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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F6B6E it is the complementary color #D09491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F6B6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F6B6E shade: #346B69, #457D7C, #568F8F, #67A1A2 and #78B3B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F6B6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F6B6E shade: #2F6B6E, #1E595B, #0D4748, #003535 and #002322

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F6B6E shade: #2F6B6E, #2F5A6E, #2F496E, #2F386E and #372F6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F6B6E shade: #2F6B6E, #2F5A6E, #2F496E, #2F386E and #2F2F6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F6B6E shade matches the following richer shades: #2F6B6E, #22777B, #158288 and #098E95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F6B6E shade: #2F6B6E, #3C6061, #495455, #554848 and #623D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F6B6E shade: #2F6E4F, #2F6E5F, #2F6C6E, #2F5B6E and #2F4A6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F6B6E shade: #163334, #234F51, #2F6B6E, #3B878B and #48A3A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F6B6E shade: #2F6B6E, #3E2F6E and #6E572F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F6B6E shade: #2F6B6E, #6E2F6C and #6C6E2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F6B6E shade: #2F6B6E, #3E2F6E, #6E312F and #5F6E2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F6B6E shade: #2F6B6E, #512F6E, #6E312F and #4C6E2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

Complementary color

CMYK 0 / 29 / 30 / 18

HEX #D09491

RGB 208 148 145

HSL 2.86, 0.4%, 0.69%

LAB 67, 22.2, 10.61

 

CMYK 51 / 0 / 2 / 58

HEX #346B69

RGB 52 107 105

HSL 177.82, 0.35%, 0.31%

LAB 41.63, -18.66, -4.48

 

CMYK 45 / 0 / 1 / 51

HEX #457D7C

RGB 69 125 124

HSL 178.93, 0.29%, 0.38%

LAB 48.74, -18.67, -5.23

 

CMYK 40 / 0 / 0 / 44

HEX #568F8F

RGB 86 143 143

HSL 180, 0.25%, 0.45%

LAB 55.69, -18.63, -5.9

 

CMYK 36 / 1 / 0 / 36

HEX #67A1A2

RGB 103 161 162

HSL 181.02, 0.24%, 0.52%

LAB 62.49, -18.57, -6.52

 

CMYK 34 / 1 / 0 / 29

HEX #78B3B5

RGB 120 179 181

HSL 181.97, 0.29%, 0.59%

LAB 69.16, -18.5, -7.12

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 67 / 2 / 0 / 64

HEX #1E595B

RGB 30 89 91

HSL 181.97, 0.5%, 0.24%

LAB 34.35, -17.97, -6.79

 

CMYK 82 / 1 / 0 / 72

HEX #0D4748

RGB 13 71 72

HSL 181.02, 0.69%, 0.17%

LAB 26.9, -17.19, -5.83

 

CMYK 100 / 0 / 0 / 79

HEX #003535

RGB 0 53 53

HSL 180, 1%, 0.1%

LAB 19.24, -15.82, -4.65

 

CMYK 100 / 0 / 3 / 86

HEX #002322

RGB 0 35 34

HSL 178.29, 1%, 0.07%

LAB 11.4, -12.72, -2.95

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 57 / 18 / 0 / 57

HEX #2F5A6E

RGB 47 90 110

HSL 199.05, 0.4%, 0.31%

LAB 36.07, -8.61, -15.98

 

CMYK 57 / 34 / 0 / 57

HEX #2F496E

RGB 47 73 110

HSL 215.24, 0.4%, 0.31%

LAB 30.63, 2.1, -24.41

 

CMYK 57 / 49 / 0 / 57

HEX #2F386E

RGB 47 56 110

HSL 231.43, 0.4%, 0.31%

LAB 25.44, 13.61, -32.64

 

CMYK 50 / 57 / 0 / 57

HEX #372F6E

RGB 55 47 110

HSL 247.62, 0.4%, 0.31%

LAB 23.58, 21.71, -35.59

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 57 / 18 / 0 / 57

HEX #2F5A6E

RGB 47 90 110

HSL 199.05, 0.4%, 0.31%

LAB 36.07, -8.61, -15.98

 

CMYK 57 / 34 / 0 / 57

HEX #2F496E

RGB 47 73 110

HSL 215.24, 0.4%, 0.31%

LAB 30.63, 2.1, -24.41

 

CMYK 57 / 49 / 0 / 57

HEX #2F386E

RGB 47 56 110

HSL 231.43, 0.4%, 0.31%

LAB 25.44, 13.61, -32.64

 

CMYK 57 / 57 / 0 / 57

HEX #2F2F6E

RGB 47 47 110

HSL 240, 0.4%, 0.31%

LAB 22.87, 19.83, -36.76

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 72 / 3 / 0 / 52

HEX #22777B

RGB 34 119 123

HSL 182.7, 0.57%, 0.31%

LAB 45.58, -23.04, -9.48

 

CMYK 85 / 4 / 0 / 47

HEX #158288

RGB 21 130 136

HSL 183.13, 0.73%, 0.31%

LAB 49.38, -25.94, -11.48

 

