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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F60A0 it is the complementary color #D09F5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F60A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F60A0 shade: #34609B, #4572AE, #5684C1, #6796D4 and #78A8E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F60A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F60A0 shade: #2F60A0, #1E4E8D, #0D3C7A, #002A67 and #001854

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F60A0 shade: #2F60A2, #2F41A2, #3B2FA2, #5A2FA2 and #792FA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F60A0 shade: #2F60A2, #2F41A2 and #2F2FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F60A0 shade matches the following richer shades: #2F60A2, #1E5EB2 and #0D5CC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F60A0 shade: #2F60A2, #3F6391, #506580, #61676F and #72695E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F60A0 shade: #2FA0A2, #2F81A2, #2F62A2, #2F44A2 and #382FA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F60A0 shade: #1C3A62, #254D82, #2F60A2, #3874C2 and #5589CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F60A0 shade: #2F60A0, #852FA2 and #90A22F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F60A0 shade: #2F60A0, #A22F62 and #62A22F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F60A0 shade: #2F60A0, #852FA2, #A26E2F and #4BA22F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F60A0 shade: #2F60A0, #A22F9C, #A26E2F and #2FA234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 40 / 0 / 37

HEX #2F60A0

RGB 47 96 160

HSL 213.98, 0.55%, 0.41%

LAB 40.42, 5.52, -39.54

 

Complementary color

CMYK 0 / 24 / 54 / 18

HEX #D09F5F

RGB 208 159 95

HSL 33.98, 0.55%, 0.59%

LAB 68.77, 10.77, 40.13

 

CMYK 66 / 38 / 0 / 39

HEX #34609B

RGB 52 96 155

HSL 214.37, 0.5%, 0.41%

LAB 40.35, 4.53, -36.67

 

CMYK 60 / 34 / 0 / 32

HEX #4572AE

RGB 69 114 174

HSL 214.29, 0.43%, 0.48%

LAB 47.44, 3.28, -36.62

 

CMYK 55 / 32 / 0 / 24

HEX #5684C1

RGB 86 132 193

HSL 214.21, 0.46%, 0.55%

LAB 54.38, 2.31, -36.6

 

CMYK 51 / 29 / 0 / 17

HEX #6796D4

RGB 103 150 212

HSL 214.13, 0.56%, 0.62%

LAB 61.18, 1.55, -36.6

 

CMYK 48 / 27 / 0 / 9

HEX #78A8E7

RGB 120 168 231

HSL 214.05, 0.7%, 0.69%

LAB 67.85, 0.92, -36.64

 

CMYK 71 / 40 / 0 / 37

HEX #2F60A0

RGB 47 96 160

HSL 213.98, 0.55%, 0.41%

LAB 40.42, 5.52, -39.54

 

CMYK 79 / 45 / 0 / 45

HEX #1E4E8D

RGB 30 78 141

HSL 214.05, 0.65%, 0.34%

LAB 33.24, 7.5, -39.58

 

CMYK 89 / 51 / 0 / 52

HEX #0D3C7A

RGB 13 60 122

HSL 214.13, 0.81%, 0.26%

LAB 25.93, 10.23, -39.56

 

CMYK 100 / 59 / 0 / 60

HEX #002A67

RGB 0 42 103

HSL 215.53, 1%, 0.2%

LAB 18.52, 13.93, -39.39

 

CMYK 100 / 71 / 0 / 67

HEX #001854

RGB 0 24 84

HSL 222.86, 1%, 0.16%

LAB 11.23, 18.97, -38.65

 

CMYK 71 / 41 / 0 / 36

HEX #2F60A2

RGB 47 96 162

HSL 214.43, 0.55%, 0.41%

LAB 40.54, 6.27, -40.55

 

CMYK 71 / 60 / 0 / 36

HEX #2F41A2

RGB 47 65 162

HSL 230.61, 0.55%, 0.41%

LAB 31.79, 26.72, -54.64

 

CMYK 64 / 71 / 0 / 36

HEX #3B2FA2

RGB 59 47 162

HSL 246.26, 0.55%, 0.41%

LAB 28.3, 39.78, -60.31

 

CMYK 44 / 71 / 0 / 36

HEX #5A2FA2

RGB 90 47 162

HSL 262.43, 0.55%, 0.41%

LAB 31.38, 44.87, -55.15

 

CMYK 25 / 71 / 0 / 36

HEX #792FA2

RGB 121 47 162

HSL 278.61, 0.55%, 0.41%

LAB 35.41, 51.11, -48.43

 

CMYK 71 / 41 / 0 / 36

HEX #2F60A2

RGB 47 96 162

HSL 214.43, 0.55%, 0.41%

LAB 40.54, 6.27, -40.55

 

CMYK 71 / 60 / 0 / 36

HEX #2F41A2

RGB 47 65 162

HSL 230.61, 0.55%, 0.41%

LAB 31.79, 26.72, -54.64

 

CMYK 71 / 71 / 0 / 36

HEX #2F2FA2

RGB 47 47 162

HSL 240, 0.55%, 0.41%

LAB 27.42, 38.25, -61.79

 

CMYK 71 / 41 / 0 / 36

HEX #2F60A2

RGB 47 96 162

HSL 214.43, 0.55%, 0.41%

LAB 40.54, 6.27, -40.55

 

CMYK 83 / 47 / 0 / 30

HEX #1E5EB2

RGB 30 94 178

HSL 214.05, 0.71%, 0.41%

LAB 40.4, 11.65, -50.25

 

CMYK 93 / 53 / 0 / 24

HEX #0D5CC3

RGB 13 92 195

HSL 213.96, 0.88%, 0.41%

LAB 40.7, 18.66, -59.72

 

