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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F5619 it is the complementary color #D0A9E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F5619. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F5619 shade: #345614, #456827, #567A3A, #678C4D and #789E60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F5619. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F5619 shade: #2F5619, #1E4406, #0D3200, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F5619 shade: #2F5619, #405619, #505619, #564C19 and #563B19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F5619 shade: #2F5619, #1E5619, #195624, #195634 and #195645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F5619 shade matches the following richer shades: #2F5619, #2C6010 and #2A6907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F5619 shade: #2F5619, #324D22, #34442B, #373B34 and #39323D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F5619 shade: #505619, #405619, #2F5619, #1F5619 and #195623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F5619 shade: #0C1706, #1E360F, #2F5619, #407622 and #52962B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F5619 shade: #2F5619, #19564C and #561948

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F5619 shade: #2F5619, #192F56 and #56192F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F5619 shade: #2F5619, #19564C, #401956 and #561923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F5619 shade: #2F5619, #194E56, #401956 and #562119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

Complementary color

CMYK 10 / 27 / 0 / 10

HEX #D0A9E6

RGB 208 169 230

HSL 278.36, 0.55%, 0.78%

LAB 74.51, 25.23, -25.29

 

CMYK 40 / 0 / 77 / 66

HEX #345614

RGB 52 86 20

HSL 90.91, 0.62%, 0.21%

LAB 32.78, -24.55, 32.78

 

CMYK 34 / 0 / 63 / 59

HEX #456827

RGB 69 104 39

HSL 92.31, 0.45%, 0.28%

LAB 40.1, -24.81, 31.99

 

CMYK 30 / 0 / 52 / 52

HEX #567A3A

RGB 86 122 58

HSL 93.75, 0.36%, 0.35%

LAB 47.24, -24.85, 30.78

 

CMYK 26 / 0 / 45 / 45

HEX #678C4D

RGB 103 140 77

HSL 95.24, 0.29%, 0.43%

LAB 54.21, -24.79, 29.51

 

CMYK 24 / 0 / 39 / 38

HEX #789E60

RGB 120 158 96

HSL 96.77, 0.24%, 0.5%

LAB 61.04, -24.67, 28.27

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 56 / 0 / 91 / 73

HEX #1E4406

RGB 30 68 6

HSL 96.77, 0.84%, 0.15%

LAB 25.02, -25.49, 30.46

 

CMYK 74 / 0 / 100 / 80

HEX #0D3200

RGB 13 50 0

HSL 104.4, 1%, 0.1%

LAB 17.31, -23.78, 24.29

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 26 / 0 / 71 / 66

HEX #405619

RGB 64 86 25

HSL 81.64, 0.55%, 0.22%

LAB 33.6, -19.01, 31.6

 

CMYK 7 / 0 / 71 / 66

HEX #505619

RGB 80 86 25

HSL 65.9, 0.55%, 0.22%

LAB 34.87, -11.56, 33.32

 

CMYK 0 / 12 / 71 / 66

HEX #564C19

RGB 86 76 25

HSL 50.16, 0.55%, 0.22%

LAB 32.3, -2.69, 30.81

 

CMYK 0 / 31 / 71 / 66

HEX #563B19

RGB 86 59 25

HSL 33.44, 0.55%, 0.22%

LAB 27.23, 7.95, 25.3

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 65 / 0 / 71 / 66

HEX #1E5619

RGB 30 86 25

HSL 115.08, 0.55%, 0.22%

LAB 31.81, -31.61, 29.15

 

CMYK 71 / 0 / 58 / 66

HEX #195624

RGB 25 86 36

HSL 130.82, 0.55%, 0.22%

LAB 31.78, -31.36, 23.32

 

CMYK 71 / 0 / 40 / 66

HEX #195634

RGB 25 86 52

HSL 146.56, 0.55%, 0.22%

LAB 32.06, -28.31, 14.27

 

CMYK 71 / 0 / 20 / 66

HEX #195645

RGB 25 86 69

HSL 163.28, 0.55%, 0.22%

LAB 32.46, -24.04, 4.27

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 54 / 0 / 83 / 62

HEX #2C6010

RGB 44 96 16

HSL 99, 0.71%, 0.22%

LAB 35.87, -32.36, 37.23

 

CMYK 60 / 0 / 93 / 59

HEX #2A6907

RGB 42 105 7

HSL 98.57, 0.88%, 0.22%

LAB 38.92, -37.13, 42.53

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 35 / 0 / 56 / 70

HEX #324D22

RGB 50 77 34

HSL 97.67, 0.39%, 0.22%

LAB 29.67, -19.26, 22.15

 

