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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F8765 it is the complementary color #D0789A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F8765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F8765 shade: #348760, #459973, #56AB86, #67BD99 and #78CFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F8765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F8765 shade: #2F8765, #1E7552, #0D633F, #00512C and #003F19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F8765 shade: #2F8765, #2F874E, #2F8736, #40872F and #58872F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F8765 shade: #2F8765, #2F877D, #2F7A87, #2F6287 and #2F4A87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F8765 shade matches the following richer shades: #2F8765, #209669, #12A56C and #03B46F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F8765 shade: #2F8765, #3E7962, #4D6A5F, #5C5B5B and #6B4C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F8765 shade: #2F8735, #2F874D, #2F8764, #2F877C and #2F7C87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F8765 shade: #1A4A38, #25694E, #2F8765, #3AA67C and #4ABF92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F8765 shade: #2F8765, #2F4187 and #87412F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F8765 shade: #2F8765, #642F87 and #87642F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F8765 shade: #2F8765, #2F4187, #872F52 and #87762F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F8765 shade: #2F8765, #382F87, #872F52 and #7F872F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

Complementary color

CMYK 0 / 42 / 26 / 18

HEX #D0789A

RGB 208 120 154

HSL 336.82, 0.48%, 0.64%

LAB 60.94, 38.53, -3.26

 

CMYK 61 / 0 / 29 / 47

HEX #348760

RGB 52 135 96

HSL 151.81, 0.44%, 0.37%

LAB 50.57, -34.79, 13.66

 

CMYK 55 / 0 / 25 / 40

HEX #459973

RGB 69 153 115

HSL 152.86, 0.38%, 0.44%

LAB 57.35, -34.79, 12.39

 

CMYK 50 / 0 / 22 / 33

HEX #56AB86

RGB 86 171 134

HSL 153.88, 0.34%, 0.5%

LAB 64.02, -34.68, 11.25

 

CMYK 46 / 0 / 19 / 26

HEX #67BD99

RGB 103 189 153

HSL 154.88, 0.39%, 0.57%

LAB 70.58, -34.5, 10.21

 

CMYK 42 / 0 / 17 / 19

HEX #78CFAC

RGB 120 207 172

HSL 155.86, 0.48%, 0.64%

LAB 77.04, -34.3, 9.25

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 74 / 0 / 30 / 54

HEX #1E7552

RGB 30 117 82

HSL 155.86, 0.59%, 0.29%

LAB 43.67, -34.29, 12.14

 

CMYK 87 / 0 / 36 / 61

HEX #0D633F

RGB 13 99 63

HSL 154.88, 0.77%, 0.22%

LAB 36.68, -33.4, 13.81

 

CMYK 100 / 0 / 46 / 68

HEX #00512C

RGB 0 81 44

HSL 152.59, 1%, 0.16%

LAB 29.58, -31.77, 15.76

 

CMYK 100 / 0 / 60 / 75

HEX #003F19

RGB 0 63 25

HSL 143.81, 1%, 0.12%

LAB 22.39, -28.53, 18.07

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 65 / 0 / 42 / 47

HEX #2F874E

RGB 47 135 78

HSL 141.14, 0.48%, 0.36%

LAB 50.08, -39.6, 23.14

 

CMYK 65 / 0 / 60 / 47

HEX #2F8736

RGB 47 135 54

HSL 124.77, 0.48%, 0.36%

LAB 49.74, -43.42, 35.38

 

CMYK 53 / 0 / 65 / 47

HEX #40872F

RGB 64 135 47

HSL 108.41, 0.48%, 0.36%

LAB 50.24, -39.74, 39.44

 

CMYK 35 / 0 / 65 / 47

HEX #58872F

RGB 88 135 47

HSL 92.05, 0.48%, 0.36%

LAB 51.39, -31.54, 41.03

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 65 / 0 / 7 / 47

HEX #2F877D

RGB 47 135 125

HSL 173.18, 0.48%, 0.36%

LAB 51.17, -28.39, -2.32

 

CMYK 65 / 10 / 0 / 47

HEX #2F7A87

RGB 47 122 135

HSL 188.86, 0.48%, 0.36%

LAB 47.33, -18.67, -13.93

 

CMYK 65 / 27 / 0 / 47

HEX #2F6287

RGB 47 98 135

HSL 205.23, 0.48%, 0.36%

LAB 39.73, -4.86, -25.63

 

CMYK 65 / 45 / 0 / 47

HEX #2F4A87

RGB 47 74 135

HSL 221.59, 0.48%, 0.36%

LAB 32.37, 10.57, -37.24

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 79 / 0 / 30 / 41

HEX #209669

RGB 32 150 105

HSL 157.12, 0.65%, 0.36%

LAB 55.22, -42.58, 14.9

 

CMYK 89 / 0 / 35 / 35

HEX #12A56C

RGB 18 165 108

HSL 156.73, 0.8%, 0.36%

LAB 60, -49.16, 19.76

 

