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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F852C it is the complementary color #D07AD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F852C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F852C shade: #348527, #45973A, #56A94D, #67BB60 and #78CD73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F852C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F852C shade: #2F852C, #1E7319, #0D6106, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F852C shade: #2F852C, #47852C, #5F852C, #77852C and #857B2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F852C shade: #2F852C, #2C8541, #2C8559, #2C8571 and #2C8185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F852C shade matches the following richer shades: #2F852C, #22941E, #14A20F and #07B101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F852C shade: #2F852C, #3D773B, #4A6849, #585A57 and #654C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F852C shade: #60852C, #48852C, #31852C, #2C853F and #2C8557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F852C shade: #194717, #246622, #2F852C, #3AA436 and #48C044

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F852C shade: #2F852C, #2C7885 and #852C54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F852C shade: #2F852C, #2C3185 and #852C31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F852C shade: #2F852C, #2C7885, #812C85 and #853A2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F852C shade: #2F852C, #2C5D85, #812C85 and #85542C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

Complementary color

CMYK 1 / 42 / 0 / 17

HEX #D07AD3

RGB 208 122 211

HSL 297.98, 0.5%, 0.65%

LAB 63.37, 46.81, -31.95

 

CMYK 61 / 0 / 71 / 48

HEX #348527

RGB 52 133 39

HSL 111.7, 0.55%, 0.34%

LAB 49.07, -43.11, 41.59

 

CMYK 54 / 0 / 62 / 41

HEX #45973A

RGB 69 151 58

HSL 112.9, 0.44%, 0.41%

LAB 55.79, -43.6, 40.62

 

CMYK 49 / 0 / 54 / 34

HEX #56A94D

RGB 86 169 77

HSL 114.13, 0.37%, 0.48%

LAB 62.41, -43.78, 39.41

 

CMYK 45 / 0 / 49 / 27

HEX #67BB60

RGB 103 187 96

HSL 115.38, 0.4%, 0.55%

LAB 68.95, -43.77, 38.13

 

CMYK 41 / 0 / 44 / 20

HEX #78CD73

RGB 120 205 115

HSL 116.67, 0.47%, 0.63%

LAB 75.39, -43.65, 36.86

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 74 / 0 / 78 / 55

HEX #1E7319

RGB 30 115 25

HSL 116.67, 0.64%, 0.27%

LAB 42.17, -42.73, 39.93

 

CMYK 87 / 0 / 94 / 62

HEX #0D6106

RGB 13 97 6

HSL 115.38, 0.88%, 0.2%

LAB 35.3, -40.58, 39.4

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 47 / 0 / 67 / 48

HEX #47852C

RGB 71 133 44

HSL 101.8, 0.5%, 0.35%

LAB 49.85, -36.98, 40.46

 

CMYK 29 / 0 / 67 / 48

HEX #5F852C

RGB 95 133 44

HSL 85.62, 0.5%, 0.35%

LAB 51.14, -28.13, 42.23

 

CMYK 11 / 0 / 67 / 48

HEX #77852C

RGB 119 133 44

HSL 69.44, 0.5%, 0.35%

LAB 52.82, -17.98, 44.51

 

CMYK 0 / 8 / 67 / 48

HEX #857B2C

RGB 133 123 44

HSL 53.26, 0.5%, 0.35%

LAB 51.08, -6.25, 43.05

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 67 / 0 / 51 / 48

HEX #2C8541

RGB 44 133 65

HSL 134.16, 0.5%, 0.35%

LAB 49.12, -41.69, 28.97

 

CMYK 67 / 0 / 33 / 48

HEX #2C8559

RGB 44 133 89

HSL 150.34, 0.5%, 0.35%

LAB 49.53, -37.13, 16.2

 

CMYK 67 / 0 / 15 / 48

HEX #2C8571

RGB 44 133 113

HSL 166.52, 0.5%, 0.35%

LAB 50.1, -31.28, 3.11

 

CMYK 67 / 3 / 0 / 48

HEX #2C8185

RGB 44 129 133

HSL 182.7, 0.5%, 0.35%

LAB 49.41, -23.52, -9.63

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 77 / 0 / 80 / 42

HEX #22941E

RGB 34 148 30

HSL 117.97, 0.66%, 0.35%

LAB 53.61, -52.88, 49.4

 

CMYK 88 / 0 / 91 / 36

HEX #14A20F

RGB 20 162 15

HSL 117.96, 0.83%, 0.35%

LAB 58.06, -59.67, 57.16

 

CMYK 96 / 0 / 99 / 31

HEX #07B101

RGB 7 177 1

HSL 117.95, 0.99%, 0.35%

LAB 62.92, -65.16, 63.17

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 49 / 0 / 50 / 53

HEX #3D773B

RGB 61 119 59

HSL 118, 0.34%, 0.35%

LAB 44.94, -32.2, 27.13

 

