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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F464F it is the complementary color #D0B9B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F464F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F464F shade: #34464A, #45585D, #566A70, #677C83 and #788E96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F464F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F464F shade: #2F464F, #1E343C, #0D2229, #001016 and #000003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F464F shade: #2F464F, #2F3E4F, #2F354F, #322F4F and #3B2F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F464F shade: #2F464F, #2F3E4F, #2F354F and #2F2F4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F464F shade matches the following richer shades: #2F464F, #254B5A, #1B4F64, #10546E and #065878

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F464F shade: #2F464F, #3A4245, #443D3B, #4E3930 and #593426

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F464F shade: #2F4F47, #2F4F4F, #2F474F, #2F3E4F and #2F364F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F464F shade: #10181C, #202F35, #2F464F, #3F5D69 and #4E7483

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F464F shade: #2F464F, #3E2F4F and #4F4B2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F464F shade: #2F464F, #4F2F47 and #474F2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F464F shade: #2F464F, #3E2F4F, #4F382F and #404F2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F464F shade: #2F464F, #482F4F, #4F382F and #374F2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

Complementary color

CMYK 0 / 11 / 15 / 18

HEX #D0B9B0

RGB 208 185 176

HSL 16.88, 0.25%, 0.75%

LAB 76.83, 6.71, 7.55

 

CMYK 30 / 5 / 0 / 71

HEX #34464A

RGB 52 70 74

HSL 190.91, 0.17%, 0.25%

LAB 28.39, -5.99, -4.73

 

CMYK 26 / 5 / 0 / 64

HEX #45585D

RGB 69 88 93

HSL 192.5, 0.15%, 0.32%

LAB 36.05, -5.97, -5.29

 

CMYK 23 / 5 / 0 / 56

HEX #566A70

RGB 86 106 112

HSL 193.85, 0.13%, 0.39%

LAB 43.44, -5.97, -5.83

 

CMYK 21 / 5 / 0 / 49

HEX #677C83

RGB 103 124 131

HSL 195, 0.12%, 0.46%

LAB 50.61, -5.98, -6.36

 

CMYK 20 / 5 / 0 / 41

HEX #788E96

RGB 120 142 150

HSL 196, 0.13%, 0.53%

LAB 57.6, -6, -6.87

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 50 / 13 / 0 / 76

HEX #1E343C

RGB 30 52 60

HSL 196, 0.33%, 0.18%

LAB 20.28, -6.11, -7.76

 

CMYK 68 / 17 / 0 / 84

HEX #0D2229

RGB 13 34 41

HSL 195, 0.52%, 0.11%

LAB 11.89, -5.82, -7.25

 

CMYK 100 / 27 / 0 / 91

HEX #001016

RGB 0 16 22

HSL 196.36, 1%, 0.04%

LAB 3.87, -3.16, -5.12

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 41 / 22 / 0 / 69

HEX #2F3E4F

RGB 47 62 79

HSL 211.88, 0.25%, 0.25%

LAB 25.61, -1.09, -12.24

 

CMYK 41 / 33 / 0 / 69

HEX #2F354F

RGB 47 53 79

HSL 228.75, 0.25%, 0.25%

LAB 22.71, 4.98, -16.72

 

CMYK 37 / 41 / 0 / 69

HEX #322F4F

RGB 50 47 79

HSL 245.63, 0.25%, 0.25%

LAB 21.12, 10.13, -19.18

 

CMYK 25 / 41 / 0 / 69

HEX #3B2F4F

RGB 59 47 79

HSL 262.5, 0.25%, 0.25%

LAB 22.04, 13.23, -17.67

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 41 / 22 / 0 / 69

HEX #2F3E4F

RGB 47 62 79

HSL 211.88, 0.25%, 0.25%

LAB 25.61, -1.09, -12.24

 

CMYK 41 / 33 / 0 / 69

HEX #2F354F

RGB 47 53 79

HSL 228.75, 0.25%, 0.25%

LAB 22.71, 4.98, -16.72

 

CMYK 41 / 41 / 0 / 69

HEX #2F2F4F

RGB 47 47 79

HSL 240, 0.25%, 0.25%

LAB 20.83, 9.15, -19.64

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 59 / 17 / 0 / 65

HEX #254B5A

RGB 37 75 90

HSL 196.98, 0.42%, 0.25%

LAB 29.82, -8.62, -12.98

 

CMYK 73 / 21 / 0 / 61

HEX #1B4F64

RGB 27 79 100

HSL 197.26, 0.57%, 0.25%

LAB 31.22, -9.57, -17.24

 

CMYK 85 / 24 / 0 / 57

HEX #10546E

RGB 16 84 110

HSL 196.6, 0.75%, 0.25%

LAB 33.09, -10.32, -20.66

 

