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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EDF23 it is the complementary color #D120DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EDF23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EDF23 shade: #33DF1E, #44F131, #55FF44, #66FF57 and #77FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EDF23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EDF23 shade: #2EDF23, #1DCD10, #0CBB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EDF23 shade: #2FDF24, #61DF24, #94DF24, #C6DF24 and #DFC624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EDF23 shade: #2FDF24, #24DF4B, #24DF7E, #24DFB0 and #24DBDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EDF23 shade matches the following richer shades: #2FDF24 and #1DF310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EDF23 shade: #2FDF24, #41CB38, #53B74C, #64A360 and #768E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EDF23 shade: #94DF24, #62DF24, #30DF24, #24DF49 and #24DF7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EDF23 shade: #1D9B16, #24BF1B, #2FDF24, #51E448 and #73EA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EDF23 shade: #2EDF23, #24C6DF and #DF247B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EDF23 shade: #2EDF23, #2430DF and #DF2430

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EDF23 shade: #2EDF23, #24C6DF, #D324DF and #DF3D24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EDF23 shade: #2EDF23, #248EDF, #D324DF and #DF7524

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 84 / 13

HEX #2EDF23

RGB 46 223 35

HSL 116.49, 0.75%, 0.51%

LAB 78.16, -73.88, 70.78

 

Complementary color

CMYK 5 / 85 / 0 / 14

HEX #D120DC

RGB 209 32 220

HSL 296.49, 0.75%, 0.49%

LAB 51.56, 82.64, -55.66

 

CMYK 77 / 0 / 87 / 13

HEX #33DF1E

RGB 51 223 30

HSL 113.47, 0.76%, 0.5%

LAB 78.21, -73.44, 71.92

 

CMYK 72 / 0 / 80 / 5

HEX #44F131

RGB 68 241 49

HSL 114.06, 0.87%, 0.57%

LAB 84.15, -75.4, 72.91

 

CMYK 67 / 0 / 73 / 0

HEX #55FF44

RGB 85 255 68

HSL 114.55, 1%, 0.63%

LAB 88.86, -75.58, 71.87

 

CMYK 60 / 0 / 66 / 0

HEX #66FF57

RGB 102 255 87

HSL 114.64, 1%, 0.67%

LAB 89.41, -70.63, 65.75

 

CMYK 53 / 0 / 58 / 0

HEX #77FF6A

RGB 119 255 106

HSL 114.77, 1%, 0.71%

LAB 90.08, -64.78, 58.86

 

CMYK 79 / 0 / 84 / 13

HEX #2EDF23

RGB 46 223 35

HSL 116.49, 0.75%, 0.51%

LAB 78.16, -73.88, 70.78

 

CMYK 86 / 0 / 92 / 20

HEX #1DCD10

RGB 29 205 16

HSL 115.87, 0.86%, 0.43%

LAB 72.2, -71.19, 69.03

 

CMYK 94 / 0 / 100 / 27

HEX #0CBB00

RGB 12 187 0

HSL 116.15, 1%, 0.37%

LAB 66.23, -67.71, 65.96

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 79 / 0 / 84 / 13

HEX #2FDF24

RGB 47 223 36

HSL 116.47, 0.75%, 0.51%

LAB 78.17, -73.71, 70.57

 

CMYK 57 / 0 / 84 / 13

HEX #61DF24

RGB 97 223 36

HSL 100.43, 0.75%, 0.51%

LAB 79.3, -64.25, 72

 

CMYK 34 / 0 / 84 / 13

HEX #94DF24

RGB 148 223 36

HSL 84.06, 0.75%, 0.51%

LAB 81.4, -48.54, 74.66

 

CMYK 11 / 0 / 84 / 13

HEX #C6DF24

RGB 198 223 36

HSL 68.02, 0.75%, 0.51%

LAB 84.44, -29.3, 78.46

 

CMYK 0 / 11 / 84 / 13

HEX #DFC624

RGB 223 198 36

HSL 51.98, 0.75%, 0.51%

LAB 79.73, -6.48, 75.32

 

CMYK 79 / 0 / 84 / 13

HEX #2FDF24

RGB 47 223 36

HSL 116.47, 0.75%, 0.51%

LAB 78.17, -73.71, 70.57

 

CMYK 84 / 0 / 66 / 13

HEX #24DF4B

RGB 36 223 75

HSL 132.51, 0.75%, 0.51%

LAB 78.26, -72.09, 58.05

 

CMYK 84 / 0 / 43 / 13

HEX #24DF7E

RGB 36 223 126

HSL 148.88, 0.75%, 0.51%

LAB 78.84, -65.07, 35.35

 

CMYK 84 / 0 / 21 / 13

HEX #24DFB0

RGB 36 223 176

HSL 164.92, 0.75%, 0.51%

LAB 79.78, -54.61, 10.73

 

CMYK 84 / 2 / 0 / 13

HEX #24DBDF

RGB 36 219 223

HSL 181.28, 0.75%, 0.51%

LAB 79.82, -40.28, -14.21

 

CMYK 79 / 0 / 84 / 13

HEX #2FDF24

RGB 47 223 36

HSL 116.47, 0.75%, 0.51%

LAB 78.17, -73.71, 70.57

 

CMYK 88 / 0 / 93 / 5

HEX #1DF310

RGB 29 243 16

HSL 116.56, 0.9%, 0.51%

LAB 84.17, -81.6, 79

 

CMYK 79 / 0 / 84 / 13

HEX #2FDF24

RGB 47 223 36

HSL 116.47, 0.75%, 0.51%

LAB 78.17, -73.71, 70.57

 

