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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FC213 it is the complementary color #D03DEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FC213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FC213 shade: #34C20E, #45D421, #56E634, #67F847 and #78FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FC213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FC213 shade: #2FC213, #1EB000, #0D9E00, #008C00 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FC213 shade: #2FC213, #5EC213, #8EC213, #BDC213 and #C29913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FC213 shade: #2FC213, #13C226, #13C255, #13C285 and #13C2B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FC213 shade matches the following richer shades: #2FC213 and #23D401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FC213 shade: #2FC213, #3BB124, #46A035, #528E47 and #5E7D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FC213 shade: #8EC213, #5FC213, #30C213, #13C224 and #13C253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FC213 shade: #1D770B, #269D0F, #2FC213, #38E817 and #58EB3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FC213 shade: #2FC213, #13BDC2 and #C21376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FC213 shade: #2FC213, #1330C2 and #C21330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FC213 shade: #2FC213, #13BDC2, #A513C2 and #C21913

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FC213 shade: #2FC213, #1388C2, #A513C2 and #C24D13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

Complementary color

CMYK 12 / 74 / 0 / 7

HEX #D03DEC

RGB 208 61 236

HSL 290.4, 0.82%, 0.58%

LAB 54.87, 77.83, -59.4

 

CMYK 73 / 0 / 93 / 24

HEX #34C20E

RGB 52 194 14

HSL 107.33, 0.87%, 0.41%

LAB 69, -65.14, 66.76

 

CMYK 67 / 0 / 84 / 17

HEX #45D421

RGB 69 212 33

HSL 107.93, 0.73%, 0.48%

LAB 75.12, -67.03, 68.68

 

CMYK 63 / 0 / 77 / 10

HEX #56E634

RGB 86 230 52

HSL 108.54, 0.78%, 0.55%

LAB 81.19, -68.39, 69.41

 

CMYK 58 / 0 / 71 / 3

HEX #67F847

RGB 103 248 71

HSL 109.15, 0.93%, 0.63%

LAB 87.23, -69.33, 69.36

 

CMYK 53 / 0 / 65 / 0

HEX #78FF5A

RGB 120 255 90

HSL 109.09, 1%, 0.68%

LAB 89.98, -66.08, 65.36

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 83 / 0 / 100 / 31

HEX #1EB000

RGB 30 176 0

HSL 109.77, 1%, 0.35%

LAB 62.78, -63.15, 63.27

 

CMYK 92 / 0 / 100 / 38

HEX #0D9E00

RGB 13 158 0

HSL 115.06, 1%, 0.31%

LAB 56.62, -59.49, 58.27

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 52 / 0 / 90 / 24

HEX #5EC213

RGB 94 194 19

HSL 94.29, 0.82%, 0.42%

LAB 70.18, -55.34, 67.47

 

CMYK 27 / 0 / 90 / 24

HEX #8EC213

RGB 142 194 19

HSL 77.83, 0.82%, 0.42%

LAB 72.48, -38.84, 70.31

 

CMYK 3 / 0 / 90 / 24

HEX #BDC213

RGB 189 194 19

HSL 61.71, 0.82%, 0.42%

LAB 75.73, -19.46, 74.28

 

CMYK 0 / 21 / 90 / 24

HEX #C29913

RGB 194 153 19

HSL 45.94, 0.82%, 0.42%

LAB 65.2, 4.09, 66.26

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 90 / 0 / 80 / 24

HEX #13C226

RGB 19 194 38

HSL 126.51, 0.82%, 0.42%

LAB 68.65, -67.93, 61.2

 

CMYK 90 / 0 / 56 / 24

HEX #13C255

RGB 19 194 85

HSL 142.63, 0.82%, 0.42%

LAB 69.02, -63.26, 43.12

 

CMYK 90 / 0 / 31 / 24

HEX #13C285

RGB 19 194 133

HSL 159.09, 0.82%, 0.42%

LAB 69.76, -54.55, 19.58

 

CMYK 90 / 0 / 7 / 24

HEX #13C2B4

RGB 19 194 180

HSL 175.2, 0.82%, 0.42%

LAB 70.88, -42.6, -4.32

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 83 / 0 / 100 / 17

HEX #23D401

RGB 35 212 1

HSL 110.33, 0.99%, 0.42%

LAB 74.47, -72.89, 72.54

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 67 / 0 / 80 / 31

HEX #3BB124

RGB 59 177 36

HSL 110.21, 0.66%, 0.42%

LAB 63.76, -57.47, 57.38

 

