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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F2134 it is the complementary color #D0DECB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F2134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F2134 shade: #34212F, #453342, #564555, #675768 and #78697B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F2134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F2134 shade: #2F2134, #1E0F21 and #0D000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F2134 shade: #2F2134, #342134, #34212F, #34212A and #342125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F2134 shade: #2F2134, #2A2134, #252134 and #212134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F2134 shade matches the following richer shades: #2F2134, #331A3B, #361342, #390C49 and #3D0550

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F2134 shade: #2F2134, #2C282D, #292F26, #25361F and #223D18

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F2134 shade: #252134, #2A2134, #2F2134, #342134 and #34212F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F2134 shade: #020102, #19111B, #2F2134, #46314E and #5D4167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F2134 shade: #2F2134, #342123 and #213428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F2134 shade: #2F2134, #342F21 and #21342F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F2134 shade: #2F2134, #342123, #263421 and #213433

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F2134 shade: #2F2134, #342621, #263421 and #213034

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

Complementary color

CMYK 6 / 0 / 9 / 13

HEX #D0DECB

RGB 208 222 203

HSL 104.21, 0.22%, 0.83%

LAB 86.98, -8.13, 7.7

 

CMYK 0 / 37 / 10 / 80

HEX #34212F

RGB 52 33 47

HSL 315.79, 0.22%, 0.17%

LAB 15.61, 11.92, -5.57

 

CMYK 0 / 26 / 4 / 73

HEX #453342

RGB 69 51 66

HSL 310, 0.15%, 0.24%

LAB 23.76, 11.12, -6.22

 

CMYK 0 / 20 / 1 / 66

HEX #564555

RGB 86 69 85

HSL 303.53, 0.11%, 0.3%

LAB 31.56, 10.48, -6.78

 

CMYK 1 / 16 / 0 / 59

HEX #675768

RGB 103 87 104

HSL 296.47, 0.09%, 0.37%

LAB 39.07, 9.93, -7.32

 

CMYK 2 / 15 / 0 / 52

HEX #78697B

RGB 120 105 123

HSL 290, 0.08%, 0.45%

LAB 46.35, 9.47, -7.83

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 9 / 55 / 0 / 87

HEX #1E0F21

RGB 30 15 33

HSL 290, 0.38%, 0.09%

LAB 6.57, 11.56, -9.32

 

CMYK 7 / 100 / 0 / 95

HEX #0D000E

RGB 13 0 14

HSL 295.71, 1%, 0.03%

LAB 1.06, 5.48, -4.26

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 0 / 37 / 0 / 80

HEX #342134

RGB 52 33 52

HSL 300, 0.22%, 0.17%

LAB 15.83, 13.07, -8.78

 

CMYK 0 / 37 / 10 / 80

HEX #34212F

RGB 52 33 47

HSL 315.79, 0.22%, 0.17%

LAB 15.61, 11.92, -5.57

 

CMYK 0 / 37 / 19 / 80

HEX #34212A

RGB 52 33 42

HSL 331.58, 0.22%, 0.17%

LAB 15.41, 10.86, -2.3

 

CMYK 0 / 37 / 29 / 80

HEX #342125

RGB 52 33 37

HSL 347.37, 0.22%, 0.17%

LAB 15.23, 9.88, 1.02

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 19 / 37 / 0 / 80

HEX #2A2134

RGB 42 33 52

HSL 268.42, 0.22%, 0.17%

LAB 14.56, 9, -10.85

 

CMYK 29 / 37 / 0 / 80

HEX #252134

RGB 37 33 52

HSL 252.63, 0.22%, 0.17%

LAB 14, 7.04, -11.76

 

CMYK 37 / 37 / 0 / 80

HEX #212134

RGB 33 33 52

HSL 240, 0.22%, 0.17%

LAB 13.59, 5.53, -12.43

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 14 / 56 / 0 / 77

HEX #331A3B

RGB 51 26 59

HSL 285.45, 0.39%, 0.17%

LAB 14.16, 19.15, -16.33

 

CMYK 18 / 71 / 0 / 74

HEX #361342

RGB 54 19 66

HSL 284.68, 0.55%, 0.17%

LAB 13.49, 26.15, -22.3

 

CMYK 22 / 84 / 0 / 71

HEX #390C49

RGB 57 12 73

HSL 284.26, 0.72%, 0.17%

LAB 13.31, 32.04, -27.45

 

