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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC090 it is the complementary color #D03F6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC090 shade: #34C08B, #45D29E, #56E4B1, #67F6C4 and #78FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC090 shade: #2FC090, #1EAE7D, #0D9C6A, #008A57 and #007844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC090 shade: #2EC090, #2EC069, #2EC041, #43C02E and #6AC02E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC090 shade: #2EC090, #2EC0B7, #2EA2C0, #2E7BC0 and #2E53C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC090 shade matches the following richer shades: #2EC090, #1BD497 and #07E79D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC090 shade: #2EC090, #42AD8A, #559A83, #68867C and #7C7376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC090 shade: #2EC042, #2EC069, #2EC090, #2EC0B7 and #2EA3C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC090 shade: #1E7E5E, #269F77, #2EC090, #46D2A4 and #67DAB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC090 shade: #2FC090, #2E42C0 and #C0552E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC090 shade: #2FC090, #902EC0 and #C0902E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC090 shade: #2FC090, #2E42C0, #C02E5F and #C0AD2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC090 shade: #2FC090, #472EC0, #C02E5F and #A8C02E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 25 / 25

HEX #2FC090

RGB 47 192 144

HSL 160.14, 0.61%, 0.47%

LAB 69.69, -48.78, 13.61

 

Complementary color

CMYK 0 / 70 / 47 / 18

HEX #D03F6F

RGB 208 63 111

HSL 340.14, 0.61%, 0.53%

LAB 49.63, 60.01, 5.64

 

CMYK 73 / 0 / 28 / 25

HEX #34C08B

RGB 52 192 139

HSL 157.29, 0.57%, 0.48%

LAB 69.68, -49.26, 16.3

 

CMYK 67 / 0 / 25 / 18

HEX #45D29E

RGB 69 210 158

HSL 157.87, 0.61%, 0.55%

LAB 75.96, -49.75, 14.96

 

CMYK 62 / 0 / 22 / 11

HEX #56E4B1

RGB 86 228 177

HSL 158.45, 0.72%, 0.62%

LAB 82.18, -50.03, 13.74

 

CMYK 58 / 0 / 20 / 4

HEX #67F6C4

RGB 103 246 196

HSL 159.02, 0.89%, 0.68%

LAB 88.34, -50.17, 12.62

 

CMYK 53 / 0 / 16 / 0

HEX #78FFD7

RGB 120 255 215

HSL 162.22, 1%, 0.74%

LAB 91.87, -46.37, 7.9

 

CMYK 76 / 0 / 25 / 25

HEX #2FC090

RGB 47 192 144

HSL 160.14, 0.61%, 0.47%

LAB 69.69, -48.78, 13.61

 

CMYK 83 / 0 / 28 / 32

HEX #1EAE7D

RGB 30 174 125

HSL 159.58, 0.71%, 0.4%

LAB 63.37, -47.84, 15.09

 

CMYK 92 / 0 / 32 / 39

HEX #0D9C6A

RGB 13 156 106

HSL 159.02, 0.85%, 0.33%

LAB 56.98, -46.45, 16.74

 

CMYK 100 / 0 / 37 / 46

HEX #008A57

RGB 0 138 87

HSL 157.83, 1%, 0.27%

LAB 50.53, -44.52, 18.58

 

CMYK 100 / 0 / 43 / 53

HEX #007844

RGB 0 120 68

HSL 154, 1%, 0.24%

LAB 44.02, -41.79, 20.65

 

CMYK 76 / 0 / 25 / 25

HEX #2EC090

RGB 46 192 144

HSL 160.27, 0.61%, 0.47%

LAB 69.68, -48.9, 13.59

 

CMYK 76 / 0 / 45 / 25

HEX #2EC069

RGB 46 192 105

HSL 144.25, 0.61%, 0.47%

LAB 68.97, -56.82, 33.26

 

