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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F7348 it is the complementary color #D08CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F7348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F7348 shade: #347343, #458556, #569769, #67A97C and #78BB8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F7348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F7348 shade: #2F7348, #1E6135, #0D4F22, #003D0F and #002B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F7348 shade: #2F7348, #2F7336, #3B732F, #4D732F and #60732F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F7348 shade: #2F7348, #2F735B, #2F736D, #2F6773 and #2F5573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F7348 shade matches the following richer shades: #2F7348, #228145, #148E41 and #079B3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F7348 shade: #2F7348, #3C664C, #49594F, #564C53 and #643F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F7348 shade: #3A732F, #2F7336, #2F7348, #2F735A and #2F736D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F7348 shade: #173923, #235636, #2F7348, #3B915A and #47AE6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F7348 shade: #2F7348, #2F4D73 and #732F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F7348 shade: #2F7348, #482F73 and #73482F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F7348 shade: #2F7348, #2F4D73, #732F5A and #73562F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F7348 shade: #2F7348, #2F3873, #732F5A and #736A2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

Complementary color

CMYK 0 / 33 / 12 / 18

HEX #D08CB7

RGB 208 140 183

HSL 322.06, 0.42%, 0.68%

LAB 66.2, 32.29, -11.9

 

CMYK 55 / 0 / 42 / 55

HEX #347343

RGB 52 115 67

HSL 134.29, 0.38%, 0.33%

LAB 43.36, -31.72, 20.55

 

CMYK 48 / 0 / 35 / 48

HEX #458556

RGB 69 133 86

HSL 135.94, 0.32%, 0.4%

LAB 50.35, -31.57, 19.16

 

CMYK 43 / 0 / 30 / 41

HEX #569769

RGB 86 151 105

HSL 137.54, 0.27%, 0.46%

LAB 57.2, -31.33, 17.9

 

CMYK 39 / 0 / 27 / 34

HEX #67A97C

RGB 103 169 124

HSL 139.09, 0.28%, 0.53%

LAB 63.93, -31.06, 16.75

 

CMYK 36 / 0 / 24 / 27

HEX #78BB8F

RGB 120 187 143

HSL 140.6, 0.33%, 0.6%

LAB 70.54, -30.79, 15.69

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 69 / 0 / 45 / 62

HEX #1E6135

RGB 30 97 53

HSL 140.6, 0.53%, 0.25%

LAB 36.14, -31.91, 19.08

 

CMYK 84 / 0 / 57 / 69

HEX #0D4F22

RGB 13 79 34

HSL 139.09, 0.72%, 0.18%

LAB 28.88, -31.17, 20.84

 

CMYK 100 / 0 / 75 / 76

HEX #003D0F

RGB 0 61 15

HSL 134.75, 1%, 0.12%

LAB 21.48, -29.38, 22.59

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 0 / 53 / 55

HEX #2F7336

RGB 47 115 54

HSL 126.18, 0.42%, 0.32%

LAB 42.96, -35.31, 27.26

 

CMYK 49 / 0 / 59 / 55

HEX #3B732F

RGB 59 115 47

HSL 109.41, 0.42%, 0.32%

LAB 43.35, -32.71, 31.54

 

CMYK 33 / 0 / 59 / 55

HEX #4D732F

RGB 77 115 47

HSL 93.53, 0.42%, 0.32%

LAB 44.3, -26.21, 32.88

 

CMYK 17 / 0 / 59 / 55

HEX #60732F

RGB 96 115 47

HSL 76.76, 0.42%, 0.32%

LAB 45.57, -18.32, 34.67

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 0 / 21 / 55

HEX #2F735B

RGB 47 115 91

HSL 158.82, 0.42%, 0.32%

LAB 43.68, -27.76, 6.9

 

CMYK 59 / 0 / 5 / 55

HEX #2F736D

RGB 47 115 109

HSL 174.71, 0.42%, 0.32%

LAB 44.19, -22.9, -3.14

 

CMYK 59 / 10 / 0 / 55

HEX #2F6773

RGB 47 103 115

HSL 190.59, 0.42%, 0.32%

LAB 40.48, -14.57, -12.32

 

CMYK 59 / 26 / 0 / 55

HEX #2F5573

RGB 47 85 115

HSL 206.47, 0.42%, 0.32%

LAB 34.68, -3.84, -21.22

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 74 / 0 / 47 / 49

HEX #228145

RGB 34 129 69

HSL 142.11, 0.58%, 0.32%

LAB 47.59, -41.35, 24.81

 

CMYK 86 / 0 / 54 / 44

HEX #148E41

RGB 20 142 65

HSL 142.13, 0.75%, 0.32%

LAB 51.7, -48.76, 32.05

 

