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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F8DCF it is the complementary color #D07230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F8DCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F8DCF shade: #348DCA, #459FDD, #56B1F0, #67C3FF and #78D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F8DCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F8DCF shade: #2F8DCF, #1E7BBC, #0D69A9, #005796 and #004583

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F8DCF shade: #2F8DCF, #2F62CF, #2F36CF, #522FCF and #7E2FCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F8DCF shade: #2F8DCF, #2F62CF, #2F36CF and #2F2FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F8DCF shade matches the following richer shades: #2F8DCF, #1A91E4 and #0594F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F8DCF shade: #2F8DCF, #4389BB, #5886A6, #6D8291 and #817F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F8DCF shade: #2FCFBA, #2FBACF, #2F8FCF, #2F64CF and #2F39CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F8DCF shade: #1F5F8C, #2776AE, #2F8DCF, #509FD7 and #72B2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F8DCF shade: #2F8DCF, #8F2FCF and #CFCF2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F8DCF shade: #2F8DCF, #CF2F8F and #8FCF2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F8DCF shade: #2F8DCF, #8F2FCF, #CF6F2F and #6FCF2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F8DCF shade: #2F8DCF, #BF2FCF, #CF6F2F and #3FCF2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

Complementary color

CMYK 0 / 45 / 77 / 18

HEX #D07230

RGB 208 114 48

HSL 24.75, 0.63%, 0.5%

LAB 57.71, 32.14, 50.84

 

CMYK 74 / 30 / 0 / 21

HEX #348DCA

RGB 52 141 202

HSL 204.4, 0.59%, 0.5%

LAB 56.13, -5.78, -39.04

 

CMYK 69 / 28 / 0 / 13

HEX #459FDD

RGB 69 159 221

HSL 204.47, 0.69%, 0.57%

LAB 62.74, -7.11, -39.26

 

CMYK 64 / 26 / 0 / 6

HEX #56B1F0

RGB 86 177 240

HSL 204.55, 0.84%, 0.64%

LAB 69.27, -8.16, -39.46

 

CMYK 60 / 24 / 0 / 0

HEX #67C3FF

RGB 103 195 255

HSL 203.68, 1%, 0.7%

LAB 75.53, -10.24, -37.76

 

CMYK 53 / 16 / 0 / 0

HEX #78D5FF

RGB 120 213 255

HSL 198.67, 1%, 0.74%

LAB 81.18, -16.37, -28.99

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 84 / 35 / 0 / 26

HEX #1E7BBC

RGB 30 123 188

HSL 204.68, 0.72%, 0.43%

LAB 49.58, -2.67, -41.41

 

CMYK 92 / 38 / 0 / 34

HEX #0D69A9

RGB 13 105 169

HSL 204.62, 0.86%, 0.36%

LAB 42.84, -0.19, -41.07

 

CMYK 100 / 42 / 0 / 41

HEX #005796

RGB 0 87 150

HSL 205.2, 1%, 0.29%

LAB 36.02, 2.94, -40.63

 

CMYK 100 / 47 / 0 / 49

HEX #004583

RGB 0 69 131

HSL 208.4, 1%, 0.26%

LAB 29.15, 6.95, -40.02

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 77 / 53 / 0 / 19

HEX #2F62CF

RGB 47 98 207

HSL 220.88, 0.63%, 0.5%

LAB 44.01, 21.96, -61.25

 

CMYK 77 / 74 / 0 / 19

HEX #2F36CF

RGB 47 54 207

HSL 237.38, 0.63%, 0.5%

LAB 33.45, 49.35, -78.53

 

CMYK 60 / 77 / 0 / 19

HEX #522FCF

RGB 82 47 207

HSL 253.13, 0.63%, 0.5%

LAB 34.66, 56.3, -76.44

 

CMYK 39 / 77 / 0 / 19

HEX #7E2FCF

RGB 126 47 207

HSL 269.63, 0.63%, 0.5%

LAB 39.54, 62.33, -68.26

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 77 / 53 / 0 / 19

HEX #2F62CF

RGB 47 98 207

HSL 220.88, 0.63%, 0.5%

LAB 44.01, 21.96, -61.25

 

CMYK 77 / 74 / 0 / 19

HEX #2F36CF

RGB 47 54 207

HSL 237.38, 0.63%, 0.5%

LAB 33.45, 49.35, -78.53

 

CMYK 77 / 77 / 0 / 19

HEX #2F2FCF

RGB 47 47 207

HSL 240, 0.63%, 0.5%

LAB 32.13, 53.11, -80.72

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 89 / 36 / 0 / 11

HEX #1A91E4

RGB 26 145 228

HSL 204.65, 0.8%, 0.5%

LAB 58.11, -0.97, -50.52

 