CMYK 94 / 5 / 0 / 42

HEX #098E95

RGB 9 142 149

HSL 183, 0.89%, 0.31%

LAB 53.57, -28.42, -12.74

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 38 / 1 / 0 / 62

HEX #3C6061

RGB 60 96 97

HSL 181.62, 0.24%, 0.31%

LAB 38.18, -12.57, -4.67

 

CMYK 14 / 1 / 0 / 67

HEX #495455

RGB 73 84 85

HSL 185, 0.08%, 0.31%

LAB 34.83, -4.08, -2.05

 

CMYK 0 / 15 / 15 / 67

HEX #554848

RGB 85 72 72

HSL 0, 0.08%, 0.31%

LAB 31.88, 5.49, 2.03

 

CMYK 0 / 38 / 40 / 62

HEX #623D3B

RGB 98 61 59

HSL 3.08, 0.25%, 0.31%

LAB 30.03, 15.99, 7.99

 

CMYK 57 / 0 / 28 / 57

HEX #2F6E4F

RGB 47 110 79

HSL 150.48, 0.4%, 0.31%

LAB 41.72, -28.23, 11.3

 

CMYK 57 / 0 / 14 / 57

HEX #2F6E5F

RGB 47 110 95

HSL 165.71, 0.4%, 0.31%

LAB 42.13, -24.23, 2.27

 

CMYK 57 / 2 / 0 / 57

HEX #2F6C6E

RGB 47 108 110

HSL 181.9, 0.4%, 0.31%

LAB 41.93, -18.89, -7.1

 

CMYK 57 / 17 / 0 / 57

HEX #2F5B6E

RGB 47 91 110

HSL 198.1, 0.4%, 0.31%

LAB 36.39, -9.21, -15.48

 

CMYK 57 / 33 / 0 / 57

HEX #2F4A6E

RGB 47 74 110

HSL 214.29, 0.4%, 0.31%

LAB 30.94, 1.45, -23.92

 

CMYK 58 / 2 / 0 / 80

HEX #163334

RGB 22 51 52

HSL 182, 0.41%, 0.15%

LAB 19.17, -10.51, -4

 

CMYK 57 / 2 / 0 / 68

HEX #234F51

RGB 35 79 81

HSL 182.61, 0.4%, 0.23%

LAB 30.74, -14.46, -5.83

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 58 / 3 / 0 / 45

HEX #3B878B

RGB 59 135 139

HSL 183, 0.4%, 0.39%

LAB 51.97, -22.03, -9.24

 

CMYK 57 / 3 / 0 / 34

HEX #48A3A8

RGB 72 163 168

HSL 183.13, 0.4%, 0.47%

LAB 62, -25.35, -10.77

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 44 / 57 / 0 / 57

HEX #3E2F6E

RGB 62 47 110

HSL 254.29, 0.4%, 0.31%

LAB 24.27, 23.48, -34.44

 

CMYK 0 / 21 / 57 / 57

HEX #6E572F

RGB 110 87 47

HSL 38.1, 0.4%, 0.31%

LAB 38.44, 4.12, 26.62

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 0 / 57 / 2 / 57

HEX #6E2F6C

RGB 110 47 108

HSL 301.9, 0.4%, 0.31%

LAB 30.47, 36.93, -22.92

 

CMYK 2 / 0 / 57 / 57

HEX #6C6E2F

RGB 108 110 47

HSL 61.9, 0.4%, 0.31%

LAB 45, -10.23, 34.28

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 44 / 57 / 0 / 57

HEX #3E2F6E

RGB 62 47 110

HSL 254.29, 0.4%, 0.31%

LAB 24.27, 23.48, -34.44

 

CMYK 0 / 55 / 57 / 57

HEX #6E312F

RGB 110 49 47

HSL 1.9, 0.4%, 0.31%

LAB 28.69, 26.89, 14.26

 

CMYK 14 / 0 / 57 / 57

HEX #5F6E2F

RGB 95 110 47

HSL 74.29, 0.4%, 0.31%

LAB 43.93, -16.08, 32.77

 

CMYK 57 / 3 / 0 / 57

HEX #2F6B6E

RGB 47 107 110

HSL 182.86, 0.4%, 0.31%

LAB 41.6, -18.35, -7.59

 

CMYK 26 / 57 / 0 / 57

HEX #512F6E

RGB 81 47 110

HSL 272.38, 0.4%, 0.31%

LAB 26.47, 28.73, -30.79

 

CMYK 0 / 55 / 57 / 57

HEX #6E312F

RGB 110 49 47

HSL 1.9, 0.4%, 0.31%

LAB 28.69, 26.89, 14.26

 

CMYK 31 / 0 / 57 / 57

HEX #4C6E2F

RGB 76 110 47

HSL 92.38, 0.4%, 0.31%

LAB 42.6, -24.11, 30.88

 

Description

Color code: HEX #2F6B6E | qconv.com Color code: HEX #2F6B6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 107 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 107 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 3 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 3% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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