CMYK 95 / 27 / 0 / 53

HEX #065878

RGB 6 88 120

HSL 196.84, 0.9%, 0.25%

LAB 34.75, -9.62, -24.3

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 16 / 4 / 0 / 73

HEX #3A4245

RGB 58 66 69

HSL 196.36, 0.09%, 0.25%

LAB 27.37, -2.54, -2.94

 

CMYK 0 / 10 / 13 / 73

HEX #443D3B

RGB 68 61 59

HSL 13.33, 0.07%, 0.25%

LAB 26.4, 2.61, 2.32

 

CMYK 0 / 27 / 38 / 69

HEX #4E3930

RGB 78 57 48

HSL 18, 0.24%, 0.25%

LAB 26.04, 7.86, 9.23

 

CMYK 0 / 42 / 57 / 65

HEX #593426

RGB 89 52 38

HSL 16.47, 0.4%, 0.25%

LAB 25.92, 14.99, 15.86

 

CMYK 41 / 0 / 10 / 69

HEX #2F4F47

RGB 47 79 71

HSL 165, 0.25%, 0.25%

LAB 31, -13.93, 1

 

CMYK 41 / 0 / 0 / 69

HEX #2F4F4F

RGB 47 79 79

HSL 180, 0.25%, 0.25%

LAB 31.26, -11.72, -3.73

 

CMYK 41 / 10 / 0 / 69

HEX #2F474F

RGB 47 71 79

HSL 195, 0.25%, 0.25%

LAB 28.58, -6.86, -7.73

 

CMYK 41 / 22 / 0 / 69

HEX #2F3E4F

RGB 47 62 79

HSL 211.88, 0.25%, 0.25%

LAB 25.61, -1.09, -12.24

 

CMYK 41 / 32 / 0 / 69

HEX #2F364F

RGB 47 54 79

HSL 226.88, 0.25%, 0.25%

LAB 23.02, 4.29, -16.23

 

CMYK 43 / 14 / 0 / 89

HEX #10181C

RGB 16 24 28

HSL 200, 0.27%, 0.09%

LAB 7.65, -2.27, -4

 

CMYK 40 / 11 / 0 / 79

HEX #202F35

RGB 32 47 53

HSL 197.14, 0.25%, 0.17%

LAB 18.35, -4.4, -5.85

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 40 / 11 / 0 / 59

HEX #3F5D69

RGB 63 93 105

HSL 197.14, 0.25%, 0.33%

LAB 37.67, -7.63, -10.36

 

CMYK 40 / 11 / 0 / 49

HEX #4E7483

RGB 78 116 131

HSL 196.98, 0.25%, 0.41%

LAB 46.64, -9.24, -12.47

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 22 / 41 / 0 / 69

HEX #3E2F4F

RGB 62 47 79

HSL 268.13, 0.25%, 0.25%

LAB 22.38, 14.3, -17.12

 

CMYK 0 / 5 / 41 / 69

HEX #4F4B2F

RGB 79 75 47

HSL 52.5, 0.25%, 0.25%

LAB 31.58, -3.22, 17.3

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 0 / 41 / 10 / 69

HEX #4F2F47

RGB 79 47 71

HSL 315, 0.25%, 0.25%

LAB 24.16, 18.85, -8.84

 

CMYK 10 / 0 / 41 / 69

HEX #474F2F

RGB 71 79 47

HSL 75, 0.25%, 0.25%

LAB 32.12, -9.34, 17.86

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 22 / 41 / 0 / 69

HEX #3E2F4F

RGB 62 47 79

HSL 268.13, 0.25%, 0.25%

LAB 22.38, 14.3, -17.12

 

CMYK 0 / 29 / 41 / 69

HEX #4F382F

RGB 79 56 47

HSL 16.88, 0.25%, 0.25%

LAB 25.85, 8.84, 9.65

 

CMYK 19 / 0 / 41 / 69

HEX #404F2F

RGB 64 79 47

HSL 88.13, 0.25%, 0.25%

LAB 31.55, -12.46, 17.01

 

CMYK 41 / 11 / 0 / 69

HEX #2F464F

RGB 47 70 79

HSL 196.88, 0.25%, 0.25%

LAB 28.25, -6.24, -8.23

 

CMYK 9 / 41 / 0 / 69

HEX #482F4F

RGB 72 47 79

HSL 286.88, 0.25%, 0.25%

LAB 23.59, 17.95, -15.14

 

CMYK 0 / 29 / 41 / 69

HEX #4F382F

RGB 79 56 47

HSL 16.88, 0.25%, 0.25%

LAB 25.85, 8.84, 9.65

 

CMYK 30 / 0 / 41 / 69

HEX #374F2F

RGB 55 79 47

HSL 105, 0.25%, 0.25%

LAB 30.9, -16.26, 16.04

 

Description

Color code: HEX #2F464F | qconv.com Color code: HEX #2F464F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 70 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 70 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 11 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 11% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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