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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F73B0 it is the complementary color #D08C4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F73B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F73B0 shade: #3473AB, #4585BE, #5697D1, #67A9E4 and #78BBF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F73B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F73B0 shade: #2F73B0, #1E619D, #0D4F8A, #003D77 and #002B64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F73B0 shade: #2F73B1, #2F50B1, #302FB1, #532FB1 and #762FB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F73B0 shade: #2F73B1, #2F50B1 and #2F2FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F73B0 shade matches the following richer shades: #2F73B1, #1C74C3 and #0A75D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F73B0 shade: #2F73B1, #41729F, #53718C, #65707A and #776F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F73B0 shade: #2FB1A8, #2F97B1, #2F74B1, #2F51B1 and #2F2FB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F73B0 shade: #1D4970, #265E90, #2F73B1, #3D88CB and #5E9CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F73B0 shade: #2F73B0, #852FB1 and #A8B12F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F73B0 shade: #2F73B0, #B12F74 and #74B12F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F73B0 shade: #2F73B0, #852FB1, #B16B2F and #5AB12F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F73B0 shade: #2F73B0, #AC2FB1, #B16B2F and #33B12F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 35 / 0 / 31

HEX #2F73B0

RGB 47 115 176

HSL 208.37, 0.58%, 0.44%

LAB 46.98, -0.41, -38.57

 

Complementary color

CMYK 0 / 33 / 62 / 18

HEX #D08C4F

RGB 208 140 79

HSL 28.37, 0.58%, 0.56%

LAB 63.94, 19.85, 42.54

 

CMYK 70 / 33 / 0 / 33

HEX #3473AB

RGB 52 115 171

HSL 208.24, 0.53%, 0.44%

LAB 46.88, -1.47, -35.79

 

CMYK 64 / 30 / 0 / 25

HEX #4585BE

RGB 69 133 190

HSL 208.26, 0.48%, 0.51%

LAB 53.77, -2.66, -35.89

 

CMYK 59 / 28 / 0 / 18

HEX #5697D1

RGB 86 151 209

HSL 208.29, 0.57%, 0.58%

LAB 60.53, -3.58, -36

 

CMYK 55 / 26 / 0 / 11

HEX #67A9E4

RGB 103 169 228

HSL 208.32, 0.7%, 0.65%

LAB 67.17, -4.32, -36.11

 

CMYK 51 / 24 / 0 / 3

HEX #78BBF7

RGB 120 187 247

HSL 208.35, 0.89%, 0.72%

LAB 73.71, -4.91, -36.24

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B0

RGB 47 115 176

HSL 208.37, 0.58%, 0.44%

LAB 46.98, -0.41, -38.57

 

CMYK 81 / 38 / 0 / 38

HEX #1E619D

RGB 30 97 157

HSL 208.35, 0.68%, 0.37%

LAB 40.01, 1.45, -38.44

 

CMYK 91 / 43 / 0 / 46

HEX #0D4F8A

RGB 13 79 138

HSL 208.32, 0.83%, 0.3%

LAB 32.95, 3.95, -38.24

 

CMYK 100 / 49 / 0 / 53

HEX #003D77

RGB 0 61 119

HSL 209.24, 1%, 0.23%

LAB 25.77, 7.28, -37.93

 

CMYK 100 / 57 / 0 / 61

HEX #002B64

RGB 0 43 100

HSL 214.2, 1%, 0.2%

LAB 18.57, 11.82, -37.33

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B1

RGB 47 115 177

HSL 208.62, 0.58%, 0.44%

LAB 47.03, -0.04, -39.07

 

CMYK 73 / 55 / 0 / 31

HEX #2F50B1

RGB 47 80 177

HSL 224.77, 0.58%, 0.44%

LAB 36.96, 22.4, -55.2

 

CMYK 73 / 73 / 0 / 31

HEX #302FB1

RGB 48 47 177

HSL 240.46, 0.58%, 0.44%

LAB 28.99, 43.44, -68.23

 

CMYK 53 / 73 / 0 / 31

HEX #532FB1

RGB 83 47 177

HSL 256.62, 0.58%, 0.44%

LAB 31.91, 47.88, -63.32

 

CMYK 33 / 73 / 0 / 31

HEX #762FB1

RGB 118 47 177

HSL 272.77, 0.58%, 0.44%

LAB 36.1, 53.93, -56.32

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B1

RGB 47 115 177

HSL 208.62, 0.58%, 0.44%

LAB 47.03, -0.04, -39.07

 

CMYK 73 / 55 / 0 / 31

HEX #2F50B1

RGB 47 80 177

HSL 224.77, 0.58%, 0.44%

LAB 36.96, 22.4, -55.2

 

CMYK 73 / 73 / 0 / 31

HEX #2F2FB1

RGB 47 47 177

HSL 240, 0.58%, 0.44%

LAB 28.93, 43.35, -68.33

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B1

RGB 47 115 177

HSL 208.62, 0.58%, 0.44%

LAB 47.03, -0.04, -39.07

 

CMYK 86 / 41 / 0 / 24

HEX #1C74C3

RGB 28 116 195

HSL 208.38, 0.75%, 0.44%

LAB 47.85, 4.12, -48.2

 

CMYK 95 / 45 / 0 / 16

HEX #0A75D5

RGB 10 117 213

HSL 208.37, 0.91%, 0.44%

LAB 49, 9.59, -56.66

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B1

RGB 47 115 177

HSL 208.62, 0.58%, 0.44%

LAB 47.03, -0.04, -39.07

 