CMYK 68 / 0 / 72 / 20

HEX #41CB38

RGB 65 203 56

HSL 116.33, 0.59%, 0.51%

LAB 72.31, -63.52, 59.17

 

CMYK 55 / 0 / 58 / 28

HEX #53B74C

RGB 83 183 76

HSL 116.07, 0.43%, 0.51%

LAB 66.69, -50.35, 44.91

 

CMYK 39 / 0 / 41 / 36

HEX #64A360

RGB 100 163 96

HSL 116.42, 0.27%, 0.51%

LAB 61.44, -34.1, 28.57

 

CMYK 17 / 0 / 18 / 44

HEX #768E75

RGB 118 142 117

HSL 117.6, 0.1%, 0.51%

LAB 56.57, -13.64, 10.52

 

CMYK 34 / 0 / 84 / 13

HEX #94DF24

RGB 148 223 36

HSL 84.06, 0.75%, 0.51%

LAB 81.4, -48.54, 74.66

 

CMYK 56 / 0 / 84 / 13

HEX #62DF24

RGB 98 223 36

HSL 100.11, 0.75%, 0.51%

LAB 79.33, -63.99, 72.04

 

CMYK 78 / 0 / 84 / 13

HEX #30DF24

RGB 48 223 36

HSL 116.15, 0.75%, 0.51%

LAB 78.19, -73.59, 70.59

 

CMYK 84 / 0 / 67 / 13

HEX #24DF49

RGB 36 223 73

HSL 131.87, 0.75%, 0.51%

LAB 78.25, -72.29, 58.83

 

CMYK 84 / 0 / 45 / 13

HEX #24DF7B

RGB 36 223 123

HSL 147.91, 0.75%, 0.51%

LAB 78.8, -65.59, 36.79

 

CMYK 81 / 0 / 86 / 39

HEX #1D9B16

RGB 29 155 22

HSL 116.84, 0.75%, 0.35%

LAB 55.85, -56.29, 53.75

 

CMYK 81 / 0 / 86 / 25

HEX #24BF1B

RGB 36 191 27

HSL 116.71, 0.75%, 0.43%

LAB 67.81, -66.07, 63.3

 

CMYK 79 / 0 / 84 / 13

HEX #2FDF24

RGB 47 223 36

HSL 116.47, 0.75%, 0.51%

LAB 78.17, -73.71, 70.57

 

CMYK 64 / 0 / 68 / 11

HEX #51E448

RGB 81 228 72

HSL 116.54, 0.74%, 0.59%

LAB 80.57, -67.32, 61.93

 

CMYK 51 / 0 / 54 / 8

HEX #73EA6C

RGB 115 234 108

HSL 116.67, 0.75%, 0.67%

LAB 83.74, -57.75, 50.5

 

CMYK 79 / 0 / 84 / 13

HEX #2EDF23

RGB 46 223 35

HSL 116.49, 0.75%, 0.51%

LAB 78.16, -73.88, 70.78

 

CMYK 84 / 11 / 0 / 13

HEX #24C6DF

RGB 36 198 223

HSL 188.02, 0.75%, 0.51%

LAB 73.6, -30.45, -23.62

 

CMYK 0 / 84 / 45 / 13

HEX #DF247B

RGB 223 36 123

HSL 332.09, 0.75%, 0.51%

LAB 49.95, 72.86, -0.84

 

CMYK 79 / 0 / 84 / 13

HEX #2EDF23

RGB 46 223 35

HSL 116.49, 0.75%, 0.51%

LAB 78.16, -73.88, 70.78

 

CMYK 84 / 78 / 0 / 13

HEX #2430DF

RGB 36 48 223

HSL 236.15, 0.75%, 0.51%

LAB 33.6, 57.04, -87.53

 

CMYK 0 / 84 / 78 / 13

HEX #DF2430

RGB 223 36 48

HSL 356.15, 0.75%, 0.51%

LAB 48.46, 68.5, 42.29

 

CMYK 79 / 0 / 84 / 13

HEX #2EDF23

RGB 46 223 35

HSL 116.49, 0.75%, 0.51%

LAB 78.16, -73.88, 70.78

 

CMYK 84 / 11 / 0 / 13

HEX #24C6DF

RGB 36 198 223

HSL 188.02, 0.75%, 0.51%

LAB 73.6, -30.45, -23.62

 

CMYK 5 / 84 / 0 / 13

HEX #D324DF

RGB 211 36 223

HSL 296.15, 0.75%, 0.51%

LAB 52.33, 82.7, -56.11

 

CMYK 0 / 73 / 84 / 13

HEX #DF3D24

RGB 223 61 36

HSL 8.02, 0.75%, 0.51%

LAB 50.87, 61.13, 50.76

 

CMYK 79 / 0 / 84 / 13

HEX #2EDF23

RGB 46 223 35

HSL 116.49, 0.75%, 0.51%

LAB 78.16, -73.88, 70.78

 

CMYK 84 / 36 / 0 / 13

HEX #248EDF

RGB 36 142 223

HSL 205.99, 0.75%, 0.51%

LAB 57.12, -0.39, -49.29

 

CMYK 5 / 84 / 0 / 13

HEX #D324DF

RGB 211 36 223

HSL 296.15, 0.75%, 0.51%

LAB 52.33, 82.7, -56.11

 

CMYK 0 / 48 / 84 / 13

HEX #DF7524

RGB 223 117 36

HSL 25.99, 0.75%, 0.51%

LAB 60.37, 36.26, 59.01

 

Description

Color code: HEX #2EDF23 | qconv.com Color code: HEX #2EDF23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 223 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 223 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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