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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B8AC it is the complementary color #CC4753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B8AC shade: #38B8A7, #49CABA, #5ADCCD, #6BEEE0 and #7CFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B8AC shade: #33B8AC, #22A699, #119486, #008273 and #007060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B8AC shade: #32B8AC, #32B888, #32B863, #32B83F and #49B832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B8AC shade: #32B8AC, #32A0B8, #327CB8, #3258B8 and #3233B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B8AC shade matches the following richer shades: #32B8AC, #1FCBBB and #0CDECB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B8AC shade: #32B8AC, #45A59C, #58928C, #6B7F7D and #7E6C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B8AC shade: #32B863, #32B887, #32B8AA, #32A1B8 and #327EB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B8AC shade: #20776F, #29978D, #32B8AC, #47CCC0 and #67D5CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B8AC shade: #33B8AC, #3F32B8 and #B87532

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B8AC shade: #33B8AC, #AA32B8 and #B8AA32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B8AC shade: #33B8AC, #3F32B8, #B8323F and #AAB832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B8AC shade: #33B8AC, #6732B8, #B8323F and #82B832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 7 / 28

HEX #33B8AC

RGB 51 184 172

HSL 174.59, 0.57%, 0.46%

LAB 67.99, -37.67, -4.15

 

Complementary color

CMYK 0 / 65 / 59 / 20

HEX #CC4753

RGB 204 71 83

HSL 354.59, 0.57%, 0.54%

LAB 49.46, 53.36, 22.21

 

CMYK 70 / 0 / 9 / 28

HEX #38B8A7

RGB 56 184 167

HSL 172.03, 0.53%, 0.47%

LAB 67.96, -38.36, -1.44

 

CMYK 64 / 0 / 8 / 21

HEX #49CABA

RGB 73 202 186

HSL 172.56, 0.55%, 0.54%

LAB 74.32, -38.84, -2.43

 

CMYK 59 / 0 / 7 / 14

HEX #5ADCCD

RGB 90 220 205

HSL 173.08, 0.65%, 0.61%

LAB 80.61, -39.15, -3.34

 

CMYK 55 / 0 / 6 / 7

HEX #6BEEE0

RGB 107 238 224

HSL 173.59, 0.79%, 0.68%

LAB 86.83, -39.35, -4.17

 

CMYK 51 / 0 / 5 / 0

HEX #7CFFF3

RGB 124 255 243

HSL 174.5, 1%, 0.74%

LAB 92.7, -39.01, -5.36

 

CMYK 72 / 0 / 7 / 28

HEX #33B8AC

RGB 51 184 172

HSL 174.59, 0.57%, 0.46%

LAB 67.99, -37.67, -4.15

 

CMYK 80 / 0 / 8 / 35

HEX #22A699

RGB 34 166 153

HSL 174.09, 0.66%, 0.39%

LAB 61.58, -36.77, -3.06

 

CMYK 89 / 0 / 9 / 42

HEX #119486

RGB 17 148 134

HSL 173.59, 0.79%, 0.32%

LAB 55.09, -35.49, -1.82

 

CMYK 100 / 0 / 12 / 49

HEX #008273

RGB 0 130 115

HSL 173.08, 1%, 0.25%

LAB 48.51, -33.85, -0.44

 

CMYK 100 / 0 / 14 / 56

HEX #007060

RGB 0 112 96

HSL 171.43, 1%, 0.22%

LAB 41.9, -31.3, 1.21

 

CMYK 73 / 0 / 7 / 28

HEX #32B8AC

RGB 50 184 172

HSL 174.63, 0.57%, 0.46%

LAB 67.97, -37.79, -4.18

 

CMYK 73 / 0 / 26 / 28

HEX #32B888

RGB 50 184 136

HSL 158.51, 0.57%, 0.46%

LAB 67.08, -46.97, 14.3

 

CMYK 73 / 0 / 46 / 28

HEX #32B863

RGB 50 184 99

HSL 141.94, 0.57%, 0.46%

LAB 66.41, -54.36, 33.07

 

