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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F69BF it is the complementary color #D09640. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F69BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F69BF shade: #3469BA, #457BCD, #568DE0, #679FF3 and #78B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F69BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F69BF shade: #2F69BF, #1E57AC, #0D4599, #003386 and #002173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F69BF shade: #2E69C0, #2E42C0, #422EC0, #6A2EC0 and #912EC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F69BF shade: #2E69C0, #2E42C0 and #2E2EC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F69BF shade matches the following richer shades: #2E69C0, #1B65D4 and #0762E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F69BF shade: #2E69C0, #426DAD, #55719A, #687486 and #7C7873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F69BF shade: #2EB9C0, #2E92C0, #2E6BC0, #2E44C0 and #3F2EC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F69BF shade: #1E457E, #26579F, #2E69C0, #467ED2 and #6795DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F69BF shade: #2F69BF, #A12EC0 and #A6C02E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F69BF shade: #2F69BF, #C02E6B and #6BC02E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F69BF shade: #2F69BF, #A12EC0, #C0842E and #4EC02E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F69BF shade: #2F69BF, #C02EB4, #C0842E and #2EC03A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 45 / 0 / 25

HEX #2F69BF

RGB 47 105 191

HSL 215.83, 0.61%, 0.47%

LAB 44.9, 11.43, -50.59

 

Complementary color

CMYK 0 / 28 / 69 / 18

HEX #D09640

RGB 208 150 64

HSL 35.83, 0.61%, 0.53%

LAB 66.21, 13.5, 52.33

 

CMYK 72 / 44 / 0 / 27

HEX #3469BA

RGB 52 105 186

HSL 216.27, 0.56%, 0.47%

LAB 44.77, 10.23, -47.88

 

CMYK 66 / 40 / 0 / 20

HEX #457BCD

RGB 69 123 205

HSL 216.18, 0.58%, 0.54%

LAB 51.65, 8.51, -47.78

 

CMYK 62 / 37 / 0 / 12

HEX #568DE0

RGB 86 141 224

HSL 216.09, 0.69%, 0.61%

LAB 58.42, 7.15, -47.69

 

CMYK 58 / 35 / 0 / 5

HEX #679FF3

RGB 103 159 243

HSL 216, 0.85%, 0.68%

LAB 65.08, 6.03, -47.61

 

CMYK 53 / 31 / 0 / 0

HEX #78B1FF

RGB 120 177 255

HSL 214.67, 1%, 0.74%

LAB 71.32, 2.99, -44.27

 

CMYK 75 / 45 / 0 / 25

HEX #2F69BF

RGB 47 105 191

HSL 215.83, 0.61%, 0.47%

LAB 44.9, 11.43, -50.59

 

CMYK 83 / 49 / 0 / 33

HEX #1E57AC

RGB 30 87 172

HSL 215.92, 0.7%, 0.4%

LAB 37.97, 13.88, -50.63

 

CMYK 92 / 55 / 0 / 40

HEX #0D4599

RGB 13 69 153

HSL 216, 0.84%, 0.33%

LAB 30.98, 17.04, -50.57

 

CMYK 100 / 62 / 0 / 47

HEX #003386

RGB 0 51 134

HSL 217.16, 1%, 0.26%

LAB 23.96, 20.99, -50.3

 

CMYK 100 / 71 / 0 / 55

HEX #002173

RGB 0 33 115

HSL 222.78, 1%, 0.23%

LAB 17.11, 25.79, -49.49

 

CMYK 76 / 45 / 0 / 25

HEX #2E69C0

RGB 46 105 192

HSL 215.75, 0.61%, 0.47%

LAB 44.93, 11.68, -51.12

 

CMYK 76 / 66 / 0 / 25

HEX #2E42C0

RGB 46 66 192

HSL 231.78, 0.61%, 0.47%

LAB 34.57, 36.92, -67.94

 

CMYK 66 / 76 / 0 / 25

HEX #422EC0

RGB 66 46 192

HSL 248.22, 0.61%, 0.47%

LAB 31.62, 50.62, -72.74

 

CMYK 45 / 76 / 0 / 25

HEX #6A2EC0

RGB 106 46 192

HSL 264.66, 0.61%, 0.47%

LAB 35.64, 55.96, -65.98

 

CMYK 24 / 76 / 0 / 25

HEX #912EC0

RGB 145 46 192

HSL 280.68, 0.61%, 0.47%

LAB 40.86, 62.68, -57.26

 

CMYK 76 / 45 / 0 / 25

HEX #2E69C0

RGB 46 105 192

HSL 215.75, 0.61%, 0.47%

LAB 44.93, 11.68, -51.12

 

CMYK 76 / 66 / 0 / 25

HEX #2E42C0

RGB 46 66 192

HSL 231.78, 0.61%, 0.47%

LAB 34.57, 36.92, -67.94

 

CMYK 76 / 76 / 0 / 25

HEX #2E2EC0

RGB 46 46 192

HSL 240, 0.61%, 0.47%

LAB 30.26, 48.76, -75.04

 

CMYK 76 / 45 / 0 / 25

HEX #2E69C0

RGB 46 105 192

HSL 215.75, 0.61%, 0.47%

LAB 44.93, 11.68, -51.12

 

CMYK 87 / 52 / 0 / 17

HEX #1B65D4

RGB 27 101 212

HSL 216, 0.77%, 0.47%

LAB 44.65, 20.23, -63.09

 

CMYK 97 / 58 / 0 / 9

HEX #0762E7

RGB 7 98 231

HSL 215.63, 0.94%, 0.47%

LAB 45.01, 28.75, -73.31

 

CMYK 76 / 45 / 0 / 25

HEX #2E69C0

RGB 46 105 192

HSL 215.75, 0.61%, 0.47%

LAB 44.93, 11.68, -51.12

 

