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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EE55E it is the complementary color #D11AA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EE55E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EE55E shade: #33E559, #44F76C, #55FF7F, #66FF92 and #77FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EE55E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EE55E shade: #2EE55E, #1DD34B, #0CC138, #00AF25 and #009D12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EE55E shade: #2EE55E, #2FE52E, #60E52E, #92E52E and #C3E52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EE55E shade: #2EE55E, #2EE58F, #2EE5C0, #2ED8E5 and #2EA6E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EE55E shade matches the following richer shades: #2EE55E and #1BF855

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EE55E shade: #2EE55E, #41D267, #54BF70, #67AC79 and #7A9982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EE55E shade: #62E52E, #31E52E, #2EE55B, #2EE58C and #2EE5BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EE55E shade: #15AB3C, #19D049, #2EE55E, #52E97A and #77EE96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EE55E shade: #2EE55E, #2E92E5 and #E52E49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EE55E shade: #2EE55E, #5B2EE5 and #E55B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EE55E shade: #2EE55E, #2E92E5, #E52EB7 and #E5802E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EE55E shade: #2EE55E, #2E5BE5, #E52EB7 and #E5B72E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

Complementary color

CMYK 0 / 88 / 23 / 18

HEX #D11AA1

RGB 209 26 161

HSL 315.74, 0.78%, 0.46%

LAB 48.09, 75.5, -26.8

 

CMYK 78 / 0 / 61 / 10

HEX #33E559

RGB 51 229 89

HSL 132.81, 0.77%, 0.55%

LAB 80.44, -70.82, 54.71

 

CMYK 72 / 0 / 56 / 3

HEX #44F76C

RGB 68 247 108

HSL 133.41, 0.92%, 0.62%

LAB 86.42, -72, 53.39

 

CMYK 67 / 0 / 50 / 0

HEX #55FF7F

RGB 85 255 127

HSL 134.82, 1%, 0.67%

LAB 89.39, -69.41, 48.36

 

CMYK 60 / 0 / 43 / 0

HEX #66FF92

RGB 102 255 146

HSL 137.25, 1%, 0.7%

LAB 90.05, -63.35, 40.21

 

CMYK 53 / 0 / 35 / 0

HEX #77FFA5

RGB 119 255 165

HSL 140.29, 1%, 0.73%

LAB 90.85, -56.51, 31.97

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 86 / 0 / 64 / 17

HEX #1DD34B

RGB 29 211 75

HSL 135.16, 0.76%, 0.47%

LAB 74.42, -69.07, 53.82

 

CMYK 94 / 0 / 71 / 24

HEX #0CC138

RGB 12 193 56

HSL 134.59, 0.88%, 0.4%

LAB 68.39, -66.68, 54.9

 

CMYK 100 / 0 / 79 / 31

HEX #00AF25

RGB 0 175 37

HSL 132.69, 1%, 0.34%

LAB 62.33, -63.51, 55.44

 

CMYK 100 / 0 / 89 / 38

HEX #009D12

RGB 0 157 18

HSL 126.88, 1%, 0.31%

LAB 56.25, -59.42, 54.93

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 79 / 0 / 80 / 10

HEX #2FE52E

RGB 47 229 46

HSL 119.67, 0.78%, 0.54%

LAB 80.09, -74.94, 69.81

 

CMYK 58 / 0 / 80 / 10

HEX #60E52E

RGB 96 229 46

HSL 103.61, 0.78%, 0.54%

LAB 81.14, -66.09, 71.16

 

CMYK 36 / 0 / 80 / 10

HEX #92E52E

RGB 146 229 46

HSL 87.21, 0.78%, 0.54%

LAB 83.1, -51.31, 73.68

 

CMYK 15 / 0 / 80 / 10

HEX #C3E52E

RGB 195 229 46

HSL 71.15, 0.78%, 0.54%

LAB 85.93, -32.98, 77.28

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 80 / 0 / 38 / 10

HEX #2EE58F

RGB 46 229 143

HSL 151.8, 0.78%, 0.54%

LAB 81.07, -63.12, 29.71

 

CMYK 80 / 0 / 16 / 10

HEX #2EE5C0

RGB 46 229 192

HSL 167.87, 0.78%, 0.54%

LAB 82.07, -52.25, 5.58

 

CMYK 80 / 6 / 0 / 10

HEX #2ED8E5

RGB 46 216 229

HSL 184.26, 0.78%, 0.54%

LAB 79.24, -36.38, -18.28

 

