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Color name
HEX #2E8C27

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E8C27 it is the complementary color #D173D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E8C27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E8C27 shade: #338C22, #449E35, #55B048, #66C25B and #77D46E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E8C27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E8C27 shade: #2E8C27, #1D7A14, #0C6801, #005600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E8C27 shade: #2E8B27, #498B27, #648B27, #7F8B27 and #8B7C27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E8C27 shade: #2E8B27, #278B3B, #278B56, #278B71 and #278A8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E8C27 shade matches the following richer shades: #2E8B27, #219918 and #15A80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E8C27 shade: #2E8B27, #3A7C35, #476E44, #535F52 and #5F5161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E8C27 shade: #648B27, #4A8B27, #2F8B27, #278B39 and #278B54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E8C27 shade: #184A15, #236B1E, #2E8B27, #38AB30 and #46C83C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E8C27 shade: #2E8C27, #277F8B and #8B2757

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E8C27 shade: #2E8C27, #272F8B and #8B272F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E8C27 shade: #2E8C27, #277F8B, #82278B and #8B3227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E8C27 shade: #2E8C27, #27618B, #82278B and #8B5027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 72 / 45

HEX #2E8C27

RGB 46 140 39

HSL 115.84, 0.56%, 0.35%

LAB 51.25, -47.16, 43.82

 

Complementary color

CMYK 3 / 47 / 0 / 15

HEX #D173D8

RGB 209 115 216

HSL 295.84, 0.56%, 0.65%

LAB 62.32, 51.6, -36.38

 

CMYK 64 / 0 / 76 / 45

HEX #338C22

RGB 51 140 34

HSL 110.38, 0.61%, 0.34%

LAB 51.35, -46.42, 45.92

 

CMYK 57 / 0 / 66 / 38

HEX #449E35

RGB 68 158 53

HSL 111.43, 0.5%, 0.41%

LAB 57.98, -47.16, 45.31

 

CMYK 52 / 0 / 59 / 31

HEX #55B048

RGB 85 176 72

HSL 112.5, 0.42%, 0.49%

LAB 64.52, -47.52, 44.27

 

CMYK 47 / 0 / 53 / 24

HEX #66C25B

RGB 102 194 91

HSL 113.59, 0.46%, 0.56%

LAB 70.98, -47.63, 43.06

 

CMYK 44 / 0 / 48 / 17

HEX #77D46E

RGB 119 212 110

HSL 114.71, 0.54%, 0.63%

LAB 77.36, -47.6, 41.81

 

CMYK 67 / 0 / 72 / 45

HEX #2E8C27

RGB 46 140 39

HSL 115.84, 0.56%, 0.35%

LAB 51.25, -47.16, 43.82

 

CMYK 76 / 0 / 84 / 52

HEX #1D7A14

RGB 29 122 20

HSL 114.71, 0.72%, 0.28%

LAB 44.56, -45.71, 43.95

 

CMYK 88 / 0 / 99 / 59

HEX #0C6801

RGB 12 104 1

HSL 113.59, 0.98%, 0.21%

LAB 37.81, -43.25, 42.92

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 67 / 0 / 72 / 45

HEX #2E8B27

RGB 46 139 39

HSL 115.8, 0.56%, 0.35%

LAB 50.91, -46.79, 43.47

 

CMYK 47 / 0 / 72 / 45

HEX #498B27

RGB 73 139 39

HSL 99.6, 0.56%, 0.35%

LAB 51.87, -39.32, 44.76

 

CMYK 28 / 0 / 72 / 45

HEX #648B27

RGB 100 139 39

HSL 83.4, 0.56%, 0.35%

LAB 53.3, -29.38, 46.68

 

CMYK 9 / 0 / 72 / 45

HEX #7F8B27

RGB 127 139 39

HSL 67.2, 0.56%, 0.35%

LAB 55.2, -17.91, 49.21

 

CMYK 0 / 11 / 72 / 45

HEX #8B7C27

RGB 139 124 39

HSL 51, 0.56%, 0.35%

LAB 51.89, -4.35, 46.26

 

CMYK 67 / 0 / 72 / 45

HEX #2E8B27

RGB 46 139 39

HSL 115.8, 0.56%, 0.35%

LAB 50.91, -46.79, 43.47

 

CMYK 72 / 0 / 58 / 45

HEX #278B3B

RGB 39 139 59

HSL 132, 0.56%, 0.35%

LAB 50.93, -45.9, 34.25

 

CMYK 72 / 0 / 38 / 45

HEX #278B56

RGB 39 139 86

HSL 148.2, 0.56%, 0.35%

LAB 51.35, -41.21, 20.33

 

CMYK 72 / 0 / 19 / 45

HEX #278B71

RGB 39 139 113

HSL 164.4, 0.56%, 0.35%

LAB 51.94, -34.89, 5.74

 

CMYK 72 / 1 / 0 / 45

HEX #278A8B

RGB 39 138 139

HSL 180.6, 0.56%, 0.35%

LAB 52.37, -27, -8.71

 

CMYK 67 / 0 / 72 / 45

HEX #2E8B27

RGB 46 139 39

HSL 115.8, 0.56%, 0.35%

LAB 50.91, -46.79, 43.47

 

CMYK 78 / 0 / 84 / 40

HEX #219918

RGB 33 153 24

HSL 115.81, 0.73%, 0.35%

LAB 55.25, -55, 52.71

 

CMYK 88 / 0 / 94 / 34

HEX #15A80A

RGB 21 168 10

HSL 115.82, 0.89%, 0.35%

LAB 60.06, -61.49, 59.65

 