CMYK 62 / 37 / 0 / 32

HEX #426DAD

RGB 66 109 173

HSL 215.89, 0.45%, 0.47%

LAB 45.79, 5.42, -38.65

 

CMYK 45 / 27 / 0 / 40

HEX #55719A

RGB 85 113 154

HSL 215.65, 0.29%, 0.47%

LAB 47.07, 1.21, -25.41

 

CMYK 22 / 13 / 0 / 47

HEX #687486

RGB 104 116 134

HSL 216, 0.13%, 0.47%

LAB 48.45, -0.27, -11.35

 

CMYK 0 / 3 / 7 / 51

HEX #7C7873

RGB 124 120 115

HSL 33.33, 0.04%, 0.47%

LAB 50.64, 0.56, 3.28

 

CMYK 76 / 4 / 0 / 25

HEX #2EB9C0

RGB 46 185 192

HSL 182.88, 0.61%, 0.47%

LAB 68.81, -32.92, -13.95

 

CMYK 76 / 24 / 0 / 25

HEX #2E92C0

RGB 46 146 192

HSL 198.9, 0.61%, 0.47%

LAB 57.02, -12.86, -32

 

CMYK 76 / 44 / 0 / 25

HEX #2E6BC0

RGB 46 107 192

HSL 214.93, 0.61%, 0.47%

LAB 45.5, 10.41, -50.2

 

CMYK 76 / 65 / 0 / 25

HEX #2E44C0

RGB 46 68 192

HSL 230.96, 0.61%, 0.47%

LAB 35.04, 35.65, -67.16

 

CMYK 67 / 76 / 0 / 25

HEX #3F2EC0

RGB 63 46 192

HSL 246.99, 0.61%, 0.47%

LAB 31.39, 50.3, -73.14

 

CMYK 76 / 45 / 0 / 51

HEX #1E457E

RGB 30 69 126

HSL 215.63, 0.62%, 0.31%

LAB 29.51, 7.56, -36.29

 

CMYK 76 / 45 / 0 / 38

HEX #26579F

RGB 38 87 159

HSL 215.7, 0.61%, 0.39%

LAB 37.36, 9.67, -43.86

 

CMYK 76 / 45 / 0 / 25

HEX #2E69C0

RGB 46 105 192

HSL 215.75, 0.61%, 0.47%

LAB 44.93, 11.68, -51.12

 

CMYK 67 / 40 / 0 / 18

HEX #467ED2

RGB 70 126 210

HSL 216, 0.61%, 0.55%

LAB 52.81, 8.6, -48.77

 

CMYK 53 / 32 / 0 / 15

HEX #6795DA

RGB 103 149 218

HSL 216, 0.61%, 0.63%

LAB 61.17, 3.97, -39.96

 

CMYK 75 / 45 / 0 / 25

HEX #2F69BF

RGB 47 105 191

HSL 215.83, 0.61%, 0.47%

LAB 44.9, 11.43, -50.59

 

CMYK 16 / 76 / 0 / 25

HEX #A12EC0

RGB 161 46 192

HSL 287.26, 0.61%, 0.47%

LAB 43.27, 65.71, -53.26

 

CMYK 14 / 0 / 76 / 25

HEX #A6C02E

RGB 166 192 46

HSL 70.68, 0.61%, 0.47%

LAB 73.55, -27.37, 65.33

 

CMYK 75 / 45 / 0 / 25

HEX #2F69BF

RGB 47 105 191

HSL 215.83, 0.61%, 0.47%

LAB 44.9, 11.43, -50.59

 

CMYK 0 / 76 / 44 / 25

HEX #C02E6B

RGB 192 46 107

HSL 334.93, 0.61%, 0.47%

LAB 44.55, 60.94, 0.38

 

CMYK 44 / 0 / 76 / 25

HEX #6BC02E

RGB 107 192 46

HSL 94.93, 0.61%, 0.47%

LAB 70.19, -49.43, 60.96

 

CMYK 75 / 45 / 0 / 25

HEX #2F69BF

RGB 47 105 191

HSL 215.83, 0.61%, 0.47%

LAB 44.9, 11.43, -50.59

 

CMYK 16 / 76 / 0 / 25

HEX #A12EC0

RGB 161 46 192

HSL 287.26, 0.61%, 0.47%

LAB 43.27, 65.71, -53.26

 

CMYK 0 / 31 / 76 / 25

HEX #C0842E

RGB 192 132 46

HSL 35.34, 0.61%, 0.47%

LAB 59.8, 15.51, 53.08

 

CMYK 59 / 0 / 76 / 25

HEX #4EC02E

RGB 78 192 46

HSL 106.85, 0.61%, 0.47%

LAB 69.12, -57.68, 59.56

 

CMYK 75 / 45 / 0 / 25

HEX #2F69BF

RGB 47 105 191

HSL 215.83, 0.61%, 0.47%

LAB 44.9, 11.43, -50.59

 

CMYK 0 / 76 / 6 / 25

HEX #C02EB4

RGB 192 46 180

HSL 304.93, 0.61%, 0.47%

LAB 47.57, 70.01, -39.07

 

CMYK 0 / 31 / 76 / 25

HEX #C0842E

RGB 192 132 46

HSL 35.34, 0.61%, 0.47%

LAB 59.8, 15.51, 53.08

 

CMYK 76 / 0 / 70 / 25

HEX #2EC03A

RGB 46 192 58

HSL 124.93, 0.61%, 0.47%

LAB 68.45, -62.99, 54.3

 

Description

Color code: HEX #2F69BF | qconv.com Color code: HEX #2F69BF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 105 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 105 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 45 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 45% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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