CMYK 24 / 0 / 37 / 73

HEX #34442B

RGB 52 68 43

HSL 98.4, 0.23%, 0.22%

LAB 26.84, -11.94, 13.12

 

CMYK 7 / 0 / 12 / 77

HEX #373B34

RGB 55 59 52

HSL 94.29, 0.06%, 0.22%

LAB 24.28, -3.28, 3.76

 

CMYK 7 / 18 / 0 / 76

HEX #39323D

RGB 57 50 61

HSL 278.18, 0.1%, 0.22%

LAB 21.9, 5.63, -5.77

 

CMYK 7 / 0 / 71 / 66

HEX #505619

RGB 80 86 25

HSL 65.9, 0.55%, 0.22%

LAB 34.87, -11.56, 33.32

 

CMYK 26 / 0 / 71 / 66

HEX #405619

RGB 64 86 25

HSL 81.64, 0.55%, 0.22%

LAB 33.6, -19.01, 31.6

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 64 / 0 / 71 / 66

HEX #1F5619

RGB 31 86 25

HSL 114.1, 0.55%, 0.22%

LAB 31.85, -31.33, 29.2

 

CMYK 71 / 0 / 59 / 66

HEX #195623

RGB 25 86 35

HSL 129.84, 0.55%, 0.22%

LAB 31.77, -31.52, 23.86

 

CMYK 48 / 0 / 74 / 91

HEX #0C1706

RGB 12 23 6

HSL 98.82, 0.59%, 0.06%

LAB 6.36, -7.31, 6.93

 

CMYK 44 / 0 / 72 / 79

HEX #1E360F

RGB 30 54 15

HSL 96.92, 0.57%, 0.14%

LAB 19.84, -17.81, 21.06

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 46 / 0 / 71 / 54

HEX #407622

RGB 64 118 34

HSL 98.57, 0.55%, 0.3%

LAB 44.46, -33.73, 39.01

 

CMYK 45 / 0 / 71 / 41

HEX #52962B

RGB 82 150 43

HSL 98.13, 0.55%, 0.38%

LAB 55.87, -40.65, 47.41

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 71 / 0 / 12 / 66

HEX #19564C

RGB 25 86 76

HSL 170.16, 0.55%, 0.22%

LAB 32.67, -22, 0.15

 

CMYK 0 / 71 / 16 / 66

HEX #561948

RGB 86 25 72

HSL 313.77, 0.55%, 0.22%

LAB 20.6, 33.91, -14.88

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 71 / 45 / 0 / 66

HEX #192F56

RGB 25 47 86

HSL 218.36, 0.55%, 0.22%

LAB 19.69, 5.88, -26.24

 

CMYK 0 / 71 / 45 / 66

HEX #56192F

RGB 86 25 47

HSL 338.36, 0.55%, 0.22%

LAB 19.55, 30.26, 0.91

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 71 / 0 / 12 / 66

HEX #19564C

RGB 25 86 76

HSL 170.16, 0.55%, 0.22%

LAB 32.67, -22, 0.15

 

CMYK 26 / 71 / 0 / 66

HEX #401956

RGB 64 25 86

HSL 278.36, 0.55%, 0.22%

LAB 17.72, 30.59, -29.17

 

CMYK 0 / 71 / 59 / 66

HEX #561923

RGB 86 25 35

HSL 350.16, 0.55%, 0.22%

LAB 19.2, 28.99, 8.88

 

CMYK 45 / 0 / 71 / 66

HEX #2F5619

RGB 47 86 25

HSL 98.36, 0.55%, 0.22%

LAB 32.55, -26.05, 30.17

 

CMYK 71 / 9 / 0 / 66

HEX #194E56

RGB 25 78 86

HSL 187.87, 0.55%, 0.22%

LAB 30.22, -14.36, -9.85

 

CMYK 26 / 71 / 0 / 66

HEX #401956

RGB 64 25 86

HSL 278.36, 0.55%, 0.22%

LAB 17.72, 30.59, -29.17

 

CMYK 0 / 62 / 71 / 66

HEX #562119

RGB 86 33 25

HSL 7.87, 0.55%, 0.22%

LAB 20.58, 23.96, 17.54

 

Description

Color code: HEX #2F5619 | qconv.com Color code: HEX #2F5619 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 86 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 86 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 71 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 71% 66% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - tmpimg0907041901n120...
Link: http://rakutobimiyako.cocolog-nifty.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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