CMYK 29 / 0 / 30 / 59

HEX #4A6849

RGB 74 104 73

HSL 118.06, 0.18%, 0.35%

LAB 40.96, -17.8, 14.03

 

CMYK 2 / 0 / 3 / 65

HEX #585A57

RGB 88 90 87

HSL 100, 0.02%, 0.35%

LAB 37.98, -1.43, 1.45

 

CMYK 1 / 25 / 0 / 60

HEX #654C66

RGB 101 76 102

HSL 297.69, 0.15%, 0.35%

LAB 35.78, 15.57, -11.04

 

CMYK 28 / 0 / 67 / 48

HEX #60852C

RGB 96 133 44

HSL 84.94, 0.5%, 0.35%

LAB 51.2, -27.72, 42.31

 

CMYK 46 / 0 / 67 / 48

HEX #48852C

RGB 72 133 44

HSL 101.12, 0.5%, 0.35%

LAB 49.9, -36.65, 40.53

 

CMYK 63 / 0 / 67 / 48

HEX #31852C

RGB 49 133 44

HSL 116.63, 0.5%, 0.35%

LAB 49.02, -43.36, 39.31

 

CMYK 67 / 0 / 53 / 48

HEX #2C853F

RGB 44 133 63

HSL 132.81, 0.5%, 0.35%

LAB 49.09, -42.01, 29.99

 

CMYK 67 / 0 / 35 / 48

HEX #2C8557

RGB 44 133 87

HSL 148.99, 0.5%, 0.35%

LAB 49.49, -37.56, 17.29

 

CMYK 65 / 0 / 68 / 72

HEX #194717

RGB 25 71 23

HSL 117.5, 0.51%, 0.18%

LAB 26.08, -26.81, 23.73

 

CMYK 65 / 0 / 67 / 60

HEX #246622

RGB 36 102 34

HSL 118.24, 0.5%, 0.27%

LAB 37.83, -35.55, 31.49

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 65 / 0 / 67 / 36

HEX #3AA436

RGB 58 164 54

HSL 117.82, 0.5%, 0.43%

LAB 59.63, -51.74, 46.59

 

CMYK 63 / 0 / 65 / 25

HEX #48C044

RGB 72 192 68

HSL 118.06, 0.5%, 0.51%

LAB 69.11, -57.24, 51.11

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 67 / 10 / 0 / 48

HEX #2C7885

RGB 44 120 133

HSL 188.76, 0.5%, 0.35%

LAB 46.53, -18.76, -13.97

 

CMYK 0 / 67 / 37 / 48

HEX #852C54

RGB 133 44 84

HSL 333.03, 0.5%, 0.35%

LAB 32.76, 41.86, -3.62

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 67 / 63 / 0 / 48

HEX #2C3185

RGB 44 49 133

HSL 236.63, 0.5%, 0.35%

LAB 25.03, 26.25, -47.86

 

CMYK 0 / 67 / 63 / 48

HEX #852C31

RGB 133 44 49

HSL 356.63, 0.5%, 0.35%

LAB 31.83, 38.44, 17.85

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 67 / 10 / 0 / 48

HEX #2C7885

RGB 44 120 133

HSL 188.76, 0.5%, 0.35%

LAB 46.53, -18.76, -13.97

 

CMYK 3 / 67 / 0 / 48

HEX #812C85

RGB 129 44 133

HSL 297.3, 0.5%, 0.35%

LAB 34.32, 48.34, -32.39

 

CMYK 0 / 56 / 67 / 48

HEX #853A2C

RGB 133 58 44

HSL 9.44, 0.5%, 0.35%

LAB 34.38, 31.13, 24.19

 

CMYK 65 / 0 / 67 / 48

HEX #2F852C

RGB 47 133 44

HSL 117.98, 0.5%, 0.35%

LAB 48.96, -43.84, 39.23

 

CMYK 67 / 30 / 0 / 48

HEX #2C5D85

RGB 44 93 133

HSL 206.97, 0.5%, 0.35%

LAB 37.95, -3.06, -27.21

 

CMYK 3 / 67 / 0 / 48

HEX #812C85

RGB 129 44 133

HSL 297.3, 0.5%, 0.35%

LAB 34.32, 48.34, -32.39

 

CMYK 0 / 37 / 67 / 48

HEX #85542C

RGB 133 84 44

HSL 26.97, 0.5%, 0.35%

LAB 40.42, 16.36, 31.34

 

Description

Color code: HEX #2F852C | qconv.com Color code: HEX #2F852C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 133 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 133 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 67 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 67% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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