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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FAECA it is the complementary color #D05135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FAECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FAECA shade: #34AEC5, #45C0D8, #56D2EB, #67E4FE and #78F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FAECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FAECA shade: #2FAECA, #1E9CB7, #0D8AA4, #007891 and #00667E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FAECA shade: #2FAECA, #2F84CA, #2F5ACA, #2F31CA and #572FCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FAECA shade: #2FAECA, #2F84CA, #2F5ACA, #2F31CA and #2F2FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FAECA shade matches the following richer shades: #2FAECA, #1BBBDE and #07C8F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FAECA shade: #2FAECA, #43A1B6, #5794A1, #6C878D and #807A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FAECA shade: #2FCA91, #2FCABA, #2FB0CA, #2F87CA and #2F5DCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FAECA shade: #1F7487, #2791A8, #2FAECA, #4DBCD5 and #6FC9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FAECA shade: #2FAECA, #682FCA and #CAA62F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FAECA shade: #2FAECA, #CA2FB0 and #B0CA2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FAECA shade: #2FAECA, #682FCA, #CA492F and #91CA2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FAECA shade: #2FAECA, #962FCA, #CA492F and #63CA2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

Complementary color

CMYK 0 / 61 / 75 / 18

HEX #D05135

RGB 208 81 53

HSL 10.84, 0.62%, 0.51%

LAB 51.33, 48.7, 41.78

 

CMYK 74 / 12 / 0 / 23

HEX #34AEC5

RGB 52 174 197

HSL 189.52, 0.58%, 0.49%

LAB 65.77, -25.3, -21.3

 

CMYK 68 / 11 / 0 / 15

HEX #45C0D8

RGB 69 192 216

HSL 189.8, 0.65%, 0.56%

LAB 72.18, -26.19, -21.95

 

CMYK 63 / 11 / 0 / 8

HEX #56D2EB

RGB 86 210 235

HSL 190.07, 0.79%, 0.63%

LAB 78.5, -26.86, -22.53

 

CMYK 59 / 10 / 0 / 0

HEX #67E4FE

RGB 103 228 254

HSL 190.33, 0.99%, 0.7%

LAB 84.75, -27.38, -23.07

 

CMYK 53 / 4 / 0 / 0

HEX #78F6FF

RGB 120 246 255

HSL 184, 1%, 0.74%

LAB 90.38, -32.61, -15.05

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 84 / 15 / 0 / 28

HEX #1E9CB7

RGB 30 156 183

HSL 190.59, 0.72%, 0.42%

LAB 59.41, -22.9, -23.25

 

CMYK 92 / 16 / 0 / 36

HEX #0D8AA4

RGB 13 138 164

HSL 190.33, 0.85%, 0.35%

LAB 52.89, -21.11, -22.44

 

CMYK 100 / 17 / 0 / 43

HEX #007891

RGB 0 120 145

HSL 190.34, 1%, 0.28%

LAB 46.28, -18.83, -21.52

 

CMYK 100 / 19 / 0 / 51

HEX #00667E

RGB 0 102 126

HSL 191.43, 1%, 0.25%

LAB 39.6, -15.89, -20.45

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 77 / 35 / 0 / 21

HEX #2F84CA

RGB 47 132 202

HSL 207.1, 0.62%, 0.49%

LAB 53.35, -1.12, -43.43

 

CMYK 77 / 55 / 0 / 21

HEX #2F5ACA

RGB 47 90 202

HSL 223.35, 0.62%, 0.49%

LAB 41.5, 25.25, -62.43

 

CMYK 77 / 76 / 0 / 21

HEX #2F31CA

RGB 47 49 202

HSL 239.23, 0.62%, 0.49%

LAB 31.95, 50.46, -78.09

 

CMYK 57 / 77 / 0 / 21

HEX #572FCA

RGB 87 47 202

HSL 255.48, 0.62%, 0.49%

LAB 34.65, 55.49, -73.54

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 77 / 35 / 0 / 21

HEX #2F84CA

RGB 47 132 202

HSL 207.1, 0.62%, 0.49%

LAB 53.35, -1.12, -43.43

 

CMYK 77 / 55 / 0 / 21

HEX #2F5ACA

RGB 47 90 202

HSL 223.35, 0.62%, 0.49%

LAB 41.5, 25.25, -62.43

 

CMYK 77 / 76 / 0 / 21

HEX #2F31CA

RGB 47 49 202

HSL 239.23, 0.62%, 0.49%

LAB 31.95, 50.46, -78.09

 

CMYK 77 / 77 / 0 / 21

HEX #2F2FCA

RGB 47 47 202

HSL 240, 0.62%, 0.49%

LAB 31.58, 51.52, -78.71

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 88 / 16 / 0 / 13

HEX #1BBBDE

RGB 27 187 222

HSL 190.77, 0.78%, 0.49%

LAB 70.21, -25.92, -28.29

 

