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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EBEE9 it is the complementary color #D14116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EBEE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EBEE9 shade: #33BEE4, #44D0F7, #55E2FF, #66F4FF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EBEE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EBEE9 shade: #2EBEE9, #1DACD6, #0C9AC3, #0088B0 and #00769D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EBEE9 shade: #2FBEE9, #2F8CE9, #2F5AE9, #362FE9 and #682FE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EBEE9 shade: #2FBEE9, #2F8CE9, #2F5AE9 and #2F2FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EBEE9 shade matches the following richer shades: #2FBEE9 and #1CC8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EBEE9 shade: #2FBEE9, #41B4D6, #54AAC4, #67A0B1 and #79969E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EBEE9 shade: #2FE9AE, #2FE9DF, #2FC0E9, #2F8FE9 and #2F5DE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EBEE9 shade: #128EB3, #16ABD8, #2FBEE9, #54CAED and #79D5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EBEE9 shade: #2EBEE9, #7C2FE9 and #E9C72F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EBEE9 shade: #2EBEE9, #E92FC0 and #C0E92F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EBEE9 shade: #2EBEE9, #7C2FE9, #E9572F and #9BE92F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EBEE9 shade: #2EBEE9, #B42FE9, #E9572F and #63E92F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 18 / 0 / 9

HEX #2EBEE9

RGB 46 190 233

HSL 193.8, 0.81%, 0.55%

LAB 71.75, -22.44, -31.87

 

Complementary color

CMYK 0 / 69 / 89 / 18

HEX #D14116

RGB 209 65 22

HSL 13.8, 0.81%, 0.45%

LAB 48.75, 54.89, 53.88

 

CMYK 78 / 17 / 0 / 11

HEX #33BEE4

RGB 51 190 228

HSL 192.88, 0.77%, 0.55%

LAB 71.64, -23.6, -29.32

 

CMYK 72 / 16 / 0 / 3

HEX #44D0F7

RGB 68 208 247

HSL 193.07, 0.92%, 0.62%

LAB 77.91, -24.76, -29.89

 

CMYK 67 / 11 / 0 / 0

HEX #55E2FF

RGB 85 226 255

HSL 190.24, 1%, 0.67%

LAB 83.73, -28.96, -25.2

 

CMYK 60 / 4 / 0 / 0

HEX #66F4FF

RGB 102 244 255

HSL 184.31, 1%, 0.7%

LAB 89.27, -34.9, -16.77

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 80 / 18 / 0 / 9

HEX #2EBEE9

RGB 46 190 233

HSL 193.8, 0.81%, 0.55%

LAB 71.75, -22.44, -31.87

 

CMYK 86 / 20 / 0 / 16

HEX #1DACD6

RGB 29 172 214

HSL 193.62, 0.76%, 0.48%

LAB 65.45, -20.8, -31.23

 

CMYK 94 / 21 / 0 / 24

HEX #0C9AC3

RGB 12 154 195

HSL 193.44, 0.88%, 0.41%

LAB 59.09, -18.76, -30.51

 

CMYK 100 / 23 / 0 / 31

HEX #0088B0

RGB 0 136 176

HSL 193.64, 1%, 0.35%

LAB 52.67, -16.26, -29.7

 

CMYK 100 / 25 / 0 / 38

HEX #00769D

RGB 0 118 157

HSL 194.9, 1%, 0.31%

LAB 46.17, -13.25, -28.78

 

CMYK 80 / 18 / 0 / 9

HEX #2FBEE9

RGB 47 190 233

HSL 193.87, 0.81%, 0.55%

LAB 71.77, -22.35, -31.85

 

CMYK 80 / 40 / 0 / 9

HEX #2F8CE9

RGB 47 140 233

HSL 210, 0.81%, 0.55%

LAB 57.31, 5.46, -54.54

 

CMYK 80 / 61 / 0 / 9

HEX #2F5AE9

RGB 47 90 233

HSL 226.13, 0.81%, 0.55%

LAB 43.94, 36.7, -76.15

 

CMYK 77 / 80 / 0 / 9

HEX #362FE9

RGB 54 47 233

HSL 242.26, 0.81%, 0.55%

LAB 35.4, 61.51, -90.23

 

CMYK 55 / 80 / 0 / 9

HEX #682FE9

RGB 104 47 233

HSL 258.39, 0.81%, 0.55%

LAB 39.34, 65.79, -83.58

 

CMYK 80 / 18 / 0 / 9

HEX #2FBEE9

RGB 47 190 233

HSL 193.87, 0.81%, 0.55%

LAB 71.77, -22.35, -31.85

 

CMYK 80 / 40 / 0 / 9

HEX #2F8CE9

RGB 47 140 233

HSL 210, 0.81%, 0.55%

LAB 57.31, 5.46, -54.54

 

CMYK 80 / 61 / 0 / 9

HEX #2F5AE9

RGB 47 90 233

HSL 226.13, 0.81%, 0.55%

LAB 43.94, 36.7, -76.15

 

CMYK 80 / 80 / 0 / 9

HEX #2F2FE9

RGB 47 47 233

HSL 240, 0.81%, 0.55%

LAB 35.04, 61.12, -90.83

 

CMYK 80 / 18 / 0 / 9

HEX #2FBEE9

RGB 47 190 233

HSL 193.87, 0.81%, 0.55%

LAB 71.77, -22.35, -31.85

 

CMYK 89 / 20 / 0 / 2

HEX #1CC8FB

RGB 28 200 251

HSL 193.72, 0.97%, 0.55%

LAB 75.15, -22.8, -36.34

 

CMYK 80 / 18 / 0 / 9

HEX #2FBEE9

RGB 47 190 233

HSL 193.87, 0.81%, 0.55%

LAB 71.77, -22.35, -31.85

 

