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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB221 it is the complementary color #D14DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB221 shade: #33B21C, #44C42F, #55D642, #66E855 and #77FA68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB221 shade: #2EB221, #1DA00E, #0C8E00, #007C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB221 shade: #2DB020, #54B020, #7BB020, #A2B020 and #B09820

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB221 shade: #2DB020, #20B03A, #20B061, #20B088 and #20B0AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB221 shade matches the following richer shades: #2DB020 and #1FC10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB221 shade: #2DB020, #3B9F31, #498E42, #567D53 and #646D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB221 shade: #7BB020, #55B020, #2EB020, #20B038 and #20B05E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB221 shade: #1B6A13, #248D1A, #2DB020, #36D326 and #53DD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB221 shade: #2EB221, #20A2B0 and #B02068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB221 shade: #2EB221, #202EB0 and #B0202E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB221 shade: #2EB221, #20A2B0, #A220B0 and #B02E20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB221 shade: #2EB221, #2076B0, #A220B0 and #B05A20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 81 / 30

HEX #2EB221

RGB 46 178 33

HSL 114.62, 0.69%, 0.41%

LAB 63.78, -60.4, 58.18

 

Complementary color

CMYK 6 / 65 / 0 / 13

HEX #D14DDE

RGB 209 77 222

HSL 294.62, 0.69%, 0.59%

LAB 56.22, 69.93, -49.35

 

CMYK 71 / 0 / 84 / 30

HEX #33B21C

RGB 51 178 28

HSL 110.8, 0.73%, 0.4%

LAB 63.86, -59.8, 59.63

 

CMYK 65 / 0 / 76 / 23

HEX #44C42F

RGB 68 196 47

HSL 111.54, 0.61%, 0.48%

LAB 70.12, -61.26, 60.1

 

CMYK 60 / 0 / 69 / 16

HEX #55D642

RGB 85 214 66

HSL 112.3, 0.64%, 0.55%

LAB 76.32, -62.21, 59.78

 

CMYK 56 / 0 / 63 / 9

HEX #66E855

RGB 102 232 85

HSL 113.06, 0.76%, 0.62%

LAB 82.48, -62.81, 59.01

 

CMYK 52 / 0 / 58 / 2

HEX #77FA68

RGB 119 250 104

HSL 113.84, 0.94%, 0.69%

LAB 88.59, -63.16, 58

 

CMYK 74 / 0 / 81 / 30

HEX #2EB221

RGB 46 178 33

HSL 114.62, 0.69%, 0.41%

LAB 63.78, -60.4, 58.18

 

CMYK 82 / 0 / 91 / 37

HEX #1DA00E

RGB 29 160 14

HSL 113.84, 0.84%, 0.34%

LAB 57.5, -58.15, 56.9

 

CMYK 92 / 0 / 100 / 44

HEX #0C8E00

RGB 12 142 0

HSL 114.93, 1%, 0.28%

LAB 51.18, -54.91, 53.91

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 74 / 0 / 82 / 31

HEX #2DB020

RGB 45 176 32

HSL 114.58, 0.69%, 0.41%

LAB 63.1, -59.99, 57.83

 

CMYK 52 / 0 / 82 / 31

HEX #54B020

RGB 84 176 32

HSL 98.33, 0.69%, 0.41%

LAB 64.19, -51.06, 59.23

 

CMYK 30 / 0 / 82 / 31

HEX #7BB020

RGB 123 176 32

HSL 82.08, 0.69%, 0.41%

LAB 66.03, -37.76, 61.58

 

CMYK 8 / 0 / 82 / 31

HEX #A2B020

RGB 162 176 32

HSL 65.83, 0.69%, 0.41%

LAB 68.63, -21.79, 64.87

 

CMYK 0 / 14 / 82 / 31

HEX #B09820

RGB 176 152 32

HSL 50, 0.69%, 0.41%

LAB 63.17, -3.13, 60.59

 

CMYK 74 / 0 / 82 / 31

HEX #2DB020

RGB 45 176 32

HSL 114.58, 0.69%, 0.41%

LAB 63.1, -59.99, 57.83

 

CMYK 82 / 0 / 67 / 31

HEX #20B03A

RGB 32 176 58

HSL 130.83, 0.69%, 0.41%

LAB 63.06, -59.72, 48.48

 

CMYK 82 / 0 / 45 / 31

HEX #20B061

RGB 32 176 97

HSL 147.08, 0.69%, 0.41%

LAB 63.52, -54.17, 30.34

 

CMYK 82 / 0 / 23 / 31

HEX #20B088

RGB 32 176 136

HSL 163.33, 0.69%, 0.41%

LAB 64.27, -45.82, 10.31

 

CMYK 82 / 0 / 1 / 31

HEX #20B0AF

RGB 32 176 175

HSL 179.58, 0.69%, 0.41%

LAB 65.32, -35.11, -9.81

 

CMYK 74 / 0 / 82 / 31

HEX #2DB020

RGB 45 176 32

HSL 114.58, 0.69%, 0.41%

LAB 63.1, -59.99, 57.83

 

CMYK 84 / 0 / 92 / 24

HEX #1FC10F

RGB 31 193 15

HSL 114.61, 0.86%, 0.41%

LAB 68.36, -67.62, 65.96

 

CMYK 74 / 0 / 82 / 31

HEX #2DB020

RGB 45 176 32

HSL 114.58, 0.69%, 0.41%

LAB 63.1, -59.99, 57.83

 

