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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F6064 it is the complementary color #D09F9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F6064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F6064 shade: #34605F, #457272, #568485, #679698 and #78A8AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F6064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F6064 shade: #2F6064, #1E4E51, #0D3C3E, #002A2B and #001818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F6064 shade: #2F6064, #2F5264, #2F4364, #2F3564 and #372F64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F6064 shade: #2F6064, #2F5264, #2F4364, #2F3564 and #2F2F64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F6064 shade matches the following richer shades: #2F6064, #236A70, #17747C and #0B7F88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F6064 shade: #2F6064, #3B5658, #474C4C, #534240 and #5F3734

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F6064 shade: #2F644B, #2F6459, #2F6164, #2F5264 and #2F4464

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F6064 shade: #142A2C, #224548, #2F6064, #3C7B80 and #49969C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F6064 shade: #2F6064, #3D2F64 and #64522F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F6064 shade: #2F6064, #642F61 and #61642F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F6064 shade: #2F6064, #3D2F64, #64322F and #56642F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F6064 shade: #2F6064, #4D2F64, #64322F and #46642F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

Complementary color

CMYK 0 / 24 / 25 / 18

HEX #D09F9B

RGB 208 159 155

HSL 4.53, 0.36%, 0.71%

LAB 69.88, 17.59, 9.12

 

CMYK 46 / 0 / 1 / 62

HEX #34605F

RGB 52 96 95

HSL 178.64, 0.3%, 0.29%

LAB 37.7, -15.46, -4.19

 

CMYK 39 / 0 / 0 / 55

HEX #457272

RGB 69 114 114

HSL 180, 0.25%, 0.36%

LAB 44.96, -15.41, -4.89

 

CMYK 35 / 1 / 0 / 48

HEX #568485

RGB 86 132 133

HSL 181.28, 0.21%, 0.43%

LAB 52.03, -15.33, -5.53

 

CMYK 32 / 1 / 0 / 40

HEX #679698

RGB 103 150 152

HSL 182.45, 0.19%, 0.5%

LAB 58.94, -15.25, -6.13

 

CMYK 30 / 2 / 0 / 33

HEX #78A8AB

RGB 120 168 171

HSL 183.53, 0.23%, 0.57%

LAB 65.7, -15.17, -6.71

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 63 / 4 / 0 / 68

HEX #1E4E51

RGB 30 78 81

HSL 183.53, 0.46%, 0.22%

LAB 30.2, -15.04, -6.66

 

CMYK 79 / 3 / 0 / 76

HEX #0D3C3E

RGB 13 60 62

HSL 182.45, 0.65%, 0.15%

LAB 22.53, -14.45, -5.78

 

CMYK 100 / 2 / 0 / 83

HEX #002A2B

RGB 0 42 43

HSL 181.4, 1%, 0.08%

LAB 14.57, -13.31, -4.68

 

CMYK 100 / 0 / 0 / 91

HEX #001818

RGB 0 24 24

HSL 180, 1%, 0.05%

LAB 6.5, -7.87, -2.77

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 53 / 18 / 0 / 61

HEX #2F5264

RGB 47 82 100

HSL 200.38, 0.36%, 0.29%

LAB 33.05, -7.05, -14.35

 

CMYK 53 / 33 / 0 / 61

HEX #2F4364

RGB 47 67 100

HSL 217.36, 0.36%, 0.29%

LAB 28.22, 2.56, -21.83

 

CMYK 53 / 47 / 0 / 61

HEX #2F3564

RGB 47 53 100

HSL 233.21, 0.36%, 0.29%

LAB 23.9, 12.12, -28.64

 

CMYK 45 / 53 / 0 / 61

HEX #372F64

RGB 55 47 100

HSL 249.06, 0.36%, 0.29%

LAB 22.88, 18.41, -30.23

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 53 / 18 / 0 / 61

HEX #2F5264

RGB 47 82 100

HSL 200.38, 0.36%, 0.29%

LAB 33.05, -7.05, -14.35

 

CMYK 53 / 33 / 0 / 61

HEX #2F4364

RGB 47 67 100

HSL 217.36, 0.36%, 0.29%

LAB 28.22, 2.56, -21.83

 

CMYK 53 / 47 / 0 / 61

HEX #2F3564

RGB 47 53 100

HSL 233.21, 0.36%, 0.29%

LAB 23.9, 12.12, -28.64

 

CMYK 53 / 53 / 0 / 61

HEX #2F2F64

RGB 47 47 100

HSL 240, 0.36%, 0.29%

LAB 22.15, 16.29, -31.44

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 69 / 5 / 0 / 56

HEX #236A70

RGB 35 106 112

HSL 184.68, 0.52%, 0.29%

LAB 40.95, -19.53, -9.82

 

CMYK 81 / 6 / 0 / 51

HEX #17747C

RGB 23 116 124

HSL 184.75, 0.69%, 0.29%

LAB 44.42, -22.52, -11.86

 

