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Color name
HEX #2F6821

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F6821 it is the complementary color #D097DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F6821. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F6821 shade: #34681C, #457A2F, #568C42, #679E55 and #78B068

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F6821. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F6821 shade: #2F6821, #1E560E, #0D4400, #003200 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F6821 shade: #2F6821, #426821, #556821, #686821 and #685421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F6821 shade: #2F6821, #216826, #216839, #21684C and #216860

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F6821 shade matches the following richer shades: #2F6821, #287315 and #217E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F6821 shade: #2F6821, #355D2C, #3C5237, #434742 and #4A3C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F6821 shade: #556821, #426821, #2F6821, #216825 and #216838

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F6821 shade: #12290D, #214917, #2F6821, #3D882A and #4BA734

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F6821 shade: #2F6821, #216868 and #68214C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F6821 shade: #2F6821, #212F68 and #68212F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F6821 shade: #2F6821, #216868, #5A2168 and #682121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F6821 shade: #2F6821, #215368, #5A2168 and #683621

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

Complementary color

CMYK 6 / 32 / 0 / 13

HEX #D097DE

RGB 208 151 222

HSL 288.17, 0.52%, 0.73%

LAB 70.05, 33.44, -27.75

 

CMYK 50 / 0 / 73 / 59

HEX #34681C

RGB 52 104 28

HSL 101.05, 0.58%, 0.26%

LAB 39.1, -32.22, 35.82

 

CMYK 43 / 0 / 61 / 52

HEX #457A2F

RGB 69 122 47

HSL 102.4, 0.44%, 0.33%

LAB 46.16, -32.48, 34.91

 

CMYK 39 / 0 / 53 / 45

HEX #568C42

RGB 86 140 66

HSL 103.78, 0.36%, 0.4%

LAB 53.09, -32.49, 33.7

 

CMYK 35 / 0 / 46 / 38

HEX #679E55

RGB 103 158 85

HSL 105.21, 0.3%, 0.48%

LAB 59.88, -32.39, 32.42

 

CMYK 32 / 0 / 41 / 31

HEX #78B068

RGB 120 176 104

HSL 106.67, 0.31%, 0.55%

LAB 66.55, -32.22, 31.17

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 65 / 0 / 84 / 66

HEX #1E560E

RGB 30 86 14

HSL 106.67, 0.72%, 0.2%

LAB 31.72, -32.62, 33.79

 

CMYK 81 / 0 / 100 / 73

HEX #0D4400

RGB 13 68 0

HSL 108.53, 1%, 0.13%

LAB 24.39, -30.87, 32.08

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 37 / 0 / 68 / 59

HEX #426821

RGB 66 104 33

HSL 92.11, 0.52%, 0.27%

LAB 39.86, -26.6, 34.59

 

CMYK 18 / 0 / 68 / 59

HEX #556821

RGB 85 104 33

HSL 76.06, 0.52%, 0.27%

LAB 41.12, -18.57, 36.32

 

CMYK 0 / 0 / 68 / 59

HEX #686821

RGB 104 104 33

HSL 60, 0.52%, 0.27%

LAB 42.69, -9.82, 38.45

 

CMYK 0 / 19 / 68 / 59

HEX #685421

RGB 104 84 33

HSL 43.1, 0.52%, 0.27%

LAB 36.73, 1.9, 32.1

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 0 / 63 / 59

HEX #216826

RGB 33 104 38

HSL 124.23, 0.52%, 0.27%

LAB 38.49, -36.58, 30.22

 

CMYK 68 / 0 / 45 / 59

HEX #216839

RGB 33 104 57

HSL 140.28, 0.52%, 0.27%

LAB 38.76, -33.51, 20.17

 

CMYK 68 / 0 / 27 / 59

HEX #21684C

RGB 33 104 76

HSL 156.34, 0.52%, 0.27%

LAB 39.15, -29.31, 9.44

 

CMYK 68 / 0 / 8 / 59

HEX #216860

RGB 33 104 96

HSL 173.24, 0.52%, 0.27%

LAB 39.7, -23.82, -1.94

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 65 / 0 / 82 / 55

HEX #287315

RGB 40 115 21

HSL 107.87, 0.69%, 0.27%

LAB 42.41, -40.78, 41.69

 

CMYK 74 / 0 / 92 / 51

HEX #217E0A

RGB 33 126 10

HSL 108.1, 0.85%, 0.27%

LAB 46, -46.81, 47.83

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 43 / 0 / 53 / 64

HEX #355D2C

RGB 53 93 44

HSL 108.98, 0.36%, 0.27%

LAB 35.53, -24.85, 23.68

 