CMYK 98 / 41 / 0 / 2

HEX #0594F9

RGB 5 148 249

HSL 204.84, 0.96%, 0.5%

LAB 59.94, 4.4, -59.23

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 64 / 27 / 0 / 27

HEX #4389BB

RGB 67 137 187

HSL 205, 0.47%, 0.5%

LAB 54.73, -6.35, -32.68

 

CMYK 47 / 19 / 0 / 35

HEX #5886A6

RGB 88 134 166

HSL 204.62, 0.31%, 0.5%

LAB 53.9, -6.73, -21.86

 

CMYK 25 / 10 / 0 / 43

HEX #6D8291

RGB 109 130 145

HSL 205, 0.14%, 0.5%

LAB 53.23, -4.03, -10.58

 

CMYK 0 / 2 / 3 / 49

HEX #817F7D

RGB 129 127 125

HSL 30, 0.02%, 0.5%

LAB 53.31, 0.36, 1.34

 

CMYK 77 / 0 / 10 / 19

HEX #2FCFBA

RGB 47 207 186

HSL 172.13, 0.63%, 0.5%

LAB 75.31, -44.49, -1.04

 

CMYK 77 / 10 / 0 / 19

HEX #2FBACF

RGB 47 186 207

HSL 187.88, 0.63%, 0.5%

LAB 69.63, -28.69, -20.95

 

CMYK 77 / 31 / 0 / 19

HEX #2F8FCF

RGB 47 143 207

HSL 204, 0.63%, 0.5%

LAB 56.84, -5.76, -40.76

 

CMYK 77 / 52 / 0 / 19

HEX #2F64CF

RGB 47 100 207

HSL 220.13, 0.63%, 0.5%

LAB 44.55, 20.67, -60.37

 

CMYK 77 / 72 / 0 / 19

HEX #2F39CF

RGB 47 57 207

HSL 236.25, 0.63%, 0.5%

LAB 34.06, 47.65, -77.53

 

CMYK 78 / 32 / 0 / 45

HEX #1F5F8C

RGB 31 95 140

HSL 204.77, 0.64%, 0.34%

LAB 38.5, -3.75, -30.62

 

CMYK 78 / 32 / 0 / 32

HEX #2776AE

RGB 39 118 174

HSL 204.89, 0.63%, 0.42%

LAB 47.55, -4, -36.51

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 63 / 26 / 0 / 16

HEX #509FD7

RGB 80 159 215

HSL 204.89, 0.63%, 0.58%

LAB 62.85, -7.29, -35.74

 

CMYK 49 / 20 / 0 / 13

HEX #72B2DF

RGB 114 178 223

HSL 204.77, 0.63%, 0.66%

LAB 70, -8.32, -28.96

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 31 / 77 / 0 / 19

HEX #8F2FCF

RGB 143 47 207

HSL 276, 0.63%, 0.5%

LAB 41.81, 65.11, -64.46

 

CMYK 0 / 0 / 77 / 19

HEX #CFCF2F

RGB 207 207 47

HSL 60, 0.63%, 0.5%

LAB 80.79, -17.5, 72.77

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 0 / 77 / 31 / 19

HEX #CF2F8F

RGB 207 47 143

HSL 324, 0.63%, 0.5%

LAB 48.61, 68.27, -15.25

 

CMYK 31 / 0 / 77 / 19

HEX #8FCF2F

RGB 143 207 47

HSL 84, 0.63%, 0.5%

LAB 76.48, -43.15, 67.24

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 31 / 77 / 0 / 19

HEX #8F2FCF

RGB 143 47 207

HSL 276, 0.63%, 0.5%

LAB 41.81, 65.11, -64.46

 

CMYK 0 / 46 / 77 / 19

HEX #CF6F2F

RGB 207 111 47

HSL 24, 0.63%, 0.5%

LAB 56.92, 33.28, 50.47

 

CMYK 46 / 0 / 77 / 19

HEX #6FCF2F

RGB 111 207 47

HSL 96, 0.63%, 0.5%

LAB 74.96, -53.98, 65.26

 

CMYK 77 / 32 / 0 / 19

HEX #2F8DCF

RGB 47 141 207

HSL 204.75, 0.63%, 0.5%

LAB 56.25, -4.6, -41.68

 

CMYK 8 / 77 / 0 / 19

HEX #BF2FCF

RGB 191 47 207

HSL 294, 0.63%, 0.5%

LAB 49.03, 73.84, -52.45

 

CMYK 0 / 46 / 77 / 19

HEX #CF6F2F

RGB 207 111 47

HSL 24, 0.63%, 0.5%

LAB 56.92, 33.28, 50.47

 

CMYK 70 / 0 / 77 / 19

HEX #3FCF2F

RGB 63 207 47

HSL 114, 0.63%, 0.5%

LAB 73.47, -65.83, 63.33

 

Description

Color code: HEX #2F8DCF | qconv.com Color code: HEX #2F8DCF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 141 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 141 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 32 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 32% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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