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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ED033 it is the complementary color #D12FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ED033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ED033 shade: #33D02E, #44E241, #55F454, #66FF67 and #77FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ED033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ED033 shade: #2ED033, #1DBE20, #0CAC0D, #009A00 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ED033 shade: #2DD132, #54D12D, #80D12D, #ACD12D and #D1C92D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ED033 shade: #2DD132, #2DD15E, #2DD18A, #2DD1B6 and #2DBFD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ED033 shade matches the following richer shades: #2DD132, #19E51F and #04FA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ED033 shade: #2DD132, #42BC46, #57A759, #6B936D and #807E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ED033 shade: #82D12D, #56D12D, #2DD130, #2DD15C and #2DD187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ED033 shade: #1F8D22, #26AF2A, #2DD132, #4FD853 and #71DF74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ED033 shade: #2ED033, #2DADD1 and #D12D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ED033 shade: #2ED033, #302DD1 and #D1302D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ED033 shade: #2ED033, #2DADD1, #D12DCE and #D1512D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ED033 shade: #2ED033, #2D7CD1, #D12DCE and #D1822D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 75 / 18

HEX #2ED033

RGB 46 208 51

HSL 121.85, 0.64%, 0.5%

LAB 73.5, -68.53, 61.97

 

Complementary color

CMYK 0 / 78 / 2 / 18

HEX #D12FCC

RGB 209 47 204

HSL 301.85, 0.64%, 0.5%

LAB 51.78, 76.87, -46.16

 

CMYK 75 / 0 / 78 / 18

HEX #33D02E

RGB 51 208 46

HSL 118.15, 0.64%, 0.5%

LAB 73.55, -68.17, 63.63

 

CMYK 70 / 0 / 71 / 11

HEX #44E241

RGB 68 226 65

HSL 118.88, 0.74%, 0.57%

LAB 79.62, -69.69, 63.43

 

CMYK 65 / 0 / 66 / 4

HEX #55F454

RGB 85 244 84

HSL 119.63, 0.88%, 0.64%

LAB 85.64, -70.75, 62.73

 

CMYK 60 / 0 / 60 / 0

HEX #66FF67

RGB 102 255 103

HSL 120.39, 1%, 0.7%

LAB 89.54, -69.06, 59.39

 

CMYK 53 / 0 / 52 / 0

HEX #77FF7A

RGB 119 255 122

HSL 121.32, 1%, 0.73%

LAB 90.25, -62.93, 51.94

 

CMYK 78 / 0 / 75 / 18

HEX #2ED033

RGB 46 208 51

HSL 121.85, 0.64%, 0.5%

LAB 73.5, -68.53, 61.97

 

CMYK 85 / 0 / 83 / 25

HEX #1DBE20

RGB 29 190 32

HSL 121.12, 0.74%, 0.43%

LAB 67.42, -66.3, 61.72

 

CMYK 93 / 0 / 92 / 33

HEX #0CAC0D

RGB 12 172 13

HSL 120.38, 0.87%, 0.36%

LAB 61.32, -63.21, 60.25

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 78 / 0 / 76 / 18

HEX #2DD132

RGB 45 209 50

HSL 121.83, 0.65%, 0.5%

LAB 73.8, -69.03, 62.58

 

CMYK 60 / 0 / 78 / 18

HEX #54D12D

RGB 84 209 45

HSL 105.73, 0.65%, 0.5%

LAB 74.62, -62.2, 65.21

 

CMYK 39 / 0 / 78 / 18

HEX #80D12D

RGB 128 209 45

HSL 89.63, 0.65%, 0.5%

LAB 76.3, -49.38, 67.39

 

CMYK 18 / 0 / 78 / 18

HEX #ACD12D

RGB 172 209 45

HSL 73.54, 0.65%, 0.5%

LAB 78.79, -32.98, 70.59

 

CMYK 0 / 4 / 78 / 18

HEX #D1C92D

RGB 209 201 45

HSL 57.07, 0.65%, 0.5%

LAB 79.34, -13.73, 72.12

 

CMYK 78 / 0 / 76 / 18

HEX #2DD132

RGB 45 209 50

HSL 121.83, 0.65%, 0.5%

LAB 73.8, -69.03, 62.58

 

CMYK 78 / 0 / 55 / 18

HEX #2DD15E

RGB 45 209 94

HSL 137.93, 0.65%, 0.5%

LAB 74.17, -64.49, 45.11

 

CMYK 78 / 0 / 34 / 18

HEX #2DD18A

RGB 45 209 138

HSL 154.02, 0.65%, 0.5%

LAB 74.82, -56.93, 23.88

 

CMYK 78 / 0 / 13 / 18

HEX #2DD1B6

RGB 45 209 182

HSL 170.12, 0.65%, 0.5%

LAB 75.78, -46.61, 1.8

 

CMYK 78 / 9 / 0 / 18

HEX #2DBFD1

RGB 45 191 209

HSL 186.59, 0.65%, 0.5%

LAB 71.16, -30.7, -19.72

 

CMYK 78 / 0 / 76 / 18

HEX #2DD132

RGB 45 209 50

HSL 121.83, 0.65%, 0.5%

LAB 73.8, -69.03, 62.58

 

CMYK 89 / 0 / 86 / 10

HEX #19E51F

RGB 25 229 31

HSL 121.76, 0.8%, 0.5%

LAB 79.81, -77.66, 73.01

 

CMYK 98 / 0 / 95 / 2

HEX #04FA0C

RGB 4 250 12

HSL 121.95, 0.97%, 0.5%

LAB 86.22, -84.61, 81.03

 

