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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EC6D4 it is the complementary color #D1392B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EC6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EC6D4 shade: #33C6CF, #44D8E2, #55EAF5, #66FCFF and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EC6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EC6D4 shade: #2EC6D4, #1DB4C1, #0CA2AE, #00909B and #007E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EC6D4 shade: #2FC6D4, #2F9AD4, #2F6DD4, #2F41D4 and #4A2FD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EC6D4 shade: #2FC6D4, #2F9AD4, #2F6DD4, #2F41D4 and #2F2FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EC6D4 shade matches the following richer shades: #2FC6D4, #1BD7E8 and #07E8FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EC6D4 shade: #2FC6D4, #43B5C0, #58A4AC, #6C9497 and #808383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EC6D4 shade: #2FD48A, #2FD4B6, #2FC6D4, #2F9AD4 and #2F6ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EC6D4 shade: #1E8993, #25A9B5, #2FC6D4, #51CFDB and #74D9E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EC6D4 shade: #2EC6D4, #5E2FD4 and #D4A02F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EC6D4 shade: #2EC6D4, #D42FC6 and #C6D42F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EC6D4 shade: #2EC6D4, #5E2FD4, #D43D2F and #A5D42F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EC6D4 shade: #2EC6D4, #8F2FD4, #D43D2F and #74D42F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 7 / 0 / 17

HEX #2EC6D4

RGB 46 198 212

HSL 185.06, 0.66%, 0.51%

LAB 73.37, -33.05, -18.01

 

Complementary color

CMYK 0 / 73 / 79 / 18

HEX #D1392B

RGB 209 57 43

HSL 5.06, 0.66%, 0.49%

LAB 47.82, 58.36, 43.47

 

CMYK 75 / 4 / 0 / 19

HEX #33C6CF

RGB 51 198 207

HSL 183.46, 0.62%, 0.51%

LAB 73.28, -34.05, -15.41

 

CMYK 70 / 4 / 0 / 11

HEX #44D8E2

RGB 68 216 226

HSL 183.8, 0.73%, 0.58%

LAB 79.52, -34.95, -16.22

 

CMYK 65 / 4 / 0 / 4

HEX #55EAF5

RGB 85 234 245

HSL 184.13, 0.89%, 0.65%

LAB 85.69, -35.64, -16.96

 

CMYK 60 / 1 / 0 / 0

HEX #66FCFF

RGB 102 252 255

HSL 181.18, 1%, 0.7%

LAB 91.53, -38.59, -13.38

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 78 / 7 / 0 / 17

HEX #2EC6D4

RGB 46 198 212

HSL 185.06, 0.66%, 0.51%

LAB 73.37, -33.05, -18.01

 

CMYK 85 / 7 / 0 / 24

HEX #1DB4C1

RGB 29 180 193

HSL 184.76, 0.74%, 0.44%

LAB 67.09, -31.7, -17.12

 

CMYK 93 / 7 / 0 / 32

HEX #0CA2AE

RGB 12 162 174

HSL 184.44, 0.87%, 0.36%

LAB 60.76, -29.98, -16.13

 

CMYK 100 / 7 / 0 / 39

HEX #00909B

RGB 0 144 155

HSL 184.26, 1%, 0.3%

LAB 54.36, -27.82, -15.02

 

CMYK 100 / 7 / 0 / 47

HEX #007E88

RGB 0 126 136

HSL 184.41, 1%, 0.27%

LAB 47.88, -25.17, -13.77

 

CMYK 78 / 7 / 0 / 17

HEX #2FC6D4

RGB 47 198 212

HSL 185.09, 0.66%, 0.51%

LAB 73.38, -32.95, -17.99

 

CMYK 78 / 27 / 0 / 17

HEX #2F9AD4

RGB 47 154 212

HSL 201.09, 0.66%, 0.51%

LAB 60.31, -10.23, -38.11

 

CMYK 78 / 49 / 0 / 17

HEX #2F6DD4

RGB 47 109 212

HSL 217.45, 0.66%, 0.51%

LAB 47.36, 16.79, -58.69

 