CMYK 92 / 7 / 0 / 47

HEX #0B7F88

RGB 11 127 136

HSL 184.32, 0.85%, 0.29%

LAB 48.29, -25.11, -13.13

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 33 / 2 / 0 / 65

HEX #3B5658

RGB 59 86 88

HSL 184.14, 0.2%, 0.29%

LAB 34.58, -9.51, -4.42

 

CMYK 7 / 0 / 0 / 70

HEX #474C4C

RGB 71 76 76

HSL 180, 0.03%, 0.29%

LAB 31.88, -2.02, -0.7

 

CMYK 0 / 20 / 23 / 67

HEX #534240

RGB 83 66 64

HSL 6.32, 0.13%, 0.29%

LAB 29.68, 6.96, 3.98

 

CMYK 0 / 42 / 45 / 63

HEX #5F3734

RGB 95 55 52

HSL 4.19, 0.29%, 0.29%

LAB 27.88, 17.46, 9.5

 

CMYK 53 / 0 / 25 / 61

HEX #2F644B

RGB 47 100 75

HSL 151.7, 0.36%, 0.29%

LAB 38.25, -24.24, 8.86

 

CMYK 53 / 0 / 11 / 61

HEX #2F6459

RGB 47 100 89

HSL 167.55, 0.36%, 0.29%

LAB 38.62, -20.66, 0.83

 

CMYK 53 / 3 / 0 / 61

HEX #2F6164

RGB 47 97 100

HSL 183.4, 0.36%, 0.29%

LAB 37.97, -15.86, -6.9

 

CMYK 53 / 18 / 0 / 61

HEX #2F5264

RGB 47 82 100

HSL 200.38, 0.36%, 0.29%

LAB 33.05, -7.05, -14.35

 

CMYK 53 / 32 / 0 / 61

HEX #2F4464

RGB 47 68 100

HSL 216.23, 0.36%, 0.29%

LAB 28.53, 1.9, -21.34

 

CMYK 55 / 5 / 0 / 83

HEX #142A2C

RGB 20 42 44

HSL 185, 0.38%, 0.13%

LAB 15.42, -8.05, -4.04

 

CMYK 53 / 4 / 0 / 72

HEX #224548

RGB 34 69 72

HSL 184.74, 0.36%, 0.21%

LAB 26.92, -11.69, -5.74

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 53 / 4 / 0 / 50

HEX #3C7B80

RGB 60 123 128

HSL 184.41, 0.36%, 0.37%

LAB 47.86, -18.69, -8.95

 

CMYK 53 / 4 / 0 / 39

HEX #49969C

RGB 73 150 156

HSL 184.34, 0.36%, 0.45%

LAB 57.68, -21.93, -10.44

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 39 / 53 / 0 / 61

HEX #3D2F64

RGB 61 47 100

HSL 255.85, 0.36%, 0.29%

LAB 23.49, 20.1, -29.23

 

CMYK 0 / 18 / 53 / 61

HEX #64522F

RGB 100 82 47

HSL 39.62, 0.36%, 0.29%

LAB 35.89, 2.43, 23.23

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 0 / 53 / 3 / 61

HEX #642F61

RGB 100 47 97

HSL 303.4, 0.36%, 0.29%

LAB 28.39, 31.62, -19.21

 

CMYK 3 / 0 / 53 / 61

HEX #61642F

RGB 97 100 47

HSL 63.4, 0.36%, 0.29%

LAB 40.99, -9.62, 29.37

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 39 / 53 / 0 / 61

HEX #3D2F64

RGB 61 47 100

HSL 255.85, 0.36%, 0.29%

LAB 23.49, 20.1, -29.23

 

CMYK 0 / 50 / 53 / 61

HEX #64322F

RGB 100 50 47

HSL 3.4, 0.36%, 0.29%

LAB 27.29, 22.1, 12.1

 

CMYK 14 / 0 / 53 / 61

HEX #56642F

RGB 86 100 47

HSL 75.85, 0.36%, 0.29%

LAB 40.08, -14.6, 28.05

 

CMYK 53 / 4 / 0 / 61

HEX #2F6064

RGB 47 96 100

HSL 184.53, 0.36%, 0.29%

LAB 37.64, -15.3, -7.39

 

CMYK 23 / 53 / 0 / 61

HEX #4D2F64

RGB 77 47 100

HSL 273.96, 0.36%, 0.29%

LAB 25.35, 24.92, -26.15

 

CMYK 0 / 50 / 53 / 61

HEX #64322F

RGB 100 50 47

HSL 3.4, 0.36%, 0.29%

LAB 27.29, 22.1, 12.1

 

CMYK 30 / 0 / 53 / 61

HEX #46642F

RGB 70 100 47

HSL 93.96, 0.36%, 0.29%

LAB 38.94, -21.42, 26.4

 

Description

Color code: HEX #2F6064 | qconv.com Color code: HEX #2F6064 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 96 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 96 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 4 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 4% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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