CMYK 95 / 0 / 60 / 39

HEX #079B3E

RGB 7 155 62

HSL 142.3, 0.91%, 0.32%

LAB 55.92, -54.54, 38.56

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 41 / 0 / 25 / 60

HEX #3C664C

RGB 60 102 76

HSL 142.86, 0.26%, 0.32%

LAB 39.56, -21.08, 10.17

 

CMYK 18 / 0 / 11 / 65

HEX #49594F

RGB 73 89 79

HSL 142.5, 0.1%, 0.32%

LAB 36.23, -8.47, 3.73

 

CMYK 0 / 12 / 3 / 66

HEX #564C53

RGB 86 76 83

HSL 318, 0.06%, 0.32%

LAB 33.5, 5.6, -2.61

 

CMYK 0 / 37 / 14 / 61

HEX #643F56

RGB 100 63 86

HSL 322.7, 0.23%, 0.32%

LAB 31.66, 20.01, -7.1

 

CMYK 50 / 0 / 59 / 55

HEX #3A732F

RGB 58 115 47

HSL 110.29, 0.42%, 0.32%

LAB 43.31, -33.03, 31.47

 

CMYK 59 / 0 / 53 / 55

HEX #2F7336

RGB 47 115 54

HSL 126.18, 0.42%, 0.32%

LAB 42.96, -35.31, 27.26

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 0 / 22 / 55

HEX #2F735A

RGB 47 115 90

HSL 157.94, 0.42%, 0.32%

LAB 43.66, -28.01, 7.46

 

CMYK 59 / 0 / 5 / 55

HEX #2F736D

RGB 47 115 109

HSL 174.71, 0.42%, 0.32%

LAB 44.19, -22.9, -3.14

 

CMYK 60 / 0 / 39 / 78

HEX #173923

RGB 23 57 35

HSL 141.18, 0.43%, 0.16%

LAB 20.94, -18.49, 10.04

 

CMYK 59 / 0 / 37 / 66

HEX #235636

RGB 35 86 54

HSL 142.35, 0.42%, 0.24%

LAB 32.43, -25.42, 13.61

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 0 / 38 / 43

HEX #3B915A

RGB 59 145 90

HSL 141.63, 0.42%, 0.4%

LAB 53.94, -38.84, 21.66

 

CMYK 59 / 0 / 37 / 32

HEX #47AE6D

RGB 71 174 109

HSL 142.14, 0.42%, 0.48%

LAB 63.93, -44.7, 24.69

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 33 / 0 / 55

HEX #2F4D73

RGB 47 77 115

HSL 213.53, 0.42%, 0.32%

LAB 32.15, 1.26, -25.18

 

CMYK 0 / 59 / 57 / 55

HEX #732F31

RGB 115 47 49

HSL 358.24, 0.42%, 0.32%

LAB 29.16, 30.18, 13.73

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 37 / 59 / 0 / 55

HEX #482F73

RGB 72 47 115

HSL 262.06, 0.42%, 0.32%

LAB 25.71, 27.62, -35.27

 

CMYK 0 / 37 / 59 / 55

HEX #73482F

RGB 115 72 47

HSL 22.06, 0.42%, 0.32%

LAB 34.97, 15.55, 22.5

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 33 / 0 / 55

HEX #2F4D73

RGB 47 77 115

HSL 213.53, 0.42%, 0.32%

LAB 32.15, 1.26, -25.18

 

CMYK 0 / 59 / 22 / 55

HEX #732F5A

RGB 115 47 90

HSL 322.06, 0.42%, 0.32%

LAB 30.44, 35.34, -11.32

 

CMYK 0 / 25 / 59 / 55

HEX #73562F

RGB 115 86 47

HSL 34.41, 0.42%, 0.32%

LAB 38.74, 7.08, 27.11

 

CMYK 59 / 0 / 37 / 55

HEX #2F7348

RGB 47 115 72

HSL 142.06, 0.42%, 0.32%

LAB 43.26, -32.08, 17.52

 

CMYK 59 / 51 / 0 / 55

HEX #2F3873

RGB 47 56 115

HSL 232.06, 0.42%, 0.32%

LAB 25.77, 15.43, -35.29

 

CMYK 0 / 59 / 22 / 55

HEX #732F5A

RGB 115 47 90

HSL 322.06, 0.42%, 0.32%

LAB 30.44, 35.34, -11.32

 

CMYK 0 / 8 / 59 / 55

HEX #736A2F

RGB 115 106 47

HSL 52.06, 0.42%, 0.32%

LAB 44.46, -4.73, 33.83

 

Description

Color code: HEX #2F7348 | qconv.com Color code: HEX #2F7348 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 115 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 115 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 37 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 37% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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