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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F3729 it is the complementary color #D0C8D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F3729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F3729 shade: #343724, #454937, #565B4A, #676D5D and #787F70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F3729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F3729 shade: #2F3729, #1E2516, #0D1303 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F3729 shade: #2F3729, #333729, #373729, #373429 and #373029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F3729 shade: #2F3729, #2B3729, #29372A, #29372E and #293732

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F3729 shade matches the following richer shades: #2F3729, #2E3F21, #2D4719, #2C4F11 and #2A5709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F3729 shade: #2F3729, #302F31, #312838, #322040 and #331848

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F3729 shade: #373729, #333729, #2F3729, #2B3729 and #29372A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F3729 shade: #070806, #1B1F17, #2F3729, #434F3A and #57674C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F3729 shade: #2F3729, #293734 and #372935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F3729 shade: #2F3729, #292F37 and #37292F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F3729 shade: #2F3729, #293734, #312937 and #37292C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F3729 shade: #2F3729, #293637, #312937 and #372A29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

Complementary color

CMYK 3 / 7 / 0 / 16

HEX #D0C8D6

RGB 208 200 214

HSL 274.29, 0.15%, 0.81%

LAB 81.61, 5.33, -5.97

 

CMYK 5 / 0 / 35 / 78

HEX #343724

RGB 52 55 36

HSL 69.47, 0.21%, 0.18%

LAB 22.27, -5.18, 11.51

 

CMYK 5 / 0 / 25 / 71

HEX #454937

RGB 69 73 55

HSL 73.33, 0.14%, 0.25%

LAB 30.17, -5.31, 10.25

 

CMYK 5 / 0 / 19 / 64

HEX #565B4A

RGB 86 91 74

HSL 77.65, 0.1%, 0.32%

LAB 37.76, -5.41, 9.15

 

CMYK 6 / 0 / 15 / 57

HEX #676D5D

RGB 103 109 93

HSL 82.5, 0.08%, 0.4%

LAB 45.1, -5.48, 8.17

 

CMYK 6 / 0 / 12 / 50

HEX #787F70

RGB 120 127 112

HSL 88, 0.06%, 0.47%

LAB 52.22, -5.55, 7.26

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 19 / 0 / 41 / 85

HEX #1E2516

RGB 30 37 22

HSL 88, 0.25%, 0.12%

LAB 13.57, -6.63, 8.99

 

CMYK 32 / 0 / 84 / 93

HEX #0D1303

RGB 13 19 3

HSL 82.5, 0.73%, 0.04%

LAB 5.04, -4.71, 6.23

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 7 / 0 / 25 / 78

HEX #333729

RGB 51 55 41

HSL 77.14, 0.15%, 0.19%

LAB 22.29, -4.75, 8.22

 

CMYK 0 / 0 / 25 / 78

HEX #373729

RGB 55 55 41

HSL 60, 0.15%, 0.19%

LAB 22.67, -2.88, 8.81

 

CMYK 0 / 5 / 25 / 78

HEX #373429

RGB 55 52 41

HSL 47.14, 0.15%, 0.19%

LAB 21.68, -0.91, 7.45

 

CMYK 0 / 13 / 25 / 78

HEX #373029

RGB 55 48 41

HSL 30, 0.15%, 0.19%

LAB 20.39, 1.75, 5.64

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 22 / 0 / 25 / 78

HEX #2B3729

RGB 43 55 41

HSL 111.43, 0.15%, 0.19%

LAB 21.6, -8.34, 7.17

 

CMYK 25 / 0 / 24 / 78

HEX #29372A

RGB 41 55 42

HSL 124.29, 0.15%, 0.19%

LAB 21.47, -8.98, 6.29

 

CMYK 25 / 0 / 16 / 78

HEX #29372E

RGB 41 55 46

HSL 141.43, 0.15%, 0.19%

LAB 21.58, -8.06, 3.76

 

CMYK 25 / 0 / 9 / 78

HEX #293732

RGB 41 55 50

HSL 158.57, 0.15%, 0.19%

LAB 21.7, -7.07, 1.24

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 27 / 0 / 48 / 75

HEX #2E3F21

RGB 46 63 33

HSL 94, 0.31%, 0.19%

LAB 24.47, -13.34, 16.21

 

CMYK 37 / 0 / 65 / 72

HEX #2D4719

RGB 45 71 25

HSL 93.91, 0.48%, 0.19%

LAB 27.11, -19.32, 24.1

 

CMYK 44 / 0 / 78 / 69

HEX #2C4F11

RGB 44 79 17

HSL 93.87, 0.65%, 0.19%

LAB 29.83, -24.57, 30.93

 