CMYK 27 / 0 / 33 / 68

HEX #3C5237

RGB 60 82 55

HSL 108.89, 0.2%, 0.27%

LAB 32.42, -14.47, 13.2

 

CMYK 6 / 0 / 7 / 72

HEX #434742

RGB 67 71 66

HSL 108, 0.04%, 0.27%

LAB 29.65, -2.76, 2.43

 

CMYK 4 / 22 / 0 / 70

HEX #4A3C4D

RGB 74 60 77

HSL 289.41, 0.12%, 0.27%

LAB 27.36, 9.71, -8.03

 

CMYK 18 / 0 / 68 / 59

HEX #556821

RGB 85 104 33

HSL 76.06, 0.52%, 0.27%

LAB 41.12, -18.57, 36.32

 

CMYK 37 / 0 / 68 / 59

HEX #426821

RGB 66 104 33

HSL 92.11, 0.52%, 0.27%

LAB 39.86, -26.6, 34.59

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 0 / 64 / 59

HEX #216825

RGB 33 104 37

HSL 123.38, 0.52%, 0.27%

LAB 38.48, -36.71, 30.71

 

CMYK 68 / 0 / 46 / 59

HEX #216838

RGB 33 104 56

HSL 139.44, 0.52%, 0.27%

LAB 38.74, -33.7, 20.73

 

CMYK 56 / 0 / 68 / 84

HEX #12290D

RGB 18 41 13

HSL 109.29, 0.52%, 0.11%

LAB 14.08, -16.04, 14.86

 

CMYK 55 / 0 / 68 / 71

HEX #214917

RGB 33 73 23

HSL 108, 0.52%, 0.19%

LAB 27.16, -25.18, 25.04

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 55 / 0 / 69 / 47

HEX #3D882A

RGB 61 136 42

HSL 107.87, 0.53%, 0.35%

LAB 50.41, -41.53, 41.83

 

CMYK 55 / 0 / 69 / 35

HEX #4BA734

RGB 75 167 52

HSL 108, 0.53%, 0.43%

LAB 61.12, -48.82, 49.17

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 0 / 0 / 59

HEX #216868

RGB 33 104 104

HSL 180, 0.52%, 0.27%

LAB 39.95, -21.37, -6.45

 

CMYK 0 / 68 / 27 / 59

HEX #68214C

RGB 104 33 76

HSL 323.66, 0.52%, 0.27%

LAB 25.42, 36.47, -9.9

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 55 / 0 / 59

HEX #212F68

RGB 33 47 104

HSL 228.17, 0.52%, 0.27%

LAB 21.42, 14.68, -35.28

 

CMYK 0 / 68 / 55 / 59

HEX #68212F

RGB 104 33 47

HSL 348.17, 0.52%, 0.27%

LAB 24.44, 32.92, 8.32

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 0 / 0 / 59

HEX #216868

RGB 33 104 104

HSL 180, 0.52%, 0.27%

LAB 39.95, -21.37, -6.45

 

CMYK 13 / 68 / 0 / 59

HEX #5A2168

RGB 90 33 104

HSL 288.17, 0.52%, 0.27%

LAB 24.52, 37.5, -29.96

 

CMYK 0 / 68 / 68 / 59

HEX #682121

RGB 104 33 33

HSL 0, 0.52%, 0.27%

LAB 24.13, 31.78, 17.37

 

CMYK 55 / 0 / 68 / 59

HEX #2F6821

RGB 47 104 33

HSL 108.17, 0.52%, 0.27%

LAB 38.92, -33.36, 33.3

 

CMYK 68 / 20 / 0 / 59

HEX #215368

RGB 33 83 104

HSL 197.75, 0.52%, 0.27%

LAB 32.94, -9.46, -17.09

 

CMYK 13 / 68 / 0 / 59

HEX #5A2168

RGB 90 33 104

HSL 288.17, 0.52%, 0.27%

LAB 24.52, 37.5, -29.96

 

CMYK 0 / 48 / 68 / 59

HEX #683621

RGB 104 54 33

HSL 17.75, 0.52%, 0.27%

LAB 28.62, 20.23, 22.85

 

Description

Color code: HEX #2F6821 | qconv.com Color code: HEX #2F6821 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 104 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 104 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 68 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 68% 59% C M Y K

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Provide designers and agencies with accurate color values.

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