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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FCF5C it is the complementary color #D030A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FCF5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FCF5C shade: #34CF57, #45E16A, #56F37D, #67FF90 and #78FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FCF5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FCF5C shade: #2FCF5C, #1EBD49, #0DAB36, #009923 and #008710

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FCF5C shade: #2FCF5C, #2FCF31, #58CF2F, #83CF2F and #AFCF2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FCF5C shade: #2FCF5C, #2FCF87, #2FCFB3, #2FC1CF and #2F95CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FCF5C shade matches the following richer shades: #2FCF5C, #1AE453 and #05F94A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FCF5C shade: #2FCF5C, #43BB65, #58A66E, #6D9177 and #817D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FCF5C shade: #5ACF2F, #2FCF2F, #2FCF5A, #2FCF84 and #2FCFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FCF5C shade: #1F8C3E, #27AE4D, #2FCF5C, #50D776 and #72DF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FCF5C shade: #2FCF5C, #2F84CF and #CF2F44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FCF5C shade: #2FCF5C, #5A2FCF and #CF5A2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FCF5C shade: #2FCF5C, #2F84CF, #CF2FA4 and #CF7A2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FCF5C shade: #2FCF5C, #2F54CF, #CF2FA4 and #CFAA2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

Complementary color

CMYK 0 / 77 / 22 / 18

HEX #D030A3

RGB 208 48 163

HSL 316.88, 0.63%, 0.5%

LAB 49.7, 70.63, -25.51

 

CMYK 75 / 0 / 58 / 19

HEX #34CF57

RGB 52 207 87

HSL 133.55, 0.62%, 0.51%

LAB 73.57, -63.83, 47.67

 

CMYK 69 / 0 / 53 / 12

HEX #45E16A

RGB 69 225 106

HSL 134.23, 0.72%, 0.58%

LAB 79.7, -64.74, 46.26

 

CMYK 65 / 0 / 49 / 5

HEX #56F37D

RGB 86 243 125

HSL 134.9, 0.87%, 0.65%

LAB 85.79, -65.32, 44.84

 

CMYK 60 / 0 / 44 / 0

HEX #67FF90

RGB 103 255 144

HSL 136.18, 1%, 0.7%

LAB 90.05, -63.46, 41.19

 

CMYK 53 / 0 / 36 / 0

HEX #78FFA3

RGB 120 255 163

HSL 139.11, 1%, 0.74%

LAB 90.85, -56.63, 32.98

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 84 / 0 / 61 / 26

HEX #1EBD49

RGB 30 189 73

HSL 136.23, 0.73%, 0.43%

LAB 67.39, -62.37, 46.77

 

CMYK 92 / 0 / 68 / 33

HEX #0DAB36

RGB 13 171 54

HSL 135.57, 0.86%, 0.36%

LAB 61.2, -60.21, 48.07

 

CMYK 100 / 0 / 77 / 40

HEX #009923

RGB 0 153 35

HSL 133.73, 1%, 0.3%

LAB 54.97, -57.23, 48.91

 

CMYK 100 / 0 / 88 / 47

HEX #008710

RGB 0 135 16

HSL 127.11, 1%, 0.26%

LAB 48.72, -53.12, 48.72

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 77 / 0 / 76 / 19

HEX #2FCF31

RGB 47 207 49

HSL 120.75, 0.63%, 0.5%

LAB 73.19, -68.23, 62.32

 

CMYK 57 / 0 / 77 / 19

HEX #58CF2F

RGB 88 207 47

HSL 104.63, 0.63%, 0.5%

LAB 74.13, -60.41, 64.18

 

CMYK 37 / 0 / 77 / 19

HEX #83CF2F

RGB 131 207 47

HSL 88.5, 0.63%, 0.5%

LAB 75.86, -47.43, 66.44

 

CMYK 15 / 0 / 77 / 19

HEX #AFCF2F

RGB 175 207 47

HSL 72, 0.63%, 0.5%

LAB 78.43, -30.76, 69.76

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 77 / 0 / 35 / 19

HEX #2FCF87

RGB 47 207 135

HSL 153, 0.63%, 0.5%

LAB 74.18, -56.56, 24.59

 

CMYK 77 / 0 / 14 / 19

HEX #2FCFB3

RGB 47 207 179

HSL 169.5, 0.63%, 0.5%

LAB 75.13, -46.34, 2.47

 

CMYK 77 / 7 / 0 / 19

HEX #2FC1CF

RGB 47 193 207

HSL 185.25, 0.63%, 0.5%

LAB 71.72, -32.09, -17.77

 

CMYK 77 / 28 / 0 / 19

HEX #2F95CF

RGB 47 149 207

HSL 201.75, 0.63%, 0.5%

LAB 58.61, -9.18, -37.98

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 89 / 0 / 64 / 11

HEX #1AE453

RGB 26 228 83

HSL 136.93, 0.8%, 0.5%

LAB 79.8, -73.53, 56.46

 