CMYK 78 / 69 / 0 / 17

HEX #2F41D4

RGB 47 65 212

HSL 233.45, 0.66%, 0.51%

LAB 36.25, 44.67, -76.8

 

CMYK 65 / 78 / 0 / 17

HEX #4A2FD4

RGB 74 47 212

HSL 249.82, 0.66%, 0.51%

LAB 34.48, 56.88, -79.66

 

CMYK 78 / 7 / 0 / 17

HEX #2FC6D4

RGB 47 198 212

HSL 185.09, 0.66%, 0.51%

LAB 73.38, -32.95, -17.99

 

CMYK 78 / 27 / 0 / 17

HEX #2F9AD4

RGB 47 154 212

HSL 201.09, 0.66%, 0.51%

LAB 60.31, -10.23, -38.11

 

CMYK 78 / 49 / 0 / 17

HEX #2F6DD4

RGB 47 109 212

HSL 217.45, 0.66%, 0.51%

LAB 47.36, 16.79, -58.69

 

CMYK 78 / 69 / 0 / 17

HEX #2F41D4

RGB 47 65 212

HSL 233.45, 0.66%, 0.51%

LAB 36.25, 44.67, -76.8

 

CMYK 78 / 78 / 0 / 17

HEX #2F2FD4

RGB 47 47 212

HSL 240, 0.66%, 0.51%

LAB 32.68, 54.68, -82.7

 

CMYK 78 / 7 / 0 / 17

HEX #2FC6D4

RGB 47 198 212

HSL 185.09, 0.66%, 0.51%

LAB 73.38, -32.95, -17.99

 

CMYK 88 / 7 / 0 / 9

HEX #1BD7E8

RGB 27 215 232

HSL 184.98, 0.82%, 0.51%

LAB 78.85, -36.26, -20.5

 

CMYK 97 / 8 / 0 / 1

HEX #07E8FC

RGB 7 232 252

HSL 184.9, 0.98%, 0.51%

LAB 84.37, -38.62, -22.73

 

CMYK 78 / 7 / 0 / 17

HEX #2FC6D4

RGB 47 198 212

HSL 185.09, 0.66%, 0.51%

LAB 73.38, -32.95, -17.99

 

CMYK 65 / 6 / 0 / 25

HEX #43B5C0

RGB 67 181 192

HSL 185.28, 0.5%, 0.51%

LAB 68.06, -28.22, -15.05

 

CMYK 49 / 5 / 0 / 33

HEX #58A4AC

RGB 88 164 172

HSL 185.71, 0.34%, 0.51%

LAB 63.01, -21.31, -11.44

 

CMYK 28 / 2 / 0 / 41

HEX #6C9497

RGB 108 148 151

HSL 184.19, 0.17%, 0.51%

LAB 58.6, -12.91, -6.03

 

CMYK 2 / 0 / 0 / 49

HEX #808383

RGB 128 131 131

HSL 180, 0.01%, 0.51%

LAB 54.51, -1.11, -0.4

 

CMYK 78 / 0 / 35 / 17

HEX #2FD48A

RGB 47 212 138

HSL 153.09, 0.66%, 0.51%

LAB 75.78, -57.82, 25.18

 

CMYK 78 / 0 / 14 / 17

HEX #2FD4B6

RGB 47 212 182

HSL 169.09, 0.66%, 0.51%

LAB 76.72, -47.67, 3.17

 

CMYK 78 / 7 / 0 / 17

HEX #2FC6D4

RGB 47 198 212

HSL 185.09, 0.66%, 0.51%

LAB 73.38, -32.95, -17.99

 

CMYK 78 / 27 / 0 / 17

HEX #2F9AD4

RGB 47 154 212

HSL 201.09, 0.66%, 0.51%

LAB 60.31, -10.23, -38.11

 

CMYK 78 / 48 / 0 / 17

HEX #2F6ED4

RGB 47 110 212

HSL 217.09, 0.66%, 0.51%

LAB 47.64, 16.16, -58.24

 

