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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F33BB it is the complementary color #D0CC44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F33BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F33BB shade: #3433B6, #4545C9, #5657DC, #6769EF and #787BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F33BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F33BB shade: #2F33BB, #1E21A8, #0D0F95, #000082 and #00006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F33BB shade: #2E32BB, #502EBB, #762EBB, #9C2EBB and #BB2EB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F33BB shade: #2E32BB and #2E2EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F33BB shade matches the following richer shades: #2E32BB, #1B21CE and #080FE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F33BB shade: #2E32BB, #4144A8, #545695, #676882 and #7A7A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F33BB shade: #2E7EBB, #2E59BB, #2E33BB, #4F2EBB and #752EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F33BB shade: #1E2179, #26299A, #2E32BB, #4347D0 and #6467D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F33BB shade: #2F33BB, #BB2EA4 and #6BBB2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F33BB shade: #2F33BB, #BB2E33 and #33BB2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F33BB shade: #2F33BB, #BB2EA4, #BBB62E and #2EBB46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F33BB shade: #2F33BB, #BB2E79, #BBB62E and #2EBB70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 73 / 0 / 27

HEX #2F33BB

RGB 47 51 187

HSL 238.29, 0.6%, 0.46%

LAB 30.78, 44.39, -71.22

 

Complementary color

CMYK 0 / 2 / 67 / 18

HEX #D0CC44

RGB 208 204 68

HSL 58.29, 0.6%, 0.54%

LAB 80.19, -14.64, 65.11

 

CMYK 71 / 72 / 0 / 29

HEX #3433B6

RGB 52 51 182

HSL 240.46, 0.56%, 0.46%

LAB 30.58, 43.2, -68.58

 

CMYK 66 / 66 / 0 / 21

HEX #4545C9

RGB 69 69 201

HSL 240, 0.55%, 0.53%

LAB 37.37, 40.91, -68.55

 

CMYK 61 / 60 / 0 / 14

HEX #5657DC

RGB 86 87 220

HSL 239.55, 0.66%, 0.6%

LAB 44.18, 38.82, -68.32

 

CMYK 57 / 56 / 0 / 6

HEX #6769EF

RGB 103 105 239

HSL 239.12, 0.81%, 0.67%

LAB 50.94, 36.97, -68

 

CMYK 53 / 52 / 0 / 0

HEX #787BFF

RGB 120 123 255

HSL 238.67, 1%, 0.74%

LAB 57.44, 34.43, -66.33

 

CMYK 75 / 73 / 0 / 27

HEX #2F33BB

RGB 47 51 187

HSL 238.29, 0.6%, 0.46%

LAB 30.78, 44.39, -71.22

 

CMYK 82 / 80 / 0 / 34

HEX #1E21A8

RGB 30 33 168

HSL 238.7, 0.7%, 0.39%

LAB 24.29, 46.78, -70.63

 

CMYK 91 / 90 / 0 / 42

HEX #0D0F95

RGB 13 15 149

HSL 239.12, 0.84%, 0.32%

LAB 18.35, 48.34, -68.9

 

CMYK 100 / 100 / 0 / 49

HEX #000082

RGB 0 0 130

HSL 240, 1%, 0.25%

LAB 13.3, 48.04, -65.43

 

CMYK 100 / 100 / 0 / 56

HEX #00006F

RGB 0 0 111

HSL 240, 1%, 0.22%

LAB 10.17, 42.9, -58.43

 

CMYK 75 / 73 / 0 / 27

HEX #2E32BB

RGB 46 50 187

HSL 238.3, 0.61%, 0.46%

LAB 30.52, 44.88, -71.65

 

CMYK 57 / 75 / 0 / 27

HEX #502EBB

RGB 80 46 187

HSL 254.47, 0.61%, 0.46%

LAB 32.36, 50.83, -68.53

 

CMYK 37 / 75 / 0 / 27

HEX #762EBB

RGB 118 46 187

HSL 270.64, 0.61%, 0.46%

LAB 36.73, 56.71, -61.2

 

CMYK 17 / 75 / 0 / 27

HEX #9C2EBB

RGB 156 46 187

HSL 286.81, 0.61%, 0.46%

LAB 42.17, 63.79, -52.13

 

CMYK 0 / 75 / 4 / 27

HEX #BB2EB4

RGB 187 46 180

HSL 302.98, 0.61%, 0.46%

LAB 46.73, 68.94, -40.45

 

CMYK 75 / 73 / 0 / 27

HEX #2E32BB

RGB 46 50 187

HSL 238.3, 0.61%, 0.46%

LAB 30.52, 44.88, -71.65

 

CMYK 75 / 75 / 0 / 27

HEX #2E2EBB

RGB 46 46 187

HSL 240, 0.61%, 0.46%

LAB 29.72, 47.13, -72.98

 

CMYK 75 / 73 / 0 / 27

HEX #2E32BB

RGB 46 50 187

HSL 238.3, 0.61%, 0.46%

LAB 30.52, 44.88, -71.65

 

CMYK 87 / 84 / 0 / 19

HEX #1B21CE

RGB 27 33 206

HSL 237.99, 0.77%, 0.46%

LAB 28.84, 58.49, -85.62

 

CMYK 96 / 93 / 0 / 12

HEX #080FE1

RGB 8 15 225

HSL 238.06, 0.93%, 0.46%

LAB 28.98, 69.31, -96.39

 

CMYK 75 / 73 / 0 / 27

HEX #2E32BB

RGB 46 50 187

HSL 238.3, 0.61%, 0.46%

LAB 30.52, 44.88, -71.65

 