CMYK 63 / 0 / 69 / 38

HEX #3B9F31

RGB 59 159 49

HSL 114.55, 0.53%, 0.41%

LAB 57.99, -50.18, 46.93

 

CMYK 49 / 0 / 54 / 44

HEX #498E42

RGB 73 142 66

HSL 114.47, 0.37%, 0.41%

LAB 53.12, -37.67, 33.59

 

CMYK 31 / 0 / 34 / 51

HEX #567D53

RGB 86 125 83

HSL 115.71, 0.2%, 0.41%

LAB 48.6, -22.61, 18.67

 

CMYK 8 / 0 / 8 / 57

HEX #646D64

RGB 100 109 100

HSL 120, 0.04%, 0.41%

LAB 45.03, -5.31, 3.85

 

CMYK 30 / 0 / 82 / 31

HEX #7BB020

RGB 123 176 32

HSL 82.08, 0.69%, 0.41%

LAB 66.03, -37.76, 61.58

 

CMYK 52 / 0 / 82 / 31

HEX #55B020

RGB 85 176 32

HSL 97.92, 0.69%, 0.41%

LAB 64.23, -50.76, 59.28

 

CMYK 74 / 0 / 82 / 31

HEX #2EB020

RGB 46 176 32

HSL 114.17, 0.69%, 0.41%

LAB 63.12, -59.82, 57.85

 

CMYK 82 / 0 / 68 / 31

HEX #20B038

RGB 32 176 56

HSL 130, 0.69%, 0.41%

LAB 63.05, -59.92, 49.29

 

CMYK 82 / 0 / 47 / 31

HEX #20B05E

RGB 32 176 94

HSL 145.83, 0.69%, 0.41%

LAB 63.48, -54.7, 31.84

 

CMYK 75 / 0 / 82 / 58

HEX #1B6A13

RGB 27 106 19

HSL 114.48, 0.7%, 0.25%

LAB 38.88, -40.56, 38.87

 

CMYK 74 / 0 / 82 / 45

HEX #248D1A

RGB 36 141 26

HSL 114.78, 0.69%, 0.33%

LAB 51.27, -50.5, 48.45

 

CMYK 74 / 0 / 82 / 31

HEX #2DB020

RGB 45 176 32

HSL 114.58, 0.69%, 0.41%

LAB 63.1, -59.99, 57.83

 

CMYK 74 / 0 / 82 / 17

HEX #36D326

RGB 54 211 38

HSL 114.45, 0.69%, 0.49%

LAB 74.52, -69.09, 66.81

 

CMYK 62 / 0 / 68 / 13

HEX #53DD46

RGB 83 221 70

HSL 114.83, 0.69%, 0.57%

LAB 78.46, -64.73, 60.48

 

CMYK 74 / 0 / 81 / 30

HEX #2EB221

RGB 46 178 33

HSL 114.62, 0.69%, 0.41%

LAB 63.78, -60.4, 58.18

 

CMYK 82 / 8 / 0 / 31

HEX #20A2B0

RGB 32 162 176

HSL 185.83, 0.69%, 0.41%

LAB 61.03, -28.07, -16.83

 

CMYK 0 / 82 / 41 / 31

HEX #B02068

RGB 176 32 104

HSL 330, 0.69%, 0.41%

LAB 40.02, 60.42, -4.76

 

CMYK 74 / 0 / 81 / 30

HEX #2EB221

RGB 46 178 33

HSL 114.62, 0.69%, 0.41%

LAB 63.78, -60.4, 58.18

 

CMYK 82 / 74 / 0 / 31

HEX #202EB0

RGB 32 46 176

HSL 234.17, 0.69%, 0.41%

LAB 27.83, 42.36, -69.57

 

CMYK 0 / 82 / 74 / 31

HEX #B0202E

RGB 176 32 46

HSL 354.17, 0.69%, 0.41%

LAB 38.66, 56.32, 30

 

CMYK 74 / 0 / 81 / 30

HEX #2EB221

RGB 46 178 33

HSL 114.62, 0.69%, 0.41%

LAB 63.78, -60.4, 58.18

 

CMYK 82 / 8 / 0 / 31

HEX #20A2B0

RGB 32 162 176

HSL 185.83, 0.69%, 0.41%

LAB 61.03, -28.07, -16.83

 

CMYK 8 / 82 / 0 / 31

HEX #A220B0

RGB 162 32 176

HSL 294.17, 0.69%, 0.41%

LAB 40.98, 67.13, -47.51

 

CMYK 0 / 74 / 82 / 31

HEX #B02E20

RGB 176 46 32

HSL 5.83, 0.69%, 0.41%

LAB 40.06, 51.43, 39.54

 

CMYK 74 / 0 / 81 / 30

HEX #2EB221

RGB 46 178 33

HSL 114.62, 0.69%, 0.41%

LAB 63.78, -60.4, 58.18

 

CMYK 82 / 33 / 0 / 31

HEX #2076B0

RGB 32 118 176

HSL 204.17, 0.69%, 0.41%

LAB 47.49, -4.01, -37.78

 

CMYK 8 / 82 / 0 / 31

HEX #A220B0

RGB 162 32 176

HSL 294.17, 0.69%, 0.41%

LAB 40.98, 67.13, -47.51

 

CMYK 0 / 49 / 82 / 31

HEX #B05A20

RGB 176 90 32

HSL 24.17, 0.69%, 0.41%

LAB 47.81, 31.11, 46.86

 

Description

Color code: HEX #2EB221 | qconv.com Color code: HEX #2EB221 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 178 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 178 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 81% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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