CMYK 52 / 0 / 90 / 66

HEX #2A5709

RGB 42 87 9

HSL 94.62, 0.81%, 0.19%

LAB 32.54, -29.54, 36.39

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 2 / 4 / 0 / 81

HEX #302F31

RGB 48 47 49

HSL 270, 0.02%, 0.19%

LAB 19.57, 0.92, -1.12

 

CMYK 13 / 29 / 0 / 78

HEX #312838

RGB 49 40 56

HSL 273.75, 0.17%, 0.19%

LAB 17.72, 7.96, -8.74

 

CMYK 22 / 50 / 0 / 75

HEX #322040

RGB 50 32 64

HSL 273.75, 0.33%, 0.19%

LAB 15.91, 16.1, -17.11

 

CMYK 29 / 67 / 0 / 72

HEX #331848

RGB 51 24 72

HSL 273.75, 0.5%, 0.19%

LAB 14.54, 23.91, -24.83

 

CMYK 0 / 0 / 25 / 78

HEX #373729

RGB 55 55 41

HSL 60, 0.15%, 0.19%

LAB 22.67, -2.88, 8.81

 

CMYK 7 / 0 / 25 / 78

HEX #333729

RGB 51 55 41

HSL 77.14, 0.15%, 0.19%

LAB 22.29, -4.75, 8.22

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 22 / 0 / 25 / 78

HEX #2B3729

RGB 43 55 41

HSL 111.43, 0.15%, 0.19%

LAB 21.6, -8.34, 7.17

 

CMYK 25 / 0 / 24 / 78

HEX #29372A

RGB 41 55 42

HSL 124.29, 0.15%, 0.19%

LAB 21.47, -8.98, 6.29

 

CMYK 13 / 0 / 25 / 97

HEX #070806

RGB 7 8 6

HSL 90, 0.14%, 0.03%

LAB 2.1, -0.54, 0.66

 

CMYK 13 / 0 / 26 / 88

HEX #1B1F17

RGB 27 31 23

HSL 90, 0.15%, 0.11%

LAB 11.1, -3.82, 4.85

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 15 / 0 / 27 / 69

HEX #434F3A

RGB 67 79 58

HSL 94.29, 0.15%, 0.27%

LAB 32.01, -9.26, 10.87

 

CMYK 16 / 0 / 26 / 60

HEX #57674C

RGB 87 103 76

HSL 95.56, 0.15%, 0.35%

LAB 41.61, -11.6, 13.28

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 25 / 0 / 5 / 78

HEX #293734

RGB 41 55 52

HSL 167.14, 0.15%, 0.19%

LAB 21.77, -6.55, -0.02

 

CMYK 0 / 25 / 4 / 78

HEX #372935

RGB 55 41 53

HSL 308.57, 0.15%, 0.19%

LAB 18.61, 9.04, -5.24

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 25 / 15 / 0 / 78

HEX #292F37

RGB 41 47 55

HSL 214.29, 0.15%, 0.19%

LAB 19.14, -0.42, -5.97

 

CMYK 0 / 25 / 15 / 78

HEX #37292F

RGB 55 41 47

HSL 334.29, 0.15%, 0.19%

LAB 18.38, 7.72, -1.4

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 25 / 0 / 5 / 78

HEX #293734

RGB 41 55 52

HSL 167.14, 0.15%, 0.19%

LAB 21.77, -6.55, -0.02

 

CMYK 11 / 25 / 0 / 78

HEX #312937

RGB 49 41 55

HSL 274.29, 0.15%, 0.19%

LAB 17.98, 7, -7.64

 

CMYK 0 / 25 / 20 / 78

HEX #37292C

RGB 55 41 44

HSL 347.14, 0.15%, 0.19%

LAB 18.28, 7.1, 0.55

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 25 / 2 / 0 / 78

HEX #293637

RGB 41 54 55

HSL 184.29, 0.15%, 0.19%

LAB 21.53, -5.1, -2.41

 

CMYK 11 / 25 / 0 / 78

HEX #312937

RGB 49 41 55

HSL 274.29, 0.15%, 0.19%

LAB 17.98, 7, -7.64

 

CMYK 0 / 24 / 25 / 78

HEX #372A29

RGB 55 42 41

HSL 4.29, 0.15%, 0.19%

LAB 18.49, 5.83, 2.94

 

Description

Color code: HEX #2F3729 | qconv.com Color code: HEX #2F3729 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 55 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 55 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 25 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 25% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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