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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F365A it is the complementary color #D0C9A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F365A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F365A shade: #343655, #454868, #565A7B, #676C8E and #787EA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F365A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F365A shade: #2F365A, #1E2447, #0D1234, #000021 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F365A shade: #2F365A, #342F5A, #3F2F5A, #4B2F5A and #562F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F365A shade: #2F365A and #2F2F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F365A shade matches the following richer shades: #2F365A, #242E65, #192770, #0E1F7B and #021886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F365A shade: #2F365A, #3A3D4F, #454543, #504C38 and #5C542D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F365A shade: #2F4D5A, #2F425A, #2F365A, #332F5A and #3F2F5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F365A shade: #131524, #21263F, #2F365A, #3D4675 and #4B5790

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F365A shade: #2F365A, #5A2F58 and #475A2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F365A shade: #2F365A, #5A2F36 and #365A2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F365A shade: #2F365A, #5A2F58, #5A532F and #2F5A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F365A shade: #2F365A, #5A2F4B, #5A532F and #2F5A3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

Complementary color

CMYK 0 / 3 / 21 / 18

HEX #D0C9A5

RGB 208 201 165

HSL 50.23, 0.31%, 0.73%

LAB 80.68, -3.41, 18.9

 

CMYK 39 / 36 / 0 / 67

HEX #343655

RGB 52 54 85

HSL 236.36, 0.24%, 0.27%

LAB 23.75, 7.85, -19.04

 

CMYK 34 / 31 / 0 / 59

HEX #454868

RGB 69 72 104

HSL 234.86, 0.2%, 0.34%

LAB 31.58, 7.17, -19.02

 

CMYK 30 / 27 / 0 / 52

HEX #565A7B

RGB 86 90 123

HSL 233.51, 0.18%, 0.41%

LAB 39.11, 6.64, -19.1

 

CMYK 27 / 24 / 0 / 44

HEX #676C8E

RGB 103 108 142

HSL 232.31, 0.16%, 0.48%

LAB 46.39, 6.21, -19.24

 

CMYK 25 / 22 / 0 / 37

HEX #787EA1

RGB 120 126 161

HSL 231.22, 0.18%, 0.55%

LAB 53.48, 5.83, -19.43

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 58 / 49 / 0 / 72

HEX #1E2447

RGB 30 36 71

HSL 231.22, 0.41%, 0.2%

LAB 15.45, 9.14, -22.82

 

CMYK 75 / 65 / 0 / 80

HEX #0D1234

RGB 13 18 52

HSL 232.31, 0.6%, 0.13%

LAB 6.92, 10.84, -23.11

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 42 / 48 / 0 / 65

HEX #342F5A

RGB 52 47 90

HSL 246.98, 0.31%, 0.27%

LAB 21.95, 14.29, -25.18

 

CMYK 30 / 48 / 0 / 65

HEX #3F2F5A

RGB 63 47 90

HSL 262.33, 0.31%, 0.27%

LAB 23.09, 17.73, -23.29

 

CMYK 17 / 48 / 0 / 65

HEX #4B2F5A

RGB 75 47 90

HSL 279.07, 0.31%, 0.27%

LAB 24.54, 21.72, -20.92

 

CMYK 4 / 48 / 0 / 65

HEX #562F5A

RGB 86 47 90

HSL 294.42, 0.31%, 0.27%

LAB 26.01, 25.47, -18.51

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 48 / 48 / 0 / 65

HEX #2F2F5A

RGB 47 47 90

HSL 240, 0.31%, 0.27%

LAB 21.49, 12.82, -25.93

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 64 / 54 / 0 / 60

HEX #242E65

RGB 36 46 101

HSL 230.77, 0.47%, 0.27%

LAB 21.09, 14.82, -33.85

 

CMYK 78 / 65 / 0 / 56

HEX #192770

RGB 25 39 112

HSL 230.34, 0.64%, 0.27%

LAB 19.34, 22.33, -43.86

 

CMYK 89 / 75 / 0 / 52

HEX #0E1F7B

RGB 14 31 123

HSL 230.64, 0.8%, 0.27%

LAB 17.93, 31.15, -53.25

 

CMYK 99 / 82 / 0 / 47

HEX #021886

RGB 2 24 134

HSL 230, 0.97%, 0.27%

LAB 17.4, 38.96, -61.12

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 27 / 23 / 0 / 69

HEX #3A3D4F

RGB 58 61 79

HSL 231.43, 0.15%, 0.27%

LAB 26.16, 3.4, -11.32

 