CMYK 59 / 28 / 0 / 38

HEX #41729F

RGB 65 114 159

HSL 208.72, 0.42%, 0.44%

LAB 46.53, -2.62, -29.28

 

CMYK 41 / 19 / 0 / 45

HEX #53718C

RGB 83 113 140

HSL 208.42, 0.26%, 0.44%

LAB 46.37, -3.48, -18.21

 

CMYK 17 / 8 / 0 / 52

HEX #65707A

RGB 101 112 122

HSL 208.57, 0.09%, 0.44%

LAB 46.66, -1.85, -6.93

 

CMYK 0 / 7 / 13 / 53

HEX #776F68

RGB 119 111 104

HSL 28, 0.07%, 0.44%

LAB 47.35, 1.8, 5.01

 

CMYK 73 / 0 / 5 / 31

HEX #2FB1A8

RGB 47 177 168

HSL 175.85, 0.58%, 0.44%

LAB 65.65, -36.08, -5.4

 

CMYK 73 / 15 / 0 / 31

HEX #2F97B1

RGB 47 151 177

HSL 192, 0.58%, 0.44%

LAB 57.95, -20.51, -22.06

 

CMYK 73 / 34 / 0 / 31

HEX #2F74B1

RGB 47 116 177

HSL 208.15, 0.58%, 0.44%

LAB 47.33, -0.65, -38.6

 

CMYK 73 / 54 / 0 / 31

HEX #2F51B1

RGB 47 81 177

HSL 224.31, 0.58%, 0.44%

LAB 37.23, 21.74, -54.76

 

CMYK 73 / 73 / 0 / 31

HEX #2F2FB1

RGB 47 47 177

HSL 240, 0.58%, 0.44%

LAB 28.93, 43.35, -68.33

 

CMYK 74 / 35 / 0 / 56

HEX #1D4970

RGB 29 73 112

HSL 208.19, 0.59%, 0.28%

LAB 29.9, -0.85, -26.88

 

CMYK 74 / 35 / 0 / 44

HEX #265E90

RGB 38 94 144

HSL 208.3, 0.58%, 0.36%

LAB 38.61, -0.62, -32.85

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B1

RGB 47 115 177

HSL 208.62, 0.58%, 0.44%

LAB 47.03, -0.04, -39.07

 

CMYK 70 / 33 / 0 / 20

HEX #3D88CB

RGB 61 136 203

HSL 208.31, 0.58%, 0.52%

LAB 54.98, -1.27, -41.39

 

CMYK 56 / 26 / 0 / 17

HEX #5E9CD4

RGB 94 156 212

HSL 208.47, 0.58%, 0.6%

LAB 62.43, -3.84, -34.68

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B0

RGB 47 115 176

HSL 208.37, 0.58%, 0.44%

LAB 46.98, -0.41, -38.57

 

CMYK 25 / 73 / 0 / 31

HEX #852FB1

RGB 133 47 177

HSL 279.69, 0.58%, 0.44%

LAB 38.19, 56.85, -52.83

 

CMYK 5 / 0 / 73 / 31

HEX #A8B12F

RGB 168 177 47

HSL 64.15, 0.58%, 0.44%

LAB 69.45, -19.1, 61.19

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B0

RGB 47 115 176

HSL 208.37, 0.58%, 0.44%

LAB 46.98, -0.41, -38.57

 

CMYK 0 / 73 / 34 / 31

HEX #B12F74

RGB 177 47 116

HSL 328.15, 0.58%, 0.44%

LAB 42.22, 57.45, -8.96

 

CMYK 34 / 0 / 73 / 31

HEX #74B12F

RGB 116 177 47

HSL 88.15, 0.58%, 0.44%

LAB 66.03, -40.04, 56.7

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B0

RGB 47 115 176

HSL 208.37, 0.58%, 0.44%

LAB 46.98, -0.41, -38.57

 

CMYK 25 / 73 / 0 / 31

HEX #852FB1

RGB 133 47 177

HSL 279.69, 0.58%, 0.44%

LAB 38.19, 56.85, -52.83

 

CMYK 0 / 40 / 73 / 31

HEX #B16B2F

RGB 177 107 47

HSL 27.69, 0.58%, 0.44%

LAB 51.91, 22.87, 44.05

 

CMYK 49 / 0 / 73 / 31

HEX #5AB12F

RGB 90 177 47

HSL 100.15, 0.58%, 0.44%

LAB 64.82, -48.75, 55.1

 

CMYK 73 / 35 / 0 / 31

HEX #2F73B0

RGB 47 115 176

HSL 208.37, 0.58%, 0.44%

LAB 46.98, -0.41, -38.57

 

CMYK 3 / 73 / 0 / 31

HEX #AC2FB1

RGB 172 47 177

HSL 297.69, 0.58%, 0.44%

LAB 44.2, 64.94, -42.85

 

CMYK 0 / 40 / 73 / 31

HEX #B16B2F

RGB 177 107 47

HSL 27.69, 0.58%, 0.44%

LAB 51.91, 22.87, 44.05

 

CMYK 71 / 0 / 73 / 31

HEX #33B12F

RGB 51 177 47

HSL 118.15, 0.58%, 0.44%

LAB 63.63, -58.26, 53.51

 

Description

Color code: HEX #2F73B0 | qconv.com Color code: HEX #2F73B0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 115 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 115 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 35 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 35% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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