CMYK 70 / 16 / 0 / 16

HEX #41B4D6

RGB 65 180 214

HSL 193.69, 0.65%, 0.55%

LAB 68.48, -21.29, -26.52

 

CMYK 57 / 13 / 0 / 23

HEX #54AAC4

RGB 84 170 196

HSL 193.93, 0.49%, 0.55%

LAB 65.45, -18.41, -21.16

 

CMYK 42 / 10 / 0 / 31

HEX #67A0B1

RGB 103 160 177

HSL 193.78, 0.32%, 0.55%

LAB 62.68, -14.13, -14.69

 

CMYK 23 / 5 / 0 / 38

HEX #79969E

RGB 121 150 158

HSL 192.97, 0.16%, 0.55%

LAB 60.2, -8.25, -7.56

 

CMYK 80 / 0 / 25 / 9

HEX #2FE9AE

RGB 47 233 174

HSL 160.97, 0.81%, 0.55%

LAB 82.88, -58.02, 16.18

 

CMYK 80 / 0 / 4 / 9

HEX #2FE9DF

RGB 47 233 223

HSL 176.77, 0.81%, 0.55%

LAB 84.07, -45.65, -7.86

 

CMYK 80 / 18 / 0 / 9

HEX #2FC0E9

RGB 47 192 233

HSL 193.23, 0.81%, 0.55%

LAB 72.35, -23.37, -30.94

 

CMYK 80 / 39 / 0 / 9

HEX #2F8FE9

RGB 47 143 233

HSL 209.03, 0.81%, 0.55%

LAB 58.16, 3.67, -53.19

 

CMYK 80 / 60 / 0 / 9

HEX #2F5DE9

RGB 47 93 233

HSL 225.16, 0.81%, 0.55%

LAB 44.68, 34.81, -74.95

 

CMYK 90 / 21 / 0 / 30

HEX #128EB3

RGB 18 142 179

HSL 193.79, 0.82%, 0.39%

LAB 54.79, -17.69, -28.11

 

CMYK 90 / 21 / 0 / 15

HEX #16ABD8

RGB 22 171 216

HSL 193.92, 0.82%, 0.47%

LAB 65.16, -19.99, -32.79

 

CMYK 80 / 18 / 0 / 9

HEX #2FBEE9

RGB 47 190 233

HSL 193.87, 0.81%, 0.55%

LAB 71.77, -22.35, -31.85

 

CMYK 65 / 15 / 0 / 7

HEX #54CAED

RGB 84 202 237

HSL 193.73, 0.81%, 0.63%

LAB 76.22, -22.59, -27.09

 

CMYK 50 / 12 / 0 / 5

HEX #79D5F1

RGB 121 213 241

HSL 194, 0.81%, 0.71%

LAB 80.74, -20.05, -22.22

 

CMYK 80 / 18 / 0 / 9

HEX #2EBEE9

RGB 46 190 233

HSL 193.8, 0.81%, 0.55%

LAB 71.75, -22.44, -31.87

 

CMYK 47 / 80 / 0 / 9

HEX #7C2FE9

RGB 124 47 233

HSL 264.84, 0.81%, 0.55%

LAB 41.53, 68.2, -79.89

 

CMYK 0 / 15 / 80 / 9

HEX #E9C72F

RGB 233 199 47

HSL 49.03, 0.81%, 0.55%

LAB 80.95, -2.38, 73.77

 

CMYK 80 / 18 / 0 / 9

HEX #2EBEE9

RGB 46 190 233

HSL 193.8, 0.81%, 0.55%

LAB 71.75, -22.44, -31.87

 

CMYK 0 / 80 / 18 / 9

HEX #E92FC0

RGB 233 47 192

HSL 313.23, 0.81%, 0.55%

LAB 55.24, 80.12, -33.52

 

CMYK 18 / 0 / 80 / 9

HEX #C0E92F

RGB 192 233 47

HSL 73.23, 0.81%, 0.55%

LAB 86.84, -35.96, 77.76

 

CMYK 80 / 18 / 0 / 9

HEX #2EBEE9

RGB 46 190 233

HSL 193.8, 0.81%, 0.55%

LAB 71.75, -22.44, -31.87

 

CMYK 47 / 80 / 0 / 9

HEX #7C2FE9

RGB 124 47 233

HSL 264.84, 0.81%, 0.55%

LAB 41.53, 68.2, -79.89

 

CMYK 0 / 63 / 80 / 9

HEX #E9572F

RGB 233 87 47

HSL 12.9, 0.81%, 0.55%

LAB 56.43, 54.6, 51.35

 

CMYK 33 / 0 / 80 / 9

HEX #9BE92F

RGB 155 233 47

HSL 85.16, 0.81%, 0.55%

LAB 84.72, -49.78, 75.05

 

CMYK 80 / 18 / 0 / 9

HEX #2EBEE9

RGB 46 190 233

HSL 193.8, 0.81%, 0.55%

LAB 71.75, -22.44, -31.87

 

CMYK 23 / 80 / 0 / 9

HEX #B42FE9

RGB 180 47 233

HSL 282.9, 0.81%, 0.55%

LAB 49.03, 76.52, -67.34

 

CMYK 0 / 63 / 80 / 9

HEX #E9572F

RGB 233 87 47

HSL 12.9, 0.81%, 0.55%

LAB 56.43, 54.6, 51.35

 

CMYK 58 / 0 / 80 / 9

HEX #63E92F

RGB 99 233 47

HSL 103.23, 0.81%, 0.55%

LAB 82.45, -66.67, 72.14

 

Description

Color code: HEX #2EBEE9 | qconv.com Color code: HEX #2EBEE9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 190 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 190 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 18 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 18% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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