CMYK 73 / 0 / 66 / 28

HEX #32B83F

RGB 50 184 63

HSL 125.82, 0.57%, 0.46%

LAB 66, -59.28, 49.66

 

CMYK 60 / 0 / 73 / 28

HEX #49B832

RGB 73 184 50

HSL 109.7, 0.57%, 0.46%

LAB 66.46, -55.77, 55.47

 

CMYK 73 / 0 / 7 / 28

HEX #32B8AC

RGB 50 184 172

HSL 174.63, 0.57%, 0.46%

LAB 67.97, -37.79, -4.18

 

CMYK 73 / 13 / 0 / 28

HEX #32A0B8

RGB 50 160 184

HSL 190.75, 0.57%, 0.46%

LAB 61.03, -22.54, -21.3

 

CMYK 73 / 33 / 0 / 28

HEX #327CB8

RGB 50 124 184

HSL 206.87, 0.57%, 0.46%

LAB 50.16, -2.5, -38.17

 

CMYK 73 / 52 / 0 / 28

HEX #3258B8

RGB 50 88 184

HSL 222.99, 0.57%, 0.46%

LAB 39.78, 20.17, -54.75

 

CMYK 73 / 72 / 0 / 28

HEX #3233B8

RGB 50 51 184

HSL 239.55, 0.57%, 0.46%

LAB 30.66, 43.67, -69.65

 

CMYK 73 / 0 / 7 / 28

HEX #32B8AC

RGB 50 184 172

HSL 174.63, 0.57%, 0.46%

LAB 67.97, -37.79, -4.18

 

CMYK 85 / 0 / 8 / 20

HEX #1FCBBB

RGB 31 203 187

HSL 174.42, 0.74%, 0.46%

LAB 73.93, -43.85, -3.63

 

CMYK 95 / 0 / 9 / 13

HEX #0CDECB

RGB 12 222 203

HSL 174.57, 0.9%, 0.46%

LAB 79.97, -48.42, -3.34

 

CMYK 73 / 0 / 7 / 28

HEX #32B8AC

RGB 50 184 172

HSL 174.63, 0.57%, 0.46%

LAB 67.97, -37.79, -4.18

 

CMYK 58 / 0 / 5 / 35

HEX #45A59C

RGB 69 165 156

HSL 174.38, 0.41%, 0.46%

LAB 62.15, -30.27, -3.81

 

CMYK 40 / 0 / 4 / 43

HEX #58928C

RGB 88 146 140

HSL 173.79, 0.25%, 0.46%

LAB 56.61, -20.43, -2.81

 

CMYK 16 / 0 / 2 / 50

HEX #6B7F7D

RGB 107 127 125

HSL 174, 0.09%, 0.46%

LAB 51.59, -7.69, -1.36

 

CMYK 0 / 14 / 13 / 51

HEX #7E6C6D

RGB 126 108 109

HSL 356.67, 0.08%, 0.46%

LAB 47.32, 7.27, 2.06

 

CMYK 73 / 0 / 46 / 28

HEX #32B863

RGB 50 184 99

HSL 141.94, 0.57%, 0.46%

LAB 66.41, -54.36, 33.07

 

CMYK 73 / 0 / 27 / 28

HEX #32B887

RGB 50 184 135

HSL 158.06, 0.57%, 0.46%

LAB 67.06, -47.2, 14.81

 

CMYK 73 / 0 / 8 / 28

HEX #32B8AA

RGB 50 184 170

HSL 173.73, 0.57%, 0.46%

LAB 67.92, -38.35, -3.16

 

CMYK 73 / 13 / 0 / 28

HEX #32A1B8

RGB 50 161 184

HSL 190.3, 0.57%, 0.46%

LAB 61.33, -23.06, -20.83

 

CMYK 73 / 32 / 0 / 28

HEX #327EB8

RGB 50 126 184

HSL 205.97, 0.57%, 0.46%

LAB 50.76, -3.69, -37.23

 