CMYK 67 / 0 / 72 / 45

HEX #2E8B27

RGB 46 139 39

HSL 115.8, 0.56%, 0.35%

LAB 50.91, -46.79, 43.47

 

CMYK 53 / 0 / 57 / 51

HEX #3A7C35

RGB 58 124 53

HSL 115.77, 0.4%, 0.35%

LAB 46.41, -36.19, 32.05

 

CMYK 35 / 0 / 38 / 57

HEX #476E44

RGB 71 110 68

HSL 115.71, 0.24%, 0.35%

LAB 42.63, -22.98, 19.19

 

CMYK 13 / 0 / 14 / 63

HEX #535F52

RGB 83 95 82

HSL 115.38, 0.07%, 0.35%

LAB 38.95, -7.45, 5.89

 

CMYK 2 / 16 / 0 / 62

HEX #5F5161

RGB 95 81 97

HSL 292.5, 0.09%, 0.35%

LAB 36.33, 9.05, -7.14

 

CMYK 28 / 0 / 72 / 45

HEX #648B27

RGB 100 139 39

HSL 83.4, 0.56%, 0.35%

LAB 53.3, -29.38, 46.68

 

CMYK 47 / 0 / 72 / 45

HEX #4A8B27

RGB 74 139 39

HSL 99, 0.56%, 0.35%

LAB 51.91, -38.99, 44.82

 

CMYK 66 / 0 / 72 / 45

HEX #2F8B27

RGB 47 139 39

HSL 115.2, 0.56%, 0.35%

LAB 50.94, -46.57, 43.5

 

CMYK 72 / 0 / 59 / 45

HEX #278B39

RGB 39 139 57

HSL 130.8, 0.56%, 0.35%

LAB 50.91, -46.17, 35.22

 

CMYK 72 / 0 / 40 / 45

HEX #278B54

RGB 39 139 84

HSL 147, 0.56%, 0.35%

LAB 51.31, -41.62, 21.39

 

CMYK 68 / 0 / 72 / 71

HEX #184A15

RGB 24 74 21

HSL 116.6, 0.56%, 0.19%

LAB 27.15, -28.65, 25.95

 

CMYK 67 / 0 / 72 / 58

HEX #236B1E

RGB 35 107 30

HSL 116.1, 0.56%, 0.27%

LAB 39.52, -38.21, 35.2

 

CMYK 67 / 0 / 72 / 45

HEX #2E8B27

RGB 46 139 39

HSL 115.8, 0.56%, 0.35%

LAB 50.91, -46.79, 43.47

 

CMYK 67 / 0 / 72 / 33

HEX #38AB30

RGB 56 171 48

HSL 116.1, 0.56%, 0.43%

LAB 61.81, -55.19, 51.3

 

CMYK 65 / 0 / 70 / 22

HEX #46C83C

RGB 70 200 60

HSL 115.71, 0.56%, 0.51%

LAB 71.51, -61.2, 56.9

 

CMYK 67 / 0 / 72 / 45

HEX #2E8C27

RGB 46 140 39

HSL 115.84, 0.56%, 0.35%

LAB 51.25, -47.16, 43.82

 

CMYK 72 / 9 / 0 / 45

HEX #277F8B

RGB 39 127 139

HSL 187.2, 0.56%, 0.35%

LAB 48.85, -21.35, -14.01

 

CMYK 0 / 72 / 37 / 45

HEX #8B2757

RGB 139 39 87

HSL 331.2, 0.56%, 0.35%

LAB 33.2, 46.18, -4.81

 

CMYK 67 / 0 / 72 / 45

HEX #2E8C27

RGB 46 140 39

HSL 115.84, 0.56%, 0.35%

LAB 51.25, -47.16, 43.82

 

CMYK 72 / 66 / 0 / 45

HEX #272F8B

RGB 39 47 139

HSL 235.2, 0.56%, 0.35%

LAB 24.73, 29.05, -52.11

 

CMYK 0 / 72 / 66 / 45

HEX #8B272F

RGB 139 39 47

HSL 355.2, 0.56%, 0.35%

LAB 32.14, 42.56, 19.75

 

CMYK 67 / 0 / 72 / 45

HEX #2E8C27

RGB 46 140 39

HSL 115.84, 0.56%, 0.35%

LAB 51.25, -47.16, 43.82

 

CMYK 72 / 9 / 0 / 45

HEX #277F8B

RGB 39 127 139

HSL 187.2, 0.56%, 0.35%

LAB 48.85, -21.35, -14.01

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 0 / 64 / 72 / 45

HEX #8B3227

RGB 139 50 39

HSL 6.6, 0.56%, 0.35%

LAB 33.81, 37.21, 26.8

 

CMYK 67 / 0 / 72 / 45

HEX #2E8C27

RGB 46 140 39

HSL 115.84, 0.56%, 0.35%

LAB 51.25, -47.16, 43.82

 

CMYK 72 / 30 / 0 / 45

HEX #27618B

RGB 39 97 139

HSL 205.2, 0.56%, 0.35%

LAB 39.32, -4.21, -28.71

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 0 / 42 / 72 / 45

HEX #8B5027

RGB 139 80 39

HSL 24.6, 0.56%, 0.35%

LAB 40.2, 21.07, 34.02

 

Description

Color code: HEX #2E8C27 | qconv.com Color code: HEX #2E8C27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 140 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 140 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 72 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 72% 45% C M Y K

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Provide designers and agencies with accurate color values.

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