CMYK 71 / 41 / 0 / 36

HEX #2F60A2

RGB 47 96 162

HSL 214.43, 0.55%, 0.41%

LAB 40.54, 6.27, -40.55

 

CMYK 57 / 32 / 0 / 43

HEX #3F6391

RGB 63 99 145

HSL 213.66, 0.39%, 0.41%

LAB 41.26, 1.38, -29.21

 

CMYK 38 / 21 / 0 / 50

HEX #506580

RGB 80 101 128

HSL 213.75, 0.23%, 0.41%

LAB 42.11, -0.63, -17.57

 

CMYK 13 / 7 / 0 / 56

HEX #61676F

RGB 97 103 111

HSL 214.29, 0.07%, 0.41%

LAB 43.34, -0.52, -5.28

 

CMYK 0 / 8 / 18 / 55

HEX #72695E

RGB 114 105 94

HSL 33, 0.1%, 0.41%

LAB 44.93, 1.52, 7.46

 

CMYK 71 / 1 / 0 / 36

HEX #2FA0A2

RGB 47 160 162

HSL 181.04, 0.55%, 0.41%

LAB 60.21, -29.78, -10.14

 

CMYK 71 / 20 / 0 / 36

HEX #2F81A2

RGB 47 129 162

HSL 197.22, 0.55%, 0.41%

LAB 50.59, -13.58, -24.78

 

CMYK 71 / 40 / 0 / 36

HEX #2F62A2

RGB 47 98 162

HSL 213.39, 0.55%, 0.41%

LAB 41.13, 4.99, -39.6

 

CMYK 71 / 58 / 0 / 36

HEX #2F44A2

RGB 47 68 162

HSL 229.04, 0.55%, 0.41%

LAB 32.58, 24.73, -53.35

 

CMYK 65 / 71 / 0 / 36

HEX #382FA2

RGB 56 47 162

HSL 244.7, 0.55%, 0.41%

LAB 28.07, 39.37, -60.71

 

CMYK 71 / 41 / 0 / 62

HEX #1C3A62

RGB 28 58 98

HSL 214.29, 0.56%, 0.25%

LAB 24.18, 3.54, -26.98

 

CMYK 72 / 41 / 0 / 49

HEX #254D82

RGB 37 77 130

HSL 214.19, 0.56%, 0.33%

LAB 32.51, 4.86, -33.97

 

CMYK 71 / 41 / 0 / 36

HEX #2F60A2

RGB 47 96 162

HSL 214.43, 0.55%, 0.41%

LAB 40.54, 6.27, -40.55

 

CMYK 71 / 40 / 0 / 24

HEX #3874C2

RGB 56 116 194

HSL 213.91, 0.55%, 0.49%

LAB 48.54, 6.86, -46.47

 

CMYK 59 / 33 / 0 / 20

HEX #5589CD

RGB 85 137 205

HSL 214, 0.55%, 0.57%

LAB 56.32, 3.04, -40.36

 

CMYK 71 / 40 / 0 / 37

HEX #2F60A0

RGB 47 96 160

HSL 213.98, 0.55%, 0.41%

LAB 40.42, 5.52, -39.54

 

CMYK 18 / 71 / 0 / 36

HEX #852FA2

RGB 133 47 162

HSL 284.87, 0.55%, 0.41%

LAB 37.17, 53.71, -45.51

 

CMYK 11 / 0 / 71 / 36

HEX #90A22F

RGB 144 162 47

HSL 69.39, 0.55%, 0.41%

LAB 63.32, -21.83, 54.61

 

CMYK 71 / 40 / 0 / 37

HEX #2F60A0

RGB 47 96 160

HSL 213.98, 0.55%, 0.41%

LAB 40.42, 5.52, -39.54

 

CMYK 0 / 71 / 40 / 36

HEX #A22F62

RGB 162 47 98

HSL 333.39, 0.55%, 0.41%

LAB 38.89, 51.17, -2.94

 

CMYK 40 / 0 / 71 / 36

HEX #62A22F

RGB 98 162 47

HSL 93.39, 0.55%, 0.41%

LAB 60.46, -39.98, 50.79

 

CMYK 71 / 40 / 0 / 37

HEX #2F60A0

RGB 47 96 160

HSL 213.98, 0.55%, 0.41%

LAB 40.42, 5.52, -39.54

 

CMYK 18 / 71 / 0 / 36

HEX #852FA2

RGB 133 47 162

HSL 284.87, 0.55%, 0.41%

LAB 37.17, 53.71, -45.51

 

CMYK 0 / 32 / 71 / 36

HEX #A26E2F

RGB 162 110 47

HSL 32.87, 0.55%, 0.41%

LAB 50.73, 14.58, 42.23

 

CMYK 54 / 0 / 71 / 36

HEX #4BA22F

RGB 75 162 47

HSL 105.39, 0.55%, 0.41%

LAB 59.47, -47.32, 49.46

 

CMYK 71 / 40 / 0 / 37

HEX #2F60A0

RGB 47 96 160

HSL 213.98, 0.55%, 0.41%

LAB 40.42, 5.52, -39.54

 

CMYK 0 / 71 / 4 / 36

HEX #A22F9C

RGB 162 47 156

HSL 303.13, 0.55%, 0.41%

LAB 41.4, 59.21, -34.88

 

CMYK 0 / 32 / 71 / 36

HEX #A26E2F

RGB 162 110 47

HSL 32.87, 0.55%, 0.41%

LAB 50.73, 14.58, 42.23

 

CMYK 71 / 0 / 68 / 36

HEX #2FA234

RGB 47 162 52

HSL 122.61, 0.55%, 0.41%

LAB 58.69, -53.47, 46.33

 

Description

Color code: HEX #2F60A0 | qconv.com Color code: HEX #2F60A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 96 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 96 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 40 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 40% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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