CMYK 0 / 0 / 3 / 73

HEX #454543

RGB 69 69 67

HSL 60, 0.01%, 0.27%

LAB 29.23, -0.44, 1.2

 

CMYK 0 / 5 / 30 / 69

HEX #504C38

RGB 80 76 56

HSL 50, 0.18%, 0.27%

LAB 32.17, -2.04, 12.52

 

CMYK 0 / 9 / 51 / 64

HEX #5C542D

RGB 92 84 45

HSL 49.79, 0.34%, 0.27%

LAB 35.61, -2.8, 23.86

 

CMYK 48 / 14 / 0 / 65

HEX #2F4D5A

RGB 47 77 90

HSL 198.14, 0.31%, 0.27%

LAB 31, -7.19, -11.14

 

CMYK 48 / 27 / 0 / 65

HEX #2F425A

RGB 47 66 90

HSL 213.49, 0.31%, 0.27%

LAB 27.4, -0.17, -16.65

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 43 / 48 / 0 / 65

HEX #332F5A

RGB 51 47 90

HSL 245.58, 0.31%, 0.27%

LAB 21.85, 13.99, -25.33

 

CMYK 30 / 48 / 0 / 65

HEX #3F2F5A

RGB 63 47 90

HSL 262.33, 0.31%, 0.27%

LAB 23.09, 17.73, -23.29

 

CMYK 47 / 42 / 0 / 86

HEX #131524

RGB 19 21 36

HSL 232.94, 0.31%, 0.11%

LAB 7.25, 3.8, -10.67

 

CMYK 48 / 40 / 0 / 75

HEX #21263F

RGB 33 38 63

HSL 230, 0.31%, 0.19%

LAB 15.84, 5.62, -16.65

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 48 / 40 / 0 / 54

HEX #3D4675

RGB 61 70 117

HSL 230.36, 0.31%, 0.35%

LAB 31.01, 10.14, -28.16

 

CMYK 48 / 40 / 0 / 44

HEX #4B5790

RGB 75 87 144

HSL 229.57, 0.32%, 0.43%

LAB 38.42, 11.6, -33.02

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 0 / 48 / 2 / 65

HEX #5A2F58

RGB 90 47 88

HSL 302.79, 0.31%, 0.27%

LAB 26.48, 26.42, -16.42

 

CMYK 21 / 0 / 48 / 65

HEX #475A2F

RGB 71 90 47

HSL 86.51, 0.31%, 0.27%

LAB 35.71, -15.64, 22.43

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 0 / 48 / 40 / 65

HEX #5A2F36

RGB 90 47 54

HSL 350.23, 0.31%, 0.27%

LAB 25.18, 20.47, 4.27

 

CMYK 40 / 0 / 48 / 65

HEX #365A2F

RGB 54 90 47

HSL 110.23, 0.31%, 0.27%

LAB 34.6, -22.52, 20.81

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 0 / 48 / 2 / 65

HEX #5A2F58

RGB 90 47 88

HSL 302.79, 0.31%, 0.27%

LAB 26.48, 26.42, -16.42

 

CMYK 0 / 8 / 48 / 65

HEX #5A532F

RGB 90 83 47

HSL 50.23, 0.31%, 0.27%

LAB 35.13, -2.91, 22.06

 

CMYK 48 / 0 / 47 / 65

HEX #2F5A30

RGB 47 90 48

HSL 121.4, 0.31%, 0.27%

LAB 34.25, -24.84, 19.7

 

CMYK 48 / 40 / 0 / 65

HEX #2F365A

RGB 47 54 90

HSL 230.23, 0.31%, 0.27%

LAB 23.61, 7.95, -22.58

 

CMYK 0 / 48 / 17 / 65

HEX #5A2F4B

RGB 90 47 75

HSL 320.93, 0.31%, 0.27%

LAB 25.91, 23.87, -8.71

 

CMYK 0 / 8 / 48 / 65

HEX #5A532F

RGB 90 83 47

HSL 50.23, 0.31%, 0.27%

LAB 35.13, -2.91, 22.06

 

CMYK 48 / 0 / 32 / 65

HEX #2F5A3D

RGB 47 90 61

HSL 139.53, 0.31%, 0.27%

LAB 34.51, -22.32, 12.22

 

Description

Color code: HEX #2F365A | qconv.com Color code: HEX #2F365A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 54 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 54 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 40 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 40% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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