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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F9BDE it is the complementary color #D06421. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F9BDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F9BDE shade: #349BD9, #45ADEC, #56BFFF, #67D1FF and #78E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F9BDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F9BDE shade: #2F9BDE, #1E89CB, #0D77B8, #0065A5 and #005392

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F9BDE shade: #2F9BDE, #2F6CDE, #2F3DDE, #512FDE and #802FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F9BDE shade: #2F9BDE, #2F6CDE, #2F3DDE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F9BDE shade matches the following richer shades: #2F9BDE and #1CA0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F9BDE shade: #2F9BDE, #4397CB, #5692B7, #698EA4 and #7D8991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F9BDE shade: #2FDEC1, #2FCDDE, #2F9EDE, #2F6FDE and #2F41DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F9BDE shade: #196DA2, #1E86C6, #2F9BDE, #53ACE4 and #77BDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F9BDE shade: #2F9BDE, #922FDE and #DED82F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F9BDE shade: #2F9BDE, #DE2F9E and #9EDE2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F9BDE shade: #2F9BDE, #922FDE, #DE6F2F and #7BDE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F9BDE shade: #2F9BDE, #C72FDE, #DE6F2F and #46DE2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

Complementary color

CMYK 0 / 52 / 84 / 18

HEX #D06421

RGB 208 100 33

HSL 22.97, 0.73%, 0.47%

LAB 54.69, 38.88, 54.41

 

CMYK 76 / 29 / 0 / 15

HEX #349BD9

RGB 52 155 217

HSL 202.55, 0.68%, 0.53%

LAB 60.94, -8.49, -39.89

 

CMYK 71 / 27 / 0 / 7

HEX #45ADEC

RGB 69 173 236

HSL 202.63, 0.81%, 0.6%

LAB 67.43, -9.85, -40.18

 

CMYK 66 / 25 / 0 / 0

HEX #56BFFF

RGB 86 191 255

HSL 202.72, 1%, 0.67%

LAB 73.84, -10.95, -40.43

 

CMYK 60 / 18 / 0 / 0

HEX #67D1FF

RGB 103 209 255

HSL 198.16, 1%, 0.7%

LAB 79.45, -17.58, -31.71

 

CMYK 53 / 11 / 0 / 0

HEX #78E3FF

RGB 120 227 255

HSL 192.44, 1%, 0.74%

LAB 85.07, -23.43, -23.06

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 85 / 33 / 0 / 20

HEX #1E89CB

RGB 30 137 203

HSL 202.89, 0.74%, 0.46%

LAB 54.53, -5.33, -42.15

 

CMYK 93 / 35 / 0 / 28

HEX #0D77B8

RGB 13 119 184

HSL 202.81, 0.87%, 0.39%

LAB 47.93, -2.9, -41.74

 

CMYK 100 / 39 / 0 / 35

HEX #0065A5

RGB 0 101 165

HSL 203.27, 1%, 0.32%

LAB 41.25, 0.12, -41.25

 

CMYK 100 / 43 / 0 / 43

HEX #005392

RGB 0 83 146

HSL 205.89, 1%, 0.29%

LAB 34.52, 3.9, -40.61

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 79 / 51 / 0 / 13

HEX #2F6CDE

RGB 47 108 222

HSL 219.09, 0.73%, 0.53%

LAB 47.76, 21.19, -63.73

 

CMYK 79 / 73 / 0 / 13

HEX #2F3DDE

RGB 47 61 222

HSL 235.2, 0.73%, 0.53%

LAB 36.4, 50.38, -82.31

 

CMYK 64 / 79 / 0 / 13

HEX #512FDE

RGB 81 47 222

HSL 251.66, 0.73%, 0.53%

LAB 36.09, 60.42, -82.74

 

CMYK 42 / 79 / 0 / 13

HEX #802FDE

RGB 128 47 222

HSL 267.77, 0.73%, 0.53%

LAB 41.05, 66.14, -74.4

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 79 / 51 / 0 / 13

HEX #2F6CDE

RGB 47 108 222

HSL 219.09, 0.73%, 0.53%

LAB 47.76, 21.19, -63.73

 

CMYK 79 / 73 / 0 / 13

HEX #2F3DDE

RGB 47 61 222

HSL 235.2, 0.73%, 0.53%

LAB 36.4, 50.38, -82.31

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 88 / 34 / 0 / 5

HEX #1CA0F2

RGB 28 160 242

HSL 202.99, 0.89%, 0.53%

LAB 63.18, -4.38, -50.21

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 67 / 26 / 0 / 20

HEX #4397CB

RGB 67 151 203

HSL 202.94, 0.57%, 0.53%

LAB 59.56, -8.96, -34.2

 