CMYK 78 / 0 / 76 / 18

HEX #2DD132

RGB 45 209 50

HSL 121.83, 0.65%, 0.5%

LAB 73.8, -69.03, 62.58

 

CMYK 65 / 0 / 63 / 26

HEX #42BC46

RGB 66 188 70

HSL 121.97, 0.48%, 0.5%

LAB 67.7, -56.9, 48.63

 

CMYK 48 / 0 / 47 / 35

HEX #57A759

RGB 87 167 89

HSL 121.5, 0.31%, 0.5%

LAB 61.98, -40.98, 32.83

 

CMYK 27 / 0 / 26 / 42

HEX #6B936D

RGB 107 147 109

HSL 123, 0.16%, 0.5%

LAB 57.17, -21.72, 15.79

 

CMYK 0 / 2 / 0 / 50

HEX #807E80

RGB 128 126 128

HSL 300, 0.01%, 0.5%

LAB 53.03, 1.15, -0.82

 

CMYK 38 / 0 / 78 / 18

HEX #82D12D

RGB 130 209 45

HSL 88.9, 0.65%, 0.5%

LAB 76.4, -48.7, 67.52

 

CMYK 59 / 0 / 78 / 18

HEX #56D12D

RGB 86 209 45

HSL 105, 0.65%, 0.5%

LAB 74.68, -61.72, 65.29

 

CMYK 78 / 0 / 77 / 18

HEX #2DD130

RGB 45 209 48

HSL 121.1, 0.65%, 0.5%

LAB 73.79, -69.16, 63.21

 

CMYK 78 / 0 / 56 / 18

HEX #2DD15C

RGB 45 209 92

HSL 137.2, 0.65%, 0.5%

LAB 74.15, -64.76, 46.02

 

CMYK 78 / 0 / 35 / 18

HEX #2DD187

RGB 45 209 135

HSL 152.93, 0.65%, 0.5%

LAB 74.77, -57.53, 25.38

 

CMYK 78 / 0 / 76 / 45

HEX #1F8D22

RGB 31 141 34

HSL 121.64, 0.64%, 0.34%

LAB 51.22, -50.74, 45.63

 

CMYK 78 / 0 / 76 / 31

HEX #26AF2A

RGB 38 175 42

HSL 121.75, 0.64%, 0.42%

LAB 62.71, -60.07, 54.28

 

CMYK 78 / 0 / 76 / 18

HEX #2DD132

RGB 45 209 50

HSL 121.83, 0.65%, 0.5%

LAB 73.8, -69.03, 62.58

 

CMYK 63 / 0 / 62 / 15

HEX #4FD853

RGB 79 216 83

HSL 121.75, 0.64%, 0.58%

LAB 76.92, -62.59, 53.45

 

CMYK 49 / 0 / 48 / 13

HEX #71DF74

RGB 113 223 116

HSL 121.64, 0.63%, 0.66%

LAB 80.49, -52.96, 42.73

 

CMYK 78 / 0 / 75 / 18

HEX #2ED033

RGB 46 208 51

HSL 121.85, 0.64%, 0.5%

LAB 73.5, -68.53, 61.97

 

CMYK 78 / 17 / 0 / 18

HEX #2DADD1

RGB 45 173 209

HSL 193.17, 0.65%, 0.5%

LAB 65.79, -21.69, -27.94

 

CMYK 0 / 78 / 48 / 18

HEX #D12D6C

RGB 209 45 108

HSL 336.95, 0.65%, 0.5%

LAB 47.64, 65.88, 4.64

 

CMYK 78 / 0 / 75 / 18

HEX #2ED033

RGB 46 208 51

HSL 121.85, 0.64%, 0.5%

LAB 73.5, -68.53, 61.97

 

CMYK 77 / 78 / 0 / 18

HEX #302DD1

RGB 48 45 209

HSL 241.1, 0.65%, 0.5%

LAB 32.05, 54.82, -82

 

CMYK 0 / 77 / 78 / 18

HEX #D1302D

RGB 209 48 45

HSL 1.1, 0.65%, 0.5%

LAB 46.79, 61.36, 41.35

 

CMYK 78 / 0 / 75 / 18

HEX #2ED033

RGB 46 208 51

HSL 121.85, 0.64%, 0.5%

LAB 73.5, -68.53, 61.97

 

CMYK 78 / 17 / 0 / 18

HEX #2DADD1

RGB 45 173 209

HSL 193.17, 0.65%, 0.5%

LAB 65.79, -21.69, -27.94

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCE

RGB 209 45 206

HSL 301.1, 0.65%, 0.5%

LAB 51.71, 77.69, -47.42

 

CMYK 0 / 61 / 78 / 18

HEX #D1512D

RGB 209 81 45

HSL 13.17, 0.65%, 0.5%

LAB 51.42, 48.75, 46.05

 

CMYK 78 / 0 / 75 / 18

HEX #2ED033

RGB 46 208 51

HSL 121.85, 0.64%, 0.5%

LAB 73.5, -68.53, 61.97

 

CMYK 78 / 41 / 0 / 18

HEX #2D7CD1

RGB 45 124 209

HSL 211.1, 0.65%, 0.5%

LAB 51.36, 6.07, -50.58

 

CMYK 0 / 78 / 1 / 18

HEX #D12DCE

RGB 209 45 206

HSL 301.1, 0.65%, 0.5%

LAB 51.71, 77.69, -47.42

 

CMYK 0 / 38 / 78 / 18

HEX #D1822D

RGB 209 130 45

HSL 31.1, 0.65%, 0.5%

LAB 61.4, 23.9, 55.75

 

Description

Color code: HEX #2ED033 | qconv.com Color code: HEX #2ED033 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 208 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 208 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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