CMYK 61 / 60 / 0 / 34

HEX #4144A8

RGB 65 68 168

HSL 238.25, 0.44%, 0.46%

LAB 34.16, 29.76, -54.34

 

CMYK 44 / 42 / 0 / 42

HEX #545695

RGB 84 86 149

HSL 238.15, 0.28%, 0.46%

LAB 39.09, 16.2, -34.94

 

CMYK 21 / 20 / 0 / 49

HEX #676882

RGB 103 104 130

HSL 237.78, 0.12%, 0.46%

LAB 44.8, 5.56, -14.51

 

CMYK 0 / 0 / 9 / 52

HEX #7A7A6F

RGB 122 122 111

HSL 60, 0.05%, 0.46%

LAB 50.93, -2.11, 6.02

 

CMYK 75 / 33 / 0 / 27

HEX #2E7EBB

RGB 46 126 187

HSL 205.96, 0.61%, 0.46%

LAB 50.79, -3.14, -38.91

 

CMYK 75 / 52 / 0 / 27

HEX #2E59BB

RGB 46 89 187

HSL 221.7, 0.61%, 0.46%

LAB 40.1, 20.13, -55.99

 

CMYK 75 / 73 / 0 / 27

HEX #2E33BB

RGB 46 51 187

HSL 237.87, 0.61%, 0.46%

LAB 30.73, 44.3, -71.31

 

CMYK 58 / 75 / 0 / 27

HEX #4F2EBB

RGB 79 46 187

HSL 254.04, 0.61%, 0.46%

LAB 32.27, 50.69, -68.69

 

CMYK 37 / 75 / 0 / 27

HEX #752EBB

RGB 117 46 187

HSL 270.21, 0.61%, 0.46%

LAB 36.6, 56.54, -61.42

 

CMYK 75 / 73 / 0 / 53

HEX #1E2179

RGB 30 33 121

HSL 238.02, 0.6%, 0.3%

LAB 18.99, 30.47, -50.21

 

CMYK 75 / 73 / 0 / 40

HEX #26299A

RGB 38 41 154

HSL 238.45, 0.6%, 0.38%

LAB 24.74, 38.15, -61.36

 

CMYK 75 / 73 / 0 / 27

HEX #2E32BB

RGB 46 50 187

HSL 238.3, 0.61%, 0.46%

LAB 30.52, 44.88, -71.65

 

CMYK 68 / 66 / 0 / 18

HEX #4347D0

RGB 67 71 208

HSL 238.3, 0.6%, 0.54%

LAB 38.29, 41.78, -71.09

 

CMYK 54 / 52 / 0 / 15

HEX #6467D8

RGB 100 103 216

HSL 238.45, 0.6%, 0.62%

LAB 48.72, 30.34, -58.64

 

CMYK 75 / 73 / 0 / 27

HEX #2F33BB

RGB 47 51 187

HSL 238.29, 0.6%, 0.46%

LAB 30.78, 44.39, -71.22

 

CMYK 0 / 75 / 12 / 27

HEX #BB2EA4

RGB 187 46 164

HSL 309.79, 0.61%, 0.46%

LAB 45.91, 66.53, -32.29

 

CMYK 43 / 0 / 75 / 27

HEX #6BBB2E

RGB 107 187 46

HSL 94.04, 0.61%, 0.46%

LAB 68.65, -47.42, 59.47

 

CMYK 75 / 73 / 0 / 27

HEX #2F33BB

RGB 47 51 187

HSL 238.29, 0.6%, 0.46%

LAB 30.78, 44.39, -71.22

 

CMYK 0 / 75 / 73 / 27

HEX #BB2E33

RGB 187 46 51

HSL 357.87, 0.61%, 0.46%

LAB 42.4, 55.6, 31.89

 

CMYK 73 / 0 / 75 / 27

HEX #33BB2E

RGB 51 187 46

HSL 117.87, 0.61%, 0.46%

LAB 66.86, -61.59, 57.1

 

CMYK 75 / 73 / 0 / 27

HEX #2F33BB

RGB 47 51 187

HSL 238.29, 0.6%, 0.46%

LAB 30.78, 44.39, -71.22

 

CMYK 0 / 75 / 12 / 27

HEX #BB2EA4

RGB 187 46 164

HSL 309.79, 0.61%, 0.46%

LAB 45.91, 66.53, -32.29

 

CMYK 0 / 3 / 75 / 27

HEX #BBB62E

RGB 187 182 46

HSL 57.87, 0.61%, 0.46%

LAB 72.37, -13.5, 64.82

 

CMYK 75 / 0 / 63 / 27

HEX #2EBB46

RGB 46 187 70

HSL 130.21, 0.61%, 0.46%

LAB 66.95, -60.13, 47.67

 

CMYK 75 / 73 / 0 / 27

HEX #2F33BB

RGB 47 51 187

HSL 238.29, 0.6%, 0.46%

LAB 30.78, 44.39, -71.22

 

CMYK 0 / 75 / 35 / 27

HEX #BB2E79

RGB 187 46 121

HSL 328.09, 0.61%, 0.46%

LAB 44.09, 61.02, -9.05

 

CMYK 0 / 3 / 75 / 27

HEX #BBB62E

RGB 187 182 46

HSL 57.87, 0.61%, 0.46%

LAB 72.37, -13.5, 64.82

 

CMYK 75 / 0 / 40 / 27

HEX #2EBB70

RGB 46 187 112

HSL 148.09, 0.61%, 0.46%

LAB 67.5, -53.73, 27.72

 

Description

Color code: HEX #2F33BB | qconv.com Color code: HEX #2F33BB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 51 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 51 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 73 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 73% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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