CMYK 80 / 7 / 0 / 42

HEX #1E8993

RGB 30 137 147

HSL 185.13, 0.66%, 0.35%

LAB 52.15, -25.05, -13.71

 

CMYK 80 / 7 / 0 / 29

HEX #25A9B5

RGB 37 169 181

HSL 185, 0.66%, 0.43%

LAB 63.43, -29.48, -15.99

 

CMYK 78 / 7 / 0 / 17

HEX #2FC6D4

RGB 47 198 212

HSL 185.09, 0.66%, 0.51%

LAB 73.38, -32.95, -17.99

 

CMYK 63 / 5 / 0 / 14

HEX #51CFDB

RGB 81 207 219

HSL 185.22, 0.66%, 0.59%

LAB 76.97, -30.83, -16.27

 

CMYK 49 / 4 / 0 / 11

HEX #74D9E2

RGB 116 217 226

HSL 184.91, 0.65%, 0.67%

LAB 81.2, -27.13, -13.56

 

CMYK 78 / 7 / 0 / 17

HEX #2EC6D4

RGB 46 198 212

HSL 185.06, 0.66%, 0.51%

LAB 73.37, -33.05, -18.01

 

CMYK 56 / 78 / 0 / 17

HEX #5E2FD4

RGB 94 47 212

HSL 257.09, 0.66%, 0.51%

LAB 36.3, 59.1, -76.6

 

CMYK 0 / 25 / 78 / 17

HEX #D4A02F

RGB 212 160 47

HSL 41.09, 0.66%, 0.51%

LAB 69, 9.05, 62.22

 

CMYK 78 / 7 / 0 / 17

HEX #2EC6D4

RGB 46 198 212

HSL 185.06, 0.66%, 0.51%

LAB 73.37, -33.05, -18.01

 

CMYK 0 / 78 / 7 / 17

HEX #D42FC6

RGB 212 47 198

HSL 305.09, 0.66%, 0.51%

LAB 51.96, 76.58, -42.39

 

CMYK 7 / 0 / 78 / 17

HEX #C6D42F

RGB 198 212 47

HSL 65.09, 0.66%, 0.51%

LAB 81.46, -23.71, 73.11

 

CMYK 78 / 7 / 0 / 17

HEX #2EC6D4

RGB 46 198 212

HSL 185.06, 0.66%, 0.51%

LAB 73.37, -33.05, -18.01

 

CMYK 56 / 78 / 0 / 17

HEX #5E2FD4

RGB 94 47 212

HSL 257.09, 0.66%, 0.51%

LAB 36.3, 59.1, -76.6

 

CMYK 0 / 71 / 78 / 17

HEX #D43D2F

RGB 212 61 47

HSL 5.09, 0.66%, 0.51%

LAB 48.93, 58.01, 42.66

 

CMYK 22 / 0 / 78 / 17

HEX #A5D42F

RGB 165 212 47

HSL 77.09, 0.66%, 0.51%

LAB 79.21, -37.02, 70.23

 

CMYK 78 / 7 / 0 / 17

HEX #2EC6D4

RGB 46 198 212

HSL 185.06, 0.66%, 0.51%

LAB 73.37, -33.05, -18.01

 

CMYK 33 / 78 / 0 / 17

HEX #8F2FD4

RGB 143 47 212

HSL 274.91, 0.66%, 0.51%

LAB 42.19, 66.19, -66.72

 

CMYK 0 / 71 / 78 / 17

HEX #D43D2F

RGB 212 61 47

HSL 5.09, 0.66%, 0.51%

LAB 48.93, 58.01, 42.66

 

CMYK 45 / 0 / 78 / 17

HEX #74D42F

RGB 116 212 47

HSL 94.91, 0.66%, 0.51%

LAB 76.68, -54.36, 66.97

 

Description

Color code: HEX #2EC6D4 | qconv.com Color code: HEX #2EC6D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 198 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 198 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 7 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 7% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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