CMYK 98 / 0 / 70 / 2

HEX #05F94A

RGB 5 249 74

HSL 136.97, 0.96%, 0.5%

LAB 86.15, -81.31, 66.75

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 64 / 0 / 46 / 27

HEX #43BB65

RGB 67 187 101

HSL 137, 0.47%, 0.5%

LAB 67.78, -52.12, 33.87

 

CMYK 47 / 0 / 34 / 35

HEX #58A66E

RGB 88 166 110

HSL 136.92, 0.31%, 0.5%

LAB 62.06, -36.73, 21.75

 

CMYK 25 / 0 / 18 / 43

HEX #6D9177

RGB 109 145 119

HSL 136.67, 0.14%, 0.5%

LAB 56.91, -18.07, 9.78

 

CMYK 0 / 3 / 1 / 49

HEX #817D80

RGB 129 125 128

HSL 315, 0.02%, 0.5%

LAB 52.83, 2.1, -1.1

 

CMYK 57 / 0 / 77 / 19

HEX #5ACF2F

RGB 90 207 47

HSL 103.88, 0.63%, 0.5%

LAB 74.19, -59.91, 64.27

 

CMYK 77 / 0 / 77 / 19

HEX #2FCF2F

RGB 47 207 47

HSL 120, 0.63%, 0.5%

LAB 73.18, -68.36, 62.94

 

CMYK 77 / 0 / 57 / 19

HEX #2FCF5A

RGB 47 207 90

HSL 136.13, 0.63%, 0.5%

LAB 73.52, -64.12, 46.22

 

CMYK 77 / 0 / 36 / 19

HEX #2FCF84

RGB 47 207 132

HSL 151.88, 0.63%, 0.5%

LAB 74.12, -57.16, 26.08

 

CMYK 77 / 0 / 15 / 19

HEX #2FCFAF

RGB 47 207 175

HSL 168, 0.63%, 0.5%

LAB 75.03, -47.37, 4.48

 

CMYK 78 / 0 / 56 / 45

HEX #1F8C3E

RGB 31 140 62

HSL 137.06, 0.64%, 0.34%

LAB 51.15, -47.15, 32.95

 

CMYK 78 / 0 / 56 / 32

HEX #27AE4D

RGB 39 174 77

HSL 136.89, 0.63%, 0.42%

LAB 62.71, -55.84, 39.45

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 63 / 0 / 45 / 16

HEX #50D776

RGB 80 215 118

HSL 136.89, 0.63%, 0.58%

LAB 77.05, -57.35, 37.19

 

CMYK 49 / 0 / 35 / 13

HEX #72DF90

RGB 114 223 144

HSL 136.51, 0.63%, 0.66%

LAB 80.94, -48.35, 29.32

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 77 / 36 / 0 / 19

HEX #2F84CF

RGB 47 132 207

HSL 208.13, 0.63%, 0.5%

LAB 53.61, 0.7, -45.85

 

CMYK 0 / 77 / 67 / 19

HEX #CF2F44

RGB 207 47 68

HSL 352.13, 0.63%, 0.5%

LAB 46.6, 62.04, 27.67

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 57 / 77 / 0 / 19

HEX #5A2FCF

RGB 90 47 207

HSL 256.13, 0.63%, 0.5%

LAB 35.42, 57.25, -75.17

 

CMYK 0 / 57 / 77 / 19

HEX #CF5A2F

RGB 207 90 47

HSL 16.13, 0.63%, 0.5%

LAB 52.71, 43.89, 46.26

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 77 / 36 / 0 / 19

HEX #2F84CF

RGB 47 132 207

HSL 208.13, 0.63%, 0.5%

LAB 53.61, 0.7, -45.85

 

CMYK 0 / 77 / 21 / 19

HEX #CF2FA4

RGB 207 47 164

HSL 316.13, 0.63%, 0.5%

LAB 49.47, 70.81, -26.47

 

CMYK 0 / 41 / 77 / 19

HEX #CF7A2F

RGB 207 122 47

HSL 28.13, 0.63%, 0.5%

LAB 59.33, 27.43, 52.83

 

CMYK 77 / 0 / 56 / 19

HEX #2FCF5C

RGB 47 207 92

HSL 136.88, 0.63%, 0.5%

LAB 73.55, -63.85, 45.31

 

CMYK 77 / 59 / 0 / 19

HEX #2F54CF

RGB 47 84 207

HSL 226.13, 0.63%, 0.5%

LAB 40.33, 30.99, -67.23

 

CMYK 0 / 77 / 21 / 19

HEX #CF2FA4

RGB 207 47 164

HSL 316.13, 0.63%, 0.5%

LAB 49.47, 70.81, -26.47

 

CMYK 0 / 18 / 77 / 19

HEX #CFAA2F

RGB 207 170 47

HSL 46.13, 0.63%, 0.5%

LAB 71.02, 1.52, 63.9

 

Description

Color code: HEX #2FCF5C | qconv.com Color code: HEX #2FCF5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 207 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 207 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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