CMYK 76 / 0 / 66 / 25

HEX #2EC041

RGB 46 192 65

HSL 127.81, 0.61%, 0.47%

LAB 68.51, -62.31, 51.54

 

CMYK 65 / 0 / 76 / 25

HEX #43C02E

RGB 67 192 46

HSL 111.37, 0.61%, 0.47%

LAB 68.82, -60.19, 59.15

 

CMYK 45 / 0 / 76 / 25

HEX #6AC02E

RGB 106 192 46

HSL 95.34, 0.61%, 0.47%

LAB 70.15, -49.75, 60.9

 

CMYK 76 / 0 / 25 / 25

HEX #2EC090

RGB 46 192 144

HSL 160.27, 0.61%, 0.47%

LAB 69.68, -48.9, 13.59

 

CMYK 76 / 0 / 5 / 25

HEX #2EC0B7

RGB 46 192 183

HSL 176.3, 0.61%, 0.47%

LAB 70.66, -38.79, -6.25

 

CMYK 76 / 16 / 0 / 25

HEX #2EA2C0

RGB 46 162 192

HSL 192.33, 0.61%, 0.47%

LAB 61.85, -21.47, -24.54

 

CMYK 76 / 36 / 0 / 25

HEX #2E7BC0

RGB 46 123 192

HSL 208.36, 0.61%, 0.47%

LAB 50.16, 0.49, -42.78

 

CMYK 76 / 57 / 0 / 25

HEX #2E53C0

RGB 46 83 192

HSL 224.79, 0.61%, 0.47%

LAB 38.85, 25.95, -60.94

 

CMYK 76 / 0 / 25 / 25

HEX #2EC090

RGB 46 192 144

HSL 160.27, 0.61%, 0.47%

LAB 69.68, -48.9, 13.59

 

CMYK 87 / 0 / 29 / 17

HEX #1BD497

RGB 27 212 151

HSL 160.22, 0.77%, 0.47%

LAB 75.79, -56.83, 18.35

 

CMYK 97 / 0 / 32 / 9

HEX #07E79D

RGB 7 231 157

HSL 160.18, 0.94%, 0.47%

LAB 81.64, -63.33, 23.24

 

CMYK 76 / 0 / 25 / 25

HEX #2EC090

RGB 46 192 144

HSL 160.27, 0.61%, 0.47%

LAB 69.68, -48.9, 13.59

 

CMYK 62 / 0 / 20 / 32

HEX #42AD8A

RGB 66 173 138

HSL 160.37, 0.45%, 0.47%

LAB 64.06, -39.15, 9

 

CMYK 45 / 0 / 15 / 40

HEX #559A83

RGB 85 154 131

HSL 160, 0.29%, 0.47%

LAB 58.68, -27.5, 5.31

 

CMYK 22 / 0 / 7 / 47

HEX #68867C

RGB 104 134 124

HSL 160, 0.13%, 0.47%

LAB 53.44, -12.85, 1.89

 

CMYK 0 / 7 / 5 / 51

HEX #7C7376

RGB 124 115 118

HSL 340, 0.04%, 0.47%

LAB 49.32, 4.05, -0.41

 

CMYK 76 / 0 / 66 / 25

HEX #2EC042

RGB 46 192 66

HSL 128.22, 0.61%, 0.47%

LAB 68.51, -62.21, 51.14

 

CMYK 76 / 0 / 45 / 25

HEX #2EC069

RGB 46 192 105

HSL 144.25, 0.61%, 0.47%

LAB 68.97, -56.82, 33.26

 

CMYK 76 / 0 / 25 / 25

HEX #2EC090

RGB 46 192 144

HSL 160.27, 0.61%, 0.47%

LAB 69.68, -48.9, 13.59

 