CMYK 53 / 20 / 0 / 28

HEX #5692B7

RGB 86 146 183

HSL 202.89, 0.4%, 0.53%

LAB 57.99, -8.89, -25.29

 

CMYK 36 / 13 / 0 / 36

HEX #698EA4

RGB 105 142 164

HSL 202.37, 0.24%, 0.53%

LAB 57.1, -7.18, -15.73

 

CMYK 14 / 6 / 0 / 43

HEX #7D8991

RGB 125 137 145

HSL 204, 0.08%, 0.53%

LAB 56.38, -2.63, -5.76

 

CMYK 79 / 0 / 13 / 13

HEX #2FDEC1

RGB 47 222 193

HSL 170.06, 0.73%, 0.53%

LAB 80.01, -49.02, 2.07

 

CMYK 79 / 8 / 0 / 13

HEX #2FCDDE

RGB 47 205 222

HSL 185.83, 0.73%, 0.53%

LAB 75.79, -33.24, -19.75

 

CMYK 79 / 29 / 0 / 13

HEX #2F9EDE

RGB 47 158 222

HSL 201.94, 0.73%, 0.53%

LAB 61.94, -8.96, -41.11

 

CMYK 79 / 50 / 0 / 13

HEX #2F6FDE

RGB 47 111 222

HSL 218.06, 0.73%, 0.53%

LAB 48.57, 19.28, -62.41

 

CMYK 79 / 71 / 0 / 13

HEX #2F41DE

RGB 47 65 222

HSL 233.83, 0.73%, 0.53%

LAB 37.22, 48.08, -80.94

 

CMYK 85 / 33 / 0 / 36

HEX #196DA2

RGB 25 109 162

HSL 203.21, 0.73%, 0.37%

LAB 43.88, -4.56, -35.3

 

CMYK 85 / 32 / 0 / 22

HEX #1E86C6

RGB 30 134 198

HSL 202.86, 0.74%, 0.45%

LAB 53.39, -5.44, -41.12

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 64 / 25 / 0 / 11

HEX #53ACE4

RGB 83 172 228

HSL 203.17, 0.73%, 0.61%

LAB 67.24, -9.77, -36.07

 

CMYK 49 / 19 / 0 / 9

HEX #77BDE9

RGB 119 189 233

HSL 203.16, 0.72%, 0.69%

LAB 73.68, -10.24, -28.72

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 34 / 79 / 0 / 13

HEX #922FDE

RGB 146 47 222

HSL 273.94, 0.73%, 0.53%

LAB 43.39, 68.83, -70.49

 

CMYK 0 / 3 / 79 / 13

HEX #DED82F

RGB 222 216 47

HSL 57.94, 0.73%, 0.53%

LAB 84.4, -15.63, 76.44

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 0 / 79 / 29 / 13

HEX #DE2F9E

RGB 222 47 158

HSL 321.94, 0.73%, 0.53%

LAB 51.87, 73.55, -18.99

 

CMYK 29 / 0 / 79 / 13

HEX #9EDE2F

RGB 158 222 47

HSL 81.94, 0.73%, 0.53%

LAB 81.68, -44.08, 72.35

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 34 / 79 / 0 / 13

HEX #922FDE

RGB 146 47 222

HSL 273.94, 0.73%, 0.53%

LAB 43.39, 68.83, -70.49

 

CMYK 0 / 50 / 79 / 13

HEX #DE6F2F

RGB 222 111 47

HSL 21.94, 0.73%, 0.53%

LAB 59.07, 39.26, 53.3

 

CMYK 45 / 0 / 79 / 13

HEX #7BDE2F

RGB 123 222 47

HSL 93.94, 0.73%, 0.53%

LAB 79.99, -56.03, 70.17

 

CMYK 79 / 30 / 0 / 13

HEX #2F9BDE

RGB 47 155 222

HSL 202.97, 0.73%, 0.53%

LAB 61.06, -7.27, -42.49

 

CMYK 10 / 79 / 0 / 13

HEX #C72FDE

RGB 199 47 222

HSL 292.11, 0.73%, 0.53%

LAB 51.21, 77.86, -57.45

 

CMYK 0 / 50 / 79 / 13

HEX #DE6F2F

RGB 222 111 47

HSL 21.94, 0.73%, 0.53%

LAB 59.07, 39.26, 53.3

 

CMYK 68 / 0 / 79 / 13

HEX #46DE2F

RGB 70 222 47

HSL 112.11, 0.73%, 0.53%

LAB 78.32, -69.31, 68

 

Description

Color code: HEX #2F9BDE | qconv.com Color code: HEX #2F9BDE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 155 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 155 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 30 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 30% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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