CMYK 98 / 0 / 38 / 29

HEX #03B46F

RGB 3 180 111

HSL 156.61, 0.97%, 0.36%

LAB 64.81, -54.81, 24.6

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 49 / 0 / 19 / 53

HEX #3E7962

RGB 62 121 98

HSL 156.61, 0.32%, 0.36%

LAB 46.42, -25.18, 6.72

 

CMYK 27 / 0 / 10 / 58

HEX #4D6A5F

RGB 77 106 95

HSL 157.24, 0.16%, 0.36%

LAB 42.33, -13.18, 2.75

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 0 / 29 / 18 / 58

HEX #6B4C58

RGB 107 76 88

HSL 336.77, 0.17%, 0.36%

LAB 35.98, 15.16, -1.86

 

CMYK 65 / 0 / 61 / 47

HEX #2F8735

RGB 47 135 53

HSL 124.09, 0.48%, 0.36%

LAB 49.72, -43.55, 35.85

 

CMYK 65 / 0 / 43 / 47

HEX #2F874D

RGB 47 135 77

HSL 140.45, 0.48%, 0.36%

LAB 50.06, -39.78, 23.67

 

CMYK 65 / 0 / 26 / 47

HEX #2F8764

RGB 47 135 100

HSL 156.14, 0.48%, 0.36%

LAB 50.51, -34.92, 11.26

 

CMYK 65 / 0 / 8 / 47

HEX #2F877C

RGB 47 135 124

HSL 172.5, 0.48%, 0.36%

LAB 51.14, -28.67, -1.78

 

CMYK 65 / 8 / 0 / 47

HEX #2F7C87

RGB 47 124 135

HSL 187.5, 0.48%, 0.36%

LAB 47.97, -19.75, -12.97

 

CMYK 65 / 0 / 24 / 71

HEX #1A4A38

RGB 26 74 56

HSL 157.5, 0.48%, 0.2%

LAB 27.85, -21.28, 5.98

 

CMYK 65 / 0 / 26 / 59

HEX #25694E

RGB 37 105 78

HSL 156.18, 0.48%, 0.28%

LAB 39.66, -28.45, 8.97

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 65 / 0 / 25 / 35

HEX #3AA67C

RGB 58 166 124

HSL 156.67, 0.48%, 0.44%

LAB 61.33, -40.87, 12.88

 

CMYK 61 / 0 / 24 / 25

HEX #4ABF92

RGB 74 191 146

HSL 156.92, 0.48%, 0.52%

LAB 70.03, -43.59, 13.09

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 65 / 52 / 0 / 47

HEX #2F4187

RGB 47 65 135

HSL 227.73, 0.48%, 0.36%

LAB 29.75, 16.65, -41.45

 

CMYK 0 / 52 / 65 / 47

HEX #87412F

RGB 135 65 47

HSL 12.27, 0.48%, 0.36%

LAB 36.25, 28.36, 24.72

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 26 / 65 / 0 / 47

HEX #642F87

RGB 100 47 135

HSL 276.14, 0.48%, 0.36%

LAB 30.62, 40.06, -39.78

 

CMYK 0 / 26 / 65 / 47

HEX #87642F

RGB 135 100 47

HSL 36.14, 0.48%, 0.36%

LAB 44.9, 8.07, 34.9

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 65 / 52 / 0 / 47

HEX #2F4187

RGB 47 65 135

HSL 227.73, 0.48%, 0.36%

LAB 29.75, 16.65, -41.45

 

CMYK 0 / 65 / 39 / 47

HEX #872F52

RGB 135 47 82

HSL 336.14, 0.48%, 0.36%

LAB 33.55, 40.91, -1.13

 

CMYK 0 / 13 / 65 / 47

HEX #87762F

RGB 135 118 47

HSL 48.41, 0.48%, 0.36%

LAB 49.87, -2.32, 40.42

 

CMYK 65 / 0 / 25 / 47

HEX #2F8765

RGB 47 135 101

HSL 156.82, 0.48%, 0.36%

LAB 50.54, -34.68, 10.71

 

CMYK 59 / 65 / 0 / 47

HEX #382F87

RGB 56 47 135

HSL 246.14, 0.48%, 0.36%

LAB 25.63, 30.34, -48.09

 

CMYK 0 / 65 / 39 / 47

HEX #872F52

RGB 135 47 82

HSL 336.14, 0.48%, 0.36%

LAB 33.55, 40.91, -1.13

 

CMYK 6 / 0 / 65 / 47

HEX #7F872F

RGB 127 135 47

HSL 65.45, 0.48%, 0.36%

LAB 54.07, -15.29, 44.71

 

Description

Color code: HEX #2F8765 | qconv.com Color code: HEX #2F8765 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 135 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 135 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 25 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 25% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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