CMYK 76 / 0 / 5 / 25

HEX #2EC0B7

RGB 46 192 183

HSL 176.3, 0.61%, 0.47%

LAB 70.66, -38.79, -6.25

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 76 / 0 / 25 / 51

HEX #1E7E5E

RGB 30 126 94

HSL 160, 0.62%, 0.31%

LAB 46.98, -35.3, 9.73

 

CMYK 76 / 0 / 25 / 38

HEX #269F77

RGB 38 159 119

HSL 160.17, 0.61%, 0.39%

LAB 58.55, -42.24, 11.7

 

CMYK 76 / 0 / 25 / 25

HEX #2EC090

RGB 46 192 144

HSL 160.27, 0.61%, 0.47%

LAB 69.68, -48.9, 13.59

 

CMYK 67 / 0 / 22 / 18

HEX #46D2A4

RGB 70 210 164

HSL 160.29, 0.61%, 0.55%

LAB 76.12, -48.23, 11.99

 

CMYK 53 / 0 / 17 / 15

HEX #67DAB4

RGB 103 218 180

HSL 160.17, 0.61%, 0.63%

LAB 79.8, -41.68, 8.83

 

CMYK 76 / 0 / 25 / 25

HEX #2FC090

RGB 47 192 144

HSL 160.14, 0.61%, 0.47%

LAB 69.69, -48.78, 13.61

 

CMYK 76 / 66 / 0 / 25

HEX #2E42C0

RGB 46 66 192

HSL 231.78, 0.61%, 0.47%

LAB 34.57, 36.92, -67.94

 

CMYK 0 / 56 / 76 / 25

HEX #C0552E

RGB 192 85 46

HSL 16.03, 0.61%, 0.47%

LAB 49.38, 40.61, 42.57

 

CMYK 76 / 0 / 25 / 25

HEX #2FC090

RGB 47 192 144

HSL 160.14, 0.61%, 0.47%

LAB 69.69, -48.78, 13.61

 

CMYK 25 / 76 / 0 / 25

HEX #902EC0

RGB 144 46 192

HSL 280.27, 0.61%, 0.47%

LAB 40.72, 62.49, -57.5

 

CMYK 0 / 25 / 76 / 25

HEX #C0902E

RGB 192 144 46

HSL 40.27, 0.61%, 0.47%

LAB 62.8, 8.91, 55.98

 

CMYK 76 / 0 / 25 / 25

HEX #2FC090

RGB 47 192 144

HSL 160.14, 0.61%, 0.47%

LAB 69.69, -48.78, 13.61

 

CMYK 76 / 66 / 0 / 25

HEX #2E42C0

RGB 46 66 192

HSL 231.78, 0.61%, 0.47%

LAB 34.57, 36.92, -67.94

 

CMYK 0 / 76 / 51 / 25

HEX #C02E5F

RGB 192 46 95

HSL 339.86, 0.61%, 0.47%

LAB 44.21, 59.88, 7.34

 

CMYK 0 / 10 / 76 / 25

HEX #C0AD2E

RGB 192 173 46

HSL 52.19, 0.61%, 0.47%

LAB 70.38, -6.67, 63.13

 

CMYK 76 / 0 / 25 / 25

HEX #2FC090

RGB 47 192 144

HSL 160.14, 0.61%, 0.47%

LAB 69.69, -48.78, 13.61

 

CMYK 63 / 76 / 0 / 25

HEX #472EC0

RGB 71 46 192

HSL 250.27, 0.61%, 0.47%

LAB 32.03, 51.17, -72.05

 

CMYK 0 / 76 / 51 / 25

HEX #C02E5F

RGB 192 46 95

HSL 339.86, 0.61%, 0.47%

LAB 44.21, 59.88, 7.34

 

CMYK 13 / 0 / 76 / 25

HEX #A8C02E

RGB 168 192 46

HSL 69.86, 0.61%, 0.47%

LAB 73.69, -26.54, 65.51

 

Description

Color code: HEX #2FC090 | qconv.com Color code: HEX #2FC090 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 192 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 192 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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