CMYK 56 / 0 / 67 / 37

HEX #46A035

RGB 70 160 53

HSL 110.47, 0.5%, 0.42%

LAB 58.7, -47.4, 46.11

 

CMYK 42 / 0 / 50 / 44

HEX #528E47

RGB 82 142 71

HSL 110.7, 0.33%, 0.42%

LAB 53.59, -34.11, 31.67

 

CMYK 25 / 0 / 30 / 51

HEX #5E7D58

RGB 94 125 88

HSL 110.27, 0.17%, 0.42%

LAB 49.19, -18.78, 16.68

 

CMYK 27 / 0 / 90 / 24

HEX #8EC213

RGB 142 194 19

HSL 77.83, 0.82%, 0.42%

LAB 72.48, -38.84, 70.31

 

CMYK 51 / 0 / 90 / 24

HEX #5FC213

RGB 95 194 19

HSL 93.94, 0.82%, 0.42%

LAB 70.22, -55.05, 67.52

 

CMYK 75 / 0 / 90 / 24

HEX #30C213

RGB 48 194 19

HSL 110.06, 0.82%, 0.42%

LAB 68.94, -65.64, 65.92

 

CMYK 90 / 0 / 81 / 24

HEX #13C224

RGB 19 194 36

HSL 125.83, 0.82%, 0.42%

LAB 68.64, -68.04, 61.75

 

CMYK 90 / 0 / 57 / 24

HEX #13C253

RGB 19 194 83

HSL 141.94, 0.82%, 0.42%

LAB 69, -63.53, 44.04

 

CMYK 76 / 0 / 91 / 53

HEX #1D770B

RGB 29 119 11

HSL 110, 0.83%, 0.25%

LAB 43.48, -45.16, 45.39

 

CMYK 76 / 0 / 90 / 38

HEX #269D0F

RGB 38 157 15

HSL 110.28, 0.83%, 0.34%

LAB 56.64, -55.89, 56.05

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 76 / 0 / 90 / 9

HEX #38E817

RGB 56 232 23

HSL 110.53, 0.82%, 0.5%

LAB 81.08, -75.6, 75.64

 

CMYK 63 / 0 / 74 / 8

HEX #58EB3C

RGB 88 235 60

HSL 110.4, 0.81%, 0.58%

LAB 82.82, -69.1, 68.51

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 90 / 3 / 0 / 24

HEX #13BDC2

RGB 19 189 194

HSL 181.71, 0.82%, 0.42%

LAB 69.77, -36.22, -13.64

 

CMYK 0 / 90 / 39 / 24

HEX #C21376

RGB 194 19 118

HSL 326.06, 0.82%, 0.42%

LAB 43.13, 68.68, -8.51

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 90 / 75 / 0 / 24

HEX #1330C2

RGB 19 48 194

HSL 230.06, 0.82%, 0.42%

LAB 29.78, 46.79, -77.04

 

CMYK 0 / 90 / 75 / 24

HEX #C21330

RGB 194 19 48

HSL 350.06, 0.82%, 0.42%

LAB 41.45, 64.01, 32.97

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 90 / 3 / 0 / 24

HEX #13BDC2

RGB 19 189 194

HSL 181.71, 0.82%, 0.42%

LAB 69.77, -36.22, -13.64

 

CMYK 15 / 90 / 0 / 24

HEX #A513C2

RGB 165 19 194

HSL 290.06, 0.82%, 0.42%

LAB 41.78, 73.36, -56.79

 

CMYK 0 / 87 / 90 / 24

HEX #C21913

RGB 194 25 19

HSL 2.06, 0.82%, 0.42%

LAB 41.55, 62.22, 48.5

 

CMYK 76 / 0 / 90 / 24

HEX #2FC213

RGB 47 194 19

HSL 110.4, 0.82%, 0.42%

LAB 68.92, -65.79, 65.9

 

CMYK 90 / 30 / 0 / 24

HEX #1388C2

RGB 19 136 194

HSL 199.89, 0.82%, 0.42%

LAB 53.64, -8.82, -38.45

 

CMYK 15 / 90 / 0 / 24

HEX #A513C2

RGB 165 19 194

HSL 290.06, 0.82%, 0.42%

LAB 41.78, 73.36, -56.79

 

CMYK 0 / 60 / 90 / 24

HEX #C24D13

RGB 194 77 19

HSL 19.89, 0.82%, 0.42%

LAB 48.04, 44.42, 53.23

 

Description

Color code: HEX #2FC213 | qconv.com Color code: HEX #2FC213 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 194 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 194 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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