CMYK 0 / 55 / 73 / 34

HEX #A84C2E

RGB 168 76 46

HSL 14.75, 0.57%, 0.42%

LAB 43.79, 35.81, 35.43

 

CMYK 55 / 0 / 73 / 34

HEX #4CA82E

RGB 76 168 46

HSL 105.25, 0.57%, 0.42%

LAB 61.43, -49.42, 51.86

 

Description

Color code: HEX #2E88A7 | qconv.com Color code: HEX #2E88A7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 136 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 136 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 19 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 19% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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