CMYK 97 / 17 / 0 / 5

HEX #07C8F2

RGB 7 200 242

HSL 190.72, 0.94%, 0.49%

LAB 74.68, -26.52, -32.25

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 63 / 12 / 0 / 29

HEX #43A1B6

RGB 67 161 182

HSL 190.96, 0.46%, 0.49%

LAB 61.71, -21.11, -19.1

 

CMYK 46 / 8 / 0 / 37

HEX #5794A1

RGB 87 148 161

HSL 190.54, 0.3%, 0.49%

LAB 57.83, -16.17, -13.02

 

CMYK 23 / 4 / 0 / 45

HEX #6C878D

RGB 108 135 141

HSL 190.91, 0.13%, 0.49%

LAB 54.49, -8.16, -6.39

 

CMYK 0 / 5 / 5 / 50

HEX #807A79

RGB 128 122 121

HSL 8.57, 0.03%, 0.49%

LAB 51.71, 2.09, 1.35

 

CMYK 77 / 0 / 28 / 21

HEX #2FCA91

RGB 47 202 145

HSL 157.94, 0.62%, 0.49%

LAB 72.82, -52.53, 17.44

 

CMYK 77 / 0 / 8 / 21

HEX #2FCABA

RGB 47 202 186

HSL 173.81, 0.62%, 0.49%

LAB 73.8, -42.31, -3.26

 

CMYK 77 / 13 / 0 / 21

HEX #2FB0CA

RGB 47 176 202

HSL 190.06, 0.62%, 0.49%

LAB 66.46, -25.29, -23.04

 

CMYK 77 / 33 / 0 / 21

HEX #2F87CA

RGB 47 135 202

HSL 205.94, 0.62%, 0.49%

LAB 54.23, -2.9, -42.03

 

CMYK 77 / 54 / 0 / 21

HEX #2F5DCA

RGB 47 93 202

HSL 222.19, 0.62%, 0.49%

LAB 42.3, 23.31, -61.13

 

CMYK 77 / 14 / 0 / 47

HEX #1F7487

RGB 31 116 135

HSL 190.96, 0.63%, 0.33%

LAB 44.99, -17.86, -17.54

 

CMYK 77 / 14 / 0 / 34

HEX #2791A8

RGB 39 145 168

HSL 190.7, 0.62%, 0.41%

LAB 55.59, -21.3, -20.56

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 64 / 12 / 0 / 16

HEX #4DBCD5

RGB 77 188 213

HSL 191.03, 0.62%, 0.57%

LAB 71.11, -23.86, -21.91

 

CMYK 50 / 9 / 0 / 13

HEX #6FC9DD

RGB 111 201 221

HSL 190.91, 0.62%, 0.65%

LAB 76.3, -21.61, -18.27

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 49 / 77 / 0 / 21

HEX #682FCA

RGB 104 47 202

HSL 262.06, 0.62%, 0.49%

LAB 36.44, 57.78, -70.53

 

CMYK 0 / 18 / 77 / 21

HEX #CAA62F

RGB 202 166 47

HSL 46.06, 0.62%, 0.49%

LAB 69.49, 1.46, 62.31

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 0 / 77 / 13 / 21

HEX #CA2FB0

RGB 202 47 176

HSL 310.06, 0.62%, 0.49%

LAB 49.16, 71.3, -34.1

 

CMYK 13 / 0 / 77 / 21

HEX #B0CA2F

RGB 176 202 47

HSL 70.06, 0.62%, 0.49%

LAB 77.09, -27.99, 68.55

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 49 / 77 / 0 / 21

HEX #682FCA

RGB 104 47 202

HSL 262.06, 0.62%, 0.49%

LAB 36.44, 57.78, -70.53

 

CMYK 0 / 64 / 77 / 21

HEX #CA492F

RGB 202 73 47

HSL 10.06, 0.62%, 0.49%

LAB 48.92, 49.89, 42.09

 

CMYK 28 / 0 / 77 / 21

HEX #91CA2F

RGB 145 202 47

HSL 82.06, 0.62%, 0.49%

LAB 75.12, -40.23, 66

 

CMYK 77 / 14 / 0 / 21

HEX #2FAECA

RGB 47 174 202

HSL 190.84, 0.62%, 0.49%

LAB 65.86, -24.28, -23.95

 

CMYK 26 / 77 / 0 / 21

HEX #962FCA

RGB 150 47 202

HSL 279.87, 0.62%, 0.49%

LAB 42.43, 65.28, -60.51

 

CMYK 0 / 64 / 77 / 21

HEX #CA492F

RGB 202 73 47

HSL 10.06, 0.62%, 0.49%

LAB 48.92, 49.89, 42.09

 

CMYK 51 / 0 / 77 / 21

HEX #63CA2F

RGB 99 202 47

HSL 99.87, 0.62%, 0.49%

LAB 72.96, -55.65, 63.19

 

Description

Color code: HEX #2FAECA | qconv.com Color code: HEX #2FAECA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 174 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 174 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 14 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 14% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - FroshGeek - Love Tec...
Link: http://froshgeek.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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