CMYK 24 / 94 / 0 / 69

HEX #3D0550

RGB 61 5 80

HSL 284.8, 0.88%, 0.17%

LAB 13.71, 37.12, -31.6

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 2 / 11 / 0 / 82

HEX #2C282D

RGB 44 40 45

HSL 288, 0.06%, 0.17%

LAB 16.71, 3.02, -2.6

 

CMYK 13 / 0 / 19 / 82

HEX #292F26

RGB 41 47 38

HSL 100, 0.11%, 0.17%

LAB 18.56, -4.74, 4.92

 

CMYK 31 / 0 / 43 / 79

HEX #25361F

RGB 37 54 31

HSL 104.35, 0.27%, 0.17%

LAB 20.56, -12.35, 12.29

 

CMYK 44 / 0 / 61 / 76

HEX #223D18

RGB 34 61 24

HSL 103.78, 0.44%, 0.17%

LAB 22.8, -18.7, 19.44

 

CMYK 29 / 37 / 0 / 80

HEX #252134

RGB 37 33 52

HSL 252.63, 0.22%, 0.17%

LAB 14, 7.04, -11.76

 

CMYK 19 / 37 / 0 / 80

HEX #2A2134

RGB 42 33 52

HSL 268.42, 0.22%, 0.17%

LAB 14.56, 9, -10.85

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 0 / 37 / 0 / 80

HEX #342134

RGB 52 33 52

HSL 300, 0.22%, 0.17%

LAB 15.83, 13.07, -8.78

 

CMYK 0 / 37 / 10 / 80

HEX #34212F

RGB 52 33 47

HSL 315.79, 0.22%, 0.17%

LAB 15.61, 11.92, -5.57

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 7 / 37 / 0 / 89

HEX #19111B

RGB 25 17 27

HSL 288, 0.23%, 0.09%

LAB 6.2, 6, -5.31

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 10 / 37 / 0 / 69

HEX #46314E

RGB 70 49 78

HSL 283.45, 0.23%, 0.25%

LAB 23.83, 15.65, -14.12

 

CMYK 10 / 37 / 0 / 60

HEX #5D4167

RGB 93 65 103

HSL 284.21, 0.23%, 0.33%

LAB 32, 19.73, -17.53

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 0 / 37 / 33 / 80

HEX #342123

RGB 52 33 35

HSL 353.68, 0.22%, 0.17%

LAB 15.16, 9.52, 2.36

 

CMYK 37 / 0 / 23 / 80

HEX #213428

RGB 33 52 40

HSL 142.11, 0.22%, 0.17%

LAB 19.77, -10.87, 5.17

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 0 / 10 / 37 / 80

HEX #342F21

RGB 52 47 33

HSL 44.21, 0.22%, 0.17%

LAB 19.53, -0.44, 9.83

 

CMYK 37 / 0 / 10 / 80

HEX #21342F

RGB 33 52 47

HSL 164.21, 0.22%, 0.17%

LAB 19.98, -9.06, 0.7

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 0 / 37 / 33 / 80

HEX #342123

RGB 52 33 35

HSL 353.68, 0.22%, 0.17%

LAB 15.16, 9.52, 2.36

 

CMYK 27 / 0 / 37 / 80

HEX #263421

RGB 38 52 33

HSL 104.21, 0.22%, 0.17%

LAB 19.95, -10.32, 10.19

 

CMYK 37 / 0 / 2 / 80

HEX #213433

RGB 33 52 51

HSL 176.84, 0.22%, 0.17%

LAB 20.12, -7.92, -1.83

 

CMYK 10 / 37 / 0 / 80

HEX #2F2134

RGB 47 33 52

HSL 284.21, 0.22%, 0.17%

LAB 15.17, 11.02, -9.85

 

CMYK 0 / 27 / 37 / 80

HEX #342621

RGB 52 38 33

HSL 15.79, 0.22%, 0.17%

LAB 16.63, 5.7, 5.86

 

CMYK 27 / 0 / 37 / 80

HEX #263421

RGB 38 52 33

HSL 104.21, 0.22%, 0.17%

LAB 19.95, -10.32, 10.19

 

CMYK 37 / 8 / 0 / 80

HEX #213034

RGB 33 48 52

HSL 192.63, 0.22%, 0.17%

LAB 18.74, -5.02, -4.57

 

Description

Color code: HEX #2F2134 | qconv.com Color code: HEX #2F2134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 33 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 33 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 37 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 37% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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