CMYK 73 / 0 / 7 / 53

HEX #20776F

RGB 32 119 111

HSL 174.48, 0.58%, 0.3%

LAB 45.15, -27.05, -2.97

 

CMYK 73 / 0 / 7 / 41

HEX #29978D

RGB 41 151 141

HSL 174.55, 0.57%, 0.38%

LAB 56.61, -32.44, -3.56

 

CMYK 73 / 0 / 7 / 28

HEX #32B8AC

RGB 50 184 172

HSL 174.63, 0.57%, 0.46%

LAB 67.97, -37.79, -4.18

 

CMYK 65 / 0 / 6 / 20

HEX #47CCC0

RGB 71 204 192

HSL 174.59, 0.57%, 0.54%

LAB 75.03, -38.48, -4.63

 

CMYK 52 / 0 / 5 / 16

HEX #67D5CB

RGB 103 213 203

HSL 174.55, 0.57%, 0.62%

LAB 78.92, -33.91, -4.72

 

CMYK 72 / 0 / 7 / 28

HEX #33B8AC

RGB 51 184 172

HSL 174.59, 0.57%, 0.46%

LAB 67.99, -37.67, -4.15

 

CMYK 66 / 73 / 0 / 28

HEX #3F32B8

RGB 63 50 184

HSL 245.82, 0.57%, 0.46%

LAB 31.34, 45.66, -68.48

 

CMYK 0 / 36 / 73 / 28

HEX #B87532

RGB 184 117 50

HSL 30, 0.57%, 0.46%

LAB 55.22, 20.5, 46.36

 

CMYK 72 / 0 / 7 / 28

HEX #33B8AC

RGB 51 184 172

HSL 174.59, 0.57%, 0.46%

LAB 67.99, -37.67, -4.15

 

CMYK 8 / 73 / 0 / 28

HEX #AA32B8

RGB 170 50 184

HSL 293.73, 0.57%, 0.46%

LAB 44.64, 64.71, -46.29

 

CMYK 0 / 8 / 73 / 28

HEX #B8AA32

RGB 184 170 50

HSL 53.73, 0.57%, 0.46%

LAB 68.87, -8.42, 60.03

 

CMYK 72 / 0 / 7 / 28

HEX #33B8AC

RGB 51 184 172

HSL 174.59, 0.57%, 0.46%

LAB 67.99, -37.67, -4.15

 

CMYK 66 / 73 / 0 / 28

HEX #3F32B8

RGB 63 50 184

HSL 245.82, 0.57%, 0.46%

LAB 31.34, 45.66, -68.48

 

CMYK 0 / 73 / 66 / 28

HEX #B8323F

RGB 184 50 63

HSL 354.18, 0.57%, 0.46%

LAB 42.51, 53.9, 24.64

 

CMYK 8 / 0 / 73 / 28

HEX #AAB832

RGB 170 184 50

HSL 66.27, 0.57%, 0.46%

LAB 71.59, -21.6, 62.25

 

CMYK 72 / 0 / 7 / 28

HEX #33B8AC

RGB 51 184 172

HSL 174.59, 0.57%, 0.46%

LAB 67.99, -37.67, -4.15

 

CMYK 44 / 73 / 0 / 28

HEX #6732B8

RGB 103 50 184

HSL 263.73, 0.57%, 0.46%

LAB 35.25, 51.58, -61.92

 

CMYK 0 / 73 / 66 / 28

HEX #B8323F

RGB 184 50 63

HSL 354.18, 0.57%, 0.46%

LAB 42.51, 53.9, 24.64

 

CMYK 29 / 0 / 73 / 28

HEX #82B832

RGB 130 184 50

HSL 84.18, 0.57%, 0.46%

LAB 68.94, -37.74, 58.76

 

Description

Color code: HEX #33B8AC | qconv.com Color code: HEX #33B8AC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 184 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 184 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 7 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 7% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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