CMYK 80 / 28 / 0 / 10

HEX #2EA6E5

RGB 46 166 229

HSL 200.66, 0.78%, 0.54%

LAB 64.57, -11.05, -40.85

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 89 / 0 / 66 / 3

HEX #1BF855

RGB 27 248 85

HSL 135.75, 0.94%, 0.54%

LAB 86.02, -79.12, 62.5

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 69 / 0 / 51 / 18

HEX #41D267

RGB 65 210 103

HSL 135.72, 0.62%, 0.54%

LAB 74.95, -60.62, 41.85

 

CMYK 56 / 0 / 41 / 25

HEX #54BF70

RGB 84 191 112

HSL 135.7, 0.46%, 0.54%

LAB 69.69, -48.11, 30.78

 

CMYK 40 / 0 / 30 / 33

HEX #67AC79

RGB 103 172 121

HSL 135.65, 0.29%, 0.54%

LAB 64.78, -33.05, 19.56

 

CMYK 20 / 0 / 15 / 40

HEX #7A9982

RGB 122 153 130

HSL 135.48, 0.13%, 0.54%

LAB 60.37, -15.58, 8.56

 

CMYK 57 / 0 / 80 / 10

HEX #62E52E

RGB 98 229 46

HSL 102.95, 0.78%, 0.54%

LAB 81.2, -65.6, 71.24

 

CMYK 79 / 0 / 80 / 10

HEX #31E52E

RGB 49 229 46

HSL 119.02, 0.78%, 0.54%

LAB 80.12, -74.7, 69.84

 

CMYK 80 / 0 / 60 / 10

HEX #2EE55B

RGB 46 229 91

HSL 134.75, 0.78%, 0.54%

LAB 80.39, -71.17, 53.77

 

CMYK 80 / 0 / 39 / 10

HEX #2EE58C

RGB 46 229 140

HSL 150.82, 0.78%, 0.54%

LAB 81.02, -63.69, 31.17

 

CMYK 80 / 0 / 17 / 10

HEX #2EE5BD

RGB 46 229 189

HSL 166.89, 0.78%, 0.54%

LAB 82, -52.99, 7.06

 

CMYK 88 / 0 / 65 / 33

HEX #15AB3C

RGB 21 171 60

HSL 135.6, 0.78%, 0.38%

LAB 61.32, -59, 45.66

 

CMYK 88 / 0 / 65 / 18

HEX #19D049

RGB 25 208 73

HSL 135.74, 0.79%, 0.46%

LAB 73.42, -68.68, 53.53

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 65 / 0 / 48 / 9

HEX #52E97A

RGB 82 233 122

HSL 135.89, 0.77%, 0.62%

LAB 82.63, -62.95, 42.31

 

CMYK 50 / 0 / 37 / 7

HEX #77EE96

RGB 119 238 150

HSL 135.63, 0.78%, 0.7%

LAB 85.64, -52.24, 32.56

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 80 / 36 / 0 / 10

HEX #2E92E5

RGB 46 146 229

HSL 207.21, 0.78%, 0.54%

LAB 58.78, 0.34, -49.98

 

CMYK 0 / 80 / 68 / 10

HEX #E52E49

RGB 229 46 73

HSL 351.15, 0.78%, 0.54%

LAB 50.8, 68.73, 30.81

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 60 / 80 / 0 / 10

HEX #5B2EE5

RGB 91 46 229

HSL 254.75, 0.78%, 0.54%

LAB 37.55, 63.77, -84.31

 

CMYK 0 / 60 / 80 / 10

HEX #E55B2E

RGB 229 91 46

HSL 14.75, 0.78%, 0.54%

LAB 56.42, 51.41, 51.59

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 80 / 36 / 0 / 10

HEX #2E92E5

RGB 46 146 229

HSL 207.21, 0.78%, 0.54%

LAB 58.78, 0.34, -49.98

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 0 / 44 / 80 / 10

HEX #E5802E

RGB 229 128 46

HSL 26.89, 0.78%, 0.54%

LAB 63.58, 33.29, 58.33

 

CMYK 80 / 0 / 59 / 10

HEX #2EE55E

RGB 46 229 94

HSL 135.74, 0.78%, 0.54%

LAB 80.42, -70.81, 52.49

 

CMYK 80 / 60 / 0 / 10

HEX #2E5BE5

RGB 46 91 229

HSL 225.25, 0.78%, 0.54%

LAB 43.83, 34.53, -74.08

 

CMYK 0 / 80 / 20 / 10

HEX #E52EB7

RGB 229 46 183

HSL 315.08, 0.78%, 0.54%

LAB 54.06, 78.36, -30.19

 

CMYK 0 / 20 / 80 / 10

HEX #E5B72E

RGB 229 183 46

HSL 44.92, 0.78%, 0.54%

LAB 76.51, 4.17, 70.01

 

Description

Color code: HEX #2EE55E | qconv.com Color code: HEX #2EE